Composed by Lynne Latham.
Performance Music
Ensemble. Latham Music.
Score. Latham Music
Enterprises #36-52703177.
Published by Latham Music
Enterprises
(AP.36-52703177).
ISBN
9781621569367.
English.
Some of
the best loved operatic
tunes are featured in
this collection arranged
by Lynne Latham. Ideal
for the advanced quartet,
players will find
performances of these
Opera Favorites
fulfilling and enjoyable.
Included: 1. O mio
babbino caro from Gianni
Schicchi (Puccini), 2.
The Flower Song from
Lakme (Delibes), 3. Der
Vogelfänger from The
Magic Flute (Mozart), 4.
Bei Männern from The
Magic Flute (Mozart), 5.
Barcarolle from Tales of
Hoffman (Offenbach), 6.
Habanera from Carmen
(Bizet), 7. The
Toreador's Song from
Carmen (Bizet), 8.
Meditation from Thaïs
(Massenet).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
String quartet with ad lib. double bass SKU: M7.DOHR-16430 From Tosca<...(+)
String quartet with ad
lib. double bass
SKU:
M7.DOHR-16430
From
Tosca. Composed by
Giacomo Puccini. Arranged
by Wolfgang Birtel. Sheet
music. Score and parts.
14 pages. MDS (Music
Distribution Services)
#DOHR 16430. Published by
MDS (Music Distribution
Services)
(M7.DOHR-16430).
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
Pan pipe and string quartet SKU: M7.SAE-32-04 Turandot. Composed b...(+)
Pan pipe and string
quartet
SKU:
M7.SAE-32-04
Turandot. Composed
by Giacomo Antonio
Domenico Michele Secondo
Maria Puccini. Arranged
by Laurentiu Gondiu.
Sheet music. Score and
parts. SonArt Edition
#SAE 32-04. Published by
SonArt Edition
(M7.SAE-32-04).
ISBN
9790707651612.
This
is an overflowing
arrangement for Pan Flute
and String Quintet, that
preserve the beauty of
the original work,
worldwide well known as a
high virtuosity
masterpiece, carefully
written to suit the
technical needs of the
instruments. At the same
time, differ in the
essence, due to the
creative and inovative
flavour who was
introduced in the
arrangement of this work.
A pleasure for the
performers who have an
appetite for unique and
interesting arrangements,
with which they will
surely delight the
audience.
String quartet SKU: M7.SAE-32-05 Turandot. Composed by Giacomo Ant...(+)
String quartet
SKU:
M7.SAE-32-05
Turandot. Composed
by Giacomo Antonio
Domenico Michele Secondo
Maria Puccini. Arranged
by Lucian Moraru. Sheet
music. Score and parts.
SonArt Edition #SAE
32-05. Published by
SonArt Edition
(M7.SAE-32-05).
ISBN
9790900986085.
This
is a unique arrangement
for string quartet, a
work that preserves the
beauty of the original
work, an icon for
classical music
repertoire, but at the
same time different in
essence due to the
creative and innovative
flavour that was
introduced in
orchestration on this
occasion. The piece has
been carefully adapted to
suit the technical needs
of each instrument, being
a smart choice for
quartets that want to
achieve the acclaim from
the audience. This piece
of music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.
String Quartet SKU: HL.14030980 Parts. Composed by Bent Sorensen. ...(+)
String Quartet
SKU:
HL.14030980
Parts. Composed by
Bent Sorensen. Music
Sales America. Classical.
Set of Parts. Edition
Wilhelm Hansen #KP00249.
Published by Edition
Wilhelm Hansen
(HL.14030980).
ISBN
9788759871973.
12.0x16.0x0.285
inches.
Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angel's Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on
Angel's Music was started
in Rome, where I spent
the autumn of 1987
staying at The Danish
Academy. Whether this
stay has influenced the
quartet or not is
impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part of the
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of
Angel's Music is divided
into three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the general
pattern almost
fractionally into the
smallest cells of the
music, or more correctly;
crawl from the small
cells into the general
pattern.'.
String quartet, Contrabass (ad libitum) SKU: VD.ED16430 Composed by Giaco...(+)
String quartet,
Contrabass (ad libitum)
SKU: VD.ED16430
Composed by Giacomo
Puccini. Arranged by
Wolfgang Birtel. Der
Musikalische Salon Vol.
110. Classical. Score,
parts. 5 S. Part. + 5 S.
Stimmen pages. Verlag
Dohr #ED16430. Published
by Verlag Dohr
(VD.ED16430).
String quartet SKU: M7.SAE-13-06 Tosca. Composed by Giacomo Antoni...(+)
String quartet
SKU:
M7.SAE-13-06
Tosca. Composed by
Giacomo Antonio Domenico
Michele Secondo Maria
Puccini. Arranged by
Lucian Moraru. Sheet
music. Score and parts.
12 pages. SonArt Edition
#SAE 13-06. Published by
SonArt Edition
(M7.SAE-13-06).
ISBN
9790707651117.
This
is a unique arrangement
for string quartet, a
work that preserves the
beauty of the original
work, an icon for
classical music
repertoire, but at the
same time different in
essence due to the
creative and innovative
flavour that was
introduced in
orchestration on this
occasion. The piece has
been carefully adapted to
suit the technical needs
of each instrument, being
a smart choice for
quartets that want to
achieve the acclaim from
the audience. This piece
of music is suitable both
for concerts given by
professionals and for
auditions in schools,
colleges, conservatories
or can be used in various
other private events.