Arrangement for Piano by Ferruccio Busoni. Composed by Johann Sebastian B...(+)
Arrangement for Piano
by Ferruccio Busoni.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Christian Schaper and
Ullrich Scheideler.
Arranged by Ferruccio
Busoni. Henle Music
Folios. Softcover. 52
pages. G. Henle #HN1293.
Published by G. Henle
(HL.51481293).
(Freely-Composed Organ Works) Composed by Dietrich Buxtehude (1637-1707), edited...(+)
(Freely-Composed Organ
Works) Composed by
Dietrich Buxtehude
(1637-1707), edited by
Christoph Albrecht. For
organ. Format: organ solo
book. With organ
notation, thematic index
and introductory text.
Baroque. 72 pages. 12x9.5
inches. Published by
Baerenreiter-Ausgaben.
Partita No. 2 Piccolo [Conducteur] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo
SKU: PR.114422450
Composed by Johann
Sebastian Bach. Arranged
by Nicola Mazzanti. Sws.
Full score. 20 pages.
Duration 17 minutes.
Theodore Presser Company
#114-42245. Published by
Theodore Presser Company
(PR.114422450).
ISBN
9781491134986. UPC:
680160685974. 9 x 12
inches.
Bachâs
colossal Partita No. 2
for Solo Violin has been
crowned by many masters
as one of musicâs
greatest achievements,
and even its famous
Chaconne movement alone
is a mountain many
performers dare not
scale. While the
literature of several
other instruments has
been enriched by
transcriptions of the
Chaconne, Mazzantiâs
heroic adaptation of the
complete Partita is the
culmination of many
yearsâ work, and the
only transcription
specifically for the
piccoloâs unique
range. THE
INSPIRATIONEver since my
childhood, Johann
Sebastian Bachâs
solo violin music (like
his works for solo cello)
has always held a charm
and mystery for me.
Thereâs something
about this repertoire
that sparks an
inextinguishable
questioning in my musical
and human soul.It is
music without spatial
limits or temporal cages,
a music as essential as
it is masterfully
complex, in which the
solitary voice of man
meets the
all-encompassing voice of
God. It is a music whose
vertical and horizontal
dimensions, already
admirably fused, are
faceted into new and
mysterious realities. For
every violinist, the
study of these
compositions is at the
apex of tenacious
technical study and
interpretative
effort.Violinist Joshua
Bell has said the
Ciaccona (Bach did write
the Partitaâs
movement titles in
Italian) is ânot
just one of the greatest
pieces of music ever
written, but one of the
greatest achievements of
any man in history.
Itâs a spiritually
powerful piece,
emotionally powerful,
structurally
perfect.âTranscribin
g and performing
Bachâs PARTITA NO.
2, BWV 1004 on piccolo
was a feat that took
years of work. The famous
Ciaccona movement is, of
course, the piece that
alone occupied most of
this time. How does one
honor and elevate such
high music with such a
âsmallâ
instrument, devoid of the
enormous expressive
potential of the violin,
devoid of its chords and
its polyphony? How might
I transform the piccolo
into an instrument with,
like the violin,
full-bodied low notes and
subtle high notes? Above
all, why undertake such a
demanding and
extraordinary journey?The
first reason is obvious:
by transcribing,
studying, and performing
such an admirable piece,
we assimilate it, it
becomes part of us, it
enormously enriches our
musical interior.In
addition, it forces us
technically to expand the
colors, agility, and
flexibility of the
instrument; it makes us
think in a polyphonic
way.Finally, the daily
study, especially of the
Ciaccona, is an
extraordinary gymnasium
in which to consolidate
and strengthen our
general technique.THE
TRANSCRIPTIONThe whole
Partita was transcribed
in the key of A minor, a
fifth above the original
in D minor. This was
necessary for the lowest
note of the violin (G) to
correspond to the lowest
note of the piccolo (D).
This version exploits the
full range of the
piccolo, from the D of
the first octave to the B
of the third octave.
However some octave
adjustments were
needed.The chords,
particularly in the
Sarabanda and the
Ciaccona, have been left
with the same notational
system used by Bach in
his version for violin. I
chose to respect
Bachâs presentation
and did not transcribe
these into grace notes
breaking the chords. I
advocate that we must at
least try to think of
this music in its
vertical dimension,
trying to make the notes
resonate as if they were
being played together,
deciding the speed of the
arpeggio based on musical
needs.While some woodwind
editions of Bachâs
string solos do indicate
broken chords as grace
notes, this implies that
the most important note
is necessarily the
highest one, while
sometimes it is precisely
in the lower pitches that
the theme is voiced.In
this piccolo adaptation,
many of Bachâs
original articulations
have been respected. Some
have been changed, when
needing to adapt them to
the specific needs of
flute playing.The two
passages in the Ciaccona
where Bach indicates
âarpeggioâ were
rendered trying to
respect the most
consolidated and virtuous
violin traditions, and at
the same time the
possibilities that the
piccolo offers us. For
this purpose, in some
cases, different
revoicings of the chords
have been used.I thank
all those who patiently
listened to me and were
close to me during this
period, for their
observations and advice.
In particular, I thank my
daughter Sara for her
assistance and skill in
entering this edition
into music writing
software.
Piano or Harpsichord SKU: BT.EMBZ20018 France 1. By Szilvia Elek_A...(+)
Piano or Harpsichord
SKU: BT.EMBZ20018
France 1. By
Szilvia Elek_Anikó
Horváth. By Szilvia
Elek. Classical. Book
Only. Composed 2020. 108
pages. Editio Musica
Budapest #EMBZ20018.
Published by Editio
Musica Budapest
(BT.EMBZ20018).
Hungarian-English-Germ
an-French.
This
brand-new series is
intended as a guide to
the keyboard music of the
16th to 19th centuries
for pupils of the piano
and the harpsichord, as
well as of other early
keyboard instruments.
Each volume contains
pieces by well-known and
lesser-known composers
from one country or
region. The main purpose
of the series is to
extend the repertoire and
stylistic knowledge of
both pianists and
harpsichordists while
also presenting fine
pieces and typical genres
based on original
sources. Our edition
retains the performance
indications of the
composers' manuscripts
and contemporary
editions. Each volume
includes:- suggestions
for stylistically
appropriate performance
bothon the piano and on
period instruments-
suggested elaborated
versions of some pieces
and excerpts- a fold-out
list of ornamentation
signs and the composers'
own tables of
ornamentation signs-
biographies of the
composers and the sources
of the pieces-
translations of
foreign-language
performance indications.
The two volumes devoted
to French keyboard music
includes close to 50
showy and relatively easy
works - preludes, dances,
suites, rondeaux, and
character pieces - from
the early 16th until the
late 18th century
(ordered
chronologically).This
publication is printed on
high-quality,
age-resistant paper that
is produced in an
environmentally-friendly,
climate-neutral manner
using renewable raw
materials.
Una nuova collana
ideata per offrire una
guida alla scoperta della
musica per pianoforte e
clavicembalo dal
sedicesimo al
diciannovesimo secolo.
Ogni volume include brani
di compositori di una
specifica nazione o area
geografica. L'intento
è amplicare la
conoscenza e il
repertorio di ogni
musicista. Inoltre in
ogni edizione sono
riportati fedelmente i
suggerimenti per
l'interpretazione e le
indicazioni presenti sui
manoscritti originali. I
due volumi dedicati alla
musica francese includono
circa 50 brani
significativi - preludi,
danze, suites, rondò e
altri - che risalgono
all'inizio del sedicesimo
secolo fino alla fine del
diciottesimo secolo,
rigorosamente inordine
cronologico.
Chamber Music Piano, Viola SKU: PR.114412490 For Viola and Piano. ...(+)
Chamber Music Piano,
Viola
SKU:
PR.114412490
For
Viola and Piano.
Composed by Martin Amlin.
Classical. Set of Score
and Parts. With Standard
notation. Composed 1987.
28+12 pages. Duration 13
minutes. Theodore Presser
Company #114-41249.
Published by Theodore
Presser Company
(PR.114412490).
ISBN
9781491113011. UPC:
680160018048. 8.5 x 11
inches.
SONATA for
Viola and Piano was
written for Patricia
McCarty and premiered by
her and the composer in
1987. All three movements
are unified by a
recurring six-note
pattern (C-E(-B(-F-G-B()
used throughout as a
basis for the repetitive
harmonic plan of the
Chaconne, as a nostalgic
reminiscence in the
Interlude, and as a
thematic element for a
mixed-meter hoedown in
the Rondo. Martin
Amlin's SONATA for
Viola and Piano was
written for Patricia
McCarty and premiered by
her and the composer in
1987. All three
movements are unified by
a recurring six-note
pattern (C-Eb-Bb-F-G-Bb)
which is used throughout
the piece as a basis for
the repetitive harmonic
plan of the Chaconne, as
a nostalgic reminiscence
in the Interlude, and as
a thematic element for a
mixed-meter hoedown in
the Rondo.
Op. 39. Composed
by Lowell Liebermann.
Study Score. 84 pages.
Duration 25 minutes.
Theodore Presser Company
#116-41142S. Published by
Theodore Presser Company
(PR.11641142S).
ISBN
9781491134030. UPC:
680160683772.
The
Concerto for Flute and
Orchestra, Op. 39 was
completed in September of
1992. It was commissioned
by James Galway, and is
dedicated to him. The
work is scored for an
orchestra comprised of
piccolo, flute, oboe,
english horn, clarinet,
bass clarinet, bassoon,
contrabassoon, two horns,
two trumpets, timpani,
percussion, harp, piano
and strings. The Concerto
is in three movements.
The first movement,
Moderato, is an arc-like
form, all of whose
components are in fact
variations on the
harmonic progression of
its principal theme. The
central section of this
movement is a set of
explicit chaconne
variations on a
chorale-version of this
progression. The second
movement, Adagio molto,
presents a lyrical melody
which is spun out over a
pulsating syncopated
ostinato which persists
through the entire length
of the movement. The
final movement, Presto,
is a virtuoso work-out
for the flutist in a
rondo-like form which
closes with a Prestissimo
coda. The Concerto for
Flute and Orchestra has
been recorded for release
on the BMG label by James
Galway with the London
Mozart Players conducted
by the composer. The
Concerto for Flute and
Orchestra, Op. 39 was
completed in September of
1992. It was commissioned
by James Galway, and is
dedicated to him.The work
is scored for an
orchestra comprised of
piccolo, flute, oboe,
english horn, clarinet,
bass clarinet, bassoon,
contrabassoon, two horns,
two trumpets, timpani,
percussion, harp, piano
and strings.The Concerto
is in three movements.
The first movement,
Moderato, is an arc-like
form, all of whose
components are in fact
variations on the
harmonic progression of
its principal theme. The
central section of this
movement is a set of
explicit chaconne
variations on a
chorale-version of this
progression.The second
movement, Adagio molto,
presents a lyrical melody
which is spun out over a
pulsating syncopated
ostinato which persists
through the entire length
of the movement.The final
movement, Presto, is a
virtuoso work-out for the
flutist in a rondo-like
form which closes with a
Prestissimo coda.The
Concerto for Flute and
Orchestra has been
recorded for release on
the BMG label by James
Galway with the London
Mozart Players conducted
by the composer.
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo
SKU:
GH.GE-11464
Composed
by Benjamin Staern.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11464. Published by
Gehrmans Musikforlag
(GH.GE-11464).
ISBN
979-0-070-11464-6. A4
inches.
Work note
by the composer:
When I received the news
of this commission, I had
no idea what it would
lead to. Writing for
guitar solo is not the
same as composing for
orchestra where you have
forty voices where you
can easily mask an entire
section. Here you are
very naked to the
bone. The starting
point for this work was
from J.S. Bach's Chaconne
in D-minor that Johannes
had performed in concert,
originally written for
violin but there is a
version transcribed for
guitar and piano made by
Ferruccio Busoni. When I
went to Cortona (in
Tuscany, Italy) completed
the southern mentality of
this work. Arpalineais
actually a merged word in
Italian language.
Arpa means
harp, however in a
musical context it's more
or less resembled with
the word arpeggio,
which means broken
chords. Lineameans
line.
The
work is divided in three
parts. I. Arpeggio:
It starts with an opening
chaconne-like sequence
and is marked with a
certain depth in which
the chords starts to
separate from the organum
note in the bass and it
culminates into a section
called with rhythmical
focus. These sections
alternates, variates
which each other. The
middle section has a
playful and childish
atmosphere where the
guitarist knocks on the
body of the guitar
resembling a Spanish folk
instrument cajon. This is
leading to a section
which tends more to a
very aggressive
fusion-like riff that
loses control and reaches
its climax at the
end.
II. Linea:
The static rhytmical
pulse is now
disintegrated and it
forms more or less sort
of a free,
improvisational state in
a rubatolike tempo. The
character is described as
a very hot day with
temperatures rising above
37! C (or 100! F) where
you can hardly do
anything just sitting
dozed off and pespiring
because of the extreme
heat watching a huge fog
coming up in the evening
that spreads around the
Tuscan atmosphere.
III. Finale: It
starts off with fast
one-note ostinati then
more and more notes pop
up like a gradual rain
storm with thunder
strikes! And eventually
it leads to that is a
large flood through the
streets of an medieval
Southern town. The work
ends with a short circuit
slapped strings along
with extremely fast
tremolos that reaches
higher and louder as
possible!
Cello SKU: HL.14042177 Cello. Composed by Various. Music Sales Ame...(+)
Cello
SKU:
HL.14042177
Cello. Composed by
Various. Music Sales
America. Classical.
Softcover. Composed 2012.
64 pages. Chester Music
#CH77495. Published by
Chester Music
(HL.14042177).
ISBN
9781780388700.
9.0x12.0x0.205
inches.
Collection
of original works created
as anonymous gifts for
the renowned Finnish
cellist Anssi Karttunen.
Includes works by 31
composers, including:
Pascal Dusapin, Magnus
Lindberg, Kaija Saariaho,
Esa-Pekka Salonen, Steven
Stucky, Tan Dun, and
others.
HWV 434 - 442 - with a Critical Report in English. By George Frideric Handel. Ed...(+)
HWV 434 - 442 - with a
Critical Report in
English. By George
Frideric Handel. Edited
by Ellwood Derr. Piano
(Harpsichord), 2-hands.
Pages: V and 144. Urtext
edition-paper bound.
Published by G. Henle.
Analecta Varia Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000919-140 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000919-140
Composed by Harrie
Janssen. Score Only. 80
pages. Gobelin Music
Publications #GOB
000919-140. Published by
Gobelin Music
Publications
(BT.GOB-000919-140).
Harrie Janssen
composed Analecta Varia
in memory of Henk van
Lijnschooten
(1928-2006). He has
been of great influence
on the Dutch music for
wind instruments. As
a conductor and as a
member of the jury, but
above all as a prominent
composer. Consists of
eight sound studies that
can also be performed
separately. In each part
a particular orchestral
aspect is the central
point.
The eight
parts 1.
Choral: ensemble
in monophonic
texture. 2.
Air: relatively free
line patterns combined
with a constant
pulse. 3.
Pavana: constant
rhythmicity culminating
in an orchestral
tutti. 4.
Lullaby: dissonant
harmonyabove an organ
point in a filigree
instrumentation. 5.
Chaconne: color
and virtuosity combined
with a rigid pasacaglian
theme. 6.
Interlude: antithesis
woodwind/brass and
followed by a synthesis
of the before. 7.
Fugue: ensemble in a
polyphonic texture.
8. Epilogue:
final canto in a
preponderating strong
dynamic, where a constant
euphony has to be
pursued.
Analecta
Varia bestaat uit acht
klankstudies die ook
afzonderlijk utgevoerd
kunnen worden. In iedere
deel wordt een bepaald
orkestraal facet centraal
gesteld. Harrie
Janssen componeerde
Analecta Varia ter
nagedachtenis aan Henkvan
Lijnschooten (1928-2006).
Henk van Lijnschooten
heeft zich bijzonder
verdienstelijk gemaakt
voor de Nederlandse
blaasmuziek, als
dirigent, jurylid maar
vooral als zeer
toonaangevend
componist.
1.
Chorale:
Samenspelin een homofone
textuur. 2.
Air: Relatief vrij
lijnenspel gecombineerd
met een constante
puls. 3.
Pavana: Constante
ritmiek culminerend in
een orkestraal tutti.
4. Lullaby:
Dissonate
samenklankenboven een
orgelpunt in een
filigraine
instrumentatie. 5.
Chaconne: Kleur en
virtuositeit gecombineerd
met een rigide pasacaglia
thema. 6.
Interlude:
Tegenstelling Hout/Koper
en een synthese
hiervan. 7.
Fuga: Samenspel in
een polyfone textuur.
8. Epilogue:
Slotzang in een
overwegend sterke
dynamiek, waarbij een
constante welluidendheid
nagestreefd dient te
worden.
Double Bass and Piano (GER) SKU: HL.49016064 By Oscar Zimmerman. By Richa...(+)
Double Bass and Piano
(GER)
SKU:
HL.49016064
By Oscar
Zimmerman. By Richard
Wagner. Edition Schott.
Classical. Book Only. 384
pages. Schott Music
#GS33083. Published by
Schott Music
(HL.49016064).
UPC:
073999308303. 305 X 229
inches.
Contents:
Bourré (Bach)
• Grave (Abaco)
• Concerto (Vivaldi)
• Prelude and
Allegro (d'Andrieu)
• Sonata in C Minor
(Handel) • Sonatina
and Minuet (Beethoven)
• Elegy and Andante
(Bottesini)• Aria
from Rigoletto
(Verdi) • Adagio
(Geissel) • Vocalise
(Rachmaninoff) •
Romance (Prokofiev)
• Introduction and
Tarentelle (Franchi)
• Serenade
(Beveridge) •
Chaconne (Russell).
A
range of solos specially
selected and arranged for
double bass with piano
accompaniment by Oscar
Zimmerman. Includes works
by Beethoven, Bottesini,
Verdi, Vivaldi and
Rachmaninov.
Contents:
Bourré (Bach)
• Grave (Abaco)
• Concerto (Vivaldi)
• Prelude and
Allegro (d'Andrieu)
• Sonata in C Minor
(Handel) • Sonatina
and Minuet (Beethoven)
• Elegy and Andante
(Bottesini)• Aria
from Rigoletto
(Verdi) • Adagio
(Geissel) • Vocalise
(Rachmaninoff) •
Romance (Prokofiev)
• Introduction and
Tarentelle (Franchi)
• Serenade
(Beveridge) •
Chaconne (Russell).
Analecta Varia Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 5 SKU: BT.GOB-000919-010 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 5
SKU:
BT.GOB-000919-010
Composed by Harrie
Janssen. Set (Score &
Parts). 44 pages. Gobelin
Music Publications #GOB
000919-010. Published by
Gobelin Music
Publications
(BT.GOB-000919-010).
Harrie Janssen
composed Analecta Varia
in memory of Henk van
Lijnschooten
(1928-2006). He has
been of great influence
on the Dutch music for
wind instruments. As
a conductor and as a
member of the jury, but
above all as a prominent
composer. Consists of
eight sound studies that
can also be performed
separately. In each part
a particular orchestral
aspect is the central
point.
The eight
parts 1.
Choral: ensemble
in monophonic
texture. 2.
Air: relatively free
line patterns combined
with a constant
pulse. 3.
Pavana: constant
rhythmicity culminating
in an orchestral
tutti. 4.
Lullaby: dissonant
harmonyabove an organ
point in a filigree
instrumentation. 5.
Chaconne: color
and virtuosity combined
with a rigid pasacaglian
theme. 6.
Interlude: antithesis
woodwind/brass and
followed by a synthesis
of the before. 7.
Fugue: ensemble in a
polyphonic texture.
8. Epilogue:
final canto in a
preponderating strong
dynamic, where a constant
euphony has to be
pursued.
Analecta
Varia bestaat uit acht
klankstudies die ook
afzonderlijk utgevoerd
kunnen worden. In iedere
deel wordt een bepaald
orkestraal facet centraal
gesteld. Harrie
Janssen componeerde
Analecta Varia ter
nagedachtenis aan Henkvan
Lijnschooten (1928-2006).
Henk van Lijnschooten
heeft zich bijzonder
verdienstelijk gemaakt
voor de Nederlandse
blaasmuziek, als
dirigent, jurylid maar
vooral als zeer
toonaangevend
componist.
1.
Chorale:
Samenspelin een homofone
textuur. 2.
Air: Relatief vrij
lijnenspel gecombineerd
met een constante
puls. 3.
Pavana: Constante
ritmiek culminerend in
een orkestraal tutti.
4. Lullaby:
Dissonate
samenklankenboven een
orgelpunt in een
filigraine
instrumentatie. 5.
Chaconne: Kleur en
virtuositeit gecombineerd
met een rigide pasacaglia
thema. 6.
Interlude:
Tegenstelling Hout/Koper
en een synthese
hiervan. 7.
Fuga: Samenspel in
een polyfone textuur.
8. Epilogue:
Slotzang in een
overwegend sterke
dynamiek, waarbij een
constante welluidendheid
nagestreefd dient te
worden.
Mystic Visions Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-3741-01 A Chaconne for Band. Composed by Hucke...(+)
Grade 2
SKU:
CL.024-3741-01
A
Chaconne for Band.
Composed by Huckeby.
Young Concert Band.
Rising Band Series for
Developing Bands! Audio
recording available
separately (item
CL.WFR360). Extra full
score. Composed 2008.
Duration 2 minutes, 29
seconds. C.L. Barnhouse
#024-3741-01. Published
by C.L. Barnhouse
(CL.024-3741-01).
Ed Huckeby
provides us with this
modern setting of the
classic chaconne form in
a piece that is very
appropriate for various
levels of development.
Relaxed, yet flowing, you
will find that Mystic
Visions will grow in
interest and appeal with
each and every rehearsal.
A masterful composition
in an educationally sound
setting!
Organ SKU: AP.6-256820 Composed by Dietrich Buxtehude. Organ - Method or ...(+)
Organ
SKU:
AP.6-256820
Composed
by Dietrich Buxtehude.
Organ - Method or
Collection. Dover
Edition. Baroque;
Masterwork. Book. Dover
Publications #06-256820.
Published by Dover
Publications
(AP.6-256820).
ISBN
9780486256825.
English.
Includes
78 toccatas, preludes,
chorale variations,
chorale fantasies,
chorale preludes, fugues,
canzonettas and
chaconnes, comprising
virtually all of his
organ works in this one
volume. 320 pgs.
Viola & Organ SKU: SU.30180010 For viola & Organ. Composed by Cars...(+)
Viola & Organ
SKU:
SU.30180010
For
viola & Organ.
Composed by Carson
Cooman. Strings, Viola,
Keyboard, Organ. Score &
Parts. Subito Music
Corporation #30180010.
Published by Subito Music
Corporation
(SU.30180010).
Score and
seperate organ part
included Duration: 5'
Composed: 2002 Published
by: Parsonage Press.
Viola SKU: LM.27588 Composed by Brice Pauset. Classical: 20th Century (Co...(+)
Viola
SKU:
LM.27588
Composed by
Brice Pauset. Classical:
20th Century
(Contemporary). Score.
Editions Henry Lemoine
#27588. Published by
Editions Henry Lemoine
(LM.27588).
12 Chaconnes Guitare [Conducteur] Music Distribution Services
Guitar SKU: M7.BRP-378 Composed by Nicholas Derosier. Sheet music. Score....(+)
Guitar
SKU:
M7.BRP-378
Composed
by Nicholas Derosier.
Sheet music. Score. MDS
(Music Distribution
Services) #BRP 378.
Published by MDS (Music
Distribution Services)
(M7.BRP-378).
Piano, harpsichord SKU: BA.BA04032 Individual Suites and Pieces - Part...(+)
Piano, harpsichord
SKU: BA.BA04032
Individual Suites and
Pieces - Part 2 (Nos.
1-34). Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series IV,
Volume 17. Suiten, Barock
(Suites, Baroque).
Complete edition,
Performance score,
anthology. Duration 1
hour, 39 minutes, 59
seconds. Baerenreiter
Verlag #BA04032_00.
Published by Baerenreiter
Verlag (BA.BA04032).
ISBN 9790006443390. 33
x 25.8 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Guitar). By Johann Sebastian Bach (1685-1750). Arranged by Fr�d�r...(+)
(Guitar). By Johann
Sebastian Bach
(1685-1750). Arranged by
Fr�d�ric
Zigante. For Guitar
(Guitar). MGB. Softcover
with CD. Hal Leonard
#R140713. Published by
Hal Leonard