Cello, Piano Accompaniment, Harp SKU: HL.14002486 Composed by Sir Granvil...(+)
Cello, Piano
Accompaniment, Harp
SKU: HL.14002486
Composed by Sir Granville
Bantock. Music Sales
America. Post-1900. Sheet
Music, Instrumental Work.
Chester Music #CH00907.
Published by Chester
Music (HL.14002486).
Cello, Piano and Harp (Cello) SKU: HL.14003310 Composed by Granville Bant...(+)
Cello, Piano and Harp
(Cello)
SKU:
HL.14003310
Composed
by Granville Bantock.
Music Sales America. 20th
Century. Book
[Softcover]. Composed
2000. 9 pages. Chester
Music #CH00909. Published
by Chester Music
(HL.14003310).
UPC:
884088433451.
8.25x11.75x0.033
inches.
Hebrew
Melody arranged for Cello
and Piano or Harp.
Includes score and
part.
By Charles Camille Saint-Saens. Edited by Werner Thomas-Mifune. Cello and Piano ...(+)
By Charles Camille
Saint-Saens. Edited by
Werner Thomas-Mifune.
Cello and Piano (Organ,
Harp). Carnival of
Animals Grande Fantaisie
Zoologique Transcription
for Violoncello and Piano
Souvenir de Norma Violoncelle, Piano [Conducteur et Parties séparées] Ut Orpheus
Fantasiia on Bellini's Norma. By Auguste Joseph Franchomme. Edited by Anna Paase...(+)
Fantasiia on Bellini's
Norma. By Auguste Joseph
Franchomme. Edited by
Anna Paasetti. For
violoncello and piano
(harp). Urtext edition.
Score and parts.
Published by Ut Orpheus.
(MAG 195)
Composed by Leonardo Moja. Edited by Daniele Bogni. For cello with piano or harp...(+)
Composed by Leonardo
Moja. Edited by Daniele
Bogni. For cello with
piano or harp. This
edition: Paperback. Il
violoncello all'Opera.
Romantic. Score and set
of parts. Published by
Musedita Edizioni
Musicali
Cello and Piano (BR) SKU: HL.49034701 Composed by Konold. Edition Schott....(+)
Cello and Piano (BR)
SKU: HL.49034701
Composed by Konold.
Edition Schott.
Classical. Book Only. 228
pages. Schott Music
#GS33606. Published by
Schott Music
(HL.49034701).
UPC:
884088096076. 305 X 229
inches.
Spanish
composer Leonardo Balada
dresses Bach's melodies
in musical finery that
examines thematic
variation, shifting tonal
centers, sharply
contrasting timbres, and
instrumental balance.
Described as 'a work in
continual nervous motion,
full of contrasting,
interlocking speeds and
rhythm' by the New
York Times this
advanced work for Cello
and Piano is an
exploration of both Bach
and of the two
instruments. Leonardo
Balada serves as
University Professor of
Composition at Carnegie
Mellon University.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48020576 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48020576
Volume
1 Cello and Piano.
Composed by Johannes
Brahms. Edited by Alfred
Piatti. Boosey & Hawkes
Miscellaneous. Classical.
32 pages. Simrock
#M221104687. Published by
Simrock (HL.48020576).
9.0x12.0x0.11
inches.
Includes:
No. 1 G Minor No. 2 D
Minor No. 3 F Major No. 4
D Minor (orig. F Minor)
No. 5 F Minor (orig. F
sharp Minor).
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046788 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046788
Cello
and Piano. Composed
by Anno Schreier. String
Solo. Classical.
Softcover. 16 pages.
Duration 540 seconds.
Schott Music #ED23248.
Published by Schott Music
(HL.49046788).
UPC:
842819110644.
9.0x12.0x0.075
inches.
In his
short studies, Anno
Schreier describes his
homeland, the northern
Eifel, which is
characterized by sparse
beauty and sharp
contrasts. The two pieces
look at the landscape
differently - once calm
and once furious.
Cello SKU: RM.RUBIN3040 Composed by Pierre-Adrien Charpy. Cello and piano...(+)
Cello
SKU:
RM.RUBIN3040
Composed
by Pierre-Adrien Charpy.
Cello and piano.
Instrumental music.
Editions Robert Martin
#RUBIN3040. Published by
Editions Robert Martin
(RM.RUBIN3040).
Cello and piano SKU: FG.55011-609-2 Variaatioita sellolle ja orkesteri...(+)
Cello and piano
SKU:
FG.55011-609-2
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Fennica Gehrman
#55011-609-2. Published
by Fennica Gehrman
(FG.55011-609-2).
ISBN
9790550116092.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
By Errollyn Wallen (1958-). For Cello, Piano. Modern. Score and part. Composed 2...(+)
By Errollyn Wallen
(1958-). For Cello,
Piano. Modern. Score and
part. Composed 2001;
First Performance:
Matthew Sharp, Dominic
Harlan, Wigmore Hall.
Duration 6 minutes.
Published by Edition
Peters