Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-30. Published by
Breitkopf and Haertel
(BR.OB-32117-30).
ISBN
9790004350874. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Chorus (with soloists) and orchestra (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc...(+)
Chorus (with soloists)
and orchestra (SATB -
0.0.0.0 - 3.0.0.0 - timp
- str - bc)
SKU:
BR.PB-32120
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Sheet Music. 76
pages. Duration 25'.
Breitkopf and Haertel #PB
32120. Published by
Breitkopf and Haertel
(BR.PB-32120).
ISBN
9790004215869. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Piano SKU: M7.DOHR-17628 Composed by Clara Wieck-Schumann. Edited by Thom...(+)
Piano
SKU:
M7.DOHR-17628
Composed by Clara
Wieck-Schumann. Edited by
Thomas Synofzik. Sheet
music. Op. 6. 28 pages.
MDS (Music Distribution
Services) #DOHR 17628.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17628).
Divertimento Flûte à Bec, Piano - Intermédiaire Forsyth Publications
Recorder and Piano - Intermediate SKU: FP.FBM04 Composed by Martin Bussey...(+)
Recorder and Piano -
Intermediate
SKU:
FP.FBM04
Composed by
Martin Bussey. Sheet
Music and Books. This
fresh and appealing work
lives up to its name.
Particularly diverting is
the finale, a hornpipe
subtitled The Knotted
Sailor, in which the
nifty performers have to
negotiate frequent and
teasing changes of rhythm
at speed. Classical.
Collection. Forsyths
Publications #FBM04.
Published by Forsyths
Publications (FP.FBM04).
ISBN
9790570504077.
The
opening movement is a
free fantasia,
contrasting with the
middle movement, a
scherzetto, in homage to,
and based on the letters
of the name of, the
composer Douglas Steele,
an assistant to Sir
Thomas Beecham and a
founding father of
Chethams School, and
which quotes from
Steele’s beautiful
carol The Snow
Falls. Divertimento
was first performed by
John Turner and Janet
Simpson at a concert in
aid of the Peter
Cunningham Memorial Fund
at Mellor Church on 17th
January 2005. It uses
both treble and descant
instruments. The second
movement was originally
composed for a concert in
Manchester Cathedral in
memory of Douglas Steele,
one of the founding
fathers of Chetham's
School, and quotes (by
kind permission of
Forsyth Brothers Ltd.),
from his well-known carol
The Snow Falls. It has
been separately recorded
by John Turner and
Stephen Hough on Autumn
Sequence – the
music of Douglas Steele
and his Circle (Campion
Cameo 2040/41). Martin
Bussey was born in London
in 1958. He was a Choral
Scholar at King’s
College, Cambridge,
during which time he
studied composition with
Robin Holloway. Following
postgraduate singing
study at the RNCM he
settled in Manchester and
held a number of posts,
including Head of
Academic Music and
Director of Choirs at
Chetham’s School
of Music until 2013. He
continues as Musical
Director of the Chester
Bach Singers, a Vocal
Tutor at Manchester
University, Chairman of
the Finzi Friends and a
Director of the Ludlow
Song Weekend.
Compositions include the
highly successful
monodrama about Mary I,
Mary’s Hand,
premiered in 2018; a
significant collection of
solo songs which includes
settings of Housman,
Hardy, and Walt Whitman,
many recorded on the disc
Through a glass; and much
choral music, recorded by
Sonoro under Neil Ferris
in 2019.
Performed by Claude Francois. By Patrick Juvet / Franck Thomas / J.M. Rivat. Arr...(+)
Performed by Claude
Francois. By Patrick
Juvet / Franck Thomas /
J.M. Rivat. Arranged by
Patrice Bourges. For
piano with lyrics. This
edition: Editions Bourges
R. Crock Music. French
Chanson. Level: 3. Sheet
music. Size 8.19 x
11.583. 2 pages.
Published by Editions
Bourges (French import).
Piano - intermediate to advanced SKU: HL.49019302 Composed by Peter Ilyic...(+)
Piano - intermediate to
advanced
SKU:
HL.49019302
Composed
by Peter Ilyich
Tchaikovsky. Edited by
Thomas Kohlhase. Arranged
by Lev Vinocour. This
edition: Saddle
stitching. Sheet music.
Piano. Softcover.
Composed 1873. Op. 19. 80
pages. Schott Music
#ED20446. Published by
Schott Music
(HL.49019302).
ISBN
9790001153737. UPC:
888680663490.
'Six
Pieces' Op. 19 is the
first collection of piano
pieces by Tchaikovsky
which contributed
significantly to his
growing renown as most
important Russian
composer apart from Anton
Rubinstein. Famous
contemporary pianists
like Nikolai Rubinstein
and Hans von Bulow
performed Reverie du soir
(Op. 19, No. 1) or Theme
original et variations
(No. 6) in their concerts
in the 1870s.
Commissioned by his
Moscow publisher P. I.
Jurgenson, Six Pieces Op.
19 was composed by
Tchaikovsky in the summer
and autumn of 1873, i.e.
during his time as
professor of theory at
the Moscow
Conservatoire.Bulow had
entered 'little changes'
in his own copy of the
first edition of
Variations Op. 19/6.
There is, however, no
documentary proof which
of Bulow's changes
Tchaikovsky eventually
included in the Nouvelle
edition revue et corrigee
par l'auteur of Op. 19
published only in 1890.
The present new edition
therefore contains both
versions of the
Variations. Tchaikovsky's
version of the first
edition can be found in
the appendix of the
present volume, Bulow's
version expressly adopted
by Tchaikovsky is
presented together with
Nos. 1-5 in the main text
of the volume on the
basis of the Nouvelle
edition revue et corrigee
par l'auteur from
1890.
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-16.
Published by Breitkopf
and Haertel
(BR.OB-32120-16).
ISBN
9790004350485. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-15.
Published by Breitkopf
and Haertel
(BR.OB-32120-15).
ISBN
9790004350478. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Organ (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-11 (+)
Organ (SATB - 0.0.0.0 -
3.0.0.0 - timp - str -
bc)
SKU:
BR.OB-32120-11
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 24 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-11.
Published by Breitkopf
and Haertel
(BR.OB-32120-11).
ISBN
9790004350461. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-19.
Published by Breitkopf
and Haertel
(BR.OB-32120-19).
ISBN
9790004350508. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-17.
Published by Breitkopf
and Haertel
(BR.OB-32120-17).
ISBN
9790004350492. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-26.
Published by Breitkopf
and Haertel
(BR.OB-32120-26).
ISBN
9790004350515. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
25 Christmas Favorites for Piano Solo with Play-Along CD Accompaniments in Today...(+)
25 Christmas Favorites
for Piano Solo with
Play-Along CD
Accompaniments in Today's
Musical Styles by David
Feldstein. By David
Feldstein. Arranged by
Lauren Keiser. Solo
percussion. For Piano.
Score and Audio CD.
Leadsheet. 32 pages.
Published by Carl
Fischer.
Piano - difficult SKU: HL.49044516 For Piano. Composed by Thomas L...(+)
Piano - difficult
SKU:
HL.49044516
For
Piano. Composed by
Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
Piano. Classical.
Softcover. Composed 1989.
12 pages. Duration 14'.
Schott Music #ED13758.
Published by Schott Music
(HL.49044516).
ISBN
9790220135262.
9.0x12.0x0.073
inches.
Best-known
as an internationally
sought-after pianist,
Thomas Larcher has
presented an impressive
series of CDs on the
renowned label ECM New
Series. But he has become
increasingly successful
as a composer as
well.About his piano
piece 'Naunz' recorded by
ECM he writes:'The name
refers to an Alpine
region in Tyrol which, to
me, has always been a
place of refuge and of
experiencing nature. But
it also leaves room for
onomatopoeic
associations. The piece
even listens to the
sounds, and it was
composed in a phase when
I began to occupy myself
with tonality
again.'.
Edited by Helen Marlais / Crystal Zimmerman. Sheet Music. Succeeding with the Ma...(+)
Edited by Helen Marlais /
Crystal Zimmerman. Sheet
Music. Succeeding with
the Masters & Festival
Collection. Instructional
method. Collection.
Published by The FJH
Music Company Inc
(FJ.FJH2202).
Wind parts (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-30(+)
Wind parts (SATB -
0.0.0.0 - 3.0.0.0 - timp
- str - bc)
SKU:
BR.OB-32120-30
Cantata for Christmas
Day - Urtext.
Composed by Johann
Kuhnau. Edited by David
Erler. Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. 16 pages. Duration
25'. Breitkopf and
Haertel #OB 32120-30.
Published by Breitkopf
and Haertel
(BR.OB-32120-30).
ISBN
9790004350522. 10 x 12.5
inches.
This
cantata is a composition
by Kuhnau for the first
of the Christmas holidays
[Christmas Day] and one
of his most extensive
works. It is underlaid
with the free poetry of a
hitherto anonymous
author, not including any
Bible or chorale texts.
Though the dating has not
yet been clarified, the
structure - two
recitative-aria pairings,
framed by two magnificent
tutti movements -
indicates a genesis
period within the last
years of the composer's
tenure as St. Thomas
cantor in Leipzig.
Additional indications
are the triple use of the
da capo form as well as
the four-part vocal
setting, partly
differentiated in solo
and tutti, taking the
individual parts to the
limits of their ambitus
as was later customary
with Johann Sebastian
Bach.Particularly
noteworthy are two
details of the
instrumentation: Firstly,
there are three violin
parts in the score, the
first of which has to
master an exceptionally
virtuoso solo part.
Secondly, in the third
movement, Kuhnau
expressly notates an
obbligato organ solo
part, not to be found in
any of his other extant
compositions. This
virtuosic part also
already foreshadows the
later and far more famous
obbligato organ parts in
various Bach
cantatas.
Solo Piano SKU: SU.00220514 For Solo Piano. Composed by Frederic C...(+)
Solo Piano
SKU:
SU.00220514
For
Solo Piano. Composed
by Frederic Chopin.
Keyboard,
Piano/Harpsichord. CD
(PDF Scores). CD Sheet
Music #00220514.
Published by CD Sheet
Music (SU.00220514).
Thomas J.
Parente is Associate
Professor of Piano at
Westminster Choir College
of Rider University.He is
a frequent clinician and
has presented workshops
and clinics at the Gina
Bachauer Piano Festival,
the Dalcroze
International Summer
School of Australia,the
Conservatory of Puerto
Rico, the National Piano
Pedagogy Convention, the
Delaware State Music
Teachers Convention,
Westminster Choir
College’s Summer
Session,Montclair State
University, Towson State
University, andfor many
other organizations.
Currently, he is working
ona series of piano books
that will provide
teachers with lesson
plans which utilize
Dalcroze Eurhythmics for
teaching standard piano
repertoire. He is also
the producer of a series
of instructional videos
entitled The Tom Parente
In Home Piano Video
Course.
Medium Voice Part and Piano SKU: HL.49005978 Composed by Carl Loewe. This...(+)
Medium Voice Part and
Piano
SKU:
HL.49005978
Composed
by Carl Loewe. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 100 pages.
Schott Music #ED 604.
Published by Schott Music
(HL.49005978).
ISBN
9790001031691.
7.5x10.75x0.331 inches.
German.
German Voice - intermediate SKU: HL.49045673 Voice and Piano. Comp...(+)
German Voice -
intermediate
SKU:
HL.49045673
Voice
and Piano. Composed
by Georg Kreisler. Edited
by Barbara
Kreisler-Peters and
Thomas A. Schneider. This
edition: Paperback/Soft
Cover. Sheet music. Vocal
Solo. Classical.
Softcover. 192 pages.
Schott Music #ED22741.
Published by Schott Music
(HL.49045673).
ISBN
9783795711917. UPC:
841886031548.
9.0x12.0x0.555 inches.
German.
Volume 6 of
the most beloved lieder
and chansons by the
exceptional artist from
Austria.
Piano (NOTEN+CD) - easy to intermediate SKU: HL.49033329 The nice and ...(+)
Piano (NOTEN+CD) - easy
to intermediate
SKU:
HL.49033329
The
nice and easy sonatas of
Beethoven to
Kabalevsky. Composed
by G.D. Heumann. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Edition Schott.
Edition with CD. 94
pages. Schott Music
#ED9839. Published by
Schott Music
(HL.49033329).
ISBN
9783795757342.
9.25x12.0x0.275 inches.
German -
English.
In this
volume, Hans-Gunter
Heumann presents a
selection of 18 easy
popular classical
sonatinas, a Kabalevsky
sonatina and a jazz
sonatina by Eduard Putz.
The educational value of
these excellent and
sensitive sonatina
movements lies in the
training of melody and
form as well as in a
versatile technical
training.The volume
includes works by Andre,
Attwood, Beethoven,
Benda, Cimarosa,
Clementi, Diabelli,
Gurlitt, Haslinger,
Haydn, Kabalevsky,
Kohler, Kuhlau, Mozart,
Pleyel, Putz, Scarlatti,
Turk and Vanhal.
Piano - intermediate SKU: HL.49008978 Overture. Composed by Ambroi...(+)
Piano - intermediate
SKU: HL.49008978
Overture. Composed
by Ambroise Thomas.
Edited by Georges Bizet.
This edition: Saddle
stitching. Sheet music.
Einzelausgaben (Single
Sheets). Classical. 12
pages. Schott Music
#ED07506. Published by
Schott Music
(HL.49008978).
ISBN
9790001090063. UPC:
884088270438.
9.0x12.0x0.038
inches.
From Clementi to Beethoven. Composed by Various. Edited by Hans-Guenter Heumann,...(+)
From Clementi to
Beethoven. Composed by
Various. Edited by
Hans-Guenter Heumann,
Wilhelm Ohmen. This
edition: Saddle
stitching. Sheet music
with CD. Piano. The most
beautiful classical
sonatinas - for lessons
and piano lovers.
Classical.
Edition/Softcover with
CD. 9040. 40 pages.
Schott Music #ED9040.
Published by Schott Music
Composed
by Thomas Gabriel. Sheet
music. Ensemble.
Softcover. Composed 2012.
460 pages. Schott Music
#ED21791-50. Published by
Schott Music
(HL.49043972).
ISBN
9790001196826. Latin -
German.
Die 'Missa
juvenalis' entstand als
Auftragskompostion der
Chore an St. Georg in
Bensheim. Sie ist eine
moderne Orchestermesse
fur zweistimmigen
Jugendchor und
vierstimmigen
Erwachsenenchor,
Orchester, Sopransolo und
zwei Perkussionisten. Die
ca. 30minutige Messe
vereint den klassischen,
lateinischen Messtext mit
deutschen Erganzungen von
Dag Hammarskjold und
Meister Eckhart. In
'Kyrie' und 'Agnus Dei
eingeschoben, geben Sie
dem zeitlosen Messtext
eine beruckende
Aktualitat. Die Messe
bewegt sich stilistisch
zwischen klassischen
Modellen, Musical und
Jazz. Entsprechend uppig
ist die notwendige
Ausstattung an
Schlagwerk, das zu den
Streichern und
Holzblasern
hinzutritt.
Four Preludes Piano seul Music Distribution Services
Piano SKU: M7.DOHR-91026 Composed by Stefan Thomas. Sheet music. Composed...(+)
Piano
SKU:
M7.DOHR-91026
Composed by Stefan
Thomas. Sheet music.
Composed 1990. 16 pages.
MDS (Music Distribution
Services) #DOHR 91026.
Published by MDS (Music
Distribution Services)
(M7.DOHR-91026).
The Homecoming - Easy Piano by Hargood Hardy. Arranged by Jan Thomas. For Piano....(+)
The Homecoming - Easy
Piano by Hargood Hardy.
Arranged by Jan Thomas.
For Piano. Piano Solo -
Popular Sheet; Solo.
Contemporary
Instrumental. SMP Level 4
(Intermediate). Single.
Easy piano notation,
fingerings and chord
names (does not include
words to the songs). 4
pages. Published by
Alfred Music Publishing
Organ (Organ) - intermediate to advanced SKU: HL.49044941 Composed by Enj...(+)
Organ (Organ) -
intermediate to advanced
SKU: HL.49044941
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Organ Collection.
Softcover. Composed 2015.
20 pages. Duration 11'.
Schott Music #ED22476.
Published by Schott Music
(HL.49044941).
ISBN
9790001159876. UPC:
841886027657.
9.0x12.0x0.083
inches.
This
frenetic assortment of
familiar chorale melodies
by Martin Luther was
composed to mark the
celebrations of Luther's
music (and the 800th
anniversary of the choir
of St Thomas in Leipzig)
in 2012. Ein feste Burg
ist unser Gott [A mighty
fortress is our God]
appears as a powerful
ritornello theme,
elaborated with tender
lyricism just before the
end. A chorale setting of
Verleih uns Frieden
gnadiglich [Lord, in thy
mercy grant us peace]
makes a calm middle
section for this
otherwise highly
demanding organ piece.
The 2012 setting for
organ duet has been
arranged as a virtuoso
work for organ solo in
2015. An organ with three
manuals is required.