Le Roi Lear Piano seul [Conducteur] - Intermédiaire Musik Fabrik
Piano - Grade 4 SKU: FA.MFCD015PN Suite for piano. Composed by Cla...(+)
Piano - Grade 4
SKU:
FA.MFCD015PN
Suite
for piano. Composed
by Claude Debussy/Robert
Orledge. Rediscovered
Debussy. Classical :
Modern. Score. Musik
Fabrik #MFCD015PN.
Published by Musik Fabrik
(FA.MFCD015PN).
8.27 x
11.69 inches.
A
seven-movement suite for
orchestra taken from
sketches for Debussy's
music for King Lear and
completed by Robert
Orledge. As recorded by
Nicolas Horvath on << The
Unknown Debussy >>
(GP822).
SST(A)TTB vocal soli or
choir, ST(A)TB voices, 2
flutes, 2 oboes, 2
violins, 2 violas, cello,
piano
SKU:
CA.2100700
Psalm
45. Grand Motet.
Composed by Jean-Philippe
Rameau. Edited by
Jean-Paul C. Montagnier.
This edition: Paperbound.
French Sacred Music. Deus
Noster Refugium (Psalm
45). Sacred vocal music,
Psalms, Latin, Psalms.
Full score. 68 pages.
Duration 26 minutes.
Carus Verlag #CV
21.007/00. Published by
Carus Verlag
(CA.2100700).
ISBN
9790007142179. Language:
Latin.
The three
grands motets, Quam
dilecta, In convertendo
and Deus noster refugium,
which Jean-Philippe
Rameau composed from 1713
to 1715 are still
relatively unknown today.
Yet these masterworks can
stand comparison to the
best works of
Michel-Richard de
Lalande. They are
testimony to Rameau's
great contrapuntal
mastery and contain
beautiful lyrical
passages. Quam dilecta
and Deus noster refugium
have survived only in
later sources which
originated in about 1770,
after Rameau's death, and
the works have been
rendered in a scoring
which does not correspond
to his intentions. The
present new edition
attempts for the first
time to reconstruct them
as closely as possible to
their original form. The
edition of In convertendo
is based on Rameau's
autograph score from
1751.
Voice and piano SKU: BR.EB-8601 Kommentar von W. Schubert. Compose...(+)
Voice and piano
SKU:
BR.EB-8601
Kommentar von W.
Schubert. Composed by
Bernhard Theodor
Breitkopf. Edited by
Gunter Raphael. Voice;
Softcover. Edition
Breitkopf. Goethe, who
studied in Leipzig
between 1765 and 1768 (a
period he wrote about in
Dichtung und Wahrheit),
was friends there with a
young man of his age,
Bernhard Theodor
Breitkopf, the grandson
of the publishing house's
founder. Song; Classical.
Score. 36 pages.
Breitkopf and Haertel #EB
8601. Published by
Breitkopf and Haertel
(BR.EB-8601).
ISBN
9790004178829. 9 x 12
inches.
Goethe, who
studied in Leipzig
between 1765 and 1768 (a
period he wrote about in
Dichtung und Wahrheit),
was friends there with a
young man of his age,
Bernhard Theodor
Breitkopf, the grandson
of the publishing house's
founder. Breitkopf set
his friend's first poems
to music in the style of
the day. The Neue Lieder
und Melodien came out for
the 1770 Leipzig spring
fair, though without any
mention of the poet,
still completely unknown
at that time. The title
Goethes Leipziger
Liederbuch dates only
from 1932, when Gunter
Raphael prepared a new
edition for the Goethe
commemorative year. Since
several poems from the
Neue Lieder are found in
highly altered forms in
later work collections,
this publication of
Goethe's first poems is
also of great value to
literary
scholars.
Goethe,
who studied in Leipzig
between 1765 and 1768 (a
period he wrote about in
Dichtung und Wahrheit),
was friends there with a
young man of his age,
Bernhard Theodor
Breitkopf, the grandson
of the publishing house's
founder.
Piano seul - Intermédiaire/avancé Alfred Publishing
(11 Arrangements of Uplifting Hymns). Arranged by Melody Bober. For Piano. Book;...(+)
(11 Arrangements of
Uplifting Hymns).
Arranged by Melody Bober.
For Piano. Book; Piano
Collection; Piano
Supplemental. Sacred
Performer Collections.
Benediction; Christian
Family Sunday; Hymn;
Sacred; Spring. Early
Advanced. 40 pages.
Published by Alfred Music
Publishing
Lobet den Herrn, alle
Heiden. Composed by
Johann Sebastian Bach.
Edited by Gunter
Graulich. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Lobet Den Herrn, Alle
Heiden Rev.2003. Sacred,
Motets, Psalms, German;
Stuttgart Urtext
editions; Occasions:
Praise and thanks. Set of
Orchestra Parts. BWV 230.
20 pages. Duration 8
minutes. Carus Verlag #CV
31.230/09. Published by
Carus Verlag
(CA.3123009).
ISBN
9790007051013. Key: C
major. Language:
German/English.
Thi
s motet, no matter how
popular it is, presents
Bach scholars with a few
puzzles: is it really by
Bach? Somehow the text
doesn't fit with the
notes, at least not so
that it's comfortable to
sing. And is the
musicologists' problem
the same for the choral
singers? Not, of course
not in the Alleluia
fugue: in that, there
really is something to
worry about ... year of
composition unknown.
Score and parts available
separately - see item
CA.3123000.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 12 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-15.
Published by Breitkopf
and Haertel
(BR.OB-5329-15).
ISBN
9790004333532. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Violin - intermediate SKU: HL.50601152 Violin Solo. By Italo Vesco...(+)
Violin - intermediate
SKU: HL.50601152
Violin Solo. By
Italo Vescovo. By Nicolo
Paganini. String Solo.
Classical. Softcover.
Composed 2017. 24 pages.
Ricordi #NR14171700.
Published by Ricordi
(HL.50601152).
UPC:
888680739379. 9x12
inches.
Italian-English.
Th
e Caprice d'Adieu
(autograph unknown) is
appended to Eduard
Eliason's Six Caprices
Caractéristiques
pour le Violon, Op. 12,
which was published in
Mayence by B. Schott in
1833. This piece, which
Paganini dedicated to
Eliason, is part of a
series of compositions
for violin solo that have
been widely ignored by
both performers and
scholars of the great
Genoese musician. It is a
composition whose size
and structure (A-B-A,
with two refrains)
follows the pattern of
some of his Capricci, Op.
1, but, unlike these
proper studies, the
Caprice d'adieu is
lighter and more lively
in character. Although
not as brilliant,
musically, as the
Capricci, it still
contains some original
musical ideas, mostly
articulated in two parts
with a few complex
technical passages and a
central, contrasting
section featuring
different dynamics and a
range of chords and
trills. This critical
edition is based on the
first edition and is
collated with the most
important nineteenth and
twentieth-century
editions.
For organ: 2-staff. Sacred, Advent, Christmas, Epiphany, Holy Communion, Mission...(+)
For organ: 2-staff.
Sacred, Advent,
Christmas, Epiphany, Holy
Communion, Missions,
Thanksgiving. Moderately
easy. Published by Lorenz
Publishing Company
By Peter C. Lutkin (1858-1931). Arranged by David Marlatt. For Brass Quartet and...(+)
By Peter C. Lutkin
(1858-1931). Arranged by
David Marlatt. For Brass
Quartet and Organ. Brass
Ensemble - Quartet;
Part(s); Quartet; Score.
Eighth Note Publications.
20th Century. Duration
00:02:20. Published by
Eighth Note Publications
. 20th Century.
Concert Band - Grade 0.5 SKU: AP.35335S Composed by Ralph Ford. Concert B...(+)
Concert Band - Grade 0.5
SKU: AP.35335S
Composed by Ralph Ford.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Belwin Very Beginning
Band. Novelty. Score. 16
pages. Belwin Music
#00-35335S. Published by
Belwin Music (AP.35335S).
UPC: 038081409801.
English.
Look up
the word Gizmo, and you
will find references to
its origin in the slang
used by United States
Marines and Navy
personnel when referring
to a gadget of unknown
origin or design. Ralph
Ford's inventive work for
your first-year players
uses a ratchet in the
percussion section to
musically depict a gizmo.
Great fun! (1:30) This
title is available in
MakeMusic Cloud.
Piano SKU: HL.48188983 Et autres inedits pour piano. Composed by R...(+)
Piano
SKU:
HL.48188983
Et
autres inedits pour
piano. Composed by
Reynaldo Hahn. Leduc. CD.
Composed 2013. 44 pages.
Heugel & Cie #HE33889.
Published by Heugel & Cie
(HL.48188983).
UPC:
888680874230. 9x12
inches.
“Havi
ng been considered as a
'fashionable' and
'cliché' composer
of his day, Hahn's Piano
Works remain unknown.
Love Pieces and other
hitherto unpublished
Piano works, however,
shatter these prejudices
held, representing the
engaging diversity of the
composer's music.
Venezuelan born Reynaldo
Hahn (1875-1947) entered
the Paris Conservatoire
at 10 years old. He
received a high standard
of musical education from
Decombes, Lavignac,
Dubois and Massenet
before becoming a
prolific and versatile
composer himself, writing
works for all genres. For
Hahn, music was a magical
art and his Piano
compositions often
contain expressions of
his otherwise hidden
emotions and moods.
Suitable for intermediate
standard pianists, Hahn's
Love Pieces and other
hitherto unpublished
Piano works provide
pleasant and evocative
short pieces,
incorporating a range of
expressions, rhythms and
other musical
features.&rdquo.
(Choral Highlights). Composed by Robert Lopez and Kristen Anderson-Lopez. Arra...(+)
(Choral Highlights).
Composed
by Robert Lopez and
Kristen
Anderson-Lopez. Arranged
by
Mac Huff. Disney Choral.
Collection, Disney,
Medley,
Movies, Musicals, Show
Choir,
Winter. Octavo. 44 pages.
Published by Hal Leonard
Organ solo SKU: CA.1820200 Composed by Various. Edited by Richard Mailand...(+)
Organ solo
SKU:
CA.1820200
Composed
by Various. Edited by
Richard Mailander. Hymns
by Martin Luther: Gelobet
seist du, Jesu Christ;
editions for the new
German catholic songbook
Gotteslob. Organ music
based on hymns, Advent,
Christmas. Collection. 80
pages. Carus Verlag #CV
18.202/00. Published by
Carus Verlag
(CA.1820200).
ISBN
9790007141714.
The
first volume of our new
series with music to the
hymnal Gotteslob
assembles 30 pieces for
Advent and Christmas,
previously unknown pieces
between baroque and
present times,
particularly convenient
for liturgical use. About
a third of the pieces was
composed specifically for
this edition. Most of the
songs are suitable for
ecumenical use.
Passions-Oratorium
. Composed by Johann
Christoph Friedrich Bach.
Edited by Ulrich
Leisinger. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Viola. Sacred vocal
music, Oratorios,
Passions, Lent and
Passiontide. Single Part,
Viola. BR JCFB D 1. 36
pages. Duration 135
minutes. Carus Verlag #CV
34.104/13. Published by
Carus Verlag
(CA.3410413).
ISBN
9790007212599. Language:
German.
An unknown
work from the so-called
Buckeburger Bach, which
at first was ascribed
unjustly to Carl Philipp
Emanuel Bach. The story
of the Suffering of the
Lord is examined from a
different perspective.
Pilgrims have undertaken
a journey to the Holy
Land and when they arrive
they are informed by a
hermit of the suffering
and death of Christ. An
additional figure, an
angel, lends this
representation of the
Passion a heightened form
for communicating the
importance of the
suffering of Christ..
Score and part available
separately - see item
CA.3410400.
Tenor Trombone and Piano - advanced SKU: CY.CC2494 Composed by Alexander ...(+)
Tenor Trombone and Piano
- advanced
SKU:
CY.CC2494
Composed by
Alexander Scriabin.
Arranged by Ralph Sauer.
Romantic Russian. Solo
part and piano score.
Published by Cherry
Classics (CY.CC2494).
Alexander
Scriabin's music has been
described as mystical,
lyrical and
idiosyncratic. He was a
most innovative and
controversial early
modern Russian composer.
His works were ignored
for many years until
recently and are now seen
as sincere expression(s)
of genius.
The Three
Etudes for Trombone and
Piano are early works of
Scriabin, originally
written for solo Piano.
They show lyricism,
passion, moodiness,
chromatic harmonies and
great expression.
Mr.
Sauer has once again
brought three wonderful
new works for advanced
performers who wish to
explore this area,
largely unknown to the
Trombone world. Those who
do will be richly
rewarded with the depth
of musicanship found in
these works.