By Lawrance. For Trumpet/Trombone/Euphoniu m. Solo Brass. Sheet Music and CD. Published by Brass Wind Publications

Arranged by Lawrance. For Trombone. Solo Brass. Very easy-easy. Book and CD. Published by Brass Wind Publications

Arranged by Lawrance. For Trombone unaccompanied. Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications

Arranged by Lawrance. For Tuba unaccompanied. Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications

Arranged by Lawrance. For Treble Clef Brass unaccompanied (Trumpet/Trombone/Euphoni um/Tuba/Eb Bass/Horn F/Horn Eb). Solo Brass. Very easy-easy. Collection. Published by Brass Wind Publications

Arranged by Lawrance. Solo Brass. Book and CD. Published by Brass Wind Publications (B5.0123BCD).

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720812

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Violin 2. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/12. Published by Carus Verlag (CA.3720812).

ISBN 9790007214647. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720819

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Set of Orchestra Parts. HoWV II.9. Duration 18 minutes. Carus Verlag #CV 37.208/19. Published by Carus Verlag (CA.3720819).

ISBN 9790007137014. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and parts available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720809

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. 1x 37.208/21 oboe 1, 1x 37.208/22 oboe 2, 1x 37.208/31 horn 1, 1x 37.208/32 horn 2, 1x 37.208/33 trumpet 1, 1x 37.208/34 trumpet 1, 1x 37.208/35 trumpet 3, 1x 37.208/41 timpani. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Set of Orchestra Parts. HoWV II.9. 28 pages. Duration 18 minutes. Carus Verlag #CV 37.208/09. Published by Carus Verlag (CA.3720809).

ISBN 9790007214623. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and parts available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720813

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Viola. HoWV II.9. 8 pages. Duration 18 minutes. Carus Verlag #CV 37.208/13. Published by Carus Verlag (CA.3720813).

ISBN 9790007214654. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720805

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Choral Score. HoWV II.9. Duration 18 minutes. Carus Verlag #CV 37.208/05. Published by Carus Verlag (CA.3720805).

ISBN 9790007131784. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720849

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Organ. Composed 1765. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/49. Published by Carus Verlag (CA.3720849).

ISBN 9790007214678. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720814

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Cello/Double Bass. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/14. Published by Carus Verlag (CA.3720814).

ISBN 9790007214661. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720800

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. This edition: Paperbound. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Full score. HoWV II.9. Duration 18 minutes. Carus Verlag #CV 37.208/00. Published by Carus Verlag (CA.3720800).

ISBN 9790007095734. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown.

SATB vocal soli, SATB choir, 2 horns, 3 trumpets, timpani, 2 oboes, 2 violin, viola, basso continuo

SKU: CA.3720811

Kantate zum 1. Weihnachtsfesttag. Composed by Gottfried August Homilius. Edited by Uwe Wolf. German title: Ein Hoher Tag Kommt (Kantate). Sacred vocal music, Christmas. Single Part, Violin 1. HoWV II.9. 12 pages. Duration 18 minutes. Carus Verlag #CV 37.208/11. Published by Carus Verlag (CA.3720811).

ISBN 9790007214630. Language: German.

The cantata Ein hoher Tag kommt, composed for Christmas Day, cannot be precisely dated (as is the case with most of Homilius's cantatas), but most certainely it can be assigned to his tenure as Kreuzkantor in Dresden (1755-1785). The author of the cantata text is unknown. Score and part available separately - see item CA.3720800.

Orchestra

SKU: BR.SON-627

Ouverture JS 145, Baletscen JS 163. Composed by Jean Sibelius. Edited by Tuija Wicklund. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 196 pages. Breitkopf and Haertel #SON 627. Published by Breitkopf and Haertel (BR.SON-627).

ISBN 9790004803295. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Orchestra

SKU: BR.SON-625

Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625).

ISBN 9790004803271. 10 x 12.5 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

Piano Quintet

SKU: BR.SON-637

Composed by Jean Sibelius. Edited by Anna Pulkkis. Chamber music. Complete Works. Late-romantic; Early modern. Complete Works. Breitkopf and Haertel #SON 637. Published by Breitkopf and Haertel (BR.SON-637).

ISBN 9790004803929. 9 x 12 inches.

In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.

By James Bastien. Bastien Piano. Bastien Piano Library. Level: Level 2. Music Book. Published by Neil A. Kjos Music Company.

SKU: WD.080689815720

Composed by Marty Parks. Choral, cantatas. Bulk CD (10-pak). Word Music #080689815720. Published by Word Music (WD.080689815720).

UPC: 080689815720.

SKU: WD.080689752025

Composed by Marty Parks. Choral, cantatas. Practice trax. Word Music #080689752025. Published by Word Music (WD.080689752025).

UPC: 080689752025.

A Ceremony of Song. Arranged by John Leavitt. Brookfield Choral Series. Thanksgiving, Collection, Cantata, Sacred, Hymns, General Worship. Softcover. 40 pages. Published by Brookfield Press (HL.226452).

Te Deum by Marc-Antoine Charpentier (1645-1704). Choir Sacred. Choral (Sacred); Choral Worship Cantata; Larger Works; Score; Worship Resources. Faber Edition. Baroque; Masterwork; Sacred. Published by Faber Music

SKU: WD.080689941221

Composed by Marty Parks. Choral, cantatas. Christmas. Listening CD. Word Music #080689941221. Published by Word Music (WD.080689941221).

UPC: 080689941221.

(The Christmas Story Through Timeless Carols). By Larry Shackley. For SATB choir, piano (with optional instrumental accompaniment). Cantatas. Christmas, Sacred. Choral score with performance CD. Published by Lorenz Publishing Company

By Larry Shackley. For SAB choir and piano. Christmas, Sacred. Cantata. Published by Lorenz Publishing Company. (65/2003L)