21 Pieces for Viola Players Viola and Piano with Online Audio. Composed by Katherine and Hugh Colledge. Boosey and Hawkes Chamber Music. Children, Classical, Educational, Recital. Softcover Audio Online. 60 pages. Boosey and Hawkes #M060135460. Published by Boosey and Hawkes

Composed by Arvo Part (1935-). Full score (study). With Standard notation. Composed 1978. Duration 10 minutes. Universal Edition #UE31257. Published by Universal Edition

O Mensch, bewein' dein' Sunde gross / Lascia ch'io pianga. Composed by Toshio Hosokawa (1955-). Arranged by Toshio Hosokawa. This edition: Saddle stitching. Sheet music. String. Softcover. 18 pages. Duration 11'. Schott Music #SJ1165. Published by Schott Music

Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da Costa. For viola and piano. This edition: urtext edition. Paperback. Level 3. Score with parts. Opus 120. Published by Baerenreiter Verlag

Viola & Piano or CD Play Back / Play Along - Grade 2

SKU: MA.EMR-49900

Composed by Bertrand Moren. Viola & CD Playback (Play Along). Score and parts. Duration 19'31. Editions Marc Reift #EMR 49900. Published by Editions Marc Reift (MA.EMR-49900).

1. Once Upon A Time In A Wonderful Kingdom / 2. Celtic Variations / 3. Caribbean Adventure / 4. Ancient Dances / 5. A Fairy Tale.

Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE32624. Published by Universal Edition

Score and Parts Clarinet; Piano; Viola (Score & Parts)

SKU: HL.49045889

Five pieces in fairy-tale style for Clarinet, Viola and Piano Score and Parts. Composed by Joerg Widmann. Ensemble. Classical. Softcover. 120 pages. Duration 1740 seconds. Schott Music #ED22487. Published by Schott Music (HL.49045889).

9.0x12.0x0.33 inches.

As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like'Once upon a time...'and'...they all lived happily ever after'. Fairy tales were however also a source of unrest for me as a seismograph of mankinds underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann's Marchenerzahlungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work - despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal (Once upon a time...)to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jorg Widmann.

Viola and Piano

SKU: BT.YE0009

For Violone. Composed by Giovannino. Classical. Book Only. Yorke Edition #YE0009. Published by Yorke Edition (BT.YE0009).

Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e.unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period, some of which are dated 1698.

The sonatasare both inscribed on the title page Sonata Violone Solo. Col Basso per l'Organo, o Cembalo. A third sonata bears the words Sonata Violino e Violoncino â?¦ di Giovannino del Violone. Giovannino (=Little, or Young John)musthave been a performer, and although the third sonata has been copied by a different hand, it is conceivable that Giovannino is a connecting link between the three. He cannot, however, be assumed to be theirauthor.

The Violone was a six-stringed instrument with frets, and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone, orVioloncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family, which means that the sonatas might well have been written for a tenor or a bass Viol, and notnecessarily a Violone as such. Indeed, when they are played on a Violone, or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument, to prevent inversion of the intended harmony. (The use ofa Violone/Double Bass continuo or 16' organ tone would overcome this problem.)

The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether aViolone player, owing to the very nature of his instrument, would have used any but the simplest melodic decorations. Nevertheless, the performer should acquaint himself thoroughly with those seventeenth century traditions thatare known today (see Dart.

Viola and piano

SKU: M7.SAE-22-07

Composed by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 22-07. Published by SonArt Edition (M7.SAE-22-07).

ISBN 9790707651674.

This is a unique improvisation for violin and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Piano; Viola - very easy to easy

SKU: HL.49002732

Viola and Piano. Composed by Robert Valentine. Edited by Freda Dinn. Arranged by Freda Dinn. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, Contemporary. 10 pages. Schott Music #ED11263. Published by Schott Music (HL.49002732).

ISBN 9790220109201. UPC: 073999346145. 9.0x12.0x0.057 inches.

The edition is part of the Trinity syllabus 2007 (grade 2).

(piano accompaniments and viola duet parts). By Mary Cohen and Robert Spearing. For Viola and Piano. This edition: Piano Accompaniment and Viola Duet Parts. Method/Instruction; Part(s); String - Viola Studies or Collection. Faber Edition: Superstart. Elementary. Published by Faber Music

From the Paris Conservatoire repertoire. Composed by Various. Edited by Jutta Puchhammer-Sedillot. This edition: Saddle stitching. Sheet music. String. Recital, Classical. Score and part, Softcover. Composed 1896-1938. 22254. 88 pages. Schott Music #ED22254. Published by Schott Music (HL.49045367).

By Glanville-Hicks. For viola, piano. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Duration ca.21'. Published by C.F. Peters.

Viola and piano (Viola With Piano Accompaniment) - advanced

SKU: HL.49046384

Composed by Naji Hakim. This edition: Saddle stitching. Sheet music. String Solo. Diese in Liedform geschriebene Fantasie entwickelt eine ausdrucksstarke Melodie in es-Moll. Ihr charakteristischer jambischer Rhythmus kundigt sich in den ersten Takten der ostinaten Klavierbegleitung an. Softcover. Duration 420 seconds. Schott Music #VAB98. Published by Schott Music (HL.49046384).

ISBN 9781540086471. UPC: 842819108283. 9.0x12.0x0.079 inches.

This fantasy in song form, develops an expressive melody in Eb minor. Its characteristic iambic rhythm is announced in the initial bars of the ostinato piano accompaniment. The central section contrasts by its diversified themes and its tonal mobility. A tight recapitulation in the treble register is dramatically interrupted before the coda. Collected and harmonically dense, the last bars resound like a last breath, tone painting the 'in manus tuas domine commendo spiritum meum' (Ps. 31,6).

(Transcription of Violin Sonata No. 2 for Viola and Piano). By John Ireland (1879-1962). Edited by John White. Arranged by Lionel Tertis. For Viola, Piano Accompaniment. Boosey & Hawkes Chamber Music. Softcover. 74 pages. Boosey & Hawkes #M060124501. Published by Boosey & Hawkes

Viola and piano (VA/PF) - easy

SKU: HL.49008137

Composed by Alexander Gretchaninoff. Edited by Sabine Stegmueller. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 26 pages. Schott Music #ED 8757. Published by Schott Music (HL.49008137).

ISBN 9790001121668. 9.25x12.0x0.101 inches.

A collection of 10 short attractive pieces. Morning Walk * Homesickness * Joker * At Dawn * Little Horseman * On a Winter's Evening * Burlesque * In the Fortress * Cop and Robber * Waltz.

(Viola and Piano with a CD of Performance and Play-Along Tracks). By Kurt Weill (1900-1950). Arranged by Martin Reiter. For Viola, Piano Accompaniment. String Solo. Book with CD. Universal Edition #UE34325. Published by Universal Edition

Viola - Grade 1

SKU: RM.BAST04117

Composed by Jean Francois Basteau. Alto and piano. Instrumental music. Duration 2 minutes, 31 seconds. Editions Robert Martin #BAST04117. Published by Editions Robert Martin (RM.BAST04117).

ISBN 9790231041170.

Viola - Grade 1

SKU: RM.NAUL04438

Composed by Jerome Naulais. Alto and piano. Instrumental music. Editions Robert Martin #NAUL04438. Published by Editions Robert Martin (RM.NAUL04438).

ISBN 9790231044386.

Viola - Grade 1

SKU: RM.TANA04379

Composed by Tanaka. Alto and piano. Instrumental music. Duration 3 minutes, 20 seconds. Editions Robert Martin #TANA04379. Published by Editions Robert Martin (RM.TANA04379).

ISBN 9790231043792.

15 concert pieces for viola and piano. Composed by Kathy and David Blackwell. Viola Time. 72 pages. Oxford University Press #9780193513297. Published by Oxford University Press (OU.9780193513297).

15 concert pieces for viola and piano. Composed by Kathy and David Blackwell. Viola Time. 96 pages. Oxford University Press #9780193513303. Published by Oxford University Press (OU.9780193513303).