By John Williams. For Cello. String Series. Pop Instrumental Solo Series. Movie...(+)
By John Williams. For
Cello. String Series. Pop
Instrumental Solo Series.
Movie. Level: grade 2-3.
Book and CD. 48 pages.
Published by Alfred
Publishing.
LiteTrax CD (Accompaniment CD) SKU: HL.35032404 Sacred Choral. CD. Publis...(+)
LiteTrax CD
(Accompaniment CD)
SKU: HL.35032404
Sacred Choral. CD.
Published by Shawnee
Press (HL.35032404).
UPC: 888680797423.
5.0x5.0x0.195
inches.
Stretch
your music budget with
these exceptional quality
accompaniment tracks for
14 anthems from Hal
Leonard and Shawnee Press
on one convenient CD.
Songs include: Ain't-a
That Good News; Baby in
Bethlehem; A Celtic
Blessing; Daugthers of
Promise, Women of Faith;
From Jars of Clay; A
Harvest of Thanksgiving;
Jesus Is the Way; The
Kingdom of Peace; Lord, I
Worship You; Masterpiece;
New Born Again; A
Promise, A Hope; Teach
Me; Wade in the Living
Water.
By Hikaru Utada. Arranged by Michael Story. Concert Band. Concert Band. Pop Youn...(+)
By Hikaru Utada. Arranged
by Michael Story. Concert
Band. Concert Band. Pop
Young Band. Pop. Grade 2.
Conductor Score & Parts.
124 pages. Published by
Alfred Music Publishing
Praise
Gathering Choral. Easter.
Softcover. 96 pages.
Duration 2100 seconds.
PraiseGathering #A08459.
Published by
PraiseGathering
(HL.2050307).
UPC:
797242340093.
6.75x10.5x0.21
inches.
From the
moment God spoke the
worlds into being, time
was moving inexorably
toward this moment-this
place. The prophecies,
the star, the manger, the
kings, the miracles and
the teachings were all
preamble to a blood
stained cross and an
empty tomb.God's master
plan, accomplished
through the work of His
only Son, unfolded in
ways that are
incomprehensible. How do
you imagine the
unthinkable? We celebrate
this ancient story that
changes lives today. This
is the story of our
redemption offered at
such great cost. This is
the story of the
resurrection of Jesus!We
thank You and praise You
Lord Jesus, for Thine is
the KINGDOM, and the
POWER, and the GLORY for
ever!
(Anthem for mixed voices SATB & keyboard). By Stephen L. Lawrence. For SATB choi...(+)
(Anthem for mixed voices
SATB & keyboard). By
Stephen L. Lawrence. For
SATB choir. Exaltation
Series. Sacred Anthem.
Moderately easy. Octavo.
Published by Lorenz
Publishing Company
Octavo Sacred Anthem
Composed
by James E Clemens.
Easter 5 C, OT 25 A, OT
16 A, OT 27 A, OT 17 A,
OT 14 C, OT 11 C, OT 15
A, Children. Sacred.
Octavo. GIA Publications
#007104. Published by GIA
Publications
(GI.G-007104).
UPC:
641151071046. English.
Text by David Wright.
Scripture: Mt
13.
This engaging,
rhythmically lively
two-part choral anthem
was born of the creative
collaboration of composer
Jim Clemens and author
David Wright.
David‚ words are
based on Matthew 13, and
Jim‚ colorful text
painting gives the work a
captivating dance-like
character ideal for your
children‚ or mixed
choir. The memorable
motif on the
Kingdom‚ appears in
the voices, keyboard, and
bells, you'll probably
catch yourself singing it
during the normal course
of your day.
The Maya Kingdom Orchestre d'harmonie [Conducteur] - Débutant Belwin
Concert Band - Grade 0.5 SKU: AP.39497S Composed by Victor Lopez. Concert...(+)
Concert Band - Grade 0.5
SKU: AP.39497S
Composed by Victor Lopez.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Multicultural.
Score. 20 pages. Belwin
Music #00-39497S.
Published by Belwin Music
(AP.39497S).
UPC:
038081459561.
English.
The Maya
Kingdom was a culture
with rich tradition and
amazing skills,
particularly in their
artistic endeavors. This
work has been
intentionally created
without a key signature,
making it performable by
ensembles at the earliest
levels. Opening with a
transparent clarinet
melody and developing to
a spirited conclusion,
this piece embraces the
rich Mayan tradition in a
very playable and
artistic form. (2:15)
This title is
available in MakeMusic
Cloud.
SATB choir, organ - Beginning SKU: MN.50-8303 Composed by Robert A. Hobby...(+)
SATB choir, organ -
Beginning
SKU:
MN.50-8303
Composed
by Robert A. Hobby. 21st
Century, Communion.
Octavo. MorningStar Music
Publishers #50-8303.
Published by MorningStar
Music Publishers
(MN.50-8303).
The Lost Kingdom Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By John O'reilly. Music by John O'Reilly. For Concert Band. Concert Band. Accent...(+)
By John O'reilly. Music
by John O'Reilly. For
Concert Band. Concert
Band. Accent on
Achievement. Level: Grade
1. Conductor Score &
Parts. Published by
Alfred Publishing.
200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531.
Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1
SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127).
ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches.
Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended.
(A Journey through the Lord's Prayer). Composed by Pepper Choplin. For Choral (S...(+)
(A Journey through the
Lord's Prayer). Composed
by Pepper Choplin. For
Choral (SATB). Brookfield
Choral Series. 96 pages.
Published by Brookfield
Press
Lyrisches Marchen in drei Akten. By Antonin Dvorak. Edited by Solc, Karel. Text:...(+)
Lyrisches Marchen in drei
Akten. By Antonin Dvorak.
Edited by Solc, Karel.
Text: Kvapil, Jaroslav.
Op. 114. Published by
Baerenreiter-Ausgaben
(German import). (BA9510
90)
National Anthems Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.026-4661-00 Canada, United Kingdom, France. Arrang...(+)
Grade 3
SKU:
CL.026-4661-00
Canada, United
Kingdom, France.
Arranged by Stanton.
Concert Band.
Build-A-Band. Score and
set of parts. Composed
2018. Duration 3 minutes,
16 seconds. C.L.
Barnhouse #026-4661-00.
Published by C.L.
Barnhouse
(CL.026-4661-00).
Take your
musicians on a cultural
exchange trip to Canada,
France and the United
Kingdom! You can play any
of these three national
anthems individually, or
pair them with the Star
Spangled Banner
(available separately in
Build-A-Band format) as
an opening travel-log at
your next concert. Lots
of ways to teach across
the curriculum with these
easy, great sounding
arrangements meant for
smaller bands with
limited instrumentation.
Hosting foreign exchange
students from these
countries? Honor them at
your concert with their
national anthem! Please
stand, remove hats and
join in the presentation
of the national
anthems!
About
Build-A-Band
Series
The
Build-A-Band Series
provides educational and
enjoyable music for bands
with incomplete or
unbalanced
instrumentation. Written
using just four or five
parts (plus percussion),
these effective
arrangements will work
with any combination of
brass, woodwind, string
and percussion
instruments as long as
you distribute the parts
so that each of the five
parts is covered. All of
the publications in the
Build-A-Band Series have
been arranged to be
playable with any
instrumentation as long
as each part is used: 1st
Part, 2nd Part, 3rd Part,
4th Part, and Bass Part.
(Please note: In some of
these arrangements the
4th Part, and the Bass
Part are the same, making
it possible to play those
arrangements with only 4
parts.)
(22 Full Band Arrangements Correlated to Accent on Achievement (Oboe)). Composed...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Oboe)). Composed by John
O'Reilly and Mark
Williams. Concert Band.
For Oboe. Band
Supplement; Book. Accent
on Performance. 24 pages.
Published by Alfred Music
(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Treble ...(+)
(22 Full Band
Arrangements Correlated
to Accent on Achievement
(Baritone Treble Clef)).
By John O'Reilly and Mark
Williams. Concert Band.
For Baritone Treble Clef.
Band Supplement; Book.
Accent on Performance. 24
pages. Published by
Alfred Music (AP.41377
Arranged by Ludwig Minkus
and ed./arr. by William
McDermott/ Libretto by
Sergei Khudekov. Full
Orchestra, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A888801.
Published by
LudwigMasters
Publications
(AP.36-A888801).
ISBN
9798888529911. UPC:
659359989490.
English.
The ballet
La Bayadère (The
Temple Dancer or The
Temple Maiden) was
created in 1877 for famed
French choreographer
Marius Petipa to music by
Ludwig Minkus
(1826-1917). In four act
and seven tableaux, the
ballet tells the story of
the bayadère Nikiya
and the warrior Solor,
lovers who are beset by
jealous rivals, arranged
marriages beyond their
control, murder, an
opium-fueled
hallucination of the
afterlife, and a vengeful
god that destroys the
temple and everybody in
it as revenge for
Nikiya's murder. It was
first performed on
February 4, 1877, by the
Imperial Ballet in St.
Petersburg, Russia. It
was hailed as a success
and masterpiece
immediately after the
premiere, particularly
The Kingdom of the Shades
scene in Act II, an
excerpt which remains a
major standalone work for
the ballet repertoire.
Modern performances of La
Bayadère are almost
always derived from a
1941 version sated for
the Kirov/Mariinsky
Ballet by Vladimir
Ponomarev and Vakhtang
Chabukiani, which
incorporates additional
music by Minkus, Drigo,
and Pugni. Act II takes
place after Nikiya is
killed by a concealed
venomous snake. A
depressed Solor smokes
opium, resulting in a
vision of Nikiya's spirit
dwelling in the Kingdom
of the Shades, a nirvana
in the Himalayas. The two
lovers reconcile among
the shades of other
bayadères in a Pas de
deux, then Solor is
awakened just in time for
his arranged marriage to
another woman. This
orchestration of Act II
has been completed by
William McDermott.
Instrumentation: 2.2.2.2:
4.2.3.0: Timp.Perc(2):
Harp: Str (4-4-3-3-3 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.