Composed by Sergei Prokofiev (1891-1953). Edited by Mark Rogers. Southern Music. Concert. Softcover. Southern Music Company #S978CB. Published by Southern Music Company

Grade 2

SKU: CL.011-4808-01

Composed by J. McBride. Young Concert Band. Extra full score. C.L. Barnhouse #011-4808-01. Published by C.L. Barnhouse (CL.011-4808-01).

Outrider evokes the adventurous spirit of old west outriders. From the fiery opening to the breathless race to the finish, Outrider is a tour de force of driving mixed-meter rhythms and bold, infectious melodies. Rhythms are presented in consistent patterns to support student success, while a more delicate middle section provides opportunities to develop phrasing and musical nuance within your ensemble. Your unforgettable adventure with will bring audience members to the edge of their seats!

Grade 2

SKU: CL.011-4808-00

Composed by J. McBride. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4808-00. Published by C.L. Barnhouse (CL.011-4808-00).

Outrider evokes the adventurous spirit of old west outriders. From the fiery opening to the breathless race to the finish, Outrider is a tour de force of driving mixed-meter rhythms and bold, infectious melodies. Rhythms are presented in consistent patterns to support student success, while a more delicate middle section provides opportunities to develop phrasing and musical nuance within your ensemble. Your unforgettable adventure with will bring audience members to the edge of their seats!

Orchestra

SKU: HL.14021038

Composed by Sir Peter Maxwell Davies. Music Sales America. Classical. Score. Composed 2002. 40 pages. Chester Music #CH63723. Published by Chester Music (HL.14021038).

ISBN 9780711991248. 5.5x7.5x0.148 inches.

Peter Maxwell Davies' Swinton Jig was inspired by his youth spent in Salford. These variations on a traditional melody portray the community spirit during wartime and the impromptu concerts and dances held within the air shelters. The instrumentation reflects this, with banjos, bells, bones and horns, and even an out of tune upright piano! This work was commissioned by the BBC and first performed in November 1998 by the BBC Philharmonic. In miniature pocket score format.

(Praise and Worship Arrangements for Solo Piano). Composed by Marty Parks. For piano. Sacred. Moderately easy. Published by Lillenas Publishing Company

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1148S

Score Only. Composed by Lauren Bernofsky. Arranged by Lauren Bernofsky. Concert Band. FJH Young Band. Score. Duration 3:15. The FJH Music Company Inc #98-B1148S. Published by The FJH Music Company Inc (FJ.B1148S).

English.

This spirited work, in 3/4, maintains a quick tempo throughout. The opening, rhythmic motif builds steadily before the full band states the main theme. A lightly scored middle section leads into a restatement of the beginning material. A wonderful piece to challenge your group, as Lauren makes use of some independent lines while staying well within the grade level. (3:15).

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1148

Composed by Lauren Bernofsky. Arranged by Lauren Bernofsky. Concert Band. FJH Young Band. Score and Part(s). Duration 3:15. The FJH Music Company Inc #98-B1148. Published by The FJH Music Company Inc (FJ.B1148).

UPC: 674398210367. English.

This spirited work, in 3/4, maintains a quick tempo throughout. The opening, rhythmic motif builds steadily before the full band states the main theme. A lightly scored middle section leads into a restatement of the beginning material. A wonderful piece to challenge your group, as Lauren makes use of some independent lines while staying well within the grade level. (3:15).

About FJH Young Band

Appro priate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5

Eleven Pieces for Organ. By Ned Rorem. (Organ). Size 8.5x11 inches. 49 pages. Published by Boosey & Hawkes.

Edited by Gayle Kowalchyk and E. L. Lancaster. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Premier Piano Course. Premier Piano Course. Children; Recital. 40 pages. Published by Alfred Music

Easy

SKU: WD.080689527173

Composed by Kenna Turner West. Choral, cantatas. Christmas. Book. Word Music #080689527173. Published by Word Music (WD.080689527173).

UPC: 080689527173.

Power ful new songs, written by Kenna Turner West, are shaped within an appealing framework of well-known carols and popular songs. Tying them all together with moving, heartfelt narration, Joy! Unspeakable Joy! is the perfect musical for your next Christmas presentation.

St eve W. Mauldin has arranged an expertly-crafted work, designed to make spirits soar and hearts rejoice. The sounds of his glorious orchestrations will thrill your congregation, and the heroic-sounding vocal arrangements will inspire your choir to sing like angels, all the while being carefully and accessibly arranged in our signature, easy-to-sing, Simply Word style.

SKU: CA.4010900

Composed by Johann Sebastian Bach. Edited by Gunter Graulich. Arranged by Paul Horn. German title: Johannespassion (Choralsatze). Sacred vocal music, Hymn settings, Passions, Lent and Passiontide, Holy Week. Collection. 16 pages. Carus Verlag #CV 40.109/00. Published by Carus Verlag (CA.4010900).

ISBN 9790007062033.

Orchestra - Grade 1.5

SKU: AP.47461

Composed by Johann Sebastian Bach. Arranged by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Masterwork Arrangement. Score and Part(s). 72 pages. Highland/Etling #00-47461. Published by Highland/Etling (AP.47461).

ISBN 9781470652838. UPC: 038081544526. English.

The famous first movement of Bach's Brandenburg Concerto No. 5, arranged by Richard Meyer, has been simplified and shortened for the first-year player but still retains all the energy and spirit of the original. It uses only the notes of the D major scale (including a few high E's for Violin I), and the rhythms are within reach of players with very little experience. The perfect selection for your beginning orchestra's first real piece, this arrangement is sure to become a traditional part of your string curriculum.

Orchestra - Grade 1.5

SKU: AP.47461S

Composed by Johann Sebastian Bach. Arranged by Richard Meyer. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Masterwork Arrangement. Score. 8 pages. Duration 1:46. Highland/Etling #00-47461S. Published by Highland/Etling (AP.47461S).

ISBN 9781470652845. UPC: 038081544533. English.

The famous first movement of Bach's Brandenburg Concerto No. 5, arranged by Richard Meyer, has been simplified and shortened for the first-year player but still retains all the energy and spirit of the original. It uses only the notes of the D major scale (including a few high E's for Violin I), and the rhythms are within reach of players with very little experience. The perfect selection for your beginning orchestra's first real piece, this arrangement is sure to become a traditional part of your string curriculum.

By Bedrich Smetana. Edited by Frantisek Bartos; Josef Plavec; Karel Solc. For Violin (2), Viola, Violoncello. Published by Baerenreiter-Ausgaben (German import).

Grade 1

SKU: CL.024-4688-00

An Old Fashioned Hymn. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR396). Score and set of parts. Composed 2018. Duration 1 minute, 57 seconds. C.L. Barnhouse #024-4688-00. Published by C.L. Barnhouse (CL.024-4688-00).

Beautifully stunning, highly reflective, and deeply emotional best describes this well-crafted hymn penned by celebrated composer James Swearingen. The flowing lines and rich harmonies are scored to touch the human spirit in every way possible. Because the technical demands are well within reach, your band will be able to focus on playing not just the notes themselves, but on the expressive meaning of the notes as well. Simply breathtaking!

Composed by Mark Alan Wade. Wire bound. Classical. Book and online audio. Mel Bay Publications, Inc #30734M. Published by Mel Bay Publications, Inc

Grade 1

SKU: CL.024-4688-01

An Old Fashioned Hymn. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR396). Extra full score. Composed 2018. Duration 1 minute, 57 seconds. C.L. Barnhouse #024-4688-01. Published by C.L. Barnhouse (CL.024-4688-01).

Beautifully stunning, highly reflective, and deeply emotional best describes this well-crafted hymn penned by celebrated composer James Swearingen. The flowing lines and rich harmonies are scored to touch the human spirit in every way possible. Because the technical demands are well within reach, your band will be able to focus on playing not just the notes themselves, but on the expressive meaning of the notes as well. Simply breathtaking!

Orchestra - Grade 3.5

SKU: AP.31615S

Composed by William Harbinson. Full Orchestra; Performance Music Ensemble; Single Titles. Highland/Etling Full Orchestra. Score. 24 pages. Duration 6:02. Highland/Etling #00-31615S. Published by Highland/Etling (AP.31615S).

UPC: 038081356006. English.

Recurring themes within contrasting sections, ranging from the majestic to a spirited dance, will delight audiences and players alike. Mixed meters, asymmetrical meters and the playful development of previous motives characterize the development section, leading into a rousing finale. Great contemporary composition! (6:02).

Orchestra - Grade 3.5

SKU: AP.31615

Composed by William Harbinson. Full Orchestra; Performance Music Ensemble; Single Titles. Highland/Etling Full Orchestra. Form: Dance. Meters. Score and Part(s). 228 pages. Duration 6:02. Highland/Etling #00-31615. Published by Highland/Etling (AP.31615).

UPC: 038081355993. English.

Recurring themes within contrasting sections, ranging from the majestic to a spirited dance, will delight audiences and players alike. Mixed meters, asymmetrical meters and the playful development of previous motives characterize the development section, leading into a rousing finale. Great contemporary composition! (6:02).

Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

Concert Band Concert Band - Grade 1

SKU: FJ.B1849

Composed by Brian Balmages. Concert Band; MakeMusic Cloud. FJH Beginning Band. Multicultural. Score and Part(s). The FJH Music Company Inc #98-B1849. Published by The FJH Music Company Inc (FJ.B1849).

UPC: 241444436394. English.

This spirited work depicts a parade in Scotland from a spectator's viewpoint. Based on the popular folk song Aiken Drum, the piece layers various elements to create the iconic sound of Scottish pipes and drums. Original music intertwines with Celtic sounds as the parade reaches its peak with a full battery of percussion contributing to the joyous atmosphere.

About FJH Beginning Band

Appro priate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.

Concert Band Concert Band - Grade 1

SKU: FJ.B1215S

Score Only. Composed by Lloyd Conley. Arranged by Lloyd Conley. Concert Band. FJH Beginning Band. Form: March. Score. Duration 1:25. The FJH Music Company Inc #98-B1215S. Published by The FJH Music Company Inc (FJ.B1215S).

English.

Conside r this spirited march for your next concert or festival performance. All instruments have interesting melodic material, including an easy percussion break before the final strain. Articulations have been kept to a minimum (accents, staccatos, and three slurs) so you can focus on style with your ensemble as you move onward!.

About FJH Beginning Band

Appro priate within the first year of instruction and beginning of the second year. Clarinets do not go above the break, and there is limited use of accidentals. Plenty of doublings in the lower voices. Grade 1.