Grab your top hat and celebrate the music of Irving Berlin with this toe-tapping 4-minute medley. / Voix Mixtes

Les arrangements pour choeur mixte réalisés par David Brunner, Irving Fine, Glenn Koponen, Gregory Rose et R. Wilding-White des chansons d'Aaron Copland sont réunis ici pour la première fois ici. Le volume contient également les notes figurant dans chacun / Choeur Mixte (SATB) Et Piano / 100 pages / Partition

The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano

Par L'ESTRANGE ALEXANDER. ***Winner of Best Classical Music Education Initiative 2018 at the Music Teacher Awards for Excellence*** Wassail! Carols of Comfort and Joy is a sequence of 12 uplifting folk-inspired Christmas songs, exploring both sacred and secular aspects of the festive season. Including such favourites as The Sussex Carol, Gaudete and The holly and the ivy, Wassail! continues the highly popular series by Alexander L’Estrange of 40-minute choral works for SATB, unison children’s choir and jazz quintet. This vocal score is arranged with a piano reduction part. / Choral Music / Répertoire / Voix D'Enfants, Voix Mixtes et Piano

All I Ask Of You is the love song that triggers the Phantom of The Opera's jealous campaign of retribution in Andrew Lloyd Webber's legendary musical - Cliff Richard and Sarah Brightman took it for a spin in 1986 and had a hit single. Big Spender became even more popular than the 1966 musical from which it came - 'Sweet Charity' - and Shirley Bassey did much to popularise it later. Written specifically for Colm Wilkinson, Bring Him Home is the emotional song from Act II of Les Misérables while I Have A Dream is a no less emotional Abba number that is included in the record-breaking stage musical Mamma Mia. Last Night Of The World is the haunting dance hall song from Miss Saigon that marks the fateful promise made by the US airman to take Kim with him when he leaves Vietnam. This volume in the Novello Choral Pops collection contains all five of these musical theatre favourites, arranged for SATB Choir with Piano accompaniment. / Choeur Mixte (SATB) Et Piano

Description This delightful collection of 99 rounds, canons and partsongs makes a great introduction to part-singing for groups of all ages. The wide-ranging selections are arranged by categories including English Pre-1700 (Secular), Pre-1700 (Sacred), Post-1700, From Around The World and Wordless Rounds. Compiled by the internationally renowned King's Singers. Songlist A Round Of Three Country Dances In One Adieu, Sweet Amarillis Ah, Poor Bird Ah, Robyn, Gentil Robyn All Things Shall Perish Alleluia Alleluya Ave Maria Benedictus Blow Thou Horne, Thou Jolly Hunter Christe, Der Du Bist Tang Und Licht Christmas Is Coming Coffee Canon Come Follow Come Let Us All A-maying Go Dame, Lend Me A Loaf De Terra Christus Ascendit Dona Nobis Pacem Fie, Nay, Prithee, John Flow, O My Tears Follow Me Quickly French Cathedrals Freu Duch Des Lebens Friends, Forget The Cares Happy Be Thou, Heavenly Queen Hark! The Bonny Christchurch Bells Ring Hava Na Shira He That Will An Ale House Keep Hey Down A Down Hey Ho, Anybody Home Hey Ho, To The Greenwood Hotaru Koi I Gave Her Cakes And I Gave Her Ale I Goe Before My Darling I Will Not Plead If Turn'd Topsy Turvy Jack Boy, Ho Boy Newis Jesu, Rex Admirabilis Joan, Come Kiss Me Now Jolly Shepherd Jubilate Deo Kukurika Lady, Come Down And See Me Little Jack Horner Lo Yisa Goi Mi Gallo Musing My Dame Hath A Lame, Tame Crane New Oysters Non Nobis, Domine Now God Be With Old Simeon Now, Robin Lend To Me Thy Bow O Lord, Turne Not Away Thy Face Oaken Leaves Oh Praise The Lord Once, Twice, Thrice One, Two, Three, Our Number Is Right Perche Vezzosi Rai Round (Beethoven) Round (Demantius) Round (Haydn) Round (Perti) Round (Schubert) Round (Telemann) Round [Salieri] Round 1 (Caldara) Round 1 (Mozart) Round 2 (Caldara) Round 2 (Mozart) Round 3 (Caldara) Shalom Chaverim Since Time So Kind Sing We Now Merrily Sing With Thy Mouth Sing You Now After Me Summer Is A-coming In Swiftly Flowing Labe Tallis' Canon Tan Ta Ra Ran Tan Tant The Little Bells Of Westminster The New Day The Owl And The Cuckoo The Silver Swan There Is A Flower There Was An Old Man 'tis Thus, Thus And Thus To Portsmouth Turn Again, Whittington Under This Stone Viva La Musica Wake Up Canon Welcome, Welcome, Ev'ry Guest Well Rung, Tom Boy When Jesus Wept White Coral Bells White Sand And Grey Sand Who'll Buy My Roses

' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this instance I felt their presence as a fellowship and, having their music in my head while writing, I was encouraged rather than daunted. In fact, if you listen with this in mind, you may hear a phrase or two in homage to the great masters.' - John Duggan An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Born in 1963, John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy, he dreamed of writing in the great European choral tradition of Victoria, Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States, and he composes regularly for film and dance. He has composed for a number of choirs including Commotio, Westminster Cathedral Choir, the Hildegard Choir and Sospiri, and has written commissions for the Edington Music Festival, Crossover Intergenerational Dance Group, Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College, Oxford. / Choeur SATB

Carrington Simon (Editor). Par CARRINGTON SIMON. Ce volume regroupe une sélection de chansons folkloriques des îles britanniques, tous en mixte des arrangements de voix et commandée par les chanteurs de rois eux-mêmes. Comprend des chansons comme 'Bobby Shaftoe', ' Londonderry Air ' et ' Elle déménage à travers la foire '. / Date parution : 1995-07-19/ Recueil / Voix Mixtes

This four movement Missa Brevis is full of multicultural influences with deep roots in the dance. Drawing from Bulgarian rhythm and melodic, Turkish finger cymbals, mandolin figures of bluegrass waltzes, plainsong chant and the Peking Opera this is a fresh and exciting look at a traditional musical form. / Choeur Mixte (SATB) Et Instruments Divers

Par JOLLIFFE EDMUND. For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and Piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shifting yet unexpected harmonic effects. Immediately appealing, this music will reach out to a range of listeners, both regular worshippers and those for whom occasional church attendance is an opportunity for quiet reflection in words and music. For parish choirs Edmund Jolliffe offers a fine post-communion anthem in a much-loved idiom of Anglican liturgical music. The resources are straightforward: SATB choir without divisions, and Piano. The effects however are subtle. The music builds steadily through broadly phrased paragraphs that balance individual lines within the choral ensemble, in a landscape of gently shifting yet unexpected harmonic effects. Immediately appealing, this music will reach out to a range of listeners, both regular worshippers and those for whom occasional church attendance is an opportunity for quiet reflection in words and music./ Feuillet / SATB et Piano

This selection of Five English Folksongs includes favourite Scarborough Fair alongside others arranged by Daryl Runswick for unaccompanied SATB choir.  The Choral Programme Series is a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles. Also offering great value for money as each volume in the series provides up to forty minutes of music.    / Choral Music / Recueil / Voix Mixtes SATB

Un autre joyau de Stephen Hatfield célébrant la tradition et l'ascendance de Terre-Neuve. / Choeur Mixte (SATB) Et Piano

The 'Hallelujah' Chorus, arguably the most famous choral work of the western classical tradition, is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word setting that this empathic, triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected, remaining a firm favourite with choirs. The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event, held in aid of local causes, and in order to get the maximum attendance at Neale's new music hall in Fishamble Street, men were asked to remove their swords, and ladies the hoops in their dresses. The tradition of standing during performances of the 'Hallelujah' Chorus, still indulged at some performances in Britains, is said to have been started by King George II at the work's opening run in London in 1743. / SATB Et Orgue