Urtext der Neuen
Mozart-Ausgabe.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/2. Complete
edition, Score,
anthology. 235 pages.
Baerenreiter Verlag
#BA05007_01. Published by
Baerenreiter Verlag
(BA.BA05007-01).
ISBN
9790006461448. 33 x 26.5
cm inches. Language:
German. Preface: Dürr,
Alfred.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(The Battle - No. 2 from A War Song Trilogy ). By D. Farrell Smith. For Tbb Voi...(+)
(The Battle - No. 2 from
A War Song Trilogy ). By
D. Farrell Smith. For Tbb
Voices with Keyboard. 8
pages. Duration 1 minute,
40 seconds. Published by
Carl Fischer
Choral TB chorus with Piano and optional Solos SKU: CF.CM9755 Composed by...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9755
Composed by Ashley Dame
Meredith Tompkins. Mjts.
Duration 2 minutes, 33
seconds. Carl Fischer
Music #CM9755. Published
by Carl Fischer Music
(CF.CM9755).
ISBN
9781491162439. UPC:
680160921188. Key: D
minor. English. Matthew
Arnold
(1822-1888).
The
luminous text of the poem
Dover Beach by English
poet Matthew Arnold is
the inspiration for the
rolling and weaving
melodies of this
undulating piece. In his
writing, Arnold ponders
how the vastness of the
sea and the thrashing
waves that crash on the
sand and rocks seem to
mirror the melancholy in
his heart. He comes back
to the steadfast nature
of the cliffs of England
that allow the light of
the moon to gleam across
and then scatter into
darkness. The echoing
phrases are intended to
create concrete
repetitions that mirror
the original unison
melody with minor
deviations. In turn, the
driving passages will
challenge the performer
while providing
arpeggiated accompaniment
to propel them
forward.INSTRUCTIONAL
PURPOSES and RANGES: This
work is composed for the
needs of tenor-bass
voices, with both a
reasonable range and
comfortable tessitura.
The call-and-response
sections allow for
singers to easily hear
their part while
developing harmonic
foundations and listening
skills. Sustained phrases
are strategically written
to strengthen breath
support and the passaggio
during the challenges of
navigating through
various phases of vocal
development. Â The
descant portion is a
great option for solos or
small ensembles.
10
Weihnachtschoräle.
Edited by Manfred Harras.
Stapled. Weihnachtslieder
(Christmas Songs).
Performance score.
Baerenreiter Verlag
#BA08096_00. Published by
Baerenreiter Verlag
(BA.BA08096).
ISBN
9790006488650. 29 x 21 cm
inches.
Ten
Christmas chorales in
little-known but highly
effective settings by
16th- and 17th-century
masters. The original
words are underlaid to
enable performances with
voices.
Children's Dances Flûte traversière et Piano EMB (Editio Musica Budapest)
For flute and piano. 20th Century. EMB. Pedagogical performance pieces. So...(+)
For flute and piano. 20th
Century. EMB. Pedagogical
performance pieces.
Softcover. 28 pages.
Editio
Musica Budapest
#EMBZ15069.
Published by Editio
Musica
Budapest
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 136 pages.
Published by Hal Leonard.
Composed by Ingo
Bredenbach. Separate
edition with choral
collection. Sacred vocal
music, Christmas Carols,
Advent, Christmas, Praise
and thanks. Full score.
Composed 2012. Duration 3
minutes. Carus Verlag #CV
03.258/70. Published by
Carus Verlag (CA.325870).
ISBN 9790007179519.
Key: D minor. Language:
German. Text: Sudermann,
Daniel.
SSTBar choir, organ - Level 2 SKU: CA.2044305 Osterdialog. Compose...(+)
SSTBar choir, organ -
Level 2
SKU:
CA.2044305
Osterdialog.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Schutz. German
title: Osterdialog Weib,
Was Weinest Du. Sacred
vocal music, Easter and
Eastertide. Choral Score.
Composed 1625 (terminus
post quem). SWV 443. 12
pages. Carus Verlag #CV
20.443/05. Published by
Carus Verlag
(CA.2044305).
ISBN
9790007036416. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
Composed by Caryn Wiegand
Neidhold. Set of Score
and Parts. Duration 4
minutes, 54 seconds. Carl
Fischer Music #SAS11.
Published by Carl Fischer
Music (CF.SAS11).
ISBN
9781491162903. UPC:
680160921652. Key: D
minor.
In what can
be described as Game of
Thrones meets thunderous
Brahms, this tour de
force for advanced string
orchestra features a
driving theme set in 12/8
meter. The lyrical middle
section features cello
and bass soli with
delicate harmonics and a
lush, sweeping
countermelody in upper
voices before returning
to the opening theme for
an aggressive ride to a
victorious finale. Lush
textures, gorgeous
harmonies, and powerful
motifs offer the
ambitious orchestra an
unforgettable adventure,
both challenging and
immensely rewarding.
Two-Part Treble Voices and Guitar and Piano. By Anonymous. Arranged by Paul D. G...(+)
Two-Part Treble Voices
and Guitar and Piano. By
Anonymous. Arranged by
Paul D. Graham. For
2-part, Guitar/Piano.
(3-part Mixed).
Piano/Vocal Score. 5
pages. Published by
Theodore Presser Company.
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Basso continuo. Sacred
vocal music. Single Part,
basso continuo. Composed
1625. 4 pages. Carus
Verlag #CV 20.443/11.
Published by Carus Verlag
(CA.2044311).
Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score and part
available separately -
see item CA.2044300.
Osterdialog.
Concluding chorus.
Composed by Heinrich
Schutz. Edited by Helmut
Lauterwasser. Stuttgart
Urtext Edition: Schutz.
Sacred vocal music.
Choral Score. Composed
1625. 8 pages. Carus
Verlag #CV 20.443/06.
Published by Carus Verlag
(CA.2044306).
ISBN
9790007188672. Key: D
dorian. Language:
German.
Heinrich
Schutz's Osterdialog
(Dialogo per la Pascua)
SWV 443 for four voices
and basso continuo is
based on an episode from
the Gospel of St John, in
which the risen Jesus
appears before Mary
Magdalene in front of the
empty grave. Schutz had
also composed a setting
of this scene shortly
before in 1623 in his
Auferstehungshistorie
[Resurrection History].
For the first time this
edition contains an
attempt to reconstruct
the extensive final
chorus of the work, which
is missing except for the
basso continuo part, by
Helmut Lauterwasser. This
musical jewel by Schutz
represents a valuable
addition to the musical
repertoire for Easter,
which is smaller than the
Passiontide repertoire.
20.443/05: full score
without cover and without
final chorus 20.443/06:
choral score, only final
chorus. Score available
separately - see item
CA.2044300.
4-part voices in canon - Level 1 SKU: CA.301780 Kanon zu vier Stimmen<...(+)
4-part voices in canon -
Level 1
SKU:
CA.301780
Kanon zu
vier Stimmen.
Composed by Matthias
Kreuels. Separate edition
with choral collection.
Sacred vocal music,
Mourning, death. Full
score. Composed 2008.
Duration 2 minutes. Carus
Verlag #CV 03.017/80.
Published by Carus Verlag
(CA.301780).
ISBN
9790007146665. Key: D
minor. Text language:
German. Text: Kreuels,
Matthias. Text by
Matthias
Kreuels.
SATB choir and optional organ (SATB) - easy SKU: OU.9780193952935 Compose...(+)
SATB choir and optional
organ (SATB) - easy
SKU:
OU.9780193952935
Composed by John Blow.
Edited by Heathcote D.
Statham. Sacred choral -
mixed voices. Church
Music Society
Publications. Sacred,
Choral Leaflet. Vocal
score. Duration 2'.
Oxford University Press
#9780193952935. Published
by Oxford University
Press (OU.9780193952935).
ISBN
9780193952935.
Vers
es from Psalm 86 set for
SATB with a short verse
section for ATB, with
optional organ.
Composed by Caryn Wiegand
Neidhold. Full score. 12
pages. Duration 4
minutes, 54 seconds. Carl
Fischer Music #SAS11F.
Published by Carl Fischer
Music (CF.SAS11F).
ISBN 9781491163245.
UPC: 680160921997. Key: D
minor.
In what can
be described as Game of
Thrones meets thunderous
Brahms, this tour de
force for advanced string
orchestra features a
driving theme set in 12/8
meter. The lyrical middle
section features cello
and bass soli with
delicate harmonics and a
lush, sweeping
countermelody in upper
voices before returning
to the opening theme for
an aggressive ride to a
victorious finale. Lush
textures, gorgeous
harmonies, and powerful
motifs offer the
ambitious orchestra an
unforgettable adventure,
both challenging and
immensely rewarding.
(Cantata for New Year's Day). By Johann Sebastian Bach (1685-1750). Edited by Ki...(+)
(Cantata for New Year's
Day). By Johann Sebastian
Bach (1685-1750). Edited
by Kirsten Beisswenger.
Arranged by Masato
Suzuki/Masaaki Suzuki.
For soli alto, tenor and
bass voices, SATB chior,
oboe 1/oboe d'amore, oboe
II-III, bassoon 3,
timpani, 2 violins