Guitar SKU: UT.CH-159 Composed by Massimo Fornetti. Saddle stitching. Cla...(+)
Guitar
SKU:
UT.CH-159
Composed by
Massimo Fornetti. Saddle
stitching. Classical. 12
pages. Ut Orpheus #CH
159. Published by Ut
Orpheus (UT.CH-159).
ISBN 9790215320390. 9
x 12 inches.
With
this Suite for guitar
â?? whose main reference
point is the baroque
instrumental suite and
its traditional dances
â?? the interpreter
takes a journey through
various compositional
styles (e.g. the use of
microstructures,
modality, atonality,
harmony in fourths,
whole-tone scales), in
the form of a dance.
Within the scope of this
metacultural project,
both performer and
listener are presented
with a musical
juxtaposition where the
baroque suite is always
present as a historic
reference. This project
is aimed at an average
level of guitar students
where instrumental
technique is equally as
important as composition.
In this respect, the
Suite is useful in the
areas of concert
performance, in the
teaching of instrumental
technique and in
compositional
analysis.
Abt. Motette/Messe
Bd.19: Annaberger
Chorbuch II/2.
Composed by Jurgen
(Hrsg.) Kindermann.
Edited by Jurgen
Kindermann. Linen.
Complete Works. New
additions to the
repertoire of ca. 1500.
Renaissance/early
Baroque; Baroque.
Complete Works. 240
pages. Breitkopf and
Haertel #SON 390.
Published by Breitkopf
and Haertel (BR.SON-390).
ISBN 9790004803035. 10
x 12.5 inches.
The
Annaberger Chorbuch II is
the second part of the
sole surviving musical
source from the music
collections of the church
library of Annaberg in
the Erz Mountains. It was
long housed there until
it was acquired in 1968
by the Sachsische
Landesbibliothek Dresden
and restored. The two
volumes contain many
anonymous compositions
which considerably expand
the previously published
repertory of German music
from the early 16th
century. This elevates
the work manuscript to
the rank of an important
source. It contains a
variety of pieces in all
sacred genres and
generally in four-part
writing: masses, single
mass movements,
Magnificat settings,
motets and a collection
of hymns and Introit
pieces. Thanks to
concordances, certain
pieces can be attributed
to composers such as
Antoine Brumel, Loyset
Compere, Alexander
Agricola and Heinrich
Isaac.
Written by Rick Mooney. Instructional book for cello. With introductory text, st...(+)
Written by Rick Mooney.
Instructional book for
cello. With introductory
text, standard notation,
fingerings, bowings,
instructional text and
instructional photos. 63
pages. Published by
Summy-Birchard Inc.
Clarinet and String Quartet SKU: IS.CM6086EM Composed by Charles Camiller...(+)
Clarinet and String
Quartet
SKU:
IS.CM6086EM
Composed
by Charles Camilleri.
Ensembles - Chamber
Music. Metropolis Music
Publishers #CM6086EM.
Published by Metropolis
Music Publishers
(IS.CM6086EM).
ISBN
9790365060863.
Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him. The 4 Greek Songs
were composed during the
late fifties. The first
and third movements
capture the loose vocal
style of the cantilena
which is characteristic
for the mediterranean
region. The second and
fourth movements are
based on original dances
which are typical for the
modal nature of Greek
music.
Concert band - Grade 4 SKU: MH.1-59913-070-X Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-070-X
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music
(MH.1-59913-070-X).
ISBN
9781599130705.
Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion.
Concert band - Grade 4 SKU: MH.1-59913-071-8 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-071-8
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
Full Score. Duration
10:00. Published by
Manhattan Beach Music
(MH.1-59913-071-8).
ISBN
9781599130712.
Prog
ram Notes: Stylistically
diverse -- tranquil,
spirited pastoral,
sensitive, energetic --
exhibiting a remarkable
palette, the five
movements of SINFONIA IX
form a unique symphonic
statement. Movement I,
Prelude, is about
contrasts: A lazy,
smooth, motive in brasses
alternates with, and then
joins, an active and
detached motive in
woodwinds. The spirited
Movement II, Morley's
Ghost, is an intricate
canonic collage and
homage to that venerable
theoretician & composer,
Thomas Morley. By
contrast, movement III,
Dialog, speaks in a
relaxed, lyrical, and
pastoral language as it
develops its gently
rising and falling
motives. Movement IV,
Waltz, innocently
celebrates the joys of
childhood with a lilting
melody and rondo form.
For the rousing Finale,
Movement V begins with a
martial call of
repeated-notes, heralding
a headstrong journey of
power and excitement.
Like a number of the
composer's other works,
SINFONIA IX is based on
earlier material: A brass
sextet, written in 1966
when the composer was
nineteen years old, forms
the raw material for the
first, third and fifth
movements, while a later
work, Martin's Waltz (a
children's piece for
flutes and clarinets
composed in 1975) is the
basis of the fourth
movement. The second
movement, however, is a
fanciful contrapuntal
commentary on Thomas
Morley's 16th-century
canzonet, Fire and
Lightning. SINFONIA IX is
dedicated to John
Raforth, a distinguished
band director and music
educator at West High
School in Madison,
Wisconsin. The work was
commissioned by his
friends and former
students, and was
completed in 1977. Its
first publication some
twenty years later is a
result of the increasing
attention paid by
university band directors
to the earlier Sinfonias,
particularly Sinfonia III
(Hymns and Dances);
Sinfonia V (Sinfonia
Sacra et Profana); and
now, Sinfonia IX. Whereas
the first two works are
wind ensemble
compositions that have
been championed equally
by the concert band,
Sinfonia IX is the
composer's first
college-level Sinfonia
written especially for
concert band. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1-2, 2
Oboe, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3 Bb
Bass Clarinet, 2 Bassoon,
4 Eb Alto Saxophone, 2 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 3
Trombone 1, 3 Trombone 2,
3 Baritone B.C., 2
Baritone T.C., 4 Tuba, 3
String Bass, 2 Timpani, 5
Percussion.
Intermediate to Early Advanced Works by 37 Composers. Edited by Maurice Hinson. ...(+)
Intermediate to Early
Advanced Works by 37
Composers. Edited by
Maurice Hinson.
Masterworks; Piano
Collection. Alfred
Masterwork Edition. 20th
Century; Masterwork.
Book. 208 pages. Alfred
Music #00-21442.
Published by Alfred Music
Double bass
(2(picc).2.cor ang.2.2 -
4.2.3.1 - timp - str)
SKU: BR.OB-5291-27
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Oh the tempi, how
terrible! Dvorak often
complained bitterly about
tempi, and with good
reason, as the respected
Dvorak expert Klaus Doge
discovered while
preparing his edition of
the Eighth.
Symphony; Romantic. Part.
12 pages. Duration 35'.
Breitkopf and Haertel #OB
5291-27. Published by
Breitkopf and Haertel
(BR.OB-5291-27).
ISBN
9790004337547. 10 x 12.5
inches.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the Eighth.The
composer's conducting
score, which also served
as the engraver's copy,
has resurfaced again and
offers sensational
findings for performers.
The copy contains an
entire series of added
tempo entries that were
not all incorporated into
the first edition. Doge's
edition now sheds light
into the previously
misleading tempo
markings. Breitkopf's new
edition is also the first
performing material to
this key work of
late-romantic orchestral
literature that can be
purchased in its entirety
as sales material.
Following the New World
Symphony, the Slavonic
Dances op. 46 and the
Violoncello Concerto,
Dvorak's fourth major
orchestral work is now
available in Breitkopf's
customary high
quality.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the
Eighth.
Woodwinds (2(picc).2.cor
ang.2.2 - 4.2.3.1 - timp
- str)
SKU:
BR.OB-5291-30
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Oh the tempi, how
terrible! Dvorak often
complained bitterly about
tempi, and with good
reason, as the respected
Dvorak expert Klaus Doge
discovered while
preparing his edition of
the Eighth.
Symphony; Romantic. Set
of parts. 168 pages.
Duration 35'. Breitkopf
and Haertel #OB 5291-30.
Published by Breitkopf
and Haertel
(BR.OB-5291-30).
ISBN
9790004337554. 10 x 12.5
inches.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the Eighth.The
composer's conducting
score, which also served
as the engraver's copy,
has resurfaced again and
offers sensational
findings for performers.
The copy contains an
entire series of added
tempo entries that were
not all incorporated into
the first edition. Doge's
edition now sheds light
into the previously
misleading tempo
markings. Breitkopf's new
edition is also the first
performing material to
this key work of
late-romantic orchestral
literature that can be
purchased in its entirety
as sales material.
Following the New World
Symphony, the Slavonic
Dances op. 46 and the
Violoncello Concerto,
Dvorak's fourth major
orchestral work is now
available in Breitkopf's
customary high
quality.
Oh the
tempi, how terrible!
Dvorak often complained
bitterly about tempi, and
with good reason, as the
respected Dvorak expert
Klaus Doge discovered
while preparing his
edition of the
Eighth.
Thomas Tunes Violoncelle, Piano Breitkopf & Härtel
Cello, piano (2 cellos) SKU: BR.EB-8884 8 Pieces for Cello and Piano o...(+)
Cello, piano (2 cellos)
SKU: BR.EB-8884
8 Pieces for Cello and
Piano or 2 Cellos.
Composed by Graham
Waterhouse. Stapled.
Edition Breitkopf.
Pieces for young (at
heart) cellists
Music
pedagogy. Score. 60
pages. Breitkopf and
Haertel #EB 8884.
Published by Breitkopf
and Haertel (BR.EB-8884).
ISBN 9790004184745. 9
x 12 inches. German /
English.
Graham
Waterhouse created a
little series of lovely
melodies for his son,
which he then
successfully performed at
violoncello competitions.
The eight pieces can be
played alone, as well as
in a suite with a random
sequence. The majority
are dances with
rhythmical
characteristics that are
intended to challenge the
young string players.
This also applies to the
expanded performance
techniques that are
introduced and
occasionally used here.
The level of difficulty
ranges from the first
position in Montague's
March up to the fourth
position in Henry
Hornpipe, the most
difficult piece in the
cycle. Originally
conceived for solo voice
and piano, this edition
also contains an
alternative version for
two
violoncelli.
30 Songs in Authentic
Styles with Accompaniment
Tracks. Composed by
Mark Contreras Gómez.
Solo/Ensemble collection.
Kendor Music Inc #SB2306.
Published by Kendor Music
Inc (KN.SB2306).
12 x
9 inches.
The Latin
American String
Collection is an
authentic resource for
the modern string room.
As a Latin American
Composer, Mark Contreras
Gómez brings a wealth
of experience to this
collection –
making it a trusted
choice for your students.
Explore Latin American
styles and learn about
their unique histories
with information included
by the composer on each
and every solo. The
accompanying tracks have
been carefully curated
and performed by the
composer, and include
click count-offs,
performance versions, and
performance demos for use
while practicing each
distinctive style. The
book itself, is laid out
with a strong focus on
pedagogic sequencing,
introducing new styles
and dances as the
musician progresses. The
book is divided into
sections: Open Strings,
First Finger, Second
Finger, Third Finger,
Fourth Finger and
Chromatic Changes.
Perfect for fun,
performance, or festival
adjudication –
this new collection is a
must-have for your string
solo library.
30 Songs in Authentic
Styles with Accompaniment
Tracks. Composed by
Mark Contreras Gómez.
Solo/Ensemble collection.
Kendor Music Inc #SB2305.
Published by Kendor Music
Inc (KN.SB2305).
12 x
9 inches.
The Latin
American String
Collection is an
authentic resource for
the modern string room.
As a Latin American
Composer, Mark Contreras
Gómez brings a wealth
of experience to this
collection –
making it a trusted
choice for your students.
Explore Latin American
styles and learn about
their unique histories
with information included
by the composer on each
and every solo. The
accompanying tracks have
been carefully curated
and performed by the
composer, and include
click count-offs,
performance versions, and
performance demos for use
while practicing each
distinctive style. The
book itself, is laid out
with a strong focus on
pedagogic sequencing,
introducing new styles
and dances as the
musician progresses. The
book is divided into
sections: Open Strings,
First Finger, Second
Finger, Third Finger,
Fourth Finger and
Chromatic Changes.
Perfect for fun,
performance, or festival
adjudication –
this new collection is a
must-have for your string
solo library.