Composed by Deborah Baker Monday. For string orchestra (violin I, violin II,...(+)
Composed by Deborah Baker
Monday. For string
orchestra
(violin I, violin II,
violin
III (viola T.C.), viola,
cello, bass, piano).
Score and
parts. Duration 3
minutes, 36
seconds. Published by
Carl
Fischer
Score and Parts Concert Band (Score and Parts) - Grade 3 SKU: HL.4008730...(+)
Score and Parts
Concert Band (Score and
Parts) - Grade 3
SKU:
HL.4008730
Concert
Band, Grade 3 3:50 Score
and parts. Composed
by Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392302.
Published by Hal Leonard
(HL.4008730).
ISBN
9798350119473. UPC:
196288195238.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Concert
Band, Grde 3 3:50
Score. Composed by
Peter Knockaert.
Symphonic Dimensions.
Concert Band. Softcover.
Duration 230 seconds. Hal
Leonard #SDP2392301.
Published by Hal Leonard
(HL.4008731).
UPC:
196288195245.
The
last decades we humans
have witnessed a
significant number of
disturbing developments.
If we look at the direct
and persistent
destructive influence of
humans on nature: air and
water quality are
reducing, soils are
depleting, crops are
short of pollinators,
coasts are less protected
from storms,
deforestation, the
degradation of land, loss
of biodiversity and
pollution. In stark
contrast we find the
intelligence and
boundless creativity of
humans: what about all
the high technological
advancements? What lies
ahead in the realm of
Artificial Intelligence?
Will we let machines make
human decisions? What
ethical issues arise
there? This composition
reflects the desperation
and urgency of the human
need for action. The
music draws inspiration
from the brutal natural
forces that ravage our
world as a direct
consequence of human
failure and selfishness.
Are we heading towards a
'Judgment Day'? Or will
humanity find a way to
reverse negative trends
towards a more livable,
peaceful, and joyful
environment for humans,
animals, and nature? To
underscore this message,
composer Peter Knockaert
opted for a highly
classical idiom that has
been used by many
composers in classical
music: the 'Dies Irae'.
Traditionally, the Dies
Irae is the third part of
a requiem (funeral mass).
The text used in
'Judgment DayÂ? (for
optional choir) is coming
from the original Latin
text.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809).
ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1725. BWV 168.
Duration 17 minutes.
Carus Verlag #CV
31.168/19. Published by
Carus Verlag
(CA.3116819).
ISBN
9790007166786. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803).
ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805).
ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo.
The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1725. BWV 168. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/07. Published by
Carus Verlag
(CA.3116807).
ISBN
9790007242220. Language:
German/English. Text:
Franck, Salomo.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Dies Irae Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9716 Day of Wrath. Composed b...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9716
Day of
Wrath. Composed by
David (D) Smith. 12
pages. Duration 0:01:57.
Carl Fischer Music
#CM9716. Published by
Carl Fischer Music
(CF.CM9716).
ISBN
9781491160954. UPC:
680160919550. Key: D
minor. Latin. Early Latin
Text.
This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a
manic depiction of the
fierce wrath of judgment
day. They should be sung
with fire, crisp
consonants while always
enunciating the accents
in order to realize the
full effect of this
powerful text. The entire
demeanor of the tone and
facial expressions should
change for the B-section,
mm. 30-42 as it is a plea
for mercy. The audience
should realize the change
in this contrasting
section. Translation Dies
irae, dies illa: Day of
wrath, that day Solvet
saeclum in favilla: shall
dissolve the world into
embers Teste David cum
Sibylla: As David
prophesied with the
Sibyl. Voca me cum
benedictis :Call me to be
with the blessed. Salva
me fons pietatis : Save
me, fount of pity. The
Sibyl is a reference from
a Greek word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical scholars.
About the Arranger D.
Farrell Smith is the
Director of Choirs at
Hilldale Middle School,
and Hilldale High School
in Muskogee, Oklahoma. He
holds a B.A. in Music
Education and the M.A. in
Theological Studies.
Currently the Minister of
Music at Eastern Heights
Baptist Church, he has
been a Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson. This text is
taken from the Dies Irae
Sequence from the Requiem
Mass. It is a
contemplation of the
arrival of judgment day.
The A-sections, mm. 1-29
& mm. 43-end, are a manic
depiction of the fierce
wrath of judgment day.
They should be sung with
fire, crisp consonants
while always enunciating
the accents in order to
realize the full effect
of this powerful text.
The entire demeanor of
the tone and facial
expressions should change
for the B-section, mm.
30-42 as it is a plea for
mercy. The audience
should realize the change
in this contrasting
section.TranslationDies
irae, dies illa: Day of
wrath, that daySolvet
saeclum in favilla: shall
dissolve the world into
embersTeste David cum
Sibylla: As David
prophesied with the
Sibyl.Voca me cum
benedictis :Call me to be
with the blessed.Salva me
fons pietatis : Save me,
fount of pity.The
“Sibyl†is a
reference from a Greek
word, which means
Prophetess. In this
context, the word appears
in plural, referring to
many prophetesses. David,
or King David, has long
been considered prophetic
among biblical
scholars.About the
ArrangerD. Farrell Smith
is the Director of Choirs
at Hilldale Middle
School, and Hilldale
High School in Muskogee,
Oklahoma. Â He holds a
B.A. in Music Education
and the M.A. in
Theological Studies.
Currently theÂ
Minister of Music at
Eastern Heights Baptist
Church, he has been a
Music educator and
Minister for 20 years.
Mr. Smith studied with
Dr. Gary Foster and Dr.
Donald Studebaker and has
performed under such
notables as R. Evan
Copley, Daniel Pinkham,
Lloyd Pfautsch, and Bev
Henson.
Cantata for the 9th Sunday after Trinity. Composed by Johann Sebastian Ba...(+)
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Ulrich Bartels. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas;
Trinity. Full score.
Composed 1725. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/00. Published by
Carus Verlag
(CA.3116800).
Orchestra (Orchestra) SKU: HL.14008415 Composed by Sir Peter Maxwell Davi...(+)
Orchestra (Orchestra)
SKU: HL.14008415
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Post-1900.
Sheet Music, Miniature
Score. With Text
language: English. 110
pages. Chester Music
#CH55687. Published by
Chester Music
(HL.14008415).
UPC:
884088808242.
8.5x11.0x0.261
inches.
This work,
written by Maxwell Davies
in 1983 for chamber
orchestra, was
commissioned to celebrate
the quartercentenary of
Edinburgh University. The
first performance was
given by the Scottish
Chamber Orchestra
conducted by Edward
Harper in October 1983.
Duration c. 29mins. This
work was thought through
in outline following a
visit to the ruined
pre-Reformation church of
Hoy in Orkney, on a fine
Spring afternoon after
Maxwell Davies had played
the harmonium for the
tiny congregation in its
large bleak Victorian
replacement. The old
church was surrounded by
the graves of centuries,
the more recent ones with
familiar names, largely
of people who lived in
houses now ruinous -
crofters, fishermen,
clerics, sea-captains.
Next to it stood the
chief farmhouse, the Bu,
going back to Viking
times. He thought of the
lives and deaths
encompassed there,
expressed through
hundreds of years of
music in the church, and
in the big barn of the
farm. The plainsongs
'Dies Irae' and 'Victimae
Paschali Laudes' are used
throughout the work - the
first concerning the Day
of Judgement, from the
Mass for the Dead, the
second particular to
Easter Sunday and the
Resurrection. These are
subject to constant
transformation - the
intervallic contour
slowly changes from one
into the other, and their
notes are made to dance
through Renaissance
astrological 'magic
square' patterns. The
orchestra consists of
double woodwind, two
horns, two trumpets and
strings.
The Last Judgment (Die letzten Dinge) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Composed
1865-68. Op. 61. Duration
80 minutes. Carus Verlag
#CV 23.003/19. Published
by Carus Verlag
(CA.2300319).
ISBN
9790007133849. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and parts
available separately -
see item CA.2300300.
The Last Judgment (Die letzten Dinge) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] Carus Verlag
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios. Set of
Orchestra Parts. Op. 61.
244 pages. Duration 80
minutes. Carus Verlag #CV
23.003/09. Published by
Carus Verlag
(CA.2300309).
ISBN
9790007198589. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and parts
available separately -
see item CA.2300300.
Orchestra Contrabass SKU: CA.2300315 Oratorio. Composed by Louis S...(+)
Orchestra Contrabass
SKU: CA.2300315
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
28 pages. Duration 80
minutes. Carus Verlag #CV
23.003/15. Published by
Carus Verlag
(CA.2300315).
ISBN
9790007198633. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Orchestra Viola SKU: CA.2300313 Oratorio. Composed by Louis Spohr....(+)
Orchestra Viola
SKU:
CA.2300313
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/13. Published by
Carus Verlag
(CA.2300313).
ISBN
9790007198619. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Orchestra Violine 1 SKU: CA.2300311 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 1
SKU: CA.2300311
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/11. Published by
Carus Verlag
(CA.2300311).
ISBN
9790007198596. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Orchestra Violoncello SKU: CA.2300314 Oratorio. Composed by Louis ...(+)
Orchestra Violoncello
SKU: CA.2300314
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/14. Published by
Carus Verlag
(CA.2300314).
ISBN
9790007198626. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Orchestra Violine 2 SKU: CA.2300312 Oratorio. Composed by Louis Sp...(+)
Orchestra Violine 2
SKU: CA.2300312
Oratorio. Composed
by Louis Spohr. Edited by
Dieter Zeh, Irene
Schallhorn. Awards /
Prizes: Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Die Letzten Dinge
(Oratorium). Sacred vocal
music, Oratorios.
Individual part. Op. 61.
32 pages. Duration 80
minutes. Carus Verlag #CV
23.003/12. Published by
Carus Verlag
(CA.2300312).
ISBN
9790007198602. Language:
German/English.
In
honor of the 150th
anniversary of the death
of Louis Spohr, for the
first time Carus is
publishing a critical
edition of The Last
Judgment, the most
important of his four
oratorios. It was first
performed on Good Friday,
1826 in Kassel. It is
based on the
theologically most
significant portions of
the Revelations of John
in the New Testament,
whose visions of death
and eternity Spohr
vividly portrayed in
music. The work
represents an important
enrichment to the
repertoire of the
oratorio, especially
suitable for the end of
the church year. It is
captivating on account of
its masterful
instrumentation,
excellent use of
chromaticism, large-scale
solo recitatives and
accessible choral
passages filled with
heartfelt sensitivity on
the one hand, and
exciting drama on the
other. Score and part
available separately -
see item CA.2300300.
Guitar, Bass, Percussion SKU: YM.GTL01101188 Artist Folio. Artist Book, H...(+)
Guitar, Bass, Percussion
SKU:
YM.GTL01101188
Artist
Folio. Artist Book, Heavy
Metal. Book and Score.
Yamaha Music Media
#GTL01101188. Published
by Yamaha Music Media
(YM.GTL01101188).
ISBN
9784636108262. 9 x 12
inches.
Full of
photos, published for the
first time in this book!
This book is full of the
charm of LOVEBITES!
LOVEBITES is a Japanese
female metal band that
debuted in 2017. They
have attracted the
attention of heavy metal
fans worldwide. This is
their first artist book,
produced with the full
cooperation of the
members. It includes lots
of photos taken for this
book, a special interview
and band sheet music for
two songs. With special
content everywhere you
look, this is a must-have
for fans!
Concert Band; Orchestra
3(3rd dPicc).2.2.2:
2.2.3.1: Timp.Perc(2-3):
Str (9-8-7-6-5 in set):
Solo Piano in the sc
SKU: AP.36-A263301
Composed by Franz Liszt.
Arranged by Ferruccio
Busoni. Chamber
Orchestra; Performance
Music Ensemble. Kalmus
Orchestra Library. Form:
Concerto. Romantic.
Score. LudwigMasters
Publications #36-A263301.
Published by
LudwigMasters
Publications
(AP.36-A263301).
UPC:
660355020445.
English.
The idea
for Totentanz, S. 126
(Dance of the Dead) was
conceived by Franz Liszt
(1811-1886) in 1938. Two
versions were to follow,
the first completed in
1853, and the second
version finished in 1864.
The flashy virtuosic
piece for the solo piano
uses the Gregorian
plainchant melody Dies
irae (Day of Judgement)
in a set of variations.
The first version, which
is nicknamed De
Profundis, is most
commonly heard in the
1919 edition by famed
Italian composer,
pianist, and conductor
Ferruccio Busoni
(1866-1924).
Instrumentation: 3(3rd
dPicc).2.2.2: 2.2.3.1:
Timp.Perc(2-3): Str
(9-8-7-6-5 in set): Solo
Piano in the sc.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.