Opera buffa in 4 acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited...(+)
Opera buffa in 4 acts.
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Edited by
Ludwig Finscher. Arranged
by
Eugen Epplee. This
edition:
urtext edition. Hardback.
Barenreiter Urtext. Vocal
score vokal. KV 492.
Baerenreiter Verlag
#BA04565-
93. Published by
Baerenreiter
Verlag
Composed by Ludwig van Beethoven (1770-1827). Vocal score for choir, piano and o...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Vocal score for choir,
piano and orchestra.
Op.80. C Minor. Composed
1808. 28 pages. Published
by C.F. Peters.
Symphonie Nr. 9 d-moll op. 125 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] Breitkopf & Härtel
(piano reduction). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschil...(+)
(piano reduction). By
Ludwig van Beethoven
(1770-1827). Edited by
Peter Hauschild. For
Soli, Choir and
Orchestra. Edition
Breitkopf. Piano
reduction/vocal score. 56
pages
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038).
ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper.
Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb
SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007).
ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber.
In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000.
Choral Fantasy.
Composed by Ludwig van
Beethoven. Edited by
Ulrich Leisinger.
Arranged by Xaver
Scharwenka, Claus-Dieter
Ludwig. Secular choral
music. Full Score.
Composed 1808/1809. Op.
80. Duration 20 minutes.
Carus Verlag #CV
10.394/00. Published by
Carus Verlag
(CA.1039400).
ISBN
M-007-18767-5. Key: C
minor. German/English.
Text: Christoph
Kuffner.
In a
mixture of cantata and
concert piece, Beethoven
set a hymn to art in his
Choral Fantasy. The work,
about 20 minutes in
length, is often seen as
a precursor to the Ode to
Joy in the 9th Symphony.
After a piano
introduction, a dialog
between piano and
orchestra develops in the
space of just 400
measures, before the
soloists and chorus enter
for the last 200
measures. (If necessary,
the solo parts can be
sung by members of the
chorus or a semi-chorus.)
In the main section,
headed Finale (beginning
with the double basses
and celli), the theme
from Beethoven's early
song Gegenliebe (WoO 118,
also used in the Ode to
Joy) is presented, varied
and finally used in the
March in F major. The
main source of the Choral
Fantasia for the edition
is the first edition of
the parts, published in
1811 and corrected by
Beethoven; alongside this
an English edition of the
parts published by
Clementi (1810) has been
consulted for comparison.
The edition contains an
English singing version
in a translation by
Natalia Macfarren from
the 19th century.
Messe in C-Dur (Mass in C major) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partie seule] Carus Verlag
By Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, S...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Ernst Herttrich. For Soli
SATB, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, Basso (cello,
double bass, organ).
Score available
separately - see item
CA.4068800. Latin Masses.
Part: Violin 2. Language:
Latin. 86. 16 pages.
Duration 50 min.
Published by Carus Verlag
Composed
by Johann Ludwig Bach.
Edited by Hermann Max. 1x
30.006/21 oboe 1, 1x
30.006/22 oboe 2. German
title: Mache dich auf,
werde licht 2. Sacred
vocal music, Advent. Set
of Orchestra Parts. 16
pages. Duration 18
minutes. Carus Verlag #CV
30.006/09. Published by
Carus Verlag
(CA.3000609).
ISBN
9790007039516. Language:
German/English.
Sco
re available separately -
see item CA.3000600.
Messe in C-Dur (Mass in C major) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
By Ludwig van Beethoven (1770-1827). Edited by Ernst Herttrich. For Soli SATB, S...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Ernst Herttrich. For Soli
SATB, SATB choir, 2
flutes, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, 2 trumpets,
timpani, 2 violins,
viola, Basso (cello,
double bass, organ). Full
score available
separately - see item
CA.4068800. Latin Masses.
Piano/Vocal score.
Language: Latin. 86. 80
pages. Duration 50 min.
Published by Carus Verlag
Composed
by Johann Ludwig Bach.
Edited by Hermann Max.
German title: Ja, mir
hast du Arbeit gemacht.
Sacred vocal music, Lent
and Passiontide. Set of
Orchestra Parts. Duration
19 minutes. Carus Verlag
#CV 30.003/19. Published
by Carus Verlag
(CA.3000319).
ISBN
9790007139599. Language:
German/English.
Sco
re and parts available
separately - see item
CA.3000300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Set of
Orchestra Parts. Composed
1726. BWV 43. Duration 25
minutes. Carus Verlag #CV
31.043/19. Published by
Carus Verlag
(CA.3104319).
ISBN
9790007136123. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and parts available
separately - see item
CA.3104300.
Composed
by Johann Ludwig Bach.
Edited by Hermann Max.
German title: Ja, mir
hast du Arbeit gemacht.
Sacred vocal music, Lent
and Passiontide. Single
Part, Viola. 8 pages.
Duration 19 minutes.
Carus Verlag #CV
30.003/13. Published by
Carus Verlag
(CA.3000313).
ISBN
9790007039479. Language:
German/English.
Sco
re available separately -
see item CA.3000300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Choral Score.
Composed 1726. BWV 43. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.043/05. Published by
Carus Verlag
(CA.3104305).
ISBN
9790007103040. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
available separately -
see item CA.3104300.
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Cello. Op. 86. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.688/14. Published by
Carus Verlag
(CA.4068814).
ISBN
9790007220365. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800.
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Viola. Op. 86. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.688/13. Published by
Carus Verlag
(CA.4068813).
ISBN
9790007220358. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800.
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. 1x
40.688/21 flute 1, 1x
40.688/22 flute 2, 1x
40.688/23 oboe 1, 1x
40.688/24 oboe 2, 1x
40.688/25 clarinet 1, 1x
40.688/26 clarinet 2, 1x
40.688/27 bassoon 1, 1x
40.688/28 bassoon 2, 1x
40.688/31 horn 1, 1x
40.688/32 horn 2, 1x
40.688/33 trumpet 1, 1x
40. Carus sheet music
series: Vocal scores XL.
Messe In C Op. 86.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 86.
120 pages. Duration 50
minutes. Carus Verlag #CV
40.688/09. Published by
Carus Verlag
(CA.4068809).
ISBN
9790007220327. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and
parts available
separately - see item
CA.4068800.
Mass C major op. 86 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Barry Cooper. For SATB v...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited by Barry Cooper.
For SATB vocal soli, SATB
choir, orchestra (flute
[2], oboe [2], B-flat
clarinet [2], bassoon
[2], horn [2], trumpet
[2], timpani, violin [2],
viola, cello, double
bass, organ). This
edition: urtext edition.
Paperback. Score. Opus
86. Published by
Baerenreiter Verlag
Composed
by Johann Ludwig Bach.
Edited by Hans Hornung,
Martin Gotthard
Schneider. German title:
Die mit Tranen saen.
Sacred vocal music,
Psalms, German, Peace and
justice, Mourning, death.
Single Part, Violin 2. 4
pages. Duration 18
minutes. Carus Verlag #CV
30.001/12. Published by
Carus Verlag
(CA.3000112).
ISBN
9790007039394. Language:
German/English.
Sco
re available separately -
see item CA.3000100.
Ode to Joy. Vocal
score compatible with all
available music
editions. Composed by
Ludwig van Beethoven.
Carus Choir Coach.
Symphonie Nr.9.Ccc.
Secular choral music.
Compact Disc. Composed
1815-1824. Op. 125.
Duration 22 minutes.
Carus Verlag #CV
23.801/92. Published by
Carus Verlag
(CA.2380192).
Text
language: German. Text:
Schiller,
Friedrich.
It's
about 200 years since
Beethoven scribbled down
a theme in D minor in his
sketch book, which he
later used, slightly
altered, in the 2nd
movement of his 9th
Symphony. Beethoven had
thought of setting
Schiller's Ode to Joy
much earlier. As early as
1803 Ferdinand Ries
mentioned a complete
setting of the text by
Beethoven which no longer
survives. The vocal score
of the finale of the 9th
Symphony is based on the
vocal score made by Carl
Reinecke around the end
of the 19th century. The
version by Reinecke,
popular worldwide,
closely reflects the
sound of the orchestral
writing, yet at the same
time is remains playable.
Stefan Schuck has revised
this historic vocal
score, in the process
taking into account
recent research findings.
The new Carus vocal score
contains rehearsal
letters from all current
versions of the
orchestral material, and
is thus compatible with
all available music
editions. In the
presentation of this
edition, particular
attention has been paid
to the practical needs of
(choral) singers and
repetiteurs.
Composed
by Johann Ludwig Bach.
Edited by Hermann Max.
German title: Ja, mir
hast du Arbeit gemacht.
Sacred vocal music, Lent
and Passiontide. Single
Part, Violin 1. 8 pages.
Duration 19 minutes.
Carus Verlag #CV
30.003/11. Published by
Carus Verlag
(CA.3000311).
ISBN
9790007039455. Language:
German/English.
Sco
re available separately -
see item CA.3000300.
Cantata
for Ascension.
Composed by Johann
Sebastian Bach. Edited by
Michael Marker. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gott fahret auf mit
Jauchzen. Sacred vocal
music, Cantatas,
Ascension. Single Part,
Cello/Double Bass.
Composed 1726. BWV 43. 12
pages. Duration 25
minutes. Carus Verlag #CV
31.043/14. Published by
Carus Verlag
(CA.3104314).
ISBN
9790007205935. Key: C
major / g major.
Language:
German/English.
On
the 30th May 1726, as
part of his third Leipzig
annual cycle of cantatas,
Bach directed the first
performance of his
Ascension Cantata Gott
fahret auf mit Jauchzen.
The libretto was
published at Rudolstadt
during the same year
without any indication of
the autor's name, in a
collection entitled Sonn-
und Fest-Tags-Andachten
uber die ordenlichen
Evangelia. The libretti
in that collection had
already been used during
the Church year 1704/05
at the Court of
Meiningen; their author
may have been Duke Ernst
Ludwig von
Sachsen-Meiningen. Score
and part available
separately - see item
CA.3104300.
By Johann Ludwig Bach. For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Bas...(+)
By Johann Ludwig Bach.
For Soli SATB, SATB
Choir, 2 Oboes, 2
Violins, Viola, Basso
continuo. Full score
available separately -
see item CA.3000600.
Advent. Part: Violin 2.
Language: German/English.
8 pages. Duration 18 min.
Published by Carus Verlag
(German import).
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Double Bass. Op.
86. 16 pages. Duration 50
minutes. Carus Verlag #CV
40.688/15. Published by
Carus Verlag
(CA.4068815).
ISBN
9790007220372. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800.