Vocal, Duet, Solo SATB
choir; orchestra; vocal
solo/duet
SKU:
HP.8708
Composed by
Sydney Carter. Arranged
by Don Hart. Piano
Accompaniment with
Optional Orchestra. Vocal
Solo Sheet Music Series.
Hymntune, Holy Week,
Easter Sunday, Kingdom,
Sacred. Vocal score. Hope
Publishing Company #8708.
Published by Hope
Publishing Company
(HP.8708).
UPC:
763628187088. Matthew
11:16, Matthew 11:17,
Matthew 11:18, Matthew
11:19, Ecclesiastes 3:4,
Mark 1:19, Matthew
4:21.
Composed by
Jay Althouse. General
Worship, Assurance,
Children, Christ's
Presence, Comfort,
Devotion, Guidance,
Promise, Sacred. Vocal
score. Hope Publishing
Company #8690. Published
by Hope Publishing
Company (HP.8690).
UPC: 763628186906.
Romans 12:12, Matthew
15:21, Matthew 15:22,
Matthew 15:23, Matthew
15:24, Matthew 15:25,
Matthew 15:26, Matthew
15:27, Matthew
15:28.
Original
anthem This Jay
Althouse original is one
of the all-time
top-sellers in the Hope
catalog; available in
SATB, SAB, two-part mixed
or treble choir, and now
a new setting for men's
voices. Accompaniment can
be provided by keyboard
or by the separate 3-5
octave handbell setting.
The bell setting also
works wonderfully as a
stand alone handbell
piece.
Composed by
Jay Althouse. General
Worship, Assurance,
Children, Christ's
Presence, Comfort,
Devotion, Guidance,
Promise, Sacred. Vocal
score. Hope Publishing
Company #8710. Published
by Hope Publishing
Company (HP.8710).
UPC: 763628187101.
Romans 12:12, Matthew
15:21, Matthew 15:22,
Matthew 15:23, Matthew
15:24, Matthew 15:25,
Matthew 15:26, Matthew
15:27, Matthew
15:28.
Original
anthem This Jay
Althouse original is one
of the all-time
top-sellers in the Hope
catalog; available in
SATB, SAB, two-part mixed
or treble choir, and now
a new setting for men's
voices. Accompaniment can
be provided by keyboard
or by the separate 3-5
octave handbell setting.
The bell setting also
works wonderfully as a
stand alone handbell
piece.
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged b...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Alfred Dorffel.
Arranged by August Horn.
Choir and piano. For Solo
voices, SATB Choir,
Piano. This edition:
Paperback. Oratorio
(complete),
Transcriptions, Original
Works, Choral. Romantic
Period; Sacr. Large Vocal
Score. Romantic Period;
Sacred/Hymns, German.
SATB choir, organ and optional trumpet - Easy/Medium SKU: PL.0602 Compose...(+)
SATB choir, organ and
optional trumpet -
Easy/Medium
SKU:
PL.0602
Composed by
Robert Lau. Parish.
Choral, Festival. Octavo.
Paraclete Press #0602.
Published by Paraclete
Press (PL.0602).
* verse anthem
for Palm Sunday that
captures the majesty of
the day through
fanfare-like organ
accompaniment and
uplifting metrical
shifts, and the modal
character of the vocal
line * ABA form: Dr. Lau
uses variation between
unison singing, duetting,
and simple, direct
harmonic writing *
soprano descant for the
final verse written with
vocal sensitivity and
overarching musical line
shape * doubling the
trumpet part in either
the organ accompaniment
or soprano line, Dr. Lau
makes this anthem a
practical, uplifting for
Palm Sunday or Christ the
King offertory, and a
joyful anthem of praise
for other occasions.
SATB chorus and organ (or piano duet) SKU: OU.9780193511460 Composed by W...(+)
SATB chorus and organ (or
piano duet)
SKU:
OU.9780193511460
Composed by William
Mathias. Sacred choral -
mixed voices. Vocal
score. 4 pages. Oxford
University Press
#9780193511460. Published
by Oxford University
Press (OU.9780193511460).
Choral (SATB) SKU: HL.14020971 Composed by Sir Peter Maxwell Davies. Musi...(+)
Choral (SATB)
SKU:
HL.14020971
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical,
General Worship, Sacred.
Choral Score. Composed
1999. 8 pages. Chester
Music #CH59881. Published
by Chester Music
(HL.14020971).
ISBN
9780711928756.
6.75x9.75x0.039
inches.
This work
was commissioned for the
choir of St. Paul's Old
Church, Edinburgh, who
gave the first
performance on the 11th
of June 1989 at St.
Giles' Church, Edinburgh,
conducted by Leslie
Shankland. This is a
setting in Scots of the
passage in the Apocalypse
where St. John hears a
voice from the throne,
that voice appearing here
as soprano-alto duets
from a distance,
building, as Davies has
said, ' fine bridge' from
the time of the Edinburgh
church to the present.
Both vocal groups sing in
translucent modal harmony
with organ support.