Choral (digital production kit)

SKU: HL.35028867

Composed by Joseph M. Martin. Harold Flammer Christmas. Advent, Cantata, Christmas. Published by Shawnee Press (HL.35028867).

UPC: 884088888633. 5.25x7.5 inches.

From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music, the cantata combines traditional sounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children, Go Where I Send Thee and Go, Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements together in a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB, CD-ROM Full Orchestration (Score & Parts for Flute 1 & 2, alto recorder, Oboe/English Horn, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1-3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion, Acoustic Guitar, Banjo, Harp, Piano, Synth, Solo fiddle, Violin 1 & 2, Viola, Cello, Double Bass), Printed Full Orchestration, Appalachian Consort Orchestration (Score & parts for Flute, Violin, Cello, Mandolin, Guitar, Percussion and Piano), StudioTrax CD (accompaniment only), SplitTrax CD, Listening CD, 10-Pack Listening CDs, Preview Pack (Book/CD combo), RehearsalTrax CDs (part predominant, reproducible), Digital Resource Kit (PowerPoint, Choir Devotionals, Poster, Program, Flyers, Children's Program PDFs). Duration: approx. 40 min.

By Michael W Smith. Arranged by Thomas Fettke. For SATB choir, piano. Sacred Anthem. Octavo. Published by Crystal Sea Music Publishing

ATB vocal soli, SATB choir, oboe 1/oboe d'amore, oboe II-III, bassoon 3, timpani, 2 violins solo, 2 violins, viola, basso continuo

SKU: CA.3119012

Cantata for New Year's Day. Composed by Johann Sebastian Bach. Edited by Kirsten Beisswenger. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, New year. Single Part, Violin 2. Composed 1724. BWV 190. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.190/12. Published by Carus Verlag (CA.3119012).

ISBN 9790007210120. Language: German/English.

The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts; it draws upon only thematic and motive material of the movements themselves, closely interwoven. Score and part available separately - see item CA.3119000.

SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3106963

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/63. Published by Carus Verlag (CA.3106963).

ISBN 9790007206710. Text language: German/English.

Bac h's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

Soli SSAATB, Coro SSA(A)T(T)B, Fl, 2 Ob, Fg, 2 Tr, 2 (3) Vl, Va, Vc, Bc

SKU: CA.5527809

Composed by George Frideric Handel. Edited by Felix Loy. 1x 55.278/21 flute, 1x 55.278/22 oboe 1, 1x 55.278/23 oboe 2, 1x 55.278/24 bassoon, 2x 55.278/31 trumpets 1 and 2. Stuttgart Urtext Edition: Handel. Harmony parts. Innovative practice aids, Sacred vocal music. Set of Orchestra Parts. HWV 278. Duration 24 minutes. Carus Verlag #CV 55.278/09. Published by Carus Verlag (CA.5527809).

ISBN 9790007249588. Language: English.

Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.

Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani and more. - Grade 3

SKU: CF.CPS204

Composed by Patty Hill Mildred Hill. Arranged by Bud Caputo. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+8+4+4+8+8 +8+4+4+6+6+4+6+8+1+1+4+3+ 20 pages. Duration 3 minutes, 12 seconds. Carl Fischer Music #CPS204. Published by Carl Fischer Music (CF.CPS204).

ISBN 9781491147603. UPC: 680160905102. 9 x 12 inches.

Use this piece to celebrate someone's birthday or just for fun in a concert setting. Happy Birthday Theme and Variations is a novelty arrangement that incorporates traditional melodic variation techniques along with familiar classical-music themes to entertain your audience. Challenge your students and audience to identify these melodic fragments.

Concert Band/Harmonie - Grade 3.5

SKU: BT.AMP-481-140

Composed by Philip Sparke. Ceremonial Series. Concert March. Score Only. Composed 2021. 32 pages. Anglo Music Press #AMP 481-140. Published by Anglo Music Press (BT.AMP-481-140).

English-German-French- Dutch.

Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditionalmarch form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into asecond theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional ‘bass strain’, played twice with varying accompaniments. A quieter trio section follows, delicatelyscored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close.

Guardian s of the Waves werd geschreven in opdracht van de Japan Coast Guard Band ter gelegenheid van het dertigjarig bestaan van dit orkest, in 2018. De première vond plaats tijdens het jubileumconcert op 8 november van datjaar. Het werk, dat is gecomponeerd in een traditionele marsvorm, begint met een korte introductie die het hoofdthema inleidt, dat aanvankelijk wordt gespeeld door het koper en dan wordt herhaald met een weelderige discant in hethout. Het thema wordt voortgezet en gaat over in een tweede thema, eerst tutti gespeeld en rustig herhaald door fagot, tenorsax en eufonium. Dit thema voert ons mee naar een conventionele baslijn, die twee keer wordt gespeeld metvariërende begeleiding. Daarna volgt een kalmer triogedeelte, dat delicaat is getoonzet en waarin de tenorinstrumenten van het orkest ruimschoots aan bod komen. Het wordt dan overgenomen door het complete orkest en brengt onsterug naar de inleiding en de twee hoofdthema’s, uitmondend in een triomfantelijk slot.

Guardians of the Waves wurde von der Japan Coast Guard Band anlässlich ihres 30-jährigen Bestehens im Jahr 2018 in Auftrag gegeben. Die Uraufführung fand am 8. November 2018 im Rahmen eines Jubiläumskonzertes statt.Guardians of the Waves wurde als traditioneller Marsch komponiert und beginnt mit einer kurzen Einleitung, die zum Hauptthema führt. Dieses wird zunächst von den Blechbläsern gespielt und dann von den Oberstimmen in denHolzbläsern mit Verzierungen wiederholt. Das Thema wird erweitert und geht in ein zweites Thema über, das zunächst vom Tutti gespielt und dann von Fagott, Tenorsaxophon und Euphonium leise wiederholt wird. Anschließend erklingteine traditionelle Melodie in den Bassinstrumenten, die mit unterschiedlicher Begleitung zweimal gespielt wird. Es folgt ein ruhigeres Trio, das zart besetzt ist und die Tenorinstrumente des Blasorchesters hervorhebt. Dies wirdschließlich vom gesamten Blasorchester aufgegriffen und führt zu einer Wiederholung der Einleitung und einer Rückkehr zu den beiden Hauptthemen, die in einen triumphalen Schluss überleiten.

Guardians of the Waves est une commande de l’Harmonie de la Gendarmerie maritime du Japon pour marquer son 30e anniversaire, en 2018. L’orchestre a créé l’œuvre dans le cadre d’un concert d’anniversaire le 8 novembre decette même année. Écrite en forme de marche traditionnelle, Guardians of the Waves s’ouvre avec une courte introduction qui mène au thème principal, interprété d’abord par les cuivres puis repris avec un déchant fleuri parles bois. Le thème est prolongé et se morphe en un second thème, d’abord en tutti, puis répété doucement par les bassons, saxophones ténor et euphoniums. Ce passage mène une mélodie conventionnelle dans les graves, jouée deuxfois avec divers accompagnements. Vient ensuite un trio plus calme, orchestré avec délicatesse et mettant en avant les instruments ténor. Repris par l’orchestre entier, ce passage est suivi d’un rappel de l’introduction avant unretour aux deux thèmes principaux, qui mènent une conclusion triomphale.

ATB vocal soli, SATB choir, oboe 1/oboe d'amore, oboe II-III, bassoon 3, timpani, 2 violins solo, 2 violins, viola, basso continuo

SKU: CA.3119013

Cantata for New Year's Day. Composed by Johann Sebastian Bach. Edited by Kirsten Beisswenger. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, New year. Single Part, Viola. Composed 1724. BWV 190. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.190/13. Published by Carus Verlag (CA.3119013).

ISBN 9790007210137. Language: German/English.

The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts; it draws upon only thematic and motive material of the movements themselves, closely interwoven. Score and part available separately - see item CA.3119000.

By J. Paul Williams. For SATB Choir. Choral, Bass/Percussion, Tracks, General Use, All Saints Day, Homecomings, Missions, Youth Choirs and Sacred. Sheet Music. Published by Shawnee Press.

ATB vocal soli, SATB choir, oboe 1/oboe d'amore, oboe II-III, bassoon 3, timpani, 2 violins solo, 2 violins, viola, basso continuo

SKU: CA.3119014

Cantata for New Year's Day. Composed by Johann Sebastian Bach. Edited by Kirsten Beisswenger. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Singet dem Herrn ein neues Lied. Sacred vocal music, New year. Single Part, Cello/Double Bass. Composed 1724. BWV 190. 12 pages. Duration 19 minutes. Carus Verlag #CV 31.190/14. Published by Carus Verlag (CA.3119014).

ISBN 9790007210144. Language: German/English.

The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts; it draws upon only thematic and motive material of the movements themselves, closely interwoven. Score and part available separately - see item CA.3119000.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Grade 3. Conductor Full Score. Duration 9:00

Orchestra

SKU: S2.30-3201SF

Composed by Sharon Damazio. Arranged by Thomas Fettke. Choral. Sacred Anthem, Ascension, Christ the King, Eastertide. Orchestral score and CD with printable parts. SoundForth #30/3201SF. Published by SoundForth (S2.30-3201SF).

UPC: 000308140835.

A stately blend of a contemporary praise tune with a timeless hymn, this arrangement triumphantly celebrates the King of kings and Lord of lords who lives and reigns eternally, seamlessly switching between unison, two-part, and full vocal harmony! The instrumental ensemble includes a score and CD with printable parts for 2 Flutes, Oboe, 2 Clarinets, Bassoon (sub Bass Clarinet), 2 Horns (sub 2 Alto Saxes), 3 Trumpets, 2 Trombones (sub 2 Tenor Saxes/Treble Clef Baritones), Tuba, Timpani, 2 Percussion, Harp, Piano, 2 Violins, Viola, Cello, Bass, and Digital String Reduction.

Choral (Studiotrax CD)

SKU: HL.35028411

Composed by Joseph M. Martin. Harold Flammer Christmas. Advent, Christmas, Christmas Sacred. CD only. Published by Shawnee Press (HL.35028411).

UPC: 884088653545. 5x5 inches.

Uses: Advent, Christmas

Scrip ture: John 7:42; Micah 5:2; Luke 2:4-6

Twirling like a Hebrew dance and leaping from the pages of prophecy, this celebratory combination of folk song and carol is a jovial shout of praise for Advent. Unmistakable in its impact, the anthem sings itself while the rollicking accompaniment creates an engine of joy propelling this piece into the heart of the listener. Two well know melodies join in a ballet of sound celebrating the anticipation of the coming Messiah. StudioTrax CD contains Accompaniment, Split-track, & Full Performance tracks. Available separately: SATB, StudioTrax CD, Orchestration CDrom (Flute 1&2 (Flt 2 dbl Piccolo), Oboe, Clarinet 1&2, Bassoon, Horn 1&2, Trumpet 1, Trumpet 2&3, Trombone 1&2, Bass Trombone/Tuba, Timp, Perc 1&2, Harp, Violin 1, Violin 2, Viola, Cello, Double Bass). Duration: ca. 3:56.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Chimes, China Cymbal, Clarinet, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Keyboard, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, String Bass and more. - Grade 3

SKU: CF.XPS10

Composed by Sean O'Loughlin. SWS FS. Set of Score and Parts. With Standard notation. 1+16+4+8+8+4+6+4+4+4+4+4+ 4+4+8+6+8+4+8+2+4+1+4+14+ 6+4+24 pages. Duration 3 minutes, 28 seconds. Carl Fischer Music #XPS10. Published by Carl Fischer Music (CF.XPS10).

ISBN 9781491140475. UPC: 680160628537. 9 x 12 inches.

Sean O'Loughlin's The Ides of March is pulse-pounding and haunting, a dramatic composition for band. This work celebrates the composer's love of modern film music and is an exercise in economy of musical material while remaining wonderfully melodic and elegant. This piece is now available to every band in this flexibly scored version.

By J. Paul Williams. For Men's Chorus. Bass/Percussion, Tracks, General Use, All Saints Day, Homecomings, Missions, Youth Choirs and Sacred. Sheet Music. Published by Shawnee Press.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44012267

Composed by Philip Sparke. Anglo Music Concert Band. Score Only. Composed 2014. Anglo Music Press #AMP398140. Published by Anglo Music Press (HL.44012267).

UPC: 888680057619. 9x12 inches. English-German-French-Dut ch.

Fanfare for Tokyo was commissioned by the Tokyo Wind Symphony Orchestra to celebrate its 50th anniversary in 2013. It was premiered at their special anniversary concert in October that year, conducted by Maestro Yasuhiko Shiozawa.Fanfare for Tokyo is a flamboyant and extrovert concert opener designed to celebrate the virtuosic character of the talented Tokyo Wind Symphony Orchestra. A central theme over persistent percussion is first given by bassoons and taken up by the full ensemble. Either side of this horns and euphoniums lead an acrobatic fanfare under woodwind flourishes.

Fan fare for Tokyo is in opdracht van het Tokyo Wind Symphony Orchestra geschreven ter gelegenheid van het vijftigjarig bestaan van dat orkest in 2013. Het werd in oktober van dat jaar in premiere gebracht tijdens het speciale jubileumconcert - onder leiding van maestro Yasuhiko Shiozawa.Fanfare for Tokyo is een uitbundig en extravert openingswerk waarin het virtuoze karakter van het getalenteerde Tokyo Wind Symphony Orchestra wordt weerspiegeld. Het centrale thema, dat zich ontvouwt over aanhoudend slagwerk, verschijnt eerst in de fagotten en wordt dan overgenomen door het complete ensemble. Daaromheen voeren de hoorns en euphoniums een acrobatische fanfareuit, waarboven de houtinstrumenten fraaie versieringen spelen.

Fanfare for Tokyo wurde vom Tokyo Wind Symphony Orchestra in Auftrag gegeben, zur Feier seines 150-jahrigen Jubilaums im Jahr 2013. Es wurde bei einem speziellen Jubilaumskonzert im Oktober desselben Jahres uraufgefuhrt, unter der Leitung von Maestro Yasuhiko Shiozawa. Fanfare for Tokyo ist ein schillerndes, extrovertiertes Eroffnungswerk, das den virtuosen Charakter des talentierten symphonischen Blasorchesters widerspiegelt. Das zentrale Thema, das sich uber dem durchlaufenden Schlagwerk entfaltet, erscheint erst in den Fagotten und wird dann vom gesamten Orchester aufgenommen. Darum herum spielen die Horner und Euphonien eine akrobatische Fanfare und dieHolzblaser davor schone Verzierungen.

Fanfare for Tokyo est une commande du Tokyo Wind Symphony Orchestra pour marquer son cinquantenaire, en 2013. Cette œuvre a ete creee lors qu'un concert special en octobre de cette annee-la, sous la direction du maestro Yasuhiko Shiozawa.Parfaite pour ouvrir un concert, Fanfare for Tokyo est une piece exuberante et extravertie qui rend hommage au talent et a la virtuosite du Tokyo Wind Symphony Orchestra.Un theme central soutenu par une percussion tenace est introduit par les hautbois, puis repris par l'orchestre entier. De part et d'autre de ce theme, les cors et les euphoniums exposent une fanfare acrobatique enrichie d'ornements interpretes les bois.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036412

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Violin 2. Sacred vocal music, Cantatas, Advent. Single Part, Violin 2. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/12. Published by Carus Verlag (CA.1036412).

ISBN 9790007190392. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Concert Band/Harmonie (Score & Parts) - Grade 5

SKU: HL.44012266

Composed by Philip Sparke. Anglo Music Concert Band. Set (Score & Parts). Composed 2014. Anglo Music Press #AMP398010. Published by Anglo Music Press (HL.44012266).

UPC: 888680057602. 9.0x12.0x0.965 inches. English-German-French-Dut ch.

Fanfare for Tokyo is a flamboyant and extrovert concert opener designed to celebrate the virtuosic character of the talented Tokyo Wind Symphony Orchestra. A central theme over persistent percussion is first given by bassoons and taken up by the full ensemble. Either side of this horns and euphoniums lead an acrobatic fanfare under woodwind flourishes.

Fan fare for Tokyo is een uitbundig en extravert openingswerk. Het centrale thema, dat zich ontvouwt over aanhoudend slagwerk, verschijnt eerst in de fagotten en wordt dan overgenomen door het complete orkest. Daaromheen voeren de hoorns eneuphoniums een acrobatische fanfare uit, waarboven de houtinstrumenten fraaie versieringen spelen.

Fanfare for Tokyo ist ein schillerndes, extrovertiertes Eroffnungswerk. Das zentrale Thema, das sich uber dem durchlaufenden Schlagwerk entfaltet, erscheint erst in den Fagotten und wird dann vom gesamten Orchester aufgenommen. Darum herumspielen die Horner und Euphonien eine akrobatische Fanfare und die Holzblaser davor schone Verzierungen.

Parf aite pour ouvrir un concert, Fanfare for Tokyo est une piece exuberante et extravertie dont le theme central soutenu par une percussion tenace est introduit par les hautbois pour etre ensuite repris par l'orchestre entier. De part etd'autre de ce theme, les cors et les euphoniums exposent une fanfare acrobatique enrichie d'ornements interpretes les bois. Une piece qui permettra d'introduire chacun des pupitres de votre orchestre !

Perfetto per iniziare un concerto, Fanfare for Toyko e un brano esuberante e brioso il cui tema principale, sostenuto da una tenace percussione, e introdotto dagli oboi per poi essere ripreso dall'intero organico. Una fanfara, arricchita daabbellimenti interpretati dai legni, e esposta dai corni e dagli eufoni. Un brano che consente di mettere in luce ogni sezione della banda!

SSATB vocal soli, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911413

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Viola. Sacred vocal music, Psalms, Latin. Single Part, Viola. TVWV 7:7. 8 pages. Duration 20 minutes. Carus Verlag #CV 39.114/13. Published by Carus Verlag (CA.3911413).

ISBN 9790007215569. Language: Latin.

The prestigious Latin psalm setting Deus judicium tuum (Ps. 71/72) is among the finest from Telemann's pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737, during which time he celebrated musical triumphs in the French metropolis. As he himself reported, with no little pride, the piece was performed twice in three days by almost one hundred selected people in the Concert spirituel. Three magnificent choral movements frame a richly-colored succession of demanding solo movements. Score and part available separately - see item CA.3911400.

SSATB vocal soli, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911414

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Violoncello/double bass. Sacred vocal music, Psalms, Latin. Single Part, Cello/Double Bass. TVWV 7:7. 16 pages. Duration 20 minutes. Carus Verlag #CV 39.114/14. Published by Carus Verlag (CA.3911414).

ISBN 9790007215576. Language: Latin.

The prestigious Latin psalm setting Deus judicium tuum (Ps. 71/72) is among the finest from Telemann's pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737, during which time he celebrated musical triumphs in the French metropolis. As he himself reported, with no little pride, the piece was performed twice in three days by almost one hundred selected people in the Concert spirituel. Three magnificent choral movements frame a richly-colored succession of demanding solo movements. Score and part available separately - see item CA.3911400.

Orchestra STBarB vocal soli, SATB choir, 2 Flutes, 2 English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 4 Trumpets 3 Trombones, Timpani, Harp, 2 Violins, Viola, Cello, Contrabass, Organ - Level 3

SKU: CA.7003819

Trilogie sacree. Composed by Hector Berlioz. Edited by Paul Prevost. French Sacred Music. Complete orchestral parts. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Op. 25. Duration 95 minutes. Carus Verlag #CV 70.038/19. Published by Carus Verlag (CA.7003819).

ISBN 9790007133726. Key: E minor. Language: German/French.

The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the Flight to Egypt, which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled The dream of Herodes and The arrival at Sais, had its celebrated first performance. Starting from the Gospel of St. Matthew, with the visit of the astrologer to Herodes and the flight of the Holy Family to Egypt, Berlioz chose to relate the story of the events of Christmas from another angle. This skillful dramatisation, with impressive instrumental sections, such as the independent trio for two flutes and harp as well as the effective choruses with local color, make this sacred trilogy a grateful enrichment of the repertoire for Christmas music. Score and parts available separately - see item CA.7003800.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036411

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Violin 1. Sacred vocal music, Cantatas, Advent. Single Part, Violin 1. Composed 1868/1869. Op. 29. 8 pages. Duration 14 minutes. Carus Verlag #CV 10.364/11. Published by Carus Verlag (CA.1036411).

ISBN 9790007190385. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036405

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Sacred vocal music, Cantatas, Advent. Choral Score. Composed 1868/1869. Op. 29. 12 pages. Duration 14 minutes. Carus Verlag #CV 10.364/05. Published by Carus Verlag (CA.1036405).

ISBN 9790007166540. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score available separately - see item CA.1036400.

SSATB vocal soli, SATBB choir, 2 flutes, 2 bassoons, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3911449

Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Organ. Sacred vocal music, Psalms, Latin. Single Part, Organ. TVWV 7:7. 16 pages. Duration 20 minutes. Carus Verlag #CV 39.114/49. Published by Carus Verlag (CA.3911449).

ISBN 9790007215583. Language: Latin.

The prestigious Latin psalm setting Deus judicium tuum (Ps. 71/72) is among the finest from Telemann's pen. Its composition is associated with the beginning of his eight-month sojourn in Paris in the fall of 1737, during which time he celebrated musical triumphs in the French metropolis. As he himself reported, with no little pride, the piece was performed twice in three days by almost one hundred selected people in the Concert spirituel. Three magnificent choral movements frame a richly-colored succession of demanding solo movements. Score and part available separately - see item CA.3911400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036415

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Double bass. Sacred vocal music, Cantatas, Advent. Single Part, Double Bass. Composed 1868/1869. Op. 29. 4 pages. Duration 14 minutes. Carus Verlag #CV 10.364/15. Published by Carus Verlag (CA.1036415).

ISBN 9790007190422. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score and part available separately - see item CA.1036400.

Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass, organ

SKU: CA.1036403

O Heiland, reiss die Himmel auf. Composed by Max Bruch. Edited by Minkus Teske. Sacred vocal music, Cantatas, Advent. Vocal score. Composed 1868/1869. Op. 29. 24 pages. Duration 14 minutes. Carus Verlag #CV 10.364/03. Published by Carus Verlag (CA.1036403).

ISBN 9790007166533. Text language: German. Text: von Spee, Friedrich / Simrock, Karl.

Max Bruch succeeded in composing an impressive setting of the well known Advent text, O Heiland, reiss die Himmel auf (O Saviour, tear open the heavens). Compositionally it is extremely sophisticated in its construction; Bruch combines both the choir and orchestra in a powerfully expressive and moving portrayal of mankind waiting for the coming of the Saviour. Following the premiere of the work in 1869 it was celebrated as Bruch's most important choral work, but later it fell largely into oblivion. Almost 150 years after it was composed, for the first time a critical-scholarly edition is now available to the public. Score available separately - see item CA.1036400.