Jazz Icons DVD. By Cannonball Adderley. This edition: 2119009. Live/DVD. DVD. Published by Jazz Icons.

Jazz Ensemble - Grade 3.5

SKU: AP.49618

Composed by Tadd Dameron. Arranged by Mike Kamuf. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Jazz Band Series. Jazz. Score and Part(s). Duration 4:34. Alfred Music #00-49618. Published by Alfred Music (AP.49618).

ISBN 9781470651343. UPC: 038081572253. English.

Hot House arranged by Mike Kamuf is an exciting swinger on a great jazz standard played at 154 BPM. The distinctive melody is handled by alto 1 and trumpet 2 with written solos for both. It also features a serious sax soli, optional vibes, lead trumpet range to written B-flat above the staff (optional C), plus a powerful shout chorus---all make a first-class chart! (4:34) This title is available in MakeMusic Cloud.

Jazz Ensemble - Grade 3.5

SKU: AP.49618S

Composed by Tadd Dameron. Arranged by Mike Kamuf. Jazz Ensemble; Performance Music Ensemble; Single Titles. Jazz Band Series. Jazz. Score. 24 pages. Duration 4:34. Alfred Music #00-49618S. Published by Alfred Music (AP.49618S).

ISBN 9781470651350. UPC: 038081572260. English.

Hot House arranged by Mike Kamuf is an exciting swinger on a great jazz standard played at 154 BPM. The distinctive melody is handled by alto 1 and trumpet 2 with written solos for both. It also features a serious sax soli, optional vibes, lead trumpet range to written B-flat above the staff (optional C), plus a powerful shout chorus---all make a first-class chart! (4:34).

By Jeff Darrohn. For Jazz Ensemble. Jazz Ensemble. First Year Charts for Jazz Ensemble. Swing. Level: 1 (Easy) (grade 1). Conductor Score and Parts. 82 pages. Published by Alfred Publishing.

Grade 3

SKU: CL.032-3509-00

Composed by Pastore. Jazz Ensemble. Audio recording available separately (item CL.991-2006-02). Score and set of parts. Composed 2006. Duration 3 minutes, 48 seconds. C.L. Barnhouse #032-3509-00. Published by C.L. Barnhouse (CL.032-3509-00).

Really hot! An exciting uptempo Latin groove that starts out featuring a combo of alto sax, tenor sax, trumpet and trombone before adding the whole band into the mix. Plenty of solo space for the soloists of your choice. A perfect concert or contest choice for better bands and your audiences will love it. Don't miss this great chart!

Big band - intermediate to advanced

SKU: M7.BARN-32350900

Latin. Composed by Carmine Pastore. Sheet music. Score and parts. Duration 3'. Handelsware #BARN 32350900. Published by Handelsware (M7.BARN-32350900).

English.

Really hot! An exciting uptempo Latin groove that starts out featuring a combo of alto sax, tenor sax, trumpet and trombone before adding the whole band into the mix. Plenty of solo space for the soloists of your choice. A perfect concert or contest choice for better bands and your audiences will love it. Don't miss this great chart!

Grade 3.5

SKU: CL.032-3509-01

Composed by Pastore. Jazz Ensemble. Audio recording available separately (item CL.991-2006-02). Extra full score. Composed 2006. Duration 3 minutes, 48 seconds. C.L. Barnhouse #032-3509-01. Published by C.L. Barnhouse (CL.032-3509-01).

Really hot! An exciting uptempo Latin groove that starts out featuring a combo of alto sax, tenor sax, trumpet and trombone before adding the whole band into the mix. Plenty of solo space for the soloists of your choice. A perfect concert or contest choice for better bands and your audiences will love it. Don't miss this great chart!

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Grade 3.5

SKU: CL.032-3503-01

Composed by Stanton. Jazz Ensemble. Audio recording available separately (item CL.991-2006-02). Extra full score. Composed 2006. Duration 3 minutes, 22 seconds. C.L. Barnhouse #032-3503-01. Published by C.L. Barnhouse (CL.032-3503-01).

Showcase your vibe player on this uptempo swinger that opens up with a unison combo of vibes, trumpet, alto sax and trombone. Lots of hot ensemble licks then accompany the vibes who can play the solos as written or ad lib. The big shout chorus features the full ensemble while the vibes get to fill the blanks. A great choice for concert or contest performances and a perfect way in encourage your vibes player! Extremely nice!

Flute

SKU: SP.TS282

Composed by Jonathon Robbins. Collection; Jazz Standards. Book and CD. Santorella Publications #TS282. Published by Santorella Publications (SP.TS282).

ISBN 9781585604760. UPC: 649571102821.

Refle ct on this past century with 20 unforgettable jazz standards that first defined popular American music with Essential Jazz Standards for Horns from Santorella Publications. Every page is packed with toe-tapping favorites certain to make anyone dance and sing along. Share these memorable tunes with family and friends and spread the sheer joy a song can evoke. This best-selling collection is arranged in accommodating keys for clarinet, trumpet, alto sax, flute and trombone by Jonathon Robbins. Now everyone can have some fun and play along! Essential Jazz Standards for Clarinet is available with or without a piano accompaniment CD. Alexander's Ragtime Band - I Want a Girl - Hot Time in the Old Town Tonight - For Me and My Gal - Chinatown, My Chinatown - Melancholy Baby - Little Brown Jug - Fascination - You Made Me Love You - Moonlight Bay - Bill Bailey - Rock-a-Bye Your Baby - Oh, You Beautiful Doll - When the Saints Go Marching In - Swanee - St. Louis Blues - After You've Gone - A Pretty Girl Is Like A Melody - They'll Be Some Changes Made - Baby Face.

Trumpet

SKU: SP.TS281

Composed by Jonathon Robbins. Collection; Jazz Standards. Book and CD. Santorella Publications #TS281. Published by Santorella Publications (SP.TS281).

ISBN 9781585604753. UPC: 649571102814.

Refle ct on this past century with 20 unforgettable jazz standards that first defined popular American music with Essential Jazz Standards for Horns from Santorella Publications. Every page is packed with toe-tapping favorites certain to make anyone dance and sing along. Share these memorable tunes with family and friends and spread the sheer joy a song can evoke. This best-selling collection is arranged in accommodating keys for clarinet, trumpet, alto sax, flute and trombone by Jonathon Robbins. Now everyone can have some fun and play along! Essential Jazz Standards for Clarinet is available with or without a piano accompaniment CD. Alexander's Ragtime Band - I Want a Girl - Hot Time in the Old Town Tonight - For Me and My Gal - Chinatown, My Chinatown - Melancholy Baby - Little Brown Jug - Fascination - You Made Me Love You - Moonlight Bay - Bill Bailey - Rock-a-Bye Your Baby - Oh, You Beautiful Doll - When the Saints Go Marching In - Swanee - St. Louis Blues - After You've Gone - A Pretty Girl Is Like A Melody - They'll Be Some Changes Made - Baby Face.

Grade 4.5

SKU: CL.035-3133-01

The Blue Flame. Composed by Washut. Jazz Ensemble. Audio recording available separately (item CL.991-2001-02). Extra full score. Composed 2001. Duration 5 minutes, 21 seconds. C.L. Barnhouse #035-3133-01. Published by C.L. Barnhouse (CL.035-3133-01).

An outstanding Latin chart for mature jazz ensembles, La Llama Azule translates to The Blue Flame and it's really HOT! Features a duet for Alto Sax and Trumpet along with plenty of solo space for the soloists of your choice. Perfect chart to add latin percussion of your choice! A challenging arrangement, but well worth the effort!

Grade 3

SKU: CL.032-2397-01

Composed by Bennett. Arranged by A. Clark. Jazz Ensemble. Extra full score. Composed 1991. C.L. Barnhouse #032-2397-01. Published by C.L. Barnhouse (CL.032-2397-01).

From the Images album by the hot LA Group FREEWAY, Andy Clark has skillfully arranged Max Bennett’s wonderful tune for full jazz ensemble while capturing all of the unique and subtle qualities that have made this tune so popular. Features Alto Sax and is an excellent choice for medium level bands who are looking for a really special chart.

Grade 4

SKU: CL.SCM-1114-00

Composed by McGuinness. Jazz Ensemble. Score and set of parts. C.L. Barnhouse #SCM-1114-00. Published by C.L. Barnhouse (CL.SCM-1114-00).

Hot is the best way to describe this terrific Latin chart. All parts are orchestrated with the authentic Latin based big band sound. Written solos are supplied for Alto Sax, Trumpet and Trombone with backgrounds when cued. Open section for latin percussion to shine! Moderate high ranges with optional notes provided. Includes an optional flute part. Outstanding in every respect!

Trombone

SKU: SP.TS284

Composed by Jonathon Robbins. Collection; Jazz Standards. Book and CD. Santorella Publications #TS284. Published by Santorella Publications (SP.TS284).

ISBN 9781585604777. UPC: 649571102845.

Refle ct on this past century with 20 unforgettable jazz standards that first defined popular American music with Essential Jazz Standards for Horns from Santorella Publications. Every page is packed with toe-tapping favorites certain to make anyone dance and sing along. Share these memorable tunes with family and friends and spread the sheer joy a song can evoke. This best-selling collection is arranged in accommodating keys for clarinet, trumpet, alto sax, flute and trombone by Jonathon Robbins. Now everyone can have some fun and play along! Essential Jazz Standards for Clarinet is available with or without a piano accompaniment CD. Alexander's Ragtime Band - I Want a Girl - Hot Time in the Old Town Tonight - For Me and My Gal - Chinatown, My Chinatown - Melancholy Baby - Little Brown Jug - Fascination - You Made Me Love You - Moonlight Bay - Bill Bailey - Rock-a-Bye Your Baby - Oh, You Beautiful Doll - When the Saints Go Marching In - Swanee - St. Louis Blues - After You've Gone - A Pretty Girl Is Like A Melody - They'll Be Some Changes Made - Baby Face.

Grade 3

SKU: CL.032-2397-00

Composed by Bennett. Arranged by A. Clark. Jazz Ensemble. Solo. Score and set of parts. Composed 1991. C.L. Barnhouse #032-2397-00. Published by C.L. Barnhouse (CL.032-2397-00).

From the Images album by the hot LA Group FREEWAY, Andy Clark has skillfully arranged Max Bennett’s wonderful tune for full jazz ensemble while capturing all of the unique and subtle qualities that have made this tune so popular. Features Alto Sax and is an excellent choice for medium level bands who are looking for a really special chart.

By Bob Washut. Jazz Ensemble. Level: Grade 4.5. Score and set of parts. Composed 2001. Duration 0:05:21. Published by C.L. Barnhouse.

Clarinet

SKU: SP.TS280

Composed by Jonathon Robbins. Collection; Jazz Standards. Book and CD. Santorella Publications #TS280. Published by Santorella Publications (SP.TS280).

ISBN 9781585604746. UPC: 649571102807.

Refle ct on this past century with 20 unforgettable jazz standards that first defined popular American music with Essential Jazz Standards for Horns from Santorella Publications. Every page is packed with toe-tapping favorites certain to make anyone dance and sing along. Share these memorable tunes with family and friends and spread the sheer joy a song can evoke. This best-selling collection is arranged in accommodating keys for clarinet, trumpet, alto sax, flute and trombone by Jonathon Robbins. Now everyone can have some fun and play along! Essential Jazz Standards for Clarinet is available with or without a piano accompaniment CD. Alexander's Ragtime Band - I Want a Girl - Hot Time in the Old Town Tonight - For Me and My Gal - Chinatown, My Chinatown - Melancholy Baby - Little Brown Jug - Fascination - You Made Me Love You - Moonlight Bay - Bill Bailey - Rock-a-Bye Your Baby - Oh, You Beautiful Doll - When the Saints Go Marching In - Swanee - St. Louis Blues - After You've Gone - A Pretty Girl Is Like A Melody - They'll Be Some Changes Made - Baby Face.

Grade 4

SKU: CL.SCM-1114-01

Composed by McGuinness. Jazz Ensemble. Extra full score. C.L. Barnhouse #SCM-1114-01. Published by C.L. Barnhouse (CL.SCM-1114-01).

Hot is the best way to describe this terrific Latin chart. All parts are orchestrated with the authentic Latin based big band sound. Written solos are supplied for Alto Sax, Trumpet and Trombone with backgrounds when cued. Open section for latin percussion to shine! Moderate high ranges with optional notes provided. Includes an optional flute part. Outstanding in every respect!

Jazz Ensemble - Grade 3

SKU: KN.61798S

Composed by Jeff Jarvis. Jazz Journey. Kendor Music Inc #61798S. Published by Kendor Music Inc (KN.61798S).

UPC: 822795617986.

Given the widespread popularity of Jeff Jarvis' Critical Mass and Honk, you're going to love his latest funk original for advancing groups. A solid funk groove coupled with a rich chord progression gives this driving chart plenty of audience appeal. Solos are offered to alto and tenor saxophone. A guitar chord chart by Jim Greeson is included in each set. Duration 4:55.

By Jeff Jarvis. For jazz ensemble. Jazz Journey Series. Funk. Medium. Score and Set of Parts. Duration 4:55

Mallet. Arranged by Various. Instrumental Series; Play-Along. Pop Instrumental Solo Series. Radio; Rock. Book; CD. 24 pages. Alfred Music #00-42234. Published by Alfred Music (AP.42234).

(For Interchangeable Woodwind Ensemble). By Vince Gassi. For Interchangeable Woodwind Ensemble. Part(s); Score; Woodwind - Mixed Ensemble. Eighth Note Publications. Latin. 68 pages. Published by Eighth Note Publications

Solo trombone

SKU: AP.0018B

Trombone. Composed by John Williams. Instrumental Series. Movies. Instrumental solo songbook (no accompaniment). With black & white photos. 20 pages. Alfred Music #00-0018B. Published by Alfred Music (AP.0018B).

ISBN 9780769200132. UPC: 029156635027. 9x12 inches. English.

Titles are: Ben's Death/Tie Fighter Attack * Cantina Band * The Emperor Arrives * Han Solo and the Princess * The Imperial March * Jedi Rocks * Luke and Leia * May the Force Be with You * Parade of the Ewoks * Princess Leia's Theme * Star Wars (Main Theme) * The Throne Room * Victory Celebration * Yoda's Theme. Compatible instrument books, solo or mix-and-match. Available for: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, and Violin.

Mixed Ensembles Oboe or Violin), Pa, Part 1 in B-Flat (Clarinet), Part 1 in C (Flute, Part 1 in E-Flat (Alto Saxophone), Part 2 in B-Flat (Clarinet), Part 2 in C (Flute, Part 2 in E-Flat (Alto Saxophone), Part 3 in B-Flat (Clarinet), Part 3 in C (Violin)

SKU: PR.UE021584

Flexible four-part concert pieces. Composed by James Rae. Arranged by James Rae. Contemporary. Set of Score and Parts. With Standard notation. 38 pages. Universal Edition #UE021584. Published by Universal Edition (PR.UE021584).

ISBN 9783702473556. UPC: 803452070672.

All together easy Ensemble! is designed to be the student's first entry into ensemble playing. For beginners, each part is written in a comfortable range for each instrument, and parts are of equal importance. The set includes an optional piano part, which can be used to support or augment the ensemble, and UE provides brass parts as free downloads, if desired. Volume 5 includes easy arrangements of Strauss Blue Danube Waltz, the theme from Haydn Surprise Symphony, the traditional French Sur le pont d'Avignon, and an original James Rae tune, Hot Rock, which provides a range of styles and dynamics.