Wind Ensemble (Ensemble) SKU: HL.51481234 Op. 44. Composed by Anto...(+)
Wind Ensemble (Ensemble)
SKU: HL.51481234
Op. 44. Composed
by Antonin Dvorak. Edited
by Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1234. Published by G.
Henle (HL.51481234).
UPC: 196288023289.
9.0x12.0x0.482
inches.
When
Dvorák wrote his
Serenade for 10 winds and
2 lower strings in
January 1878, the heyday
of the great wind
serenades and
“Harmoniemusikâ€
wind ensembles was
already long gone. He was
probably inspired by
hearing Mozart's Gran
Partita shortly
beforehand in Vienna. The
home key of d minor here
is striking, as is the
often serious, even
tragic atmosphere that
repeatedly darkens the
otherwise cheerful mood
that is typical of the
serenade genre. Perhaps
this was a reaction to
the death of two of his
children just a few
months earlier. Despite
the work's dramatic
character - or perhaps
because of it -
Dvorák's Serenade was
taken up in many European
cities soon after its
first performance in
Prague, and fêted as a
significant contribution
to the chamber music
repertoire for wind
instruments. The
autograph sources in
Prague have been
consulted for this Urtext
edition. The parts are
printed with
player-friendly page
divisions, perfect
page-turning
opportunities, and
practical alternative
parts in F for the three
horns.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Keyboard (NOTEN+CD) - very easy to intermediate SKU: HL.49033180 The m...(+)
Keyboard (NOTEN+CD) -
very easy to intermediate
SKU: HL.49033180
The modern
Keyboardschool.
Composed by Bye. This
edition: Ring/Spiral
binding. Sheet music with
CD. Edition Schott.
Edition with CD. 104
pages. Schott Music #ED
9591. Published by Schott
Music (HL.49033180).
ISBN 9783795756352.
German.
Diese
Keyboardschule richtet
sich an alle Lehrer und
Schuler, die das Keyboard
mit Begleitautomatik als
vollwertiges Instrument
spielen lernen mochten.
Die Lerninhalte sind
textlich und grafisch
ubersichtlich
aufbereitet, und die
zahlreichen beliebten
Stucke motivieren zum
Spielen und Uben. Die
Vorteile dieser Schule:
Fingered-Chord-Methode:
Die linke Hand wird
konsequent fur die
Begleitung eingesetzt.
Sounds, Style,
Sync-Start, Intro,
Fill-In, Ending usw:
Diese Schule stellt
endlich auch
Keyboard-Techniken
heraus. Die Spielstucke
sind fur den
Gruppenunterricht
geeignet. Leicht
verstandliche Erklarungen
von Musiktheorie und
musikalischem Grundwissen
Test zur Lernkontrolle am
Ende eines jeden
KapitelsNeu:
vergrossertes Rastral zur
besseren LesbarkeitMit
neuen, didaktisch
aufbereiteten
InfoboxenMehr Praxis geht
nicht!
Baritone Solo, 8-Part
Chorus and Orchestra
Study Score. Composed
by Johannes Brahms.
Edited by Johannes Behr
and Ulrich Tadday. Henle
Study Scores. Classical.
Softcover. G. Henle
#HN9030. Published by G.
Henle (HL.51489030).
UPC: 196288093763.
6.75x9.5x0.505
inches.
Brahms
composed his Triumphlied
for eight-part chorus,
solo baritone and
orchestra as a direct
reaction to the victory
of the German army in the
Franco-Prussian War of
1870/71 and the
consequent founding of
the German Empire.
Similar to the German
Requiem completed shortly
before, Brahms himself
compiled the text from
the Bible, in this case
from Chapter 19 of the
Book of Revelations.
Because of the somewhat
melodramatic tone of the
composition and the
nationalistic background
to the works genesis, in
recent years the
Triumphlied has seldom
been heard in concert
halls. Unlike
overly-patriotic
occasional works such as
Richard Wagner's
Kaisermarsch, the
Triumphlied is true
Brahms and is a musically
rich composition. This
study edition takes the
musical text from the
Brahms Complete Edition
(HL 51486030), thereby
representing the highest
scholarly precision. The
Appendix contains an
exciting new discovery, a
previously-unknown early
version of the 1st
movement in C major,
which was only
rediscovered in 2012 in
Bremen.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano Solo) SKU: HL.51481526 Piano Solo without fingering. ...(+)
Piano (Piano Solo)
SKU: HL.51481526
Piano Solo without
fingering. Composed
by Johann Sebastian Bach.
Edited by Ullrich
Scheideler. Henle Music
Folios. Classical.
Softcover. 31 pages. G.
Henle #HN1526. Published
by G. Henle
(HL.51481526).
UPC:
196288278719.
9.0x12.0x0.116
inches.
In 1735
Bach published the
Italian Concerto,
presented here in a
revised separate edition,
together with the French
Overture in the second
part of his âClavier
Ãbungâ. The two
works were intended to
respectively exemplify
the Italian and French
styles. Thus, the
âConcertoâ
unmistakably imitates an
Italian solo concerto,
using only the means of
the harpsichord. Tutti
and solo passages can be
heard as well as the
dynamic gradations of the
sound layers, which Bach
explicitly marked with
piano and forte.
Energetic outer movements
frame an Andante, in
which a melancholy
cantilena unfolds over
unadorned chords. For the
revision of this Bach
classic, editor Ullrich
Scheideler also
evaluated, in addition to
the prints, early
manuscript copies which
allowed interesting
conclusions about the
lost autograph.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano Solo) SKU: HL.51480526 Piano Solo Fingerings by Ekaterina...(+)
Piano (Piano Solo)
SKU: HL.51480526
Piano Solo Fingerings
by Ekaterina
Derzhavina. Composed
by Johann Sebastian Bach.
Edited by Ullrich
Scheideler. Henle Music
Folios. Classical.
Softcover. 31 pages. G.
Henle #HN526. Published
by G. Henle
(HL.51480526).
UPC:
196288278733.
9.0x12.0x0.119
inches.
In 1735
Bach published the
Italian Concerto,
presented here in a
revised separate edition,
together with the French
Overture in the second
part of his âClavier
Ãbungâ. The two
works were intended to
respectively exemplify
the Italian and French
styles. Thus, the
âConcertoâ
unmistakably imitates an
Italian solo concerto,
using only the means of
the harpsichord. Tutti
and solo passages can be
heard as well as the
dynamic gradations of the
sound layers, which Bach
explicitly marked with
piano and forte.
Energetic outer movements
frame an Andante, in
which a melancholy
cantilena unfolds over
unadorned chords. For the
revision of this Bach
classic, editor Ullrich
Scheideler also
evaluated, in addition to
the prints, early
manuscript copies which
allowed interesting
conclusions about the
lost autograph.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
Roy Clark Christmas Songbook for Guitar composed by Roy Clark. For guitar. This ...(+)
Roy Clark Christmas
Songbook for Guitar
composed by Roy Clark.
For guitar. This edition:
Paperback. Collection.
Christmas. Book. Text
Language: English. 128
pages. Published by
Santorella Publications
Composed by
Larry Clark. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
12+12+6+12+24+24+6+4+6+6+
6+6+8+8+8+4+4+6+6+6+8+2+1
+6+2+4+10+32+4 pages.
Duration 6 minutes, 9
seconds. Carl Fischer
Music #CPS225. Published
by Carl Fischer Music
(CF.CPS225).
ISBN
9781491152515. UPC:
680160910014.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Composed
by Larry Clark. Concert
Band (CPS). Full score.
With Standard notation.
32 pages. Carl Fischer
Music #CPS225F. Published
by Carl Fischer Music
(CF.CPS225F).
ISBN
9781491153192. UPC:
680160910694.
Tarta
n Tapestries is an
original piece that sets
out to emulate Scottish
folk music. Composer
Larry Clark has created a
concert overture in
triple meter to capture
the essence of music from
Scotland. After a lilting
first section, lush
and beautiful moments
weave a tapestry of
sounds with the lyrical,
middle section of the
piece. There is an
optional part for
bagpipes, and an optional
ending should you chose
to use this instrument as
part of the piece. Alert
your contest music
committee about this
strong new piece for
advancing
groups. Tartan
Tapestries was
commissioned by Friends
of the Arts for the Saint
Andrew's School Band in
Boca Raton,
Florida. The band
program at Saint
Andrew’s School is
under the direction of
Andrea Wolgin. The
premiere took place on
November 29, 2017.When I
was asked by their
conductor Ms. Wolgin to
write a piece for the
Saint Andrew’s
School, I asked her what
kind of involvement she
wanted the students to
have in the process. We
discussed several options
for having the students
involved in the process
of creating with the type
of piece they wanted.Â
We set up a
“Skypeâ€
meeting with members of
the band to discuss the
piece. During this
discussion, the consensus
of the students was that
they wanted a piece
depicting the Scottish
influence to the
school. They also
wanted a piece that would
challenge all sections of
the band and to include
bagpipes if possible. I
asked that the students
be involved in helping to
name the piece once it
was completed, for which
they agreed and were very
helpful. Armed with
this information, I set
out to compose a piece
for them, and Tartan
Tapestries is the
result.The piece begins
with a fanfare gesture
based upon rhythms and
harmonies that appear
throughout the piece. I
chose the lilting triple
feel to the piece, to
bring about the Scottish
flavor. I wanted the
fanfare to be bardic
sounding, to depict the
strength of the Scottish
people and for the piece
to have a dynamic
opening. The fanfare
contains material that
alludes to the main theme
and with a bit of
dissonance and tension
that is resolved in the
main body of the
piece.The main theme is a
lilting original melody,
but one that I hope with
have the essence of
Scottish folk songs. The
main idea is followed by
a more modal and dark
sounding secondary theme,
first stated in the
horns. This material
is later used in the
development section of
the piece. The main
theme returns several
times, with different and
varied orchestrations and
harmonic treatments. This
is followed by a short
transition leading to the
more lyrical and slower
second section of the
piece. A transparent
presentation of the
lyrical theme, which is
based on aspects of the
main theme, is presented
first by a solo flute.
This section is a nod to
famous composer Malcom
Arnold’s wonderful
works for orchestra in
its style and
orchestration. After a
transition or bridge
section with a solo
euphonium, the piece
builds to a dramatic
climax of the lyrical
theme by the full band.
This subsides to a return
of the solo flute to end
this second section of
the piece, followed by a
transition back the main
theme.The solo bagpipes
play a central role in
the return of the main
theme and take center
stage after being heard
in the distance earlier
in the work. The piece
brings back a shortened
version of the darker
secondary theme, followed
by a hint of the fanfare
material that builds to
one last statement of the
main theme by the full
band, before leading to a
dramatic coda to complete
the work.It has been my
pleasure to have been
given the opportunity to
compose this piece for
the Saint Andrew’s
School Band! I thank
Andrea Wolgin for making
it happen, and I hope
that you enjoy it as much
as I have enjoyed
bringing the piece to
life.–Larry
ClarkLakeland, Florida
2017.
Holly Jolly Christmas and Silver and Gold arranged by Jonathon Robbins. For pian...(+)
Holly Jolly Christmas and
Silver and Gold arranged
by Jonathon Robbins. For
piano, voice, guitar
solo. Solo. Best of
Christmas series.
Christmas. Sheet Music.
Text Language: English. 8
pages. Published by
Santorella Publications
Arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Chris...(+)
Arranged by Jonathon
Robbins. For piano,
voice, guitar solo. Solo.
Best of Christmas series.
Christmas. Sheet Music.
Text Language: English. 8
pages. Published by
Santorella Publications
. Sheet Music.
Christmas.
Jingle, Jingle, Jingle and O Christmas Tree arranged by Jonathon Robbins. For pi...(+)
Jingle, Jingle, Jingle
and O Christmas Tree
arranged by Jonathon
Robbins. For piano,
voice, guitar solo. Solo.
Best of Christmas series.
Christmas. Sheet Music.
Text Language: English. 8
pages. Published by
Santorella Publications
Rockin' Around The Christmas Tree and Up On The Housetop arranged by Jonathon Ro...(+)
Rockin' Around The
Christmas Tree and Up On
The Housetop arranged by
Jonathon Robbins. For
piano, voice, guitar
solo. Solo. Best of
Christmas series.
Christmas. Sheet Music.
Text Language: English. 8
pages. Published by
Santorella Publications
Carol Of The Bells and O Little Town Of Bethlehem arranged by Jonathon Robbins. ...(+)
Carol Of The Bells and O
Little Town Of Bethlehem
arranged by Jonathon
Robbins. For piano,
voice, guitar solo. Solo.
Best of Christmas series.
Christmas. Sheet Music.
Text Language: English. 8
pages. Published by
Santorella Publications
Arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Chris...(+)
Arranged by Jonathon
Robbins. For piano,
voice, guitar solo. Solo.
Best of Christmas series.
Christmas. Sheet Music.
Text Language: English. 8
pages. Published by
Santorella Publications