Composed by Aaron Copland (1900-1990). Set of performance parts (parts only, score not included) for violin I, violin II, viola and cello. 25 pages. Published by Boosey and Hawkes.

Viola, Piano SKU: HU.HN785 Piano reduction. Composed by Max Bruch. Edited by Norbert Gertsch. Strings, Repertoire, Solos. Romance for Viola and Orchestra in F major Op. 85. Softcover Book. 24 pages. G. Henle #HN785. Published by G. Henle (HU.HN785). 12.2 x 9.2 x 0.1 inches.

Viola

SKU: ST.Y305

Arranged for viola. Composed by John Ireland. String music. Part. Stainer & Bell Ltd. #Y305. Published by Stainer & Bell Ltd. (ST.Y305).

ISBN 9790220223884.

Winn er of the 1909 Cobbett Chamber Music Competition, John Ireland's Sonata No. 1 in D minor was among his first significant instrumental works. It was published in 1911 and revised in 1917. Martin Outram has arranged the violin part of the work for viola, to be used with the piano score of the sonata in its original form for violin and piano, ref. 1981, in which a full account of the piece may be found.

Violin/Viola - Intermediate

SKU: CZ.9798870828015

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798870828015. Published by Children's Music Workshop (CZ.9798870828015).

The Christmas Duet Fun Book Series is the ultimate holiday music resource for young music students who want to enjoy the magic of Christmas through the joy of playing music! In this series, we've compiled a collection of duet books for flute, clarinet, saxophone, trumpet, french horn, trombone, violin, viola, and cello that are perfect for beginners and intermediate players. The music is easy to play, yet still engaging and fun, making it the perfect tool for music educators looking to introduce their students to the world of duet playing. The duet books can be mixed and matched, allowing for heterogeneous groupings of instruments, and the songs included in the series cover both traditional hymns and popular secular music. With a variety of classic and contemporary holiday tunes, players can have fun while developing their technique, intonation, and rhythm. The series is designed to inspire and motivate young musicians during the holiday season, as they work together to create beautiful music and memories that will last a lifetime. With the Christmas Duet Fun Books, young musicians can experience the joy of playing music with others and the magic of the holiday season. Whether it's for a school performance, family gathering, or just for fun, this series is the perfect choice for anyone who wants to celebrate the holiday season with music. Easy to play Christmas and Hanukkah duets for a festive holiday season include O' Come Little Children, Bring a Torch, Jeanette Isabella, Jolly Old St. Nick, O Come, O Come Emmanuel, Ding Dong Merrily on High, Silent Night, Jingle Bells, O Come All Ye Faithful, Angels We Have Heard on High, We Three Kings, Joy to the World, Hark, the Herald Angels Sing, Up On the Housetop, Toyland, O Holy Night, Away in a Manger, Go Tell It on the Mountain, The First Noel, I Have a Little Dreidel, Dreidel Turn, and The Hanukkah Song.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS184

Composed by Alan Lee Silva. Young String Orchestra (YAS). Set of Score and Parts. With Standard notation. 8+8+2+5+5+5+3+8 pages. Carl Fischer Music #YAS184. Published by Carl Fischer Music (CF.YAS184).

ISBN 9781491151495. UPC: 680160908998. 9 x 12 inches. Key: G major.

Alan Lee Silva's Northwestern Skies?is lyrical and fresh,? with his signature open and expressive style. Young string orchestras will sound rich and full with this sweeping composition.
 

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower strings carry the C theme in m. 49, supported by tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ;

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. MoreA instrtuments areA added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower stringsA carry the C theme in m. 49, supported byA tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The movingA legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in theA violas and then the violinsA over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ;

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. MoreA instrtuments areA added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower stringsA carry the C theme in m. 49, supported byA tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The movingA legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in theA violas and then the violinsA over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ;

From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33.

The lower strings carry the C theme in m. 49, supported by tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.

The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

.
  ; From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33. The lower strings carry the C theme in m. 49, supported by tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build. The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.
 From the opening fanfare to the final ensemble gesture, Northwestern Skies is an engaging musical journey with expressive ensemble phrases and challenging section features. The A theme at m. 9, a recurring heroic statement, provides an opportunity to develop solid tone production and intonation in sustained forte passages. The B theme at m. 17, enters quietly and features singing, legato lines and delicate accompaniment. The connected countermelodies in both the A and B sections should be balanced under the main melody. More instrtuments are added to the melody in m. 25, building to the return of the A theme in m. 33.The lower strings carry the C theme in m. 49, supported by  tutti figures in the upper strings. All sections come together in m. 56 to a ritardando into the Maestoso section, setting up a grand ensemble statement in m. 57-58. The moving legatolines at m. 59 and the aggressive figures at m. 61 propel the piece to its final build.The Coda section at m. 65 begins with a variation of the B melody in the violas and then the violins over a dominant pedal point in the lower strings. Commanding tutti statements of the A theme at m. 69 end the piece with power and excitement.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

(Suite for Violin (doubling Viola) and Piano). By Jake Heggie. For violin and piano. This edition: saddle stitch. Score and part. 48/12 pages. Published by Bill Holab Music

Violin

SKU: AP.6-428532

Composed by Sheila M. Nelson. Reference Textbooks; Technique Musicianship; Textbook - Instrumental. Dover Edition. Book. Dover Publications #06-428532. Published by Dover Publications (AP.6-428532).

ISBN 9780486428536. English.

A comprehensive view of the violin and viola, detailing their historical development and changing structure; contributions of the legendary Cremona school of makers and of Stradivarius; techniques and improvements advocated by legendary teachers; the great schools of players, from Corelli to Paganini; and the demands imposed by the growth of the nineteenth-century orchestra. Also included: teaching and acoustics, covering scientific properties of the vibrating string, the harmonic series, tone color, intonation, and much more. Includes music examples, diagrams, and 24 plates. Introduction to the Dover edition by the author. Unabridged republication of The Violin and Viola, originally published in 1972 by Ernest Benn, London, and W. W. Norton, New York.

(Revised Edition Piano, Clarinet (Violin) and Viola Score and Parts). By Wolfgang Amadeus Mozart (1756-1791). Edited by Ernst Herttrich. For piano, clarinet (violin) and viola. Henle Music Folios. Urtext edition. Softcover. 52 pages

(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel Lish. String quartet. For 2 Violins, Viola and Cello. Quartets. Baroque. Advanced. Set of 4 parts. Published by Middle Fiddle Music

Position 1-3 with optional second part for viola. By Jonathan Shipley. Fentone Play Along Books. Size 9x12 inches. 36 pages. Published by Fentone Music.

For String Orchestra and Solo Viola. Composed by Friedrich Seitz. Arranged by Doris Preucil. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra; Suzuki. Solo with Orchestra Series. Form: Concerto. 20th Century; Masterwork Arrangement; Romantic. Part(s); Score. Alfred Music #00-24800. Published by Alfred Music

Violin SKU: HU.F0571524427 Composed by Mary Cohen. Strings, Methods. Superstart Violin. Softcover Book and CD. 48 pages. Faber Music #F0571524427. Published by Faber Music

Composed by Cindy Moyer. Strings Methods. Secular. Published by Galaxy Music Corporation

By Deborah Baker Monday. For string orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer

Arranged by Deborah Greenblatt. String Quartet. For violin 1, violin 2, viola, cello. This edition: spiral-bound. Tunebook. 26 pages (violin 1), 26 pages (violin 2), 26 pages (viola), 26 pages (cello). Published by Greenblatt & Seay