And Piano,- Version for Violin and Piano. By Robert Schumann. Edited by W. Haug-...(+)
And Piano,- Version for
Violin and Piano. By
Robert Schumann. Edited
by W. Haug-Freienstein.
Violin. Pages: Score =
VII and 29 * Vl Part = 8.
Edition for Violin-paper
bound. Published by G.
Henle.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48024893 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48024893
Violin and Piano.
Composed by Bertold
Hummel. Boosey & Hawkes
Chamber Music. Classical.
Softcover. 20 pages.
Duration 360 seconds.
Simrock #M221122551.
Published by Simrock
(HL.48024893).
ISBN
9783923051700. UPC:
840126925098.
As an
educational and recital
piece, Bertold Hummel's
Sonatina Op. 35, composed
in 1969, has accompanied
many a young musician
following his or her own
path. Having sold a
thousand times all over
the world, it is one of
the composer's best-known
works and hasbeen
included in the
repertoire list for the
'Jugend musiziert'
competition by the German
Music Council. The three
movements are
characterized by warmth
and exciting rhythms: in
the powerful Maestoso,
the sonority of the main
theme is contrasted with
a lyrical side theme; the
recapitulation ends with
an impulsive Fugato. The
second movement Elegie
consists of a single
soulful melody over
spherical harmonies of
the piano. As a
highlight, playful ease,
marching rhythms and
dramatic intensifications
alternate in quick
succession in the Finale
vivace, followed by wild
arpeggios that conclude
the piece. Originally
composed for violin,
versions for viola and
violoncello were already
commonly used. To mark
its 50th birthday,
Simrock / Boosey &
Hawkes present the work
in a revised, newly set
edition. Written in the
1990s by the composer
himself and now available
forthe first time, the
versions for alto and
tenor saxophone are
valuable additions to the
repertoire for beginning
instrumentalists.
(20 Easy Solos with Piano Accompaniments). By Various. Arranged by Larry Clark, ...(+)
(20 Easy Solos with Piano
Accompaniments). By
Various. Arranged by
Larry Clark, Sean
O'Loughlin. For violin
and piano. First Festival
Solos. Book and CD. 32
pages. Published by Carl
Fischer
Piano Accompaniment; Violin (Score and Solo Part) - difficult SKU: HL.4904445...(+)
Piano Accompaniment;
Violin (Score and Solo
Part) - difficult
SKU:
HL.49044450
Violin
and Piano. Composed
by Thierry Pé and
cou. This edition: Saddle
stitching. Sheet music.
String. Soleil-Feu refers
to the first attempt to
create a world out of a
rain of fire (nahui
quiahuitl) as described
in the cosmogony of
Ancient Mexican
civilisation. The element
of fire is reflected in
the musical soundscape of
this work; rampant,
rhythmic moti. Classical,
Contemporary. Softcover.
Composed 2013. 32 pages.
Duration 6'. Schott Music
#ED21888. Published by
Schott Music
(HL.49044450).
ISBN
9790001198639.
9.0x12.0x0.124
inches.
This work
is part of a cycle of
five short pieces for a
single instrument and
piano, focused on the
five ages in the
cosmogony of Ancient
Mexican civilisation. The
peoples of the Mexican
highlands believe that
time follows specific
cycles and that the world
was created following the
pattern of 'trial and
error'. The creation of
the world is divided into
several periods which are
termed 'suns' (we are
currently living in the
fifth phase named
'Ollin'). Each period
will be brought to an end
through a natural
catastrophe.Solei-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl).The
element of fire is
reflected in the musical
soundscape of this work,
constructed from rampant,
rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space. An
intimate dialogue
develops between violin
and piano on the basis of
extremely simple figures.
Interconnecting lines and
dense musical material
are thrown against each
other in a play of
contrasting registers and
blended tonal colouring,
creating a mysterious and
disturbing mythological
universe coloured by its
ontological pessimism.
Thierry
Pecou
Soleil-Feu
refers to the first
attempt to create a world
out of a rain of fire
(nahui quiahuitl) as
described in the
cosmogony of Ancient
Mexican civilisation. The
element of fire is
reflected in the musical
soundscape of this work;
rampant, rhythmic motifs,
fragmented splinters,
spinning upswings and
impacts reverberating
through space create a
mysterious and disturbing
mythological universe
coloured by its
ontological pessimism.
Thierry Pecou.
Violin, Piano, Play-Along CD SKU: HU.F0571523560 For Violin and Piano/CD. Compo...(+)
Violin, Piano, Play-Along
CD
SKU: HU.F0571523560
For Violin and Piano/CD.
Composed by Pam Wedgwood.
Strings, Repertoire,
Collections. After Hours.
Softcover Book and CD. 32
pages. Faber Music
#F0571523560. Published
by Faber Music
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the
Complete
Edition Jean Sibelius
Works
(JSW). Composed by Jean
Sibelius (1865-1957).
Edited
by Anna Pulkkis.
The violin was Sibelius's
instrument, and the
virtuoso
aspect is eminent in Drei
Stucke Op. 116 as well as
in
his entire oeuvre for
violin
and piano. Apart from
that,
Op. 116 provides a
glimpse
into the last active
phase of
Sibelius's care.
Breitkopf
and Haertel #EB-9341.
Published by Breitkopf
and
Haertel
Edited by Josh Dampier. Accessible Solo Repetoire. Classical, Acoustic. Book a...(+)
Edited by Josh Dampier.
Accessible Solo
Repetoire.
Classical, Acoustic. Book
and
Digital Audio. Excelcia
Music
Publishing #SB1801.
Published
by Excelcia Music
Publishing
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025071 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025071
For Violin and
Piano. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 16 pages.
Duration 300 seconds.
Bote & Bock #M202535943.
Published by Bote & Bock
(HL.48025071).
ISBN
9783793142911. UPC:
196288059691.
9.0x12.0x0.081
inches.
These six
short pieces are suitable
for instrumental students
and familiarise them with
techniques such as double
stops or
left-handpizzicato.
Pieces 2 and 3 offer the
same music with varying
degrees of
difficulty.
Violin, piano SKU: BR.EB-9407 Urtext. Composed by Joachim Raff. Ed...(+)
Violin, piano
SKU:
BR.EB-9407
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Kagi. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
68 pages. Breitkopf and
Haertel #EB 9407.
Published by Breitkopf
and Haertel (BR.EB-9407).
ISBN 9790004188811. 9
x 12 inches.
With
his Six Morceaux , Raff
created a collection of
six short pieces with the
aim of pleasantly
entertaining many a
listener and
demonstrating that he was
also capable of writing
something easy. After
all, he had made a name
for himself in the years
before with extremely
demanding chamber music
for renowned dedicatees.
The Six Morceaux ,
dedicated to the
violinist Ludwig Straus,
on the other hand, are
probably related to
Raff's teaching
activities at a private
piano school in Wiesbaden
at that time. Therefore,
with the individual
pieces varying in
difficulty they are well
suited for violin lessons
without losing any of
their musical ambition.
The most famous piece is
probably the Cavatina.
Arranged for various
scorings during Raff's
lifetime, it continues to
be one of the most
popular Encore pieces
altogether - Fritz
Kreisler, Yehudi Menuhin
and Itzhak Perlman have
made recordings of the
piece. They say that a
piano quintet version was
even heard on the Titanic
. This modern Urtext
edition is based on the
first printing,
supervised and initiated
by Raff himself. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
(Volume 2 Violin and Piano). By Various. Edited by Roberta Milanaccio. For Violi...(+)
(Volume 2 Violin and
Piano). By Various.
Edited by Roberta
Milanaccio. For Violin,
Piano Accompaniment. MGB.
Softcover. 96 pages.
Ricordi #R140715.
Published by Ricordi
Violin, piano SKU: KU.GM-1850E Composed by David Philip Hefti. Edited by ...(+)
Violin, piano
SKU:
KU.GM-1850E
Composed
by David Philip Hefti.
Edited by David Philip
Hefti. DIN-A4. Folded.
Piano score. 2 pages.
Duration 2 minutes.
Edition Kunzelmann
#GM-1850e. Published by
Edition Kunzelmann
(KU.GM-1850E).
Two Obereks Violon et Piano PWM (Polskie Wydawnictwo Muzyczne)
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.295492 Violin and P...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.295492
Violin and Piano.
Composed by Grazyna
Bacewicz. PWM. Classical.
Softcover. 8 pages.
Polskie Wydawnictwo
Muzyczne #7182. Published
by Polskie Wydawnictwo
Muzyczne (HL.295492).
ISBN 9781540056023.
UPC: 888680947200.
9.25x12.0x0.032
inches.
The simple,
uncomplicated texture, in
which the composer brings
the violin to the fore,
does not, however, mean
that the music is easily
accessible to the
performer, who has to
play at a very fast
tempo, with a frequent
use of double stops
stylized in the folk
manner and with varied
articulation. All these
musical devices form a
test of virtuosity for
the performer that only a
virtuoso-composer can
set.
Violin and Piano. Composed by James Macmillan. Boosey & Hawkes Chamber M...(+)
Violin and Piano.
Composed by
James Macmillan. Boosey
&
Hawkes Chamber Music.
Classical. Softcover. 46
pages. Boosey &
Hawkes
#M060136221. Published by
Boosey & Hawkes
Violin and Piano SKU: BT.MUSM570209811 Composed by Anthony Gilbert. Piano...(+)
Violin and Piano
SKU:
BT.MUSM570209811
Composed by Anthony
Gilbert. Piano Reduction.
42 pages. University of
York Music Press
#MUSM570209811. Published
by University of York
Music Press
(BT.MUSM570209811).
English.
Anthony
Gilbert 's On Beholding A
Rainbow . Reduction for
Violin with Piano
accompaniment. I :
Passacaglia nascondita II
: Cantilena - Slow and
still III : Variazioni in
moto perpetuo - flowing,
legato, a little rubato
On Beholding A Rainbow
was commissioned by the
BBC for Lydia Mordkovich
and the BBC Philharmonic
and written between 1992
and 1997, with some small
revisions early in 1998.
The work’s title
refers to an important
Jewish affirmation of
trust, and is a private
message to its dedicatee,
the composer’s
friend Ian Goldstone,
whose tragic death
shocked the work into
existence in its final
form. The duration is 30
minutes.
(Movements I and II Arranged for Violin and Piano). By Igor Fyodorovich Stravins...(+)
(Movements I and II
Arranged for Violin and
Piano). By Igor
Fyodorovich Stravinsky.
Arranged by David
Dutkanicz. For violin
piano. 8 2 pages.
Duration 7 minutes.
Published by Carl Fischer
Violin-solo, piano (Violin solo, Piano) SKU: BA.BA09099-92 First Versi...(+)
Violin-solo, piano
(Violin solo, Piano)
SKU: BA.BA09099-92
First Version
1844. Composed by
Felix Bartholdy
Mendelssohn. Edited by R.
Larry Todd. This edition:
urtext edition. Stapled.
Barenreiter Urtext. Early
version 1844. Piano
reduction, Part. Opus 64.
Duration 12 hours.
Baerenreiter Verlag
#BA09099_92. Published by
Baerenreiter Verlag
(BA.BA09099-92).
ISBN
9790006565733. 31 x 24.3
cm inches. Key: E minor.
Preface: Larry R.
Todd.
Mendelssohn's
Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
- New
source situation owing to
recently rediscovered
proofs - Revised
Urtext edition - With
a separate booklet on
performance practice
(Eng/Ger).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
B�¤renreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composer�s
intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Violin & piano SKU: OU.9780193592735 For violin and piano. Compose...(+)
Violin & piano
SKU:
OU.9780193592735
For violin and
piano. Composed by
Ralph Vaughan Williams.
56 pages. Oxford
University Press
#9780193592735. Published
by Oxford University
Press (OU.9780193592735).
ISBN 9780193592735. 12
x 9
inches.
Frederick
Grinke (the dedicatee)
and the pianist Michael
Mullinar premiered this
sonata in 1954. The
opening Fantasia
contrasts a rhythmic
piano figure with a slow
flowing theme on the
violin, while the second
movement is a march-like
Scherzo.
Piano Accompaniment; Violin (Score and Solo Part) SKU: HL.48024685 Red...(+)
Piano Accompaniment;
Violin (Score and Solo
Part)
SKU:
HL.48024685
Reduction for Violin
and Piano. Composed
by Magnus Lindberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 76 pages.
Duration 1500 seconds.
Boosey & Hawkes
#M060136313. Published by
Boosey & Hawkes
(HL.48024685).
ISBN
9781784545406. UPC:
888680952594.
9.0x12.0x0.323
inches.
Dating from
2015, this work was a
commission from the
London Philharmonic
Orchestra, Stiftung
Berliner Philharmoniker,
Swedish Radio Symphony
Orchestra, Radio France
and New York
Philharmonic. Its
dedicatee is Frank Peter
Zimmermann, whose
performance suggestions
have been incorporated
into the score. Cast in a
single 25-minute span,
the concerto falls into
three movements, plus
cadenza. London's
Financial Times
commented,...there is no
lack of technical
discipline. The
atmosphere, though, is
brooding...a panoramic
vista opens up of dark
clouds over forests and
lakes, of repressed
passions and baleful
desires..
Violon et Piano [Partition] - Intermédiaire IMC (International Music Co.)
Composed by Tomaso Antonio Vitali (1663-1745), edited by Leopold Charlier, Zino ...(+)
Composed by Tomaso
Antonio Vitali
(1663-1745), edited by
Leopold Charlier, Zino
Francescatti.
Instrumental solo book
for violin and piano
accompaniment. With piano
accompaniment, bowings
and fingerings. 21 pages.
Published by
International Music Co.
For Violin and Piano. By Ludwig van Beethoven. Edited by S. Brandenburg. This ed...(+)
For Violin and Piano. By
Ludwig van Beethoven.
Edited by S. Brandenburg.
This edition: HN291.
Violin. Henle Music
Folios. Pages: Score = 24
* Vl Part = 8. Urtext
edition-paper bound. 32
pages. Published by G.
Henle
Violin SKU: HL.48180959 For Violin and Piano. Composed by Johann K...(+)
Violin
SKU:
HL.48180959
For
Violin and Piano.
Composed by Johann
Kuhnau. Robert King.
Classical. Softcover. 3
pages. Alphonse Leduc
#AL19866. Published by
Alphonse Leduc
(HL.48180959).
Violin and Piano. Composed by Karl Jenkins. Boosey & Hawkes Chamber Musi...(+)
Violin and Piano.
Composed
by Karl Jenkins. Boosey
&
Hawkes Chamber Music.
Softcover. 20 pages.
Boosey
& Hawkes #M060132988.
Published by Boosey &
Hawkes