Piano SKU: HL.14023161 Composed by Richard Rodney Bennett. Music Sales Am...(+)
Piano
SKU:
HL.14023161
Composed
by Richard Rodney
Bennett. Music Sales
America. Classical. Book
[Softcover]. 46 pages.
Music Sales #NOV100288.
Published by Music Sales
(HL.14023161).
ISBN
9780853602910.
8.5x11.0x0.148
inches.
Variations
on a theme of Scott
Joplin for solo piano.
Based on three sections
of Scott Joplin's Solace-
A Mexican Serenade. First
performed by John McCabe
on 3 June 1985. Duration
27 minutes. Suitable for
advanced pianists.
Mixed choir (SAB), children's choir (SA) or men's choir (TTBB) a cappella or wit...(+)
Mixed choir (SAB),
children's choir (SA) or
men's choir (TTBB) a
cappella or with
instruments (V I/Fl, V
II/Va, Vc/Kb) (CHP(GCH))
- intermediate
SKU:
HL.49031712
Kleine
Kantate zum Tag des
Baumes. Composed by
Friedrich Zipp. This
edition: Folding. Sheet
music. Edition Schott.
Choral Score. 4 pages.
Duration 6'. Schott Music
#ED 4852-01. Published by
Schott Music
(HL.49031712).
Piano 4 Hands SKU: BR.EB-8835 12 Pieces. Composed by Igor Grigori ...(+)
Piano 4 Hands
SKU:
BR.EB-8835
12
Pieces. Composed by
Igor Grigori Jussim. Solo
instruments; Softbound.
Edition Breitkopf.
Jussim takes us to
cities that have become
famous through their
music, or, more
precisely, through their
rhythms.
Music
pedagogy. Score. 80
pages. Breitkopf and
Haertel #EB 8835.
Published by Breitkopf
and Haertel (BR.EB-8835).
ISBN 9790004183991. 9
x 12 inches.
Many
cities around the world
are celebrated for their
unique beauty, their
breathtaking sights or
their historical
significance. These
elements also often go
hand in hand. What is
much less frequent is to
showcase a city from the
perspective of its music.
This is precisely the
path taken here by Stadte
und Rhythmen on its
journey to cities that
have become famous
through their music, or,
more precisely, through
their rhythms, and from
where dances such as the
polka, the waltz, the
tarantella and others
began their triumphant
march through music
history. Igor Jussim,
known for his Blues
Collection (EB 8718),
fashions the pieces in
Stadte und Rhythmen after
characteristic patterns.
He highlights the
selected rhythms in a
musical idiom and form
that encourage the
players access to these
rhythms. Igor Jussim
livre des morceaux
originaux qui ne manquent
pas de dynamisme.
(Pianiste)
Jussim
takes us to cities that
have become famous
through their music, or,
more precisely, through
their rhythms.
Mixed choir (SAB), children's choir (SA) or men's choir (TTBB) a cappella or wit...(+)
Mixed choir (SAB),
children's choir (SA) or
men's choir (TTBB) a
cappella or with
instruments (V I/Fl, V
II/Va, Vc/Kb) -
intermediate
SKU:
HL.49005203
Kleine
Kantate zum Tag des
Baumes. Composed by
Friedrich Zipp. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score. 20
pages. Duration 6'.
Schott Music #ED 4852.
Published by Schott Music
(HL.49005203).
Concert band - Grade 3 SKU: YM.GTW01091310 -. Score+Parts in CD-ROM/Zong ...(+)
Concert band - Grade 3
SKU:
YM.GTW01091310
-.
Score+Parts in
CD-ROM/Zong Pu + Fen Pu
in CD-ROM. Yamaha Music
Media #GTW01091310.
Published by Yamaha Music
Media (YM.GTW01091310).
ISBN
9784636913101.
Suit
able for both primary
school brass band and
wind band. Composed and
Arranged by Yo Goto, Toru
Minakuchiand Keisuke
Asami. Model performances
and parts(PDF) are
included in attached
CD-ROM.
1.
Amazing Grace; 2. I've
Been Working on the Rail
Road; 3. Brilliant March
by Toru Mizuguchi; 4.
Over the Sea II by
Keisuke Asami.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series. Pop
& Rock. Set (Score &
Parts). Composed 2011.
Anglo Music Press #AMP
316-010. Published by
Anglo Music Press
(BT.AMP-316-010).
9x12
inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Mixed choir (SAB), children's choir (SA) or men's choir (TTBB) a cappella or wit...(+)
Mixed choir (SAB),
children's choir (SA) or
men's choir (TTBB) a
cappella or with
instruments (V I/Fl, V
II/Va, Vc/Kb) (V1/FL) -
intermediate
SKU:
HL.49031714
Kleine
Kantate zum Tag des
Baumes. Composed by
Friedrich Zipp. Sheet
music. Edition Schott.
Individual part. 4 pages.
Duration 6'. Schott Music
#ED 4852-11. Published by
Schott Music
(HL.49031714).
SKU: HL.299371 By Metallica. Book. Heavy Metal, Rock Reference. Softcover...(+)
SKU: HL.299371
By
Metallica. Book. Heavy
Metal, Rock Reference.
Softcover. 152 pages.
Published by Cherry Lane
Music (HL.299371).
ISBN 9781540060259.
UPC: 888680956189.
6.0x9.0x0.332
inches.
Metallica's
success can be directly
attributed to their
passionate, no-compromise
attitude, which comes
through loud and clear in
the words they sing. Now
fans can have the
complete lyrics to all of
their favorite songs with
this updated 3rd edition
featuring 106 songs.
Bohemian Rhapsody Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band (Score) - Grade 4 SKU: HL.44010995 Composed by Freddie Mercu...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44010995
Composed
by Freddie Mercury.
Arranged by Philip
Sparke. Anglo Music
Concert Band. Pop. Score
Only. Composed 2011.
Anglo Music Press
#AMP316140. Published by
Anglo Music Press
(HL.44010995).
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock 'n' roll. The song
defied all convention in
terms of form. It has no
chorus. Instead, it
comprised of an
introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke's authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklarten
ratselhaften Text trug
vor allem die
ungewohnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie moglich am
Original zu
bleiben.
Bohemian
Rhapsody est souvent
mentionne comme le titre
le plus important dans
l'histoire du Rock.
Ecrite par Freddie
Mercury, cette chanson
defie toutes les normes
jusque-la respectees.
Elle se compose de six
sections bien distinctes:
introduction, ballade,
solo de guitare, parties
opera et hard rock ainsi
qu'un finale.
L'arrangement pour
orchestre d'harmonie de
Philip Sparke reste
conforme a la version
originale. Succes
garanti!
Bohemian
Rhapsody e spesso
menzionato come il titolo
piu importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale. L'arrangiamento
per banda di Philip
Sparke e fedele
all'originale.
Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340).
ISBN
9788480207591.
Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor.
Piano SKU: HL.50606510 BB69 (1915). Composed by Bela Bartok. Edite...(+)
Piano
SKU:
HL.50606510
BB69
(1915). Composed by
Bela Bartok. Edited by
Lá, Somfai, and szló.
EMB. 20Th Century,
Classical, Hungarian.
Softcover. 16 pages.
Editio Musica Budapest
#Z20105. Published by
Editio Musica Budapest
(HL.50606510).
ISBN
9781705190739. UPC:
196288126867.
BartÃ
ƒÂ³k composed the
Sonatina for solo piano
in his 'Romanian year' of
1915; this was when he
also composed the set of
Romanian Folk Dances and
the Romanian Christmas
Carols. In this
relatively short piano
piece (lasting three to
four minutes), the
composer used
instrumental folk music
collected in
Transylvania. In the
first movement, Bartók
conjures up two bagpipes,
and, in the second, a
fiddler playing for a
bear dance. The first
edition of the Sonatina
was published by
Rózsavölgyi in
1919, and the composer
premieredthe work in 1920
in Pozsony (Bratislava).
This separate print is
based on volume 38 of the
Bartók Complete
Critical Edition
published in 2019, in
which Henle Verlag of
Munichand Editio Musica
Budapest published the
piano works composed
between 1914 and 1920.
The musical text is
accompanied by a preface
in English and Hungarian
by László Somfai,
and by editorial remarks
which not only discuss
the sources but also
offer practical advice
for performers. Contents:
1. Bagpipers 2. Bear
Dance 3. Finale.
Mixed choir (SAB), children's choir (SA) or men's choir (TTBB) a cappella or wit...(+)
Mixed choir (SAB),
children's choir (SA) or
men's choir (TTBB) a
cappella or with
instruments (V I/Fl, V
II/Va, Vc/Kb) (V2/VA) -
intermediate
SKU:
HL.49031715
Kleine
Kantate zum Tag des
Baumes. Composed by
Friedrich Zipp. Sheet
music. Edition Schott.
Individual part. 4 pages.
Duration 6'. Schott Music
#ED 4852-12. Published by
Schott Music
(HL.49031715).
Mixed choir (SAB), children's choir (SA) or men's choir (TTBB) a cappella or wit...(+)
Mixed choir (SAB),
children's choir (SA) or
men's choir (TTBB) a
cappella or with
instruments (V I/Fl, V
II/Va, Vc/Kb) (VC/KB) -
intermediate
SKU:
HL.49031716
Kleine
Kantate zum Tag des
Baumes. Composed by
Friedrich Zipp. Sheet
music. Edition Schott.
Individual part. 2 pages.
Duration 6'. Schott Music
#ED 4852-13. Published by
Schott Music
(HL.49031716).
Mixed choir (SAB), children's choir (SA) or men's choir (TTBB) a cappella or wit...(+)
Mixed choir (SAB),
children's choir (SA) or
men's choir (TTBB) a
cappella or with
instruments (V I/Fl, V
II/Va, Vc/Kb) (CHP(MCH))
- intermediate
SKU:
HL.49031713
Kleine
Kantate zum Tag des
Baumes. Composed by
Friedrich Zipp. Sheet
music. Edition Schott.
Choral Score. 4 pages.
Duration 6'. Schott Music
#ED 4852-02. Published by
Schott Music
(HL.49031713).
Books and Journals; Voice SKU: UT.LB-14 Composed by Antonio Juvarra. Pape...(+)
Books and Journals; Voice
SKU: UT.LB-14
Composed by Antonio
Juvarra. Paperback (Soft
Cover). Classical. Books
and Journals. Ut Orpheus
#LB 14. Published by Ut
Orpheus (UT.LB-14).
ISBN 9788881094769.
5.90 x 8.46
inches.
Entrare
nell'universo del canto e
ritrovare se stessi, la
propria dimensione piu
autentica e profonda, che
comprende anche quella
espressiva. Esistono
due modi di cantare:
imitando dall'esterno dei
suoni oppure scoprendo la
propria vera voce e
lasciandola risuonare
liberamente. Solo il
secondo modo dona quel
senso euforico di
apertura dell'essere, di
elevazione e di
liberazione, che spinge
tante persone sulla
strada del canto, ma
purtroppo al giorno
d'oggi e soprattutto il
primo modo a essere
proposto e
propagandato. Ogni
epoca ha un'immagine, un
simbolo che ne
rappresenta lo spirito,
l'essenza. Il
'meccanismo' e l'immagine
in cui ancora si
rispecchia e si esprime
la modernita del
Duemila. Come i
bambini sono convinti che
nella radio si nasconda
un omino che ci parla
dentro, cosi i moderni
didatti e scienziati del
canto sono convinti che
nel corpo si nasconda una
macchina vocale che puo
entrare in funzione solo
leggendo i libretti di
istruzione, da loro
predisposti. I risultati
di questa convinzione si
possono sentire nelle
scuole di canto e nei
teatri... Si dice che
il corpo diventi cio che
uno vi introduce
mangiando. Analogamente
il cantante diventa cio
che egli immagina
cantando. Se immagina
muscoli e cartilagini, il
suo canto non potra che
essere, per definizione,
muscolare e
laringeo. In effetti
il canto e si una
disciplina del corpo, ma
e una disciplina che si
apprende educando la
mente e non i singoli
muscoli. Questa
educazione inizia
acquisendo la capacita di
prendere coscienza delle
varie sensazioni vitali e
di evocarle cantando.
Queste e non le immagini
foniatriche delle corde
vocali o dei vari muscoli
rappresentano la vera
tastiera del
cantante. In verita le
tastiere meccanicistiche
non sono che le gabbie in
cui i cantanti
inconsapevolmente
rinchiudono la loro voce,
e ogni anatomia della
voce si trasforma ben
presto in autopsia della
voce... <>, ha scritto
Eraclito venticinque
secoli fa. Altrettanto
dicasi dell'insperabile
del vero canto, detto
anche belcanto.
Concert band - Grade 3 SKU: YM.GTW01091311 -. Score+Parts in CD-ROM/Zong ...(+)
Concert band - Grade 3
SKU:
YM.GTW01091311
-.
Score+Parts in
CD-ROM/Zong Pu + Fen Pu
in CD-ROM. Yamaha Music
Media #GTW01091311.
Published by Yamaha Music
Media (YM.GTW01091311).
ISBN
9784636913118.
Suit
able for both primary
school brass band and
wind band. Arranged by Yo
Goto, Toru Minakuchiand
Keisuke Asami. Model
performances and
parts(PDF) are included
in attached CD-ROM.
1. Little Brown
Jug; 2. Furusato; 3.
Spanish Dance by Keisuke
Asami.
Composed by Freddie
Mercury. Arranged by
Philip Sparke. Anglo
Music Midway Series.
Score Only. Composed
2011. 28 pages. Anglo
Music Press #AMP 316-140.
Published by Anglo Music
Press (BT.AMP-316-140).
9x12 inches.
English-German-French-Dut
ch.
Bohemian
Rhapsody is undoubtedly
one of the most important
songs in the history of
rock ‘n’
roll. The song defied all
convention in terms of
form. It has no chorus.
Instead, it comprised of
an introduction, ballad,
guitar solo, operatic
interlude, hard rock
section and coda. Perhaps
the most mystifying
aspect of the song is the
lyrics, which are
commonly thought to be
autobiographical,
although members of the
band have never fully
explained them. Bring the
house down with Philip
Sparke’s authentic
arrangement!
Bohem
ian Rhapsody wordt vaak
gezien als het
belangrijkste nummer uit
de geschiedenis van de
rockmuziek. Naast de
nooit verklaarde
raadselachtige tekst, was
het vooral de ongewone
vorm die tot op de dag
van vandaag voor het
grote succeszorgde. Het
nummer kent geen refrein,
maar bestaat uit vijf
afzonderlijke delen:
inleiding, ballad,
gitaarsolo, hardrock en
slot. Philip Sparke is
met zijn arrangement zo
dicht mogelijk bij het
origineel gebleven.
Grotesk!
Bohemi
an Rhapsody wird oft
als der bedeutendste Song
in der Geschichte des
Rock bezeichnet. Neben
dem nie erklärten
rätselhaften Text trug
vor allem die
ungewöhnliche Form zum
heute noch andauernden
Erfolg des Liedes bei: Es
hat keinen Refrain,
sondern besteht aus den
Abschnitten Einleitung,
Ballade, Gitarrensolo,
Hardrock und Schluss.
Philip Sparke versuchte,
in seiner Version von
Bohemian Rhapsody
so nahe wie möglich am
Original zu
bleiben.
Bohemian
Rhapsody è spesso
menzionato come il titolo
più importante nella
storia della musica rock.
Scritta da Freddie
Mercury, questa canzone
sfida tutti i canoni fino
a allora rispettati. Si
compone di sei sezioni
ben distinte:
introduzione, ballata,
assolo di chitarra, parti
classiche e rock ed un
finale.
L’arrangiamento
per banda di Philip
Sparke è fedele
all’originale.
Piano SKU: BA.BA04142 Composed by Rudolf Kelterborn. Stapled. Performance...(+)
Piano
SKU:
BA.BA04142
Composed
by Rudolf Kelterborn.
Stapled. Performance
score. Composed 1965.
Baerenreiter Verlag
#BA04142_00. Published by
Baerenreiter Verlag
(BA.BA04142).
Guitar - Advanced SKU: DZ.DZ-4262 Composed by Bryan Johanson and Jesse Mc...(+)
Guitar - Advanced
SKU:
DZ.DZ-4262
Composed
by Bryan Johanson and
Jesse McCann. Method
Book. Les Productions
d'OZ #DZ 4262. Published
by Les Productions d'OZ
(DZ.DZ-4262).
ISBN
9782898521799.
In
this ambitious series,
Bryan Johanson and Jesse
McCann seek to address
this missing element in
the study of classical
guitar. In light of the
sheer volume of guitar
music written over the
centuries, not to men-
tion early works by the
guitar’s
plucked-string relatives,
the authors’ choices
were by necessity limited
to a select group of
standards. These might be
considered among the most
popular works in the
guitar canon, admired
over the years by
performers, students, and
audiences alike for their
beauty, musical
expression, and idiomatic
sonority. There are, of
course, other pieces that
could have been included.
But by choosing works
that give a broad survey
of styles across musical
periods (Renaissance,
Baroque, Classical,
Romantic, and early 20th
century) written by some
of the guitar’s most
important composers, the
authors present a com-
prehensive cross-section
of the essential
repertoire for the
instrument. - William
Kanengiser
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Arranged by Wil van der
Beek. Great Classics.
Score Only. Composed
2012. 44 pages. De Haske
Publications #DHP
1125039-140. Published by
De Haske Publications
(BT.DHP-1125039-140).