Guitar - advanced SKU: M7.GHE-913 Faksimiles of Llobet's annotated cop...(+)
Guitar - advanced
SKU:
M7.GHE-913
Faksimiles of Llobet's
annotated copies.
Composed by Fernando Sor.
Edited by Stefano
Grondona. Arranged by
Miguel Llobet. This
edition: Saddle-wire
stitching. Sheet music.
Op. 6, 29, 31, 35. 124
pages. MDS (Music
Distribution Services)
#GHE 913. Published by
MDS (Music Distribution
Services) (M7.GHE-913).
ISBN 9783890449135.
English.
A unique
view of Llobet, as a
champion and arranger of
Sor. The Sor studies
reproduced in facsimile
are from Llobet's own
library. In an interview
in Barcelona in 1929,
which is reproduced in
full in this edition,
Llobet announced his
intention of preparing a
new edition of the Sor
studies. Judging by the
density of his marking
and copious added and
altered fingering in this
facsimile edition, he
seemed in fact to be
doing just this.
Unfortunately, a new
edition edited by him
never came to fruition!
We have prepared our
facsimile edition of
these later printings of
Simrock editions (a gift
from Erwin
Schwarz-Reiflingen in
1928), carefully
restoring the originals
to make these pages
clearer, so that not only
is everything more
legible, but most
importantly, all of
Llobet´s fingerings
and amendments are
clearly legible. In this
volume dedicated to Sor,
we have re-engraved for
inclusion here all 6 of
Llobet's very fine Sor
transcriptions from La
Guitarra in Argentina,
fingered and arranged by
Llobet.
Chamber Music Guitar SKU: PR.GHE0917 Cádiz from Suite española op. 4...(+)
Chamber Music Guitar
SKU: PR.GHE0917
Cádiz from Suite
española op. 47/4.
Composed by Isaac
Albeniz. Edited by
Stefano Grondona.
Performance Score.
Theodore Presser Company
#GHE0917. Published by
Theodore Presser Company
(PR.GHE0917).
Trimbeka Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000917-140 Composed by Carl W...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000917-140
Composed by Carl
Wittrock. Score Only. 22
pages. Gobelin Music
Publications #GOB
000917-140. Published by
Gobelin Music
Publications
(BT.GOB-000917-140).
Trimbeka
can be translated as
“three streams,” and
refers to the streams
that once flowed around a
market town in Holland
called Georredijk.
Opening with the sinister
sounds of the moorland on
the edge of the town, we
then hear the hustle and
bustle of the market
itself. A slower middle
section is an ode to the
beautiful surrounding
scenery.
Trimbeka.
Dat is de historische
naam van de
Noord-Nederlandse plaats
Gorredijk. In het gebied
rondom Gorredijk
stroomden vroeger drie
beken, Trimbeets of wel
Trimbeka. Wittrock
verwoordt muzikaal de
levendigheid van het
dorp,de
onheilspellendheid van
het nabijgelegen moeras
en de vrolijkheid van de
jaarlijkse markt. Hij
schreef dit fascinerende
werk ter gelegenheid van
het jubileum van
muziekvereniging De
Vlecke in
Gorredijk.
Der
Titel Trimbeka
erinnert an den alten
Namen des heutigen Dorfes
Gorredijk in Holland, das
dieses Werk in Auftrag
gab. Trimbeka bedeutet so
viel wie drei Bäche“,
die einst rund um den Ort
flossen. Außerdem lag
der Ort an einer
wichtigen Wegkreuzung und
war damit Marktort. Nach
unheilvollen Klängen,
die von der
Moorlandschaft am Rande
des Dorfes zeugen, ist
die Geschäftigkeit des
Marktes zu hören. Der
langsame Mittelteil ist
eine Ode an die schöne
Landschaft.
Tri
mbeka est une
composition qui doit son
existence la date
anniversaire de
l’Orchestre
d’Harmonie de Vlecke
(Gorredijk - Pays-Bas).
Autrefois, Gorredijk
était une ville
florissante, un grand
village vivifiant, situé
au carrefour
d’importantes routes de
liaisons. Des sons
inquiétants font
allusions aux dangers des
tourbières et des
marécageux qui
parcourent la région,
tandis que résonne des
rires et cris de joies :
la foire annuelle ouvre
ses portes. Le mouvement
central lent est une ode
la beauté du paysage
entourant le
village.
Trimbe
ka è l’antico nome
della cittadina di
Gorredijk (Olanda), che
ha commissionato il
brano. Trimbeka significa
“tre ruscelli”, che
scorrevano nelle
vicinanze della localit .
La posizione di Gorredijk
erano molto strategica e
punto d’incontro dei
commerci. La musica è
all’inizio vivace, nel
segno delle attivit degli
abitanti cittadini. La
parte centrale,
caratterizzata da musica
più lenta, è un’ode
allo splendido paesaggio
di questa parte
dell’Olanda.
Composed by Beatrice Quoniam / Beata Suranyi / M.J. Saladin De Nuglar. For piano...(+)
Composed by Beatrice
Quoniam / Beata Suranyi /
M.J. Saladin De Nuglar.
For piano. Le repertoire
du pianiste. Classical.
Score. 76 pages.
Published by Editions
Henry Lemoine
Chamber Music Guitar SKU: PR.GHE0904 Quadrat d'Or. Composed by Mig...(+)
Chamber Music Guitar
SKU: PR.GHE0904
Quadrat d'Or.
Composed by Miguel
Llobet. Edited by Stefano
Grondona. Collection.
Theodore Presser Company
#GHE0904. Published by
Theodore Presser Company
(PR.GHE0904).
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Piano, Vocal and Guitar - intermediate SKU: BT.DHP-1155657-401 Songboo...(+)
Piano, Vocal and Guitar -
intermediate
SKU:
BT.DHP-1155657-401
Songbook. Composed
by Tom Harriman. Arranged
by Michal Vanoucek.
TV-Film-Musical-Show.
Book Only. Composed 2015.
84 pages. De Haske
Publications #DHP
1155657-401. Published by
De Haske Publications
(BT.DHP-1155657-401).
ISBN 9789043147613.
Dutch.
Soldaat
van Oranje is de
meest succesvolle musical
die ooit in Nederland op
de planken is gebracht.
Sinds de première in
oktober 2010, die werd
bijgewoond door de
koninklijke familie, is
deze muzikale
theatervoorstelling een
enorm succesgebleven.
Oorlog en liefde waren
altijd al nauw met elkaar
verbonden en de prachtige
liedjes rondom deze
themaâ??s maken deze
fantastische musical dan
ook een onvergetelijk
project.
Dances & Sonnets Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104959-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104959-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104959-010. Published by
De Haske Publications
(BT.DHP-1104959-010).
9x12
inches.
Dances &
Sonnets is a piece by
Jacob de Haan, inspired
by the dance and poetry
of the 19th Century
Europe. Lively
instrumental dances
alternate with spoken
sonnets that are recited
by one or more readers,
accompanied by quiet,
solemn music to provide
contrast. De Haan has
compiled a list of
suggested poems to be
read, but other poems may
be selected that better
fit the occasion. Dances
& Sonnets is a dramatic
and truly special piece!
Dances &
Sonnets is een
ontmoeting tussen dans-
en dichtkunst uit de
negentiende eeuw.
Centraal in dit werk
staan de dansen die toen
geliefd waren in de
vissersdorpen langs de
Noordzeekusten en rondom
de Zuiderzee.
Gedichtenwisselen deze
dansen af. Bedoeling is
dat een of meerdere
lezers de gedichten
voorlezen, waarbij het
orkest hen begeleidt met
zachte, gedragen muziek.
Naast de gedichten die de
componist voorstelt, kunt
u natuurlijk ook zelf
gedichtenof sonnetten
kiezen. Maar ook zonder
sprekers komt dit werk
voortreffelijk tot zijn
recht.
Dances &
Sonnets ist ein Werk,
in dem sich Tanz und
Dichtkunst des 19.
Jahrhunderts treffen. Im
Mittelpunkt des Werkes
stehen Tänze, die
damals in den
Fischereihäfen
längs der
niederländischen
Nordseeküste und der
ehemaligen Zuiderzee
populär waren. Im Werk
wechseln sie sich mit
einer Reihe von Gedichten
ab, welche von einem oder
mehreren Vorlesern
deklamiert werden
können. Begleitet
werden die Gedichte von
leise und getragen
gespielter Musik des
Blasorchesters. Für
die Aufführung von
Dances & Sonnets
können die vom
Komponisten
vorgeschlagenen oder
andere Sonette oder
Gedichte in jeder
beliebigen Sprache
ausgesucht werden. Auch
eine szenische
Umsetzungkann eine
Aufführung von
Dances & Sonnets
bereichern, das aber auch
rein instrumental
vorgetragen vorzüglich
zur Geltung kommt.
Questo
brano s’ispira
alla danza e alla poesia
del XIX secolo, in
particolare alle danze
dei pescatori lungo il
litorale del Mare del
Nord e dell’antico
golfo del Zuidersee.
Dances and Sonnets
propone
un’introduzione
maestosa. Il compositore
esplora in seguito
l’universo della
danza con una polka, un
valzer, uno scottisch
(danza di coppia in 2/4)
e un galoppo. Dances and
Sonnets è un brano che
può essere eseguito
con o senza la lettura
del poema o la
rappresentazione delle
danze.
Complete Works Piano seul [CD Sheet Music] CD Sheet Music
Solo Piano SKU: SU.00220614 For Solo Piano. Composed by Ludwig van...(+)
Solo Piano
SKU:
SU.00220614
For
Solo Piano. Composed
by Ludwig van Beethoven.
Keyboard,
Piano/Harpsichord. USB
(PDF Scores). CD Sheet
Music #00220614.
Published by CD Sheet
Music (SU.00220614).
This CD Sheet
Music collection makes
available the wide range
of Ludwig van Beethoven's
piano music, both
familiar and less
well-known. Includes:
Bagatelles, 32 Sonatas,
Sonatinas, 5 Piano
Concertos, Triple
Concerto, Diabelli
Variations, Contradances,
Ecossaises, German
Dances, Ländlers,
Minuets, Rondos,
Variations, Waltzes, and
more Also includes
composer biographies and
relevant articles from
the 1911 edition of
Grove's Dictionary of
Music and Musicians 1500+
pages.
Guitar SKU: UT.CH-191 Anzaghi, Cappelli, F. Luppi, G. Luppi, Reghezza,...(+)
Guitar
SKU:
UT.CH-191
Anzaghi,
Cappelli, F. Luppi, G.
Luppi, Reghezza,
Spazzoli, Tagliamacco,
Ugoletti. Edited by
Piero Bonaguri. Saddle
stitching. Piero Bonaguri
Collection. Classical. Ut
Orpheus #CH 191.
Published by Ut Orpheus
(UT.CH-191).
Tirol Terra Fortis Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2009. 40
pages. De Haske
Publications #DHP
1094734-140. Published by
De Haske Publications
(BT.DHP-1094734-140).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
™.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Revised Edition 1995. By Bela Bartok. Arranged by Peter Bartok. (Piano). Boosey...(+)
Revised Edition 1995. By
Bela Bartok. Arranged by
Peter Bartok. (Piano).
Boosey and Hawkes Piano.
Size 9x12 inches. 14
pages. Published by
Boosey & Hawkes.