Te Deum and Jubilate Deo in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] - Intermédiaire/avancé Oxford University Press
By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB...(+)
By Henry Purcell
(1659-1695). Arranged by
Robert King. For SSATB
soloists, SSATB choir, 2
trumpets, strings and
continuo (2 trumpets,
violin 1, violin 2,
viola, cello, double
bass, organ, theorbo
(optional)). Mixed
Voices. Classic Choral
Works. Standard Choral
Works. Vocal score. 40
pages. Duration 20'.
Published by Oxford
University Press
By Dietrich Buxtehude. For SATB soli, SATB, organ (piano) (2 trumpet, bassoon, t...(+)
By Dietrich Buxtehude.
For SATB soli, SATB,
organ (piano) (2 trumpet,
bassoon, timpani, strings
ad lib). (Eng). Sacred
Choral Works. Duration
13'. Published by C.F.
Peters.
Version
for chamber
orchestra. Composed
by Antonin Dvorak. Edited
by Joachim Linckelmann.
Arranged by Joachim
Linckelmann. Carus sheet
music series: Great
choral works in small
scorings. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Choral
Score. Composed
1876/1877. Op. 58. 36
pages. Duration 90
minutes. Carus Verlag #CV
27.293/05. Published by
Carus Verlag
(CA.2729305).
ISBN
9790007181086. Text
language:
Latin.
Antonin
Dvorak's impressive
Stabat Mater for
soloists, chorus and
orchestra is probably the
best-known of the
composer's sacred works.
Some painful experiences
- in 1875 his first
daughter died, and in
1877 he lost two other
children in quick
succession - may have led
to Dvorak's preoccupation
with the suffering of the
Mother of God, who stands
weeping beneath the cross
of her son. The music
enters into the different
moods of the liturgical
texts with great
sensitivity. Nine
movements in slow to
moderate tempi serve as a
kind of Passion
meditation, before the
ecstasy of a vision of
the resurrection wins the
upper hand at the end of
the tenth movement. With
our newly-published
arrangement for chamber
orchestra (flute, oboe,
clarinet, horn, bassoon,
timpani, and strings),
smaller choirs now have
the opportunity of
performing this work
without the choir being
drowned out by a
large-scale symphony
orchestra. The symphonic
character of the work is
nevertheless preserved.
This scoring offers an
optimal balance between
transparency and
orchestral sound. All
vocal parts (soloists and
chorus) are identical
with the original
version. Vocal score and
choral score can be used
also together with the
original version, which
is in preparation.
Version
for chamber
orchestra. Composed
by Antonin Dvorak. Edited
by Joachim Linckelmann.
Arranged by Joachim
Linckelmann. Carus sheet
music series: Great
choral works in small
scorings. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Vocal score.
Composed 1876/1877. Op.
58. 120 pages. Duration
90 minutes. Carus Verlag
#CV 27.293/03. Published
by Carus Verlag
(CA.2729303).
ISBN
9790007171797. Text
language:
Latin.
Antonin
Dvorak's impressive
Stabat Mater for
soloists, chorus and
orchestra is probably the
best-known of the
composer's sacred works.
Some painful experiences
- in 1875 his first
daughter died, and in
1877 he lost two other
children in quick
succession - may have led
to Dvorak's preoccupation
with the suffering of the
Mother of God, who stands
weeping beneath the cross
of her son. The music
enters into the different
moods of the liturgical
texts with great
sensitivity. Nine
movements in slow to
moderate tempi serve as a
kind of Passion
meditation, before the
ecstasy of a vision of
the resurrection wins the
upper hand at the end of
the tenth movement. With
our newly-published
arrangement for chamber
orchestra (flute, oboe,
clarinet, horn, bassoon,
timpani, and strings),
smaller choirs now have
the opportunity of
performing this work
without the choir being
drowned out by a
large-scale symphony
orchestra. The symphonic
character of the work is
nevertheless preserved.
This scoring offers an
optimal balance between
transparency and
orchestral sound. All
vocal parts (soloists and
chorus) are identical
with the original
version. Vocal score and
choral score can be used
also together with the
original version, which
is in preparation.
Oratorio for Soloists for 2 mixed Choirs and Orchestra. Vocal Score and Chorus P...(+)
Oratorio for Soloists for
2 mixed Choirs and
Orchestra. Vocal Score
and Chorus Parts
English/German, comebined
Organ Part instead of
Organ Chorus I and Organ
Chorus II available. By
Johann Sebastian Bach.
Edited by D!Rr,
Alfred;Schneider, Max.
For Soprano solo, Alto
solo, Tenor solo (2),
Bass solo (2), Mixed
Choir (2)-SATB, Orchestra
1: Alto recorder (f,g)
(2), Flute (2), Oboe (2)/
Oboe d'amore (a)/
Oboe-dacc/ English horn,
Bassoon, Viola da gamba,
Strings, Organ, Orchestra
2: Flute (2), Oboe (2)/
Oboe d'amore (a),
Bassoon, Viola da gamba,
Strings, Organ/
Harpsichord. Neue
Bach-Ausgabe. Serie II,
Band 5. Score; Urtext
Edition; Complete Edition
(cloth bound). BWV 244.
Published by
Baerenreiter-Ausgaben
(German import). (BA5038
01)
By Franz Joseph Haydn (1732-1809). Edited by Feldigl. For SATB Vocal Soli, SATB ...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Feldigl. For SATB Vocal
Soli, SATB Chorus,
[0.2.0.2-2.2.0.0],
Timpani, Organ, Strings.
This edition: Urtext.
Choral. Vocal score.
Duration circa 75
minutes. Published by
Edition Peters
Composed by Emanuele Gioacchino Cesare Astorga. Edited by Cor Back. For SATB sol...(+)
Composed by Emanuele
Gioacchino Cesare
Astorga. Edited by Cor
Back. For SATB soli, SATB
choir, strings and organ.
Choral music. Score.
Language: Latin.
Published by Noten Roehr
Kantate zum Osterfest (Fruhfassung). By Johann Sebastian Bach. Edited by Kubik, ...(+)
Kantate zum Osterfest
(Fruhfassung). By Johann
Sebastian Bach. Edited by
Kubik, Reinhold. Arranged
by Reinhold Kubik. For
Soli SATB, SATB Choir,
[Cornetto, 3 Trombones]
(Chorduplierung), Strings
(2 Viola), Organ. BWV 4.
Full score available
separately - see item
CA.3100400. Cantatas;
Stuttgart Urtext
editions; Use during
church year: Easter and
Eastertide. Choral score
with Soli. Language:
German/English. Composed
1707/08 (?) (vor 1714).
16 pages. Duration 22
min. Published by Carus
Verlag (German import).
Cantata for the 2nd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Julia Doht.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meine Seufzer, meine
Tranen. Sacred vocal
music, Epiphany. Choral
Score. Composed 1726. BWV
13. 2 pages. Duration 21
minutes. Carus Verlag #CV
31.013/05. Published by
Carus Verlag
(CA.3101305).
ISBN
9790007102944. Language:
German/English.
Bac
h's cantata BWV 13 (from
the third cycle of
Leipzig cantatas) was
first performed on the
2nd Sunday after Epiphany
in 1726. This work is
marked especially by its
scoring, unusual in
Bach's church music, in
which the strings are
joined by two recorders
and an oboe da caccia:
these wind instruments
are used to convey the
dominant affections of
sighing and pain in the
individual arias. In
accordance with the
intimate character of
this cantata the
four-part vocal ensemble
is used only in the
chorale at the end of the
work. Score available
separately - see item
CA.3101300.
Geistliche Kantate. Urtext der Telemann-Werkausgabe. By Georg Philipp Telemann. ...(+)
Geistliche Kantate.
Urtext der
Telemann-Werkausgabe. By
Georg Philipp Telemann.
Edited by Wolf Hobohm.
Text: Karl W Ramler. For
Soprano solo, Alto solo,
Tenor solo, Bass solo
(2), Mixed Choir-SATB,
Alto recorder (f,g) (2),
Piccolo (2), Flute (2),
Oboe (2), Bassoon, Horn
(2), Trumpet (3),
Kettledrum, Strings,
Basso continuo. Telemann
Musikalische Werke, Band
30. Score; Urtext
Edition; Complete Edition
(cloth bound). TWV 1:797.
Published by
Baerenreiter-Ausgaben
(German import).
Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy ...(+)
Arrangement for chamber
orchestra (Linckelmann).
Composed by Felix
Bartholdy
Mendelssohn (1809-1847).
Arranged by Joachim
Linckelmann. Gattungen
vokal:
Sacred vocal music. Full
Score. MWV A 25, Op. 70.
Duration 130 minutes.
Published by Carus Verlag
Soli, choeur mixte et accompagnement [Vocal Score] Peters
By Antonio Vivaldi. Edited by Burmeister. For SSA soli, SATB, oboe, trumpet, str...(+)
By Antonio Vivaldi.
Edited by Burmeister. For
SSA soli, SATB, oboe,
trumpet, strings, organ
(bassoon ad lib).
(D)(RV589)(Lat). Sacred
Choral Works. Duration
ca.30'. Published by C.F.
Peters.
(Kantate zum Fest der Himmelfahrt Christi). By Johann Sebastian Bach (1685-1750)...(+)
(Kantate zum Fest der
Himmelfahrt Christi). By
Johann Sebastian Bach
(1685-1750). Edited by
Hans Grischkat. For Soli
SATB, SATB Choir, 2
Oboes/Oboe d'Amore,
Strings, Organ. BWV 37.
Score available
separately - see item
CA.3103700. Cantatas; Use
during the church year:
Ascension; Stuttgart
Urtext Editions. Choral
score. Language:
German/English. Composed
1724. 8 pages. Duration
21 min. Published by
Carus Verlag
I cry to thee, Lord Jesus Christ Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1...(+)
(Cantata for the 4th
Sunday after Trinity).
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Tobias Rimek. For SATB
vocal soli, SATB choir, 2
oboes, oboe da caccia,
bassoon solo, violin
solo, strings, basso
continuo. This edition:
paperback. Stuttgart
Urtext edition. Cantatas,
Whitsun. Vocal score.
Text language:
German/English. Composed
1732. BWV 177. 36 pages.
Duration 28 minutes.
Published by Carus Verlag
Cantata for the 2nd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Julia Doht.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Meine Seufzer, meine
Tranen. Sacred vocal
music, Epiphany. Set of
Orchestra Parts. Composed
1726. BWV 13. Duration 21
minutes. Carus Verlag #CV
31.013/19. Published by
Carus Verlag
(CA.3101319).
ISBN
9790007138950. Language:
German/English.
Bac
h's cantata BWV 13 (from
the third cycle of
Leipzig cantatas) was
first performed on the
2nd Sunday after Epiphany
in 1726. This work is
marked especially by its
scoring, unusual in
Bach's church music, in
which the strings are
joined by two recorders
and an oboe da caccia:
these wind instruments
are used to convey the
dominant affections of
sighing and pain in the
individual arias. In
accordance with the
intimate character of
this cantata the
four-part vocal ensemble
is used only in the
chorale at the end of the
work. Score and parts
available separately -
see item CA.3101300.
Stabat Mater Soli, choeur mixte et accompagnement [Vocal Score] Oxford University Press
By Cecilia Mcdowall. For baritone voice solo, SATB chorus, children's choir (or ...(+)
By Cecilia Mcdowall. For
baritone voice solo, SATB
chorus, children's choir
(or semi-chorus), and
small orchestra (or
piano/organ) (flute,
clarinet, bassoon, 2
horns, harp, strings).
Contemporary. Vocal
score. Duration 30
minutes. Published by
Oxford Uni
Cantata
for the 23rd Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Arranged by Thomas
Riegler. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music, End
of the church year. Study
score. Composed 1715. BWV
163. 24 pages. Duration
18 minutes. Carus Verlag
#CV 31.163/07. Published
by Carus Verlag
(CA.3116307).
ISBN
9790007141516. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler. Score available
separately - see item
CA.3116300.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Arranged by
Thomas Riegler. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, End of the church
year. Full score.
Composed 1715. BWV 163.
24 pages. Duration 18
minutes. Carus Verlag #CV
31.163/00. Published by
Carus Verlag
(CA.3116300).
ISBN
9790007097615. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo Franck.
The
cantata Nur jedem das
Seine (Do justice to all
men) BWV 163, for the
last Sunday of the Church
Year 1714/15, belongs
among to those chamber
music works which Bach
composed for the Weimar
Schlosskirche. The
instruments are limited
to strings, although two
obbligato violoncellos
are included which
together with the solo
bass singer and the
continuo form a bass
quartet unique in Bach's
works. The final chorale
of the cantata is handed
down only as a fragment
and was newly
reconstructed for our
edition by Thomas
Riegler.
Composed
by Johann David
Heinichen. Sacred vocal
music, Masses, Latin.
Choral Score. Duration 45
minutes. Carus Verlag #CV
27.048/05. Published by
Carus Verlag
(CA.2704805).
ISBN
9790007109653. Key: D
major. Language:
Latin.
The Carus
program featuring music
of the Court of Dresden
has been expanded with
the publication of the
first edition of the
great masses of Johann
David Heinichen, who,
next to Hasse and
Zelenka, was the most
important musical
representative of this
capital of Saxony. A
peculiarity of this work
is the fact that
Heinichen inserted an
actual concerto movement
for solo flute, 2 oboes,
strings and continuo
between the Gloria and
Credo, which recommends
the Mass for concert
performances. Score
available separately -
see item CA.2704800.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Choral Score. Composed
1725. BWV 183. 2 pages.
Duration 15 minutes.
Carus Verlag #CV
31.183/05. Published by
Carus Verlag
(CA.3118305).
ISBN
9790007050375. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score available
separately - see item
CA.3118300.
Oratorio de Noel Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] - Facile Carus Verlag
By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, ...(+)
By Camille Saint-Saens
(1835-1921). Edited by
Thomas Kohlhase. For Soli
SMsATB, SATB Choir, 2
Violins, Viola, Cello,
Contrabass, Organ, Harp.
This edition: Paperbound.
French Sacred Music.
Score available
separately - see item
CA.4045500. Oratorios,
Christmas, French Sacred
Music. Level 3. Study
score. Language: Latin.
Opus 12. 64 pages.
Duration 40 min.
Published by Carus Verlag
Missa pro defunctis (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732111 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732111
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 1.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/11. Published
by Carus Verlag
(CA.2732111).
ISBN
M-007-25435-3.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Messiah (New Edition) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Peters
By Handel G. F. Edited by Burrows(Urtext). For SATB soli, SATB, 0201 0200 timpan...(+)
By Handel G. F. Edited by
Burrows(Urtext). For SATB
soli, SATB, 0201 0200
timpani, organ, strings,
cembalo. 11 versions
(1742-1754) combined
(Eng). Sacred Choral
Works. Duration 135'.
Published by C.F. Peters.