Viola 1 SKU: BR.OB-32108-19 With Insertion Movements for Performances ...(+)
Viola 1
SKU:
BR.OB-32108-19
With Insertion
Movements for
Performances over
Christmas - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Baroque. Part. 12
pages. Duration 30'.
Breitkopf and Haertel #OB
32108-19. Published by
Breitkopf and Haertel
(BR.OB-32108-19).
ISBN
9790004343098. 10 x 12.5
inches.
Kuhnau's
Magnificat in C major is
- apart from his Biblical
Sonatas - considered to
be his most ambitious and
best known work. However,
as recent research has
revealed, there are
indeed many other
large-scale works among
his oeuvre which are
largely presumed lost
today, apart from those
that were published as
first editions. Until
now, only insufficient or
erroneous editions of the
Magnificat have been
available, a piano
reduction has not been
available at all. Beyond
that, editor David Erler
has succeeded in tracking
down new evidence on the
authorship of four Laudes
(insertion movements for
performances over
Christmas) and to carry
out their altogether new
placement in the main
work. He was able to
prove that Bach's
Magnificat directly
succeeded Kuhnaus's work
and that the use of such
Laudes was common in
Leipzig's parish churches
and beyond.
Arranged by Gail Lew and Chris Lobdell. Piano Collection. Popular Piano Library....(+)
Arranged by Gail Lew and
Chris Lobdell. Piano
Collection. Popular Piano
Library. Level: Early
Intermediate (Level 3).
Book, CD and GM Disk. 36
pages. Published by
Alfred Publishing.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1002341-020 Slow March. Compo...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1002341-020
Slow March.
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 2000. De
Haske Publications #DHP
1002341-020. Published by
De Haske Publications
(BT.DHP-1002341-020).
There are all
sorts of marches: fast
and slow, solemn and
energetic, military and
civil, procession and
funeral. Orion is a
so-called ‘slow
march’. However
the moderate tempo does
not make a passive or
heavy impression. On the
contrary, this march
contains natural optimism
and spontaneity. The
persistant
‘pulse’
gives this majestic march
a noble character
Orion ist
zwar ein langsamer
Marsch, sein getragenes
Tempo wirkt aber
keineswegs passiv oder
schwerfällig, vielmehr
strahlt er natürlichen
Optimismus und
Spontaneität aus. Die
eher einfach gehaltene
Komposition ist
vielseitig einsetzbar und
soinstrumentiert, dass
sie auch von kleineren
Formationen ohne
nennenswerte
Veränderung im
Gesamtklang gespielt
werden kann. Der fast
durchgehend rhythmische
Puls des Schlagzeugs
verleiht dem
majesÂtätischen
Marsch das gewisse Etwas.
Orion Ensemble de cuivres - Facile De Haske Publications
Brass Band - Grade 2.5 SKU: BT.DHP-1002341-030 Slow March. Compose...(+)
Brass Band - Grade 2.5
SKU:
BT.DHP-1002341-030
Slow March.
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 2000. De
Haske Publications #DHP
1002341-030. Published by
De Haske Publications
(BT.DHP-1002341-030).
There are all
sorts of marches: fast
and slow, solemn and
energetic, military and
civil, procession and
funeral. Orion is a
so-called ‘slow
march’. However
the moderate tempo does
not make a passive or
heavy impression. On the
contrary, this march
contains natural optimism
and spontaneity. The
persistant
‘pulse’
gives this majestic march
a noble character
Orion ist
zwar ein langsamer
Marsch, sein getragenes
Tempo wirkt aber
keineswegs passiv oder
schwerfällig, vielmehr
strahlt er natürlichen
Optimismus und
Spontaneität aus. Die
eher einfach gehaltene
Komposition ist
vielseitig einsetzbar und
soinstrumentiert, dass
sie auch von kleineren
Formationen ohne
nennenswerte
Veränderung im
Gesamtklang gespielt
werden kann. Der fast
durchgehend rhythmische
Puls des Schlagzeugs
verleiht dem
majesÂtätischen
Marsch das gewisse Etwas.
SKU: AP.49862 32 Songs, Games, and Dances for Music Class. Compose...(+)
SKU: AP.49862
32 Songs, Games, and
Dances for Music
Class. Composed by
Greg Foreman and Valeaira
Luppens. This edition:
Book. Classroom
Resources;
Classroom/Pre-School;
Collections; Early
Childhood; General Music
and Classroom
Publications; Other
Classroom;
Rhythm/Activity.
Children; Secular. Book.
40 pages. Alfred Music
#00-49862. Published by
Alfred Music (AP.49862).
ISBN 9781470650698.
UPC: 038081571805.
English.
Move the
desks out of the way and
invite those eager young
musicians to circle up
for some fun-filled
active-learning music
time. This practical
planning book is a
creative teacher's
treasure and a
kinesthetic learner's
playground. Along the
way, there'll be plenty
of singing, moving,
listening, playing,
laughing, and learning!
Favorite childhood songs
are the foundation
throughout, plus learning
targets, required
resources, and
step-by-step instructions
are included for every
activity. Recommended for
grades K--5.
Performed by Michael McDonald. Piano/Vocal/Chords Songbook (Arrangements for pia...(+)
Performed by Michael
McDonald.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 123 pages.
Published by Hal Leonard.
SKU: LO.99-2193L A Dramatic Musical Experience for Christmas. Comp...(+)
SKU: LO.99-2193L
A Dramatic Musical
Experience for
Christmas. Composed
by Ruth Elaine Schram.
Choral, cantatas.
Christmas, Sacred. Bulk
performance CDs. Lorenz
Publishing Company
#99/2193L. Published by
Lorenz Publishing Company
(LO.99-2193L).
UPC:
000308115611.
Simil
ar in concept to its
predecessor, The Living
Last Supper (55/1110L),
this unique presentation
of the Christmas story is
seen through the eyes of
those who witnessed the
first Christmas in
Bethlehem many years ago.
There are brief
monologues for ten
characters--ranging from
Mary and Joseph to
members of the
Innkeeper's
family--interspersed
among the seven songs.
(Also included are
character descriptions,
set and staging
suggestions, and hints
for wardrobe and props).
The music is Ruth Elaine
Schram at her best:
beautiful melodies,
thoughtful texts,
well-crafted part
writing-and includes
familiar carols with
possible congregational
participation. The
optional orchestration
demands are modest,
making it possible for
the use of live
instruments even on a
limited budget. An
Accompaniment CD is also
available, if desired.
The Living Light is
flexible and accessible
enough to appeal to and
be within the
capabilities of most
music ministry
programs.
Slow March.
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 2000. De
Haske Publications #DHP
1002341-010. Published by
De Haske Publications
(BT.DHP-1002341-010).
There are all
sorts of marches: fast
and slow, solemn and
energetic, military and
civil, procession and
funeral. Orion is a
so-called ‘slow
march’. However
the moderate tempo does
not make a passive or
heavy impression. On the
contrary, this march
contains natural optimism
and spontaneity. The
persistant
‘pulse’
gives this majestic march
a noble character.
Orion ist
zwar ein langsamer
Marsch, sein getragenes
Tempo wirkt aber
keineswegs passiv oder
schwerfällig, vielmehr
strahlt er natürlichen
Optimismus und
Spontaneität aus. Die
eher einfach gehaltene
Komposition ist
vielseitig einsetzbar und
soinstrumentiert, dass
sie auch von kleineren
Formationen ohne
nennenswerte
Veränderung im
Gesamtklang gespielt
werden kann. Der fast
durchgehend rhythmische
Puls des Schlagzeugs
verleiht dem
majesÂtätischen
Marsch das gewisse Etwas.
Esistono marce di
ogni genere: veloci,
lente, solenni,
energiche, militari,
civili, funebri,
religiose. Questa di Jan
Van der Roost è una
marcia lenta ma dinamica,
carica di ottimismo e
spontaneit ,
dall’andamento
fiero e maestoso.
Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 2. Composed 1714.
BWV 182. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/13. Published by
Carus Verlag
(CA.3118213).
ISBN
9790007050306. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck.
Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200.
Vocal Mixed Choir with Piano SKU: AY.FRD57 Composed by John La Montaine. ...(+)
Vocal Mixed Choir with
Piano
SKU:
AY.FRD57
Composed by
John La Montaine. Vocal.
Fredonia Press #FRD57.
Published by Fredonia
Press (AY.FRD57).
ISBN
9790302115144.
The
Nonsense Songs from
Mother Goose, Op. 19 for
mixed voices and piano
consists of seven songs:
In Islingen There Was a
Man, The Proposal, Rub a
Dub, Miniature
Biographies, Simple
Simon, Peter Piper, and
Merry Shall We Part and
Merry Meet Again. The
first performance took
place on May 6, 1973 at
the National Gallery of
Art, with the Georgetown
University Men's Chorus,
conducted by Paul Hume.
This product only
contains the seventh song
of the collection, Merry
Shall We Part and Merry
Meet Again.
Viola - Intermediate to Late Intermediate SKU: FH.VAS2 Viola Series, 2...(+)
Viola - Intermediate to
Late Intermediate
SKU:
FH.VAS2
Viola
Series, 2013 Edition.
Composed by The Royal
Conservatory. Viola
Series, 2013 Edition.
Book. The Frederick
Harris Music Company
#VAS2. Published by The
Frederick Harris Music
Company (FH.VAS2).
ISBN
978-1-55440-572-5.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. Two volumes of
Etudes (Preparatory-4 and
5-8) include selections
that focus on technique
for the left hand, right
hand, and tone
development at every
level of study. Chosen as
much for their musicality
as their pedagogical
benefits, these Etudes
raise the study of
technique to a new level
of enjoyment. Legato
Pieces in a Slower
Tempo: Ode to Joy -
Beethoven, Ludwig van
arr. Mark Mrozinski Au
clair de la lune
(Underneath the
Moonlight) - Traditional
French song arr. Akiko
and Forrest
Kinney Chorus of
Soldiers, Townspeople,
Matadors, Elephants, and
Other Miscellaneous Opera
Characters - Birston,
Harold Come to the Sea
(Vieni sul mar) - Italian
folk song arr. Christine
Donkin) Streets of
Laredo - American folk
song arr. Forrest
Kinney Land of the
Silver Birch - Canadian
folk song arr. Nancy
Telfer Red River
Valley - American folk
song arr. Christine
Donkin Energetic
Pieces in a Faster
Tempo: Dizzy Lizzy
Lightweight - Attwood,
Ben and Carol
Lumsden Sailor Song -
Traditional sea shanty
arr. Jason Gray Ten
Toads - Milne,
Elissa Pepperoni Pizza
Pie - Hewitt-Jones, Anita
and Caroline Lumsden A
Lively Tune - Carse,
Adam Hark, What's
Coming In from Out There?
(Horch, was kommt von
draussen rein?) - German
folk song arr. Christine
Donkin Someone's in
the Kitchen with Dinah -
American folk song arr.
Forrest Kinney Saint
Paul's Steeple - English
folk song arr. Jason
Gray The Sounds So
Glorious (Das klinget so
herrlich) - Mozart,
Wolfgang Amadeus arr.
Christine Donkin.
First Leipzig version.
Cantata for Palm Sunday
and the feast of the
Annunciation Cantata for
Palm Sunday and the feast
of the Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Himmelskonig,
Sei Willkommen G-Dur.
Sacred vocal music,
Cantatas, Lent and
Passiontide. Choral
Score. BWV 182. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/55. Published by
Carus Verlag
(CA.3118255).
ISBN
9790007209865. Key: G
major. Text language:
German/English.
Ver
sion in G major (A major
= Carus 31.182/00) The
cantata Himmelskonig, sei
willkommen BWV 182 holds
a special place in Johann
Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200.