Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Ernst Herttrich.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic. Set
of parts. 108 pages.
Duration 33'. Breitkopf
and Haertel #OB 15115-30.
Published by Breitkopf
and Haertel
(BR.OB-15115-30).
ISBN
9790004340691. 10 x 12.5
inches.
Tchaikovsky
had the printing of his
epoch-making violin
concerto supervised with
great care, and he even
examined the proofs
himself for the
publication of the
version for violin and
piano in 1878, which was
followed by the
orchestral parts the
following year and the
score in 1888. After many
editions and respective
arrangements by Leopold
Auer in 1899, Fritz
Kreisler in 1939 and,
most recently, by
Konstantin G. Mostras and
David Oistrakh, based on
Auer comes an Urtext
edition that takes into
account all surviving
sources and critically
evaluates them, a matter
of great importance for
both scholars and
performing artists.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Ulrich
Konrad. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Mozart wrote the
Vesperae solennes de
Dominica in Salzburg
in 1779, the same year as
the Coronation
Mass - a work, which
the composer himself held
in high esteem.
Classical period. Set of
parts. 38 pages. Duration
24'. Breitkopf and
Haertel #OB 5332-30.
Published by Breitkopf
and Haertel
(BR.OB-5332-30).
ISBN
9790004334546. 10 x 12.5
inches.
It was no
doubt this work that
Mozart presented to Baron
van Swieten when he later
sought to introduce
himself to the Viennese
musical world as a
composer of church music
in the serious stile
antico. This new edition
by the Mozart expert
Ulrich Konrad is based on
the autograph and on
authentic part material
from the estate of
Leopold
Mozart.
Mozart
wrote the Vesperae
solennes de Dominica in
Salzburg in 1779, the
same year as the
Coronation Mass - a work,
which the composer
himself held in high
esteem.
Accordion (keyboard) - Intermediate SKU: MB.97210 Composed by David DiGiu...(+)
Accordion (keyboard) -
Intermediate
SKU:
MB.97210
Composed by
David DiGiuseppe. Style,
Squareback saddle stitch,
Tunebooks, Piano
Accordion, Celtic /
Irish, Folk, European,
World. Acoustic Music.
Book. 112 pages. Mel Bay
Publications, Inc #97210.
Published by Mel Bay
Publications, Inc
(MB.97210).
ISBN
9780786648009. UPC:
796279062350. 8.75 x
11.75 inches.
An
extensive collection of
reels, jigs, hornpipes
and polkas from the
French Canadian, Cape
Breton, Scottish,
Shetland, New England,
and Southern Old-Time
Traditions arranged for
the piano accordion.
Written with the beginner
as well as the advanced
player in mind, the
arrangements are complete
with ornamentation,
fingering, left-hand
notation and chord
symbols. Appropriate for
any G clef
instrument.
By
Glenn Weiser. Harmonica.
Irish and Folk. Softcover
harmonica songbook and
examples CD. With
harmonica notation,
instructional text,
illustrations and
introductory text. 128
pages. Published by
Centerstream Publications
(HL.232).
ISBN
9780931759109. UPC:
073999028355. 9x12
inches. Glenn
Weiser.
A complete
guide to playing fiddle
tunes on the harmonica!
Covers: tips on hand
positions; playing
instructions and
techniques; rhythmic
patterns for the reel,
jig, hornpipe and waltz;
and more. Features over
100 songs, along with a
CD that demonstrates
several of the tunes.
Ability to read music is
not necessary.
compiled by Neil Griffin. For Banjo (5-String). solos. Complete. Bluegrass. Leve...(+)
compiled by Neil Griffin.
For Banjo (5-String).
solos. Complete.
Bluegrass. Level:
Intermediate-Advanced.
Book. Size 8.75x11.75.
184 pages. Published by
Mel Bay Publications,
Inc.
Festival Overture -
Urtext. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Polina Vajdman. Folder.
Orchester-Bibliothek
(Orchestral Library). The
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czar's Hymn. Overture;
Romantic. Set of parts.
168 pages. Duration 16'.
Breitkopf and Haertel #OB
5528-30. Published by
Breitkopf and Haertel
(BR.OB-5528-30).
ISBN
9790004341100. 10 x 12.5
inches.
A
Tchaikovsky Urtext is no
longer a rarity in
Breitkopfs orchestral
catalogue. Polina Vajdman
has edited a very popular
repertoire work that the
composer personally did
not think very highly of.
He even confessed to
having written the work
without the warmth of
love. Nevertheless, the
piece is a masterful
example of program music
that seemingly casually
interweaves two Russian
folk songs, a liturgical
melody of the Russian
Orthodox Church and two
national anthems, the
Marseillaise and the
Czars Hymn. The work was
written for the
consecration of the
Christ the Savior
Cathedral in Moscow,
which was erected in
memory of the victory
over Napoleon in 1812.
The first edition of the
score, which was
carefully corrected three
times by Tchaikovsky, is
the principal source for
this Urtext edition. The
wording of the title The
Year 1812 corresponds to
the composers words, but
was oddly never included
in the first edition.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
Woodwinds (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-30 (+)
Woodwinds (picc.2.2.2.2 -
2.2.0.0 - small dr - str)
SKU: BR.OB-5320-30
Overture to Goethe's
Hermann und Dorothea -
Urtext. Composed by
Robert Schumann. Edited
by Christian Rudolf
Riedel. Folder.
Orchester-Bibliothek
(Orchestral Library).
Urtext of
Revolutionary
Overture
Overture;
Romantic. Set of parts.
52 pages. Duration 10'.
Breitkopf and Haertel #OB
5320-30. Published by
Breitkopf and Haertel
(BR.OB-5320-30).
ISBN
9790004341407. 10 x 12.5
inches.
The
Overture to Hermann and
Dorothea is the only
compositional result that
Schumann reaped from
Goethes epic poem. He had
originally planned an
entire opera, then a
Singspiel, and finally an
oratorio. In the end
(1851), he quickly
produced an orchestral
score that remained
unprinted during his
lifetime. The striking
thematic use of the
Marseillaise is multiply
motivated: Goethes poem
unfolds in 1796, when the
two eponymous lovers are
fleeing from the French
revolutionary troops;
Schumann had directly
experienced the
revolutionary uprisings
of 1848 in Dresden;
finally, Louis Napoleons
coup detat of 2 December
1851 must also have made
an impact on the
composer. The primary
source of the Urtext
edition of Schumanns
Revolutionary Overture is
the carefully written
autograph.
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.14041762
Violin
and Piano. Composed
by Helen Grime. Music
Sales America. Classical.
Softcover. Composed 2011.
12 pages. Chester Music
#CH79508. Published by
Chester Music
(HL.14041762).
9.0x12.0x0.071
inches.
'Romanc
e for violin and piano is
a short, reflective piece
that exploits the lyrical
qualities inherent in the
combination. Originally
written for a very young
but talented violinist,
Romance travels through
numerous moods andcolours
within a continuous
musical development of
the opening material. At
first gentle and
reflective with
increasing dramatic
outbursts outlined by the
violin sforzandi and
parallel sixths in the
piano writing, numerous
shortsolo passages in
both instruments
culminate in a fiery
climax. Quickly subsiding
into the calmer yet now
more melancholy strains
of the earlier stages of
the piece, the ending is
somewhat incomplete. This
seems to suggest
acontinuous turn of
events alluded to in the
music.' <
em> &nbs
p;  
;
- Helen
Grime
Born in 1981,
Helen studied oboe with
JohnAnderson and
composition with Julian
Anderson and Edwin
Roxburgh at the Royal
College of Music. She
graduated from the BMus
course with First Class
Honours and completed her
Masters with Distinction
in 2004. From 2005-07,
Helenwas a Legal &
General Junior Fellow at
the Royal College of
Music. In 2003 she won a
British Composer Award
for her Oboe Concerto,
and was awarded the
intercollegiate Theodore
Holland Composition Prize
in 2003 as well as allthe
major composition prizes
in the RCM. In 2008 she
was awarded a Leonard
Bernstein Fellowship to
study at the Tanglewood
Music Center where she
studied with John
Harbison, Michael
Gandolfi, Shulamit Ran
and Augusta Read
Thomas.Helen has had
works commissioned by
some of the most
established performers
and organisations
including ENO, London
Symphony Orchestra, BCMG,
Britten Sinfonia, BBC
Scottish Symphony
Orchestra and the
Tanglewood Music
Center.Conductors who
have performed her work
include Daniel Harding,
Oliver Knussen, Pierre
Boulez and Yan Pascal
Tortelier. Helen is the
2010 recipient of the
Lili Boulanger Memorial
Fund and Associate
Composer of The Halle
from the.
Voice & Piano SKU: ST.LS18 Edited by David Greer. Vocal music. Edited by ...(+)
Voice & Piano
SKU:
ST.LS18
Edited by
David Greer. Vocal music.
Edited by David Greer. No
Lute Tablature is
printed. Vocal score.
Stainer & Bell Ltd.
#LS18. Published by
Stainer & Bell Ltd.
(ST.LS18).
ISBN
9790220215193.
CONT
ENTS
ANONYMOUS As at noon
Dulcina rested (E -
G) Go now, my soul,
to thy desired rest (C -
D) How now, shepherd,
what means that? (E -
E) If I freely may
discover (C - C) If I
seek t'enjoy the fruits
(D - D) I prithee
leave, love me no more (G
- A) Music, thou soul
of heav'n (D - D)
Shall I weep, or shall I
sing? (D - D) Sweet
Muses, nurses of delights
(C - C) Sweet, stay
awhile! (F sharp - G)
Piano (Piano Solo) SKU: HL.354338 For Solo Piano. Composed by Rich...(+)
Piano (Piano Solo)
SKU: HL.354338
For Solo Piano.
Composed by Richard
Wilson. Peermusic
Classical. Classical.
Softcover. Duration 600
seconds. Peermusic
Classical #70303-501.
Published by Peermusic
Classical (HL.354338).
ISBN 9781705107669.
UPC: 840126936964.
9.0x12.0x0.109
inches.
Richard
Wilson was born in
Cleveland on May 15,
1941. He studied piano
with Roslyn Pettibone,
Egbert Fischer, and
Leonard Shure, andcello
with Robert Ripley and
Ernst Silberstein. After
beginning composition
studies with Roslyn
Pettibone and Howard
Whittaker, he went on in
1959 to Harvard, studying
with Randall Thompson,
G.W. Woodworth, and
principally with Robert
Moevs, and graduating in
1963 magna cum laude.
Awarded the Frank
Huntington Beebe Award
for study abroad, he
continued studying piano
with Friedrich Wührer
in Munich, and
composition, again with
Moevs, in Rome, where he
also gave piano recitals.
Wilson joined the faculty
of Vassar College in
1966. He was appointed to
the Mary Conover Mellon
Professorship of Music
there in 1988, and he has
served three times as
chairman of the
Department of Music.
Wilson has been
commissioned by the San
Francisco Symphony, the
American Symphony, the
New Juilliard Ensemble,
the Koussevitzky
Foundation, the Fromm
Foundation, Chamber Music
America, the Chicago
Chamber Musicians, the
Walter W. Naumburg
Foundation, and the
Library of Congress. His
works have been heard in
such American musical
centers as New York,
Philadelphia, Washington,
Boston, Cleveland, and
Los Angeles and at the
Aspen Music Festival, but
also in London, Berlin,
Frankfurt, Zurich, Milan,
Amsterdam, Graz,
Leningrad, Stockholm,
Tokyo, Bogota, and a
number of Australian
cities. The recipient in
1992 of a Guggenheim
Fellowship, he was
awarded the Elise L.
Stoeger Prize of the
Chamber Music Society of
Lincoln Center in 1994,
the Academy Award from
the American Academy of
Arts and Letters in 2004,
and has served as
composer in residence
with the American
Symphony Orchestra since
1992. Wilson has been
praised by 21st Century
Music as a
“splendidly
talented and highly
accomplished composer
whose music rewards
seeking out†and by
the New York Sun as
“possessed of a
hard-won idiom that has
grown and developed over
the years into a probing
blend of wit, classic
form, modern harmony, and
impressionistic
color.†Writing in
the New Yorker, Andrew
Porter called his String
Quartet No. 3 a
“richly wrought and
unusual
composition,†while
the New York Times called
it “a work of
substance and
expressivity ... [that]
merits a place in the
active
repertory.â€.
Hurricane [Conducteur et Parties séparées] C. Alan Publications
By Stanley Leonard. Percussion Ensemble. For Percussion Ensemble (Percussion 1 (...(+)
By Stanley Leonard.
Percussion Ensemble. For
Percussion Ensemble
(Percussion 1 (Large Tam
Tam), Percussion 2 (Low
Suspended Cymbal, Bull
Roarer), Percussion 3
(Tam-Tam), Percussion 4
(Hi and Medium Suspended
Cymbals), Percussion 5
(Chinese Cymbal, Large
Rain Stick, Large
Woodblock), Percussion 6
(Four Temple Blocks,
One). Percussion Music.
Medium difficult. Score
and parts. Duration 5:30.
Published by C. Alan
Publications