Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH339-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH387-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH351-FSP).

By Francesco Antonio Bonporti (1672-1749). Edited by Alessandro Bares and Giuseppe Fochesato. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

(With Marked and Unmarked String Parts). Composed by Johann Baptist Georg Neruda. Edited by Sonja Gerlach and Zdenka Pilková. For Piano, Violin, Basso Continuo. Henle Music Folios. Softcover. G. Henle #HN1049. Published by G. Henle

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Published by Edition HH Music Publishers (HH.HH427-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH337-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH348-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH341-FSP).

Violin and Basso Continuo. Composed by John Christopher Pepusch. Edited by Gustav Lenzewski and Helmut Degen. This edition: Saddle stitching. Sheet music. Schott. 48 pages. Schott Music #ED 3631. Published by Schott Music (HL.49004217).

Composed by Martino Bitti. Edited by Alessandro Borin / Michael Talbot. Full score and parts. Published by Edition HH Music Publishers (HH.HH334-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH347-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH343-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH342-FSP).

Composed by Martino Bitti. Edited by Alessandro Borin / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH338-FSP).

By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harpsichord, Harpsichord and violin. This edition: Facsimile. Collection FacsiMusic. Score. 28 pages. Published by Anne Fuzeau Productions - France

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH349-FSP).

Composed by Martino Bitti. Edited by Michael Talbot / Antonio Frige. Full score and parts. Published by Edition HH Music Publishers (HH.HH344-FSP).

For Violin and Basso Continuo. Composed by Francesco Antonio Bonporti (1672-1749). Edited by Gyorgy Orban. This edition: Saddle stitching. Sheet music. Violin-Bibliothek (Violin Library). Op. 12. 86 pages. Schott Music #VLB 81. Published by Schott Music

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration 9 minutes. Published by Edition HH Music Publishers (HH.HH415-FSP).

By Pietro Antonio Locatelli. Arranged by Malina Klembala. EMB. Size 9x12 inches. Published by Editio Musica Budapest.

Violin and basso continuo (harpsichord, piano); cello (viola da gamba) ad libitum - advanced

SKU: HL.49015131

No. 1 A major / No. 6 F minor. Composed by Simon Leduc. Edited by Elma Doflein. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 54 pages. Schott Music #ED 4708. Published by Schott Music (HL.49015131).

ISBN 9790001054539. 9.0x12.0x0.16 inches.

By Biagio Marini (1587-1663). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Composed by Henricus Albicastro (1700-1706). Edited by Michael Talbot / Andrew Woolley. Full score and parts. Duration c. 9 minutes. Published by Edition HH Music Publishers (HH.HH417-FSP).

By Louis Antoine Travenol. Edited by Jean Saint-Arroman. For Violin and continuo. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. 64 pages. Published by Anne Fuzeau Productions - France

By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman, Philippe Lescat. Violin and continuo / Flute and continuo / Trios. For Violin, Flute, Viol. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 104 pages. Published by Anne Fuzeau Productions - France

Critical Edition Score. Composed by Antonio Vivaldi (1678-1741). String. Softcover. 40 pages. Ricordi #PR1440. Published by Ricordi

Violin-solo,strings,basso continuo (Violin solo, Strings, Basso continuo)

SKU: BA.BA07566

Twelve Concertos for Violin, Strings and Basso continuo. Composed by Antonio Vivaldi. Edited by Bettina Schwemer. This edition: urtext edition. Paperback. Barenreiter Urtext. Volume I: Concertos I-VI. Score, anthology. Opus 4. Baerenreiter Verlag #BA07566_00. Published by Baerenreiter Verlag (BA.BA07566).

ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.

Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).

The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.

This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding