Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Cello Play-Along Book with Online Audio. Composed by Andrew Lloyd Webber. Instru...(+)
Cello Play-Along Book
with Online Audio.
Composed by Andrew Lloyd
Webber. Instrumental
Play-Along. Play Along.
Softcover Audio Online.
16 pages. Published by
Hal Leonard
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. Arranged ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. Arranged by
Andrew Talle / Jungeun
Elle Kim. This edition:
edition of selected
works, urtext edition.
Linen. New Bach Edition,
Revised Edition (NBA
rev). 4. Score,
Anthology. BWV 1007-1012.
Published by Baerenreiter
Verlag (BA.BA5942-01).
(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello...(+)
(Cello and Bass). By
Andrew H. Dabczynski and
Bob Phillips. Orchestra.
For Cello and Bass.
String Orchestra
Collection. Book and CD.
48 pages. Published by
Alfred Music Publishing
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Solo cello SKU: SU.46100110 For solo cello. Composed by Andrew Wag...(+)
Solo cello
SKU:
SU.46100110
For
solo cello. Composed
by Andrew Waggoner.
Strings, Cello.
Christmas. Score. Subito
Music Corporation
#46100110. Published by
Subito Music Corporation
(SU.46100110).
(Easy cello pieces). By Kathy Blackwell; David Blackwell. For cello. Cello Time....(+)
(Easy cello pieces). By
Kathy Blackwell; David
Blackwell. For cello.
Cello Time. Easy. Method
book and CD. 24 pages.
Published by Oxford
University Press
Violoncello SKU: BA.BA05277 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05277
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: facsimile.
Paperback. Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05277_00.
Published by Baerenreiter
Verlag (BA.BA05277).
ISBN 9790006569618.
32.5 x 25.5 cm
inches.
The suites
are the very core of
cello literature, with
their timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the worksâ??
significance, the great
number of editions in
existence is not
surprising. However, the
composerâ??s autograph
has not been preserved
and is considered lost.
This circumstance creates
an exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
This
facsimile edition is the
first to juxtapose all
four autograph sources as
well as the first print
(along with Bachâ??s own
arrangement of Suite No.
V for lute). For the
first time, readers can
compare a specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources.
(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) E...(+)
(Improving Reading and
Sight-Reading Skills in
the String Classroom or
Studio) Edited by Andrew
H. Dabczynski, Bob
Phillips, Richard Meyer.
Instructional book for
cello. With instructional
text and bowings. Series:
Sight-Read It for
Strings. 32 pages.
Published by Alfred
Publishing.
Cello SKU: HL.49045753 Version for solo cello. Composed by Andrew ...(+)
Cello
SKU:
HL.49045753
Version for solo
cello. Composed by
Andrew Norman. This
edition: Saddle
stitching. Sheet music.
String Solo. Softcover.
Composed 2008-2009. 8
pages. Duration 11'.
Schott Music #ED31272.
Published by Schott Music
(HL.49045753).
ISBN
9781540019752. UPC:
888680726553.
10.0x13.0x0.06
inches.
(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello...(+)
(Cello and Bass). By
Andrew H. Dabczynski and
Bob Phillips. Orchestra.
For Cello and Bass.
String Orchestra
Collection. Book and CD.
40 pages. Published by
Alfred Music Publishing
Cello - Early Intermediate SKU: FH.VC4 Cello Series, 2013 Edition....(+)
Cello - Early
Intermediate
SKU:
FH.VC4
Cello
Series, 2013 Edition.
Composed by The Royal
Conservatory. Cello
Series, 2013 Edition.
Book/CD. The Frederick
Harris Music Company
#VC4. Published by The
Frederick Harris Music
Company (FH.VC4).
ISBN
978-1-55440-540-4.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Concertos,
Sonatas, and
Suites: Sonata in D
Major - Caldara, Antonio
arr. Gyoergy Orban -
First Movement:
Adagio - Second
Movement:
Allegro Sonatina in D
Minor, WoO 43a -
Beethoven, Ludwig
van Sonatina in G
Minor - Matz, Rudolf -
Second Movement Sonata
in F Major, op. 1, no. 1
- Marcello,
Benedetto - Third
Movement: Largo -
Fourth Movement:
Allegro Concertino No.
3 in A Major - Breval,
Jean-Baptiste arr. L.-R.
Feuillard Concert
Repertoire: The Easy
Winners - Joplin, Scott
arr. Forrest
Kinney Orientale, op.
50, no. 9 - Cui,
Cesar Bonjour
tristesse - Hart,
Paul Hip Hip Bourree -
Jacobson,
Julian Elfentanz -
Jenkinson, Ezra arr.
Carey Cheney Chanson
de matin, op. 15, no. 2 -
Elgar, Edward Cello
Sonata in G Minor, op. 65
- Chopin, Frederic -
Third Movement:
Largo The Swan Sees
his Reflection - Forsyth,
Malcolm Spanish Dance
- Adorian, Andrew Baby
Blackbird, Fly Now -
Silverman, Adam
B. Unaccompanied
Repertoire: Suite for
Violoncello (Lights and
Shadows) - Matz,
Rudolf - Second
Movement: Cantabile -
Eighth Movement: Finale
giocoso Ricercar No. 1
- Gabrielli,
Domenico Suite NO. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - Seventh
Movement: Gigue.