For solo piano. Format: piano solo book. Baroque, classical period and romantic ...(+)
For solo piano. Format:
piano solo book. Baroque,
classical period and
romantic period. Series:
The World's Great
Classical Music. 232
pages. 9x12 inches.
Published by Hal Leonard.
(Music For Voice) SKU: HL.14064152 Composed by Johann Sebastian Bach. Arr...(+)
(Music For Voice)
SKU:
HL.14064152
Composed
by Johann Sebastian Bach.
Arranged by Charles
Francois Gounod. Choral.
General Merchandise.
Duration 240 seconds.
Music Sales #EA12248B.
Published by Music Sales
(HL.14064152).
Easy Piano CD Play-Along Volume 2. Easy Piano Songbook (Easy arrangements for pi...(+)
Easy Piano CD Play-Along
Volume 2. Easy Piano
Songbook (Easy
arrangements for piano
and voice). Book and CD
Package. Size 9x12
inches. 48 pages.
Published by Hal Leonard.
By Various. Arranged by Daniel Kelley. For Bass Clarinet in Bb. Quartets. Music ...(+)
By Various. Arranged by
Daniel Kelley. For Bass
Clarinet in Bb. Quartets.
Music for Four. Baroque /
Classical.
Intermediate/Advanced.
Part 4. Published by Last
Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for...(+)
By Various. Arranged by
Daniel Kelley. For Cello
or Bassoon. Quartets.
Music for Four. Baroque /
Classical. Level:
Intermediate/Advanced.
Part 4. Published by Last
Resort Music Publishing.
Violin - early intermediate SKU: BT.DHP-1084589-400 By Gunter Van Rompaey...(+)
Violin - early
intermediate
SKU:
BT.DHP-1084589-400
By
Gunter Van Rompaey. By
Grazyna Bacewicz. De
Haske Study and Play.
Book with CD. Composed
2008. 20 pages. De Haske
Publications #DHP
1084589-400. Published by
De Haske Publications
(BT.DHP-1084589-400).
ISBN 9789043127110.
9x12 inches.
English-German-French-Dut
ch.
Gra¿yna
Bacewicz (1909-1969) war
nach Maria Szymanowska
die zweite polnische
Komponistin, die in ihrer
Heimat und im Ausland
berühmt wurde.
Darüber hinaus war sie
eine begabte Geigerin.
Dieses geradlinige,
dreisätzige Concertino
sprudelt über vor
Lebensfreude. Ein gut
durchdachter
pädagogischer Rahmen
ist deutlich dahinter
erkennbar. Drei Lagen
sind erforderlich, aber
es werden nur die
grundlegenden Griffarten
verwendet.
Flute; Piano (Flute) - intermediate to advanced SKU: HL.49010539 Flute...(+)
Flute; Piano (Flute) -
intermediate to advanced
SKU: HL.49010539
Flute and Piano.
Composed by Joseph
Schubert. Edited by
Istvan Mariassy. Arranged
by Istvá, n
Má, riá, and
ssy. This edition: Saddle
stitching. Sheet music.
Il Flauto Traverso (Flute
Library). Classical.
Piano reduction with solo
part. Op. 1. 60 pages.
Duration 26'. Schott
Music #FTR 145. Published
by Schott Music
(HL.49010539).
ISBN
9790001118309.
9.0x12.0x0.155
inches.
Dieses
musikantische Konzert des
bohmischen Komponisten
Joseph Schubert
(1757-1837) ist eine
Bereicherung des
Flotenrepertoires der
Klassik. Partitur und
Stimmen sind in der Reihe
CONCERTINO
erhaltlich.
Violin and Piano - easy SKU: BT.EMBZ6311 By Lenkei Gabriella. EMB Music f...(+)
Violin and Piano - easy
SKU: BT.EMBZ6311
By Lenkei Gabriella. EMB
Music for Beginners.
Educational Tool. Book
Only. Composed 1970. 52
pages. Editio Musica
Budapest #EMBZ6311.
Published by Editio
Musica Budapest
(BT.EMBZ6311).
English-German-Hungari
an.
The volumes of
the series 'Music for
Beginners' cover the
entire music literature
from the earliest
centurties to our days.
The material of the
individual volumes
containing short, easy
pieces to be played in
the first three-four
years of studying the
instrument has been
compiled by accomplished
music teachers. The
majority of the
contemporary works
included in the voluumes
have been published in
this series for the first
time.
The Concertino Op. 26
in E-flat Major by Carl
Maria von Weber belongs
to the standard
repertoire of every
clarinettist. This
edition allows the player
to work through the piece
systematically with the
CD at 3 different
practice tempi
withaccompaniment,
including a full concert
version as well. We hope
you enjoy playing from
our DOWANI 3 Tempi Play
Along
editions!
Het
Concertino opus 26 in Es
majeur van Carl Maria von
Weber behoort tot het
standaardrepertoire van
iedere klarinettist. Deze
uitgave geeft de leerling
de mogelijkheid dit werk
systematisch in te
studeren met behulp van
de cd, die drie
verschillendeoefentempi
met begeleiding omvat,
evenals een volledige
demoversie. We hopen dat
je met veel plezier zult
spelen uit onze DOWANI 3
Tempi Play
Along-uitgaven!
Da
s Concertino in Es-Dur
op. 26, von Carl Maria
von Weber gehört zum
Standardrepertoire jedes
Klarinettisten. Die
vorliegende Ausgabe
bietet die
Möglichkeit, das Werk
systematisch und in drei
verschiedenen Tempi mit
CD-Begleitung zu
erarbeiten.Außerdem
beinhaltet die CD eine
Konzertversion. Wir
wünschen Ihnen viel
Spaß beim Musizieren
mit unseren DOWANI 3
Tempi Play
Along-Ausgaben!
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455).
ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Rataplan Chorale SATB SATB, Piano [Conducteur] - Intermédiaire Carus Verlag
Solo soprano voice, SATB choir, piano - Level 3 SKU: CA.327930 Chor, a...(+)
Solo soprano voice, SATB
choir, piano - Level 3
SKU: CA.327930
Chor, aus: La forza
del destino. Composed
by Giuseppe Verdi.
Separate edition with
choral collection.
Secular choral music.
Full score. Composed
1862. 14 pages. Duration
4 minutes. Carus Verlag
#CV 03.279/30. Published
by Carus Verlag
(CA.327930).
ISBN
9790007167974. Key: C
major. Language:
Italian/German. Text:
Piave, Francesco Maria.
Text by Francesco Maria
Piave.
Piano 4 Hands SKU: BR.EB-8034 Piano Lessons by Carl Maria von Weber(+)
Piano 4 Hands
SKU:
BR.EB-8034
Piano
Lessons by Carl Maria von
Weber. Composed by
Carl Maria von Weber.
Edited by Heinz Walter.
Solo instruments;
Softcover. Edition
Breitkopf. Romantic
period. Score. 24 pages.
Breitkopf and Haertel #EB
8034. Published by
Breitkopf and Haertel
(BR.EB-8034).
ISBN
9790004174371. 9 x 12
inches.
This series
of easy piano music for
teaching purposes
presents pupils in the
lower and lower middle
grades with a carefully
chosen selection of
well-known and
lesser-known compositions
by important masters. The
volumes are deliberately
kept small in extent,
since it is more
stimulating for children
to change the teaching
material frequently. Carl
Maria von Weber
(1786-1826) composed
three series of piano
duets: opus 3, opus 10
and opus 60. The piano
pieces opus 3, which he
wrote at the age of 15,
are, despite the modest
demands made on playing
technique, among the most
inventive and melodically
sensitive works for four
hands of the
post-classical period.
Together with the four
pieces from opus 3, an
andante from opus 10 has
been included in this
folio. These five pieces
have been arranged in a
sequence such that in
their entirety, the
result is a balanced
suite - in a formal sense
- for four hands. (The
scherzo opus 3. No. 3 has
therefore been transposed
into C major.) Heinz
Walter, Salzburg, Autumn
1979.
(Serie IV - Italie 1600-1800). Edited by Vittorio Ghielmi, Paolo Biordi. For Vio...(+)
(Serie IV - Italie
1600-1800). Edited by
Vittorio Ghielmi, Paolo
Biordi. For Viola da
gamba. Facsimiles.
Methodes and Traites.
Grade 0. 760 pages.
Published by Anne Fuzeau
Productions - France
Transcription from Partita No. 1 in D Minor BWV1004 Piano Solo. Composed by ...(+)
Transcription from
Partita
No. 1 in D Minor BWV1004
Piano Solo. Composed by
Martin Stadtfeld. Piano
Solo.
Classical. Softcover. 24
pages. Schott Music
#ED23299.
Published by Schott Music
Flute SKU: FZ.5823 Serie I - France 1600-1800. Edited by Philippe ...(+)
Flute
SKU: FZ.5823
Serie I - France
1600-1800. Edited by
Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5823).
ISBN
9790230658232. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Anonyme - Giuseppe Maria
CAMBINI - Francois
DEVIENNE - Encyclopedie
methodique -
Jean-Benjamin de LABORDE
- MUSSARD - Othon-Joseph
VANDENBROCK - Amand VAN
DER HAGEN. Table of
contents: Mussard:
Nouveaux principes pour
apprendre a jouer de la
flute traversiere - 1778.
Laborde Jean-Benjamin de:
Essai sur la musique -
1780. Encyclopedie
methodique: Edition
Panckoucke et Plomteux
(reprend le texte de
l'Encyclopedie) - 1788.
Anonyme: Principe de
flute pour apprendre a
jouer sans maitre - ca
1790. Vandenbrock
Orthon-Joseph: Traite
general de tous les
instruments a vent - ca
1793. Devienne Francois:
Nouvelle methode
theorique et pratique
pour la flute - 1794.
Cambini Giuseppe Maria:
Methode pour la flute
traversiere - ca 1795.
Van der Hagen: Nouvelle
methode de flute - 1798.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies in the National
Library of Paris
(France). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the flute.
La Forza Del Destino Orchestre d'harmonie [Conducteur et Parties séparées] Molenaar Edition
(Ouverture/Overture). By Giuseppe Verdi (1813-1901). Arranged by P Stalmeier. Fo...(+)
(Ouverture/Overture). By
Giuseppe Verdi
(1813-1901). Arranged by
P Stalmeier. For Concert
Band. Arrangements of
Classical Opera and
Operetta Overtures /
Arrangements of Classical
Pieces. Classic
Arrangement. Grade 6.
Score and Parts.
Published by Molenaar
Edition
