Composed by Astor Piazzolla (1921-1992). For Violin, Piano Accompaniment. Boosey...(+)
Composed by Astor
Piazzolla (1921-1992).
For Violin, Piano
Accompaniment. Boosey and
Hawkes Chamber Music.
Softcover. 120 pages.
Published by Boosey and
Hawkes
Edited by Christoph Emmanuel Langheim. For violin and viola duet. This edition...(+)
Edited by Christoph
Emmanuel
Langheim. For violin and
viola duet. This edition:
saddle stitiching. Hors
Serie. Score and parts.
28
28 pages. Published by Ut
Orpheus
Piazzolla Tangos Violon [Partition + Accès audio] Boosey and Hawkes
(Violin). Composed by Astor Piazzolla (1921-1992). For Violin (Violin). Boosey a...(+)
(Violin). Composed by
Astor Piazzolla
(1921-1992). For Violin
(Violin). Boosey and
Hawkes Chamber Music.
Softcover Audio Online.
24 pages. Published by
Boosey and Hawkes
Piano Trio: piano, violon, violoncelle [Set de Parties séparées] Tonos
By Astor Piazzolla (1921-1992), arranged by Jose Bragato, edited by Pablo Ziegle...(+)
By Astor Piazzolla
(1921-1992), arranged by
Jose Bragato, edited by
Pablo Ziegler (1944-).
Set of performance parts
for piano trio (violin,
violoncello, piano).
Published by Tonos
(German import).
String Orchestra (Score) SKU: HL.50600898 For String Orchestra. Co...(+)
String Orchestra (Score)
SKU: HL.50600898
For String
Orchestra. Composed
by Bella, Má, and
té. Contemporary
Music. EMB. Classical.
Softcover. 86 pages.
Duration 16'. Editio
Musica Budapest #Z14933.
Published by Editio
Musica Budapest
(HL.50600898).
ISBN
9790080149331.
10.25x14.25x0.41 inches.
Mate Bella.
The
title of the piece refers
to Lethe, one of the
rivers of Hades, known
from Greek mythology. The
meaning of the world is
'oblivion'; the dead
souls were drinking from
it in order to forget
about their earthly life,
whose memories might have
poisoned their eternal
life. According to
tradition, river Lethe
also the symbol of time
as a dynamically moving,
flowing, changing entity.
Mate Bella's composition
follows this ancent
symbolic structure, the
flow of this mythical
river and its waves in
the acoustic space
created by the music. The
composer prescribes an
unusual arrangement of
the string orchestra,
reminiscent of the
polychoral technique of
composition of the early
Baroque, with larger and
smaller groups of
performers. To the right
and left of the podium
sit string quintets (two
violins, a viola, a cello
and a double bass), while
the center is held by a
larger string ensemble
(eight violins, two
violas and two cellos).
The musical materials for
the quintets are somewhat
solistic, but the parts
diverge and reunite
repeatedly, while
becoming shorter or
eventually fading out
into oblivion. The
workings of these
resemble the waves of a
river, followed by ever
smaller ripples and
whirls of the surface.The
piece was commissioned by
the Musica Viva concert
series of the Bavarian
Radio Symphony Orchestra.
(Janos Malina).
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Violin 2. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 2. Composed
1868/1869. Op. 29. 8
pages. Duration 14
minutes. Carus Verlag #CV
10.364/12. Published by
Carus Verlag
(CA.1036412).
ISBN
9790007190392. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Violin 1. Sacred
vocal music, Cantatas,
Advent. Single Part,
Violin 1. Composed
1868/1869. Op. 29. 8
pages. Duration 14
minutes. Carus Verlag #CV
10.364/11. Published by
Carus Verlag
(CA.1036411).
ISBN
9790007190385. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Sacred vocal
music, Cantatas, Advent.
Choral Score. Composed
1868/1869. Op. 29. 12
pages. Duration 14
minutes. Carus Verlag #CV
10.364/05. Published by
Carus Verlag
(CA.1036405).
ISBN
9790007166540. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score
available separately -
see item CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Double bass.
Sacred vocal music,
Cantatas, Advent. Single
Part, Double Bass.
Composed 1868/1869. Op.
29. 4 pages. Duration 14
minutes. Carus Verlag #CV
10.364/15. Published by
Carus Verlag
(CA.1036415).
ISBN
9790007190422. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Sacred vocal
music, Cantatas, Advent.
Vocal score. Composed
1868/1869. Op. 29. 24
pages. Duration 14
minutes. Carus Verlag #CV
10.364/03. Published by
Carus Verlag
(CA.1036403).
ISBN
9790007166533. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score
available separately -
see item CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Viola. Sacred
vocal music, Cantatas,
Advent. Single Part,
Viola. Composed
1868/1869. Op. 29. 8
pages. Duration 14
minutes. Carus Verlag #CV
10.364/13. Published by
Carus Verlag
(CA.1036413).
ISBN
9790007190408. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. 1x 10.364/21 flute
1, 1x 10.364/22 flute 2,
1x 10.364/23 oboe 1, 1x
10.364/24 oboe 2, 1x
10.364/25 clarinet 1, 1x
10.364/26 clarinet 2, 1x
10.364/27 bassoon 1, 1x
10.364/28 bassoon 2, 1x
10.364/31 horn 1, 1x
10.364/32 horn 2, 1x
10.364/33 horn 3, 1x
10.36. Harmony parts.
Sacred vocal music,
Cantatas, Advent. Set of
Orchestra Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/09. Published by
Carus Verlag
(CA.1036409).
ISBN
9790007190378. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Violoncello.
Sacred vocal music,
Cantatas, Advent. Single
Part, Cello. Composed
1868/1869. Op. 29. 4
pages. Duration 14
minutes. Carus Verlag #CV
10.364/14. Published by
Carus Verlag
(CA.1036414).
ISBN
9790007190415. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Advent. Set of Orchestra
Parts. Composed
1868/1869. Op. 29.
Duration 14 minutes.
Carus Verlag #CV
10.364/19. Published by
Carus Verlag
(CA.1036419).
ISBN
9790007166557. Text
language: German. Text:
von Spee, Friedrich /
Simrock, Karl.
Max
Bruch succeeded in
composing an impressive
setting of the well known
Advent text, O Heiland,
reiss die Himmel auf (O
Saviour, tear open the
heavens). Compositionally
it is extremely
sophisticated in its
construction; Bruch
combines both the choir
and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
parts available
separately - see item
CA.1036400.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. This edition:
paperback. Sacred vocal
music, Cantatas, Advent.
Full score. Composed
1868/1869. Op. 29. 56
pages. Duration 14
minutes. Carus Verlag #CV
10.364/00. Published by
Carus Verlag
(CA.1036400).
ISBN
9790007166526. Language:
German. Text: von Spee,
Friedrich / Simrock,
Karl. Text by Friedrich
von Spee / Karl
Simrock.
Max Bruch
succeeded in composing an
impressive setting of the
well known Advent text, O
Heiland, reiss die Himmel
auf (O Saviour, tear open
the heavens).
Compositionally it is
extremely sophisticated
in its construction;
Bruch combines both the
choir and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public.
O
Heiland, reiss die Himmel
auf. Composed by Max
Bruch. Edited by Minkus
Teske. Organ. Sacred
vocal music, Cantatas,
Advent. Single Part,
Organ. Composed
1868/1869. Op. 29. 4
pages. Duration 14
minutes. Carus Verlag #CV
10.364/49. Published by
Carus Verlag
(CA.1036449).
ISBN
9790007190439. Language:
German. Text: von Spee,
Friedrich / Simrock,
Karl. Text by Friedrich
von Spee / Karl
Simrock.
Max Bruch
succeeded in composing an
impressive setting of the
well known Advent text, O
Heiland, reiss die Himmel
auf (O Saviour, tear open
the heavens).
Compositionally it is
extremely sophisticated
in its construction;
Bruch combines both the
choir and orchestra in a
powerfully expressive and
moving portrayal of
mankind waiting for the
coming of the Saviour.
Following the premiere of
the work in 1869 it was
celebrated as Bruch's
most important choral
work, but later it fell
largely into oblivion.
Almost 150 years after it
was composed, for the
first time a
critical-scholarly
edition is now available
to the public. Score and
part available separately
- see item
CA.1036400.