By Traditional. Arranged by James Markey. For Bass Trombone and Piano. American Folk Song. Advanced. Solo and Piano. Published by Cherry Classics

By Traditional. Arranged by James Markey. For Bass Trombone and Piano. Religious Christian. Advanced. Solo and Piano. Published by Cherry Classics

Trombone and Piano. Composed by Igor Stravinsky (1882- 1971). Edited by Daniel-Ben Pienaar and Jonathan Freeman- Attwood. Boosey & Hawkes Chamber Music. Classical. Softcover. Boosey & Hawkes #M060133749. Published by Boosey & Hawkes

Trombone and Piano - easy

SKU: BT.AMP-304-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 304-400. Published by Anglo Music Press (BT.AMP-304-400).

ISBN 9789043138116. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

< I>15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spéc ifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique.

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

Piano, Trombone

SKU: HL.227472

Trombone and Piano. Composed by Tibor Serly. Peermusic Classical. Classical. Softcover. 16 pages. Peermusic Classical #60471-424. Published by Peermusic Classical (HL.227472).

UPC: 680160421329. 9x12 inches.

Composed by Felix Alexandre Guilmant (1837-1911). Edited by Olivier Lachurie. Trombone Solo and Piano Accompaniment. For Trombone solo and Piano. The Must-Haves for Trombone. Classical, Educational. Grade 5. Score and set of parts. 11 pages (score); 3 pages (parts). Published by FLEX Editions

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Trombone Solo with Piano accompaniment - Advanced

SKU: CY.CC3150

Composed by Elizabeth Raum. Classical. Score and Parts. Cherry Classics #CC3150. Published by Cherry Classics (CY.CC3150).

ISBN 9790530111185. 8.5 x 11 in inches.

Here is a brief description of this very fine new work The Secret of Ben Sogen for Trombone and Piano by the composer, Elizabeth Raum: I've always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for trombone, I found myself drawn to the Danish mythical character, Ben Sogen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Sogen is that he doesn't exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn't evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Sogen. The Hero Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers.

Trombone and piano - advanced

SKU: CY.CC2565

Composed by Franz Joseph Haydn. Arranged by Robert Trevarthen. Classical. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2565).

Haydn composed over 100 compositions, each in three movements, for his wealthy employer Nicolas Esterhazy, who played the six-string instrument called a Baryton, which in shape looked much like our modern day cello, but, of course, with six rather the cello four strings. His original scores were composed of three lines: the solo part, an inner filler part for viola and a bass part. I have realized the piano part. These transcriptions were created to give the solo trombonist an experience with classical music.

The music is in an elegant style and a joy to perform as arranged by Mr. Trevarthen.

The six works included in the collection are as follows:
No. 2 in G (Theme and Variations)
No. 26 in F
No. 49 in F
No. 55 in F
No. 77 in F
No. 95 in B-flat

The works are between 6 and 9 minutes in length each and suitable for moderately advanced performers.

Composed by Antonio Capuzzi, edited by Philip Catelinet. For tuba (or euphonium, trombone, Eb bass, Bb bass) and piano. Format: set of performance parts (euphonium, trombone, bass Eb and Bb parts included). With solo parts and piano reduction. Classical period. 31 pages. 9x12 inches. Published by C.F. Peters.

Trombone solo with Piano accompaniment - Advanced

SKU: CY.CC3170

Composed by Dmitri Shostakovich. Arranged by James Markey. Classical. Score and Parts. Cherry Classics #CC3170. Published by Cherry Classics (CY.CC3170).

ISBN 9790530111406. 8.5 x 11 in inches.

The set of 24 Preludes for Piano, Op. 34 was composed in the winter of 1932-33. They represent all of the major and minor keys, inviting comparisons with similar collections by Bach and Chopin. Each movement has its own individual mood and there are sharp contrasts within each movement and between movements in style, rhythm and harmony. James Markey has brilliantly arranged eleven of these movements for Tenor Trombone and Piano for virtuoso level performers. The entire work is about 17 minutes in length. We are grateful to the Shostakovich estate and G. Schirmer for authorizing Mr. Markey's arrangement. Mr. Markey and pianist Virginia Perry can be heard performing this arrangement of the Preludes on his CD entitled Offroad released in 2003, which happens to be sold by Cherry Classics Music on this site and also available on iTunes and other music retailers.

By Benedetto Marcello (1686-1739). Edited by Olivier Lachurie. For Trombone Solo and Piano. The Must-Haves for Trombone. Classical, Educational. Grade 4. Score and set of parts. 8 (score); 3 (parts). Published by FLEX Editions

Trombone and Piano - Advanced

SKU: CY.CC3134

Composed by Christal Bochard. Classical. Score and Parts. Cherry Classics #CC3134. Published by Cherry Classics (CY.CC3134).

ISBN 9790530111031. 8.5 x 11 in inches.

Fanfare and Processional for Trombone and Piano was written in 1978 for Trombonist Daniel Bochard. The work was first premiered that year in recital at the University of British Columbia's School of Music. The work has two very distinct themes: the 1st theme, Fanfare which consists of dramatic leaps of 4th's and octaves somewhat reminiscent of Hindemith. The 2nd theme: the stately Processional, is based on the first three notes of a diatonic scale. The scale presents itself in many different guises throughout the 5 1/2 minute work. For advanced performers.

Alto Trombone & Piano or Organ - Advanced

SKU: CY.CC3086

Composed by Henry Purcell. Arranged by Jeremy Kempton. Classical. Score and Parts. Cherry Classics #CC3086. Published by Cherry Classics (CY.CC3086).

ISBN 9790530110638. 8.5 x 11 in inches.

Purcell's Sonata was originally written for Trumpet in D about 1694 and has been deftly arranged in the original key for alto trombone and piano or organ by Jeremy Niles Kempton. The 5-minute work for moderately advanced performers is in three movements: Fast - Slow - Fast.

Trombone and Piano - Advanced

SKU: CY.CC3168

Composed by Armand Russell. Classical. Score and Parts. Cherry Classics #CC3168. Published by Cherry Classics (CY.CC3168).

ISBN 9790530111383. 8.5 x 11 in inches.

Sonatina for Trombone and Piano by composer Armand Russell is a continuation of a large body of fine works for the low brass family. The music is in three movements: Allegro, Lento e cantabile, Vivo and is about 7 minutes in length and is perfect for intermediate level performers. All in bass clef.

Trombone and Piano accompaniment - moderately advanced

SKU: CY.CC2953

Composed by Germaine Tailleferre. Arranged by Ralph Sauer. French 20th Century. Solo part and Piano accompaniment. 10 pages. Cherry Classics #2953. Published by Cherry Classics (CY.CC2953).

ISBN 9790530057728.

Ralp h Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Trombone and Piano. Tailleferre was the only female member of the famous French Les Six.

1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases.

2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.

Togethe r they are total about 5 minutes in length and are appropriate for advanced performers.

Russian Classics with CD - Trombone (or Tuba) arranged by A. Romanov. For trombone solo, tuba solo and piano accompaniment. Classical and Play Along. Intermediate. Instrumental solo book and accompaniment CD. Solo part, standard notation and piano accompaniment. 33 pages. Published by XYZ

Trombone & Piano - advanced

SKU: CY.CC2987

Composed by Alexander Scriabin. Arranged by Bob Burnham. 19th Century Romantic Russian. Solo part and Piano accompaniment. 11 pages. Cherry Classics #2987. Published by Cherry Classics (CY.CC2987).

ISBN 9790530058060.

In 1891 Scriabin hurt his right hand from over-practicing. He practiced only using his left hand and composed the Prelude et Nocturne opus 9 in 1894. It became a big hit and sold thousands of copies.
Bob Burham has done a wonderful job in arranging this magical work of about 9 minutes in length for Trombone and Piano. For advanced performers.

Trombone and Piano - Advanced

SKU: CY.CC3054

Composed by Claude Debussy. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3054. Published by Cherry Classics (CY.CC3054).

ISBN 9790530110294. 8.5 x 11 in inches.

Debussy's original six-movement suite was written and first performed in 1908 on the Piano. It was dedicated to Debussy's daughter, Claude-Emma who was only three at the time. This lovely arrangement by Ralph Sauer of two of the movements: The Little Shepherd and Golliwogg's Cakewalk are suitable for advanced performers and total about 6-minutes in length.

By Franz Schubert. Arranged by Gordon Cherry. For Trombone and Piano. Romantic Lieder. Level: intermediate/advanced. Full score and parts. Published by Cherry Classics.

By Johann Sebastian Bach (1685-1750). Arranged by Ralph Sauer. For trombone and piano. Baroque. Advanced. Solo and piano accompaniment. Published by Cherry Classics

Trombone and piano accompaniment - advanced

SKU: CY.CC2890

Composed by David Fetter. Contemporary. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2890).

David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length:
1. Swift
2. Longing
3. Exit Music
Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax.
Both the solo and accompaniment parts are written for advanced performers.
The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by Pianist Larry Wallach.
Here is what Mr. Ewazen has said about Situation Update:
I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update”. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with
energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and
rightly deserves to take its place as a significant addition to the Trombone repertoire..

By Leos Janacek (1854-1928). Arranged by Ralph Sauer. For Trombone and Piano. 20th Century Czech. Intermediate. Solo part and piano score. Published by Cherry Classics

(for Trombone and Piano). By Halsey Stevens. Score and Parts. Peermusic Classical. 40 pages. Peermusic #61212-424. Published by Peermusic

15 Easy Solos for Contest and Performance with Online Audio and Printable Piano Accompaniments. Composed by Various. Arranged by Philip Sparke. Essential Elements Band Folios. Classical. Softcover Media Online. 16 pages. Published by Hal Leonard

15 Easy Solos for Contest and Performance with Online Audio and Printable Piano Accompaniments. Composed by Various. Arranged by Philip Sparke. Essential Elements Band Folios. Classical. Softcover Media Online. 16 pages. Published by Hal Leonard

By Johannes Brahms. Arranged by Barnaby Kerekes. For Trombone and Piano. Romantic Solo, Sacred. Level: intermediate. Full score and parts. Published by Cherry Classics.