Composed by Aaron Copland (1900-1990). Set of performance parts (parts only, sco...(+)
Composed by Aaron Copland
(1900-1990). Set of
performance parts (parts
only, score not included)
for violin I, violin II,
viola and cello. 25
pages. Published by
Boosey and Hawkes.
Viola, Piano SKU: HU.HN785 Piano reduction. Composed by Max Bruch. Edited by No...(+)
Viola, Piano
SKU: HU.HN785
Piano reduction. Composed
by Max Bruch. Edited by
Norbert Gertsch. Strings,
Repertoire, Solos.
Romance for Viola and
Orchestra in F major Op.
85. Softcover Book. 24
pages. G. Henle #HN785.
Published by G. Henle
(HU.HN785).
12.2 x 9.2 x 0.1 inches.
Viola SKU: ST.Y305 Arranged for viola. Composed by John Ireland. S...(+)
Viola
SKU: ST.Y305
Arranged for
viola. Composed by
John Ireland. String
music. Part. Stainer &
Bell Ltd. #Y305.
Published by Stainer &
Bell Ltd. (ST.Y305).
ISBN
9790220223884.
Winn
er of the 1909 Cobbett
Chamber Music
Competition, John
Ireland's Sonata No. 1 in
D minor was among his
first significant
instrumental works. It
was published in 1911 and
revised in 1917. Martin
Outram has arranged the
violin part of the work
for viola, to be used
with the piano score of
the sonata in its
original form for violin
and piano, ref. 1981, in
which a full account of
the piece may be
found.
Violin/Viola - Intermediate SKU: CZ.9798870828015 Composed by Various. Ed...(+)
Violin/Viola -
Intermediate
SKU:
CZ.9798870828015
Composed by Various.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798870828015.
Published by Children's
Music Workshop
(CZ.9798870828015).
The Christmas
Duet Fun Book
Series is the ultimate
holiday music resource
for young music students
who want to enjoy the
magic of Christmas
through the joy of
playing music! In this
series, we've compiled a
collection of duet books
for flute, clarinet,
saxophone, trumpet,
french horn, trombone,
violin, viola, and cello
that are perfect for
beginners and
intermediate players. The
music is easy to play,
yet still engaging and
fun, making it the
perfect tool for music
educators looking to
introduce their students
to the world of duet
playing. The duet books
can be mixed and matched,
allowing for
heterogeneous groupings
of instruments, and the
songs included in the
series cover both
traditional hymns and
popular secular music.
With a variety of classic
and contemporary holiday
tunes, players can have
fun while developing
their technique,
intonation, and rhythm.
The series is designed to
inspire and motivate
young musicians during
the holiday season, as
they work together to
create beautiful music
and memories that will
last a lifetime. With the
Christmas Duet Fun Books,
young musicians can
experience the joy of
playing music with others
and the magic of the
holiday season. Whether
it's for a school
performance, family
gathering, or just for
fun, this series is the
perfect choice for anyone
who wants to celebrate
the holiday season with
music. Easy to play
Christmas and Hanukkah
duets for a festive
holiday season include O'
Come Little Children,
Bring a Torch, Jeanette
Isabella, Jolly Old St.
Nick, O Come, O Come
Emmanuel, Ding Dong
Merrily on High, Silent
Night, Jingle Bells, O
Come All Ye Faithful,
Angels We Have Heard on
High, We Three Kings, Joy
to the World, Hark, the
Herald Angels Sing, Up On
the Housetop, Toyland, O
Holy Night, Away in a
Manger, Go Tell It on the
Mountain, The First Noel,
I Have a Little Dreidel,
Dreidel Turn, and The
Hanukkah Song.
Composed by Alan Lee
Silva. Young String
Orchestra (YAS). Set of
Score and Parts. With
Standard notation.
8+8+2+5+5+5+3+8 pages.
Carl Fischer Music
#YAS184. Published by
Carl Fischer Music
(CF.YAS184).
ISBN
9781491151495. UPC:
680160908998. 9 x 12
inches. Key: G
major.
Alan Lee
Silva's Northwestern
Skies?is lyrical and
fresh,? with his
signature open and
expressive style. Young
string orchestras will
sound rich and full with
this sweeping
composition.
From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. MoreA
instrtuments areA added
to the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
stringsA carry the C
theme in m. 49, supported
byA tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The movingA
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in theA violas and then
the violinsA over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
;
From the
opening fanfare to the
final ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33.
The lower
strings carry the C theme
in m. 49, supported by
tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build.
The Coda section
at m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
.  
; From the opening
fanfare to the final
ensemble gesture,
Northwestern Skies is an
engaging musical journey
with expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody. More
instrtuments are added to
the melody in m. 25,
building to the return of
the A theme in m. 33. The
lower strings carry the C
theme in m. 49, supported
by tutti figures in the
upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The moving
legatolines at m. 59 and
the aggressive figures at
m. 61 propel the piece to
its final build. The Coda
section at m. 65 begins
with a variation of the B
melody in the violas and
then the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement. Â From
the opening fanfare to
the final ensemble
gesture, Northwestern
Skies is an engaging
musical journey with
expressive ensemble
phrases and challenging
section features. The A
theme at m. 9, a
recurring heroic
statement, provides an
opportunity to develop
solid tone production and
intonation in sustained
forte passages. The B
theme at m. 17, enters
quietly and features
singing, legato lines and
delicate accompaniment.
The connected
countermelodies in both
the A and B sections
should be balanced under
the main melody.
More instrtuments
are added to the
melody in m. 25, building
to the return of the A
theme in m. 33.The lower
strings carry the C
theme in m. 49, supported
by tutti figures in
the upper strings. All
sections come together in
m. 56 to a ritardando
into the Maestoso
section, setting up a
grand ensemble statement
in m. 57-58. The
moving legatolines at
m. 59 and the aggressive
figures at m. 61 propel
the piece to its final
build.The Coda section at
m. 65 begins with a
variation of the B melody
in the violas and then
the violins over a
dominant pedal point in
the lower strings.
Commanding tutti
statements of the A theme
at m. 69 end the piece
with power and
excitement.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
(Suite for Violin (doubling Viola) and Piano). By Jake Heggie. For violin and pi...(+)
(Suite for Violin
(doubling Viola) and
Piano). By Jake Heggie.
For violin and piano.
This edition: saddle
stitch. Score and part.
48/12 pages. Published by
Bill Holab Music
Violin SKU: AP.6-428532 Composed by Sheila M. Nelson. Reference Textbooks...(+)
Violin
SKU:
AP.6-428532
Composed
by Sheila M. Nelson.
Reference Textbooks;
Technique Musicianship;
Textbook - Instrumental.
Dover Edition. Book.
Dover Publications
#06-428532. Published by
Dover Publications
(AP.6-428532).
ISBN
9780486428536.
English.
A
comprehensive view of the
violin and viola,
detailing their
historical development
and changing structure;
contributions of the
legendary Cremona school
of makers and of
Stradivarius; techniques
and improvements
advocated by legendary
teachers; the great
schools of players, from
Corelli to Paganini; and
the demands imposed by
the growth of the
nineteenth-century
orchestra. Also included:
teaching and acoustics,
covering scientific
properties of the
vibrating string, the
harmonic series, tone
color, intonation, and
much more. Includes music
examples, diagrams, and
24 plates. Introduction
to the Dover edition by
the author. Unabridged
republication of The
Violin and Viola,
originally published in
1972 by Ernest Benn,
London, and W. W. Norton,
New York.
(Revised Edition Piano, Clarinet (Violin) and Viola Score and Parts). By Wolfgan...(+)
(Revised Edition Piano,
Clarinet (Violin) and
Viola Score and Parts).
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Ernst
Herttrich. For piano,
clarinet (violin) and
viola. Henle Music
Folios. Urtext edition.
Softcover. 52 pages
(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel ...(+)
(23 Arrangements of Gems
from the Baroque Period).
By Various. Arranged by
Joel Lish. String
quartet. For 2 Violins,
Viola and Cello.
Quartets. Baroque.
Advanced. Set of 4 parts.
Published by Middle
Fiddle Music
Position 1-3 with optional second part for viola. By Jonathan Shipley. Fentone P...(+)
Position 1-3 with
optional second part for
viola. By Jonathan
Shipley. Fentone Play
Along Books. Size 9x12
inches. 36 pages.
Published by Fentone
Music.
For String Orchestra and Solo Viola. Composed by Friedrich Seitz. Arranged by Do...(+)
For String Orchestra and
Solo Viola. Composed by
Friedrich Seitz. Arranged
by Doris Preucil.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra;
Suzuki. Solo with
Orchestra Series. Form:
Concerto. 20th Century;
Masterwork Arrangement;
Romantic. Part(s); Score.
Alfred Music #00-24800.
Published by Alfred Music
Violin SKU: HU.F0571524427 Composed by Mary Cohen. Strings, Methods. Superstart...(+)
Violin
SKU: HU.F0571524427
Composed by Mary Cohen.
Strings, Methods.
Superstart Violin.
Softcover Book and CD. 48
pages. Faber Music
#F0571524427. Published
by Faber Music