Organ SKU: CA.9237000 Composed by Frederick Neumann. This edition: Paperb...(+)
Organ
SKU:
CA.9237000
Composed
by Frederick Neumann.
This edition: Paperbound.
Coppenrath Series. German
title: Toccata, Fuge Und
Chaconne 6004901. Full
score. 8 pages. Carus
Verlag #CV 92.370/00.
Published by Carus Verlag
(CA.9237000).
Clarinet and Piano (Clarinet/Piano) - Grade 3 SKU: HL.14047987 Composed b...(+)
Clarinet and Piano
(Clarinet/Piano) - Grade
3
SKU: HL.14047987
Composed by Carl August
Nielsen. Arranged by
Gregory M. Barrett. Music
Sales America. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31056.
Published by Edition
Wilhelm Hansen
(HL.14047987).
ISBN
9788759819159.
10.25x14.25x0.44 inches.
English.
Chaconne
Op. 32 by Carl Nielsen ,
expertly transcribed for
Clarinet and Piano by
Gregory Barrett
(2008).
Viola and Piano SKU: BT.MUSVWP000044 Composed by Tomaso Antonio Vitali. A...(+)
Viola and Piano
SKU:
BT.MUSVWP000044
Composed by Tomaso
Antonio Vitali. Arranged
by Alan H. Arnold_Alan H.
Arnold. Viola World. Book
Only. 28 pages. Viola
World #MUSVWP000044.
Published by Viola World
(BT.MUSVWP000044).
UPC:
894313001065.
Tomma
so Vitali's Chaconne as
arranged for Viola with
Piano accompaniment by
Alan H. Arnold.
Vibraphone - Grade 4 SKU: HL.14014366 Without Motor Arr. Bent Lylloff<...(+)
Vibraphone - Grade 4
SKU: HL.14014366
Without Motor Arr.
Bent Lylloff.
Composed by George
Frideric Handel. Arranged
by Bent Lylloff. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 6 pages.
Edition Wilhelm Hansen
#WH28994. Published by
Edition Wilhelm Hansen
(HL.14014366).
ISBN
9788759857069.
English.
Work for
Vibraphone (without
motor) by George Frideric
Handel, here arranged by
Bent Lylloff.
Composed by Johann Sebastian Bach (1685-1750), arranged by Ferruccio Benvenuto B...(+)
Composed by Johann
Sebastian Bach
(1685-1750), arranged by
Ferruccio Benvenuto
Busoni (1866-1924). For
solo piano. Format: piano
solo single. With
standard notation.
Baroque. D Minor. 21
pages. 9x12 inches.
Published by Hal Leonard.
Toccata und Fuge in d-Moll, BWV 565; Chromatische Fantasie in d-Moll, BWV 903...(+)
Toccata und Fuge in
d-Moll, BWV 565;
Chromatische Fantasie in
d-Moll, BWV 903; Chaconne
in d-Moll, aus der
Partita Nr. 2, BWV
1004. Composed by
Johann Sebastian Bach
(1685-1750). Arranged by
Johann Sebastian Paetsch.
28 pages. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-3021).
By Robert Valentine (1680-1735). Edited by Gerhard Braun. Arranged by Siegfried ...(+)
By Robert Valentine
(1680-1735). Edited by
Gerhard Braun. Arranged
by Siegfried Petrenz.
This edition: paperbound.
Score with 2 parts. 36
pages. Published by Carus
Verlag
(Piano Solo). By Johann Sebastian Bach (1685-1750). Edited by Norbert M&Atil...(+)
(Piano Solo). By Johann
Sebastian Bach
(1685-1750).
Edited by Norbert
Müllemann.
For Piano. Henle Music
Folios.
Softcover. 35 pages. G.
Henle
#HN557. Published by G.
Henle
(aus: Partita II). Composed by Johann Sebastian Bach (1685-1750). Arranged by Ma...(+)
(aus: Partita II).
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
Matthias Keller. For
organ. This edition:
Paperbound. German title:
Chaconne fur Orgel solo
bearbeit. Free organ
music. Full score.
Language: all languages.
BWV 1004. 20 pages.
Published by Carus Verlag
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
(Suites de Pieces pour le Clavecin. Zweite Sammlung von 1733. Urtext der Hallisc...(+)
(Suites de Pieces pour le
Clavecin. Zweite Sammlung
von 1733. Urtext der
Hallischen
Handel-Ausgabe). By
George Frideric Handel
(1685-1759). Edited by
Peter Northway; Terence
Neuausgabe: Best. For
Piano. Hallische
Handel-Ausgabe. Serie IV,
Band 5. Urtext Edition;
Complete Edition (cloth
bound). HWV 434-442
Second Set of 1733. By Georg Friedrich Handel. Edited by Northway, Peter; Best, ...(+)
Second Set of 1733. By
Georg Friedrich Handel.
Edited by Northway,
Peter; Best, Terence. For
Piano/ Harpsichord.
Playing Score; Urtext
Edition (paperbound). HWV
434-442. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006446216.
By Dietrich Buxtehude. Edited by Keller. For Organ. 14 Compostions:Canzonetta(G)...(+)
By Dietrich Buxtehude.
Edited by Keller. For
Organ. 14
Compostions:Canzonetta(G)
; Chaconne(e); Fugue(C);
Passacaglia(d); 8
Preludes and
Fugues(D,d,E,e,F,f#,g,a);
Prelude,Fugue and
Chaconne(C); Toccata and
Fugue(F). Published by
C.F. Peters.
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Miscellaneous Suites and Pieces. Second Part. By George Frideric Handel. Edited ...(+)
Miscellaneous Suites and
Pieces. Second Part. By
George Frideric Handel.
Edited by Terence Best.
For Piano. Urtext Edition
(paperbound). Published
by Baerenreiter-Ausgaben
(German import).
Composed by Johann Pachelbel (1653-1706), edited by Karl Matthaei, Wolfgang Stoc...(+)
Composed by Johann
Pachelbel (1653-1706),
edited by Karl Matthaei,
Wolfgang Stockmeier. For
organ. Format: organ solo
book. With organ notation
and introductory text.
Baroque. 63 pages. 12x9.5
inches. Published by
Baerenreiter-Ausgaben.