Symphonic Brass
Ensemble Series - Brass
Quintet Grade 3.
Composed by Thomas
Weelkes. Arranged by
Peter Knudsvig. De Haske
Ensemble. Classical. Set
(Score & Parts) with CD.
Composed 2004. De Haske
Publications #1043516.
Published by De Haske
Publications
(HL.44004698).
UPC:
073999046984.
8.2x11.7x0.128 inches.
International (more than
one
language).
These
four short pieces are
from a collection of
Madrigals by the English
organist Thomas Weelkes.
This arrangement by Peter
Knudsvig works well for
brass quintet and will
bring a bit of
Renaissance grandeur to
any concert. Parts
included in this set are
trumpet 1/2, horn in F,
horn in Eb, trombone
(BC), Bb trombone, Tuba
(BC) and Eb bass (TC /
BC).
Diese
Sammlung von Madrigalen
des englischen Organisten
und Komponisten Thomas
Weelkes enthalt absolute
Glanzstucke seiner Musik.
Peter Knudsvig gelang es,
in seiner Bearbeitung fur
Blechblaserquintett, die
ursprungliche Atmosphare
dieser Musikrichtung der
Renaissance zu erhalten.
Le Quintette de
Cuivres Rekkenze
Brass a ete fonde par des
membres de l'Orchestre
Symphonique d'Hof en
Allemagne, et reconnu
internationalement comme
un des meilleurs
ensembles du genre. La
devise de l'ensemble se
resume par
BRASSzination(r) : la
fascination par les
cuivres. C'est avec
grand plaisir que nous
vous presentons la
Collection Rekkenze
Brass qui couvre un
large eventail de styles.
Chaque œuvre publiee
dans cette collection est
accompagnee d'un compact
disc sur lequel sont
enregistrees les versions
integrales de la plupart
des œuvres
disponibles dans une
interpretation unique du
Rekkenze Brass.
Instrumentation : 2
TrompettesSib, Cor en
Fa/Mib,Trombone en Ut BC,
Tuba
Strumentazione: 2
Trombe Sib, Corno Fa/Mib,
Trombone, Tuba in Do o
Basso Sib.
Four Madrigals [Conducteur et Parties séparées] Forton Music
2 fl. Fl/afl (3 flutes, or 2 flutes and alto flute) - Easy SKU: FT.FM397 ...(+)
2 fl. Fl/afl (3 flutes,
or 2 flutes and alto
flute) - Easy
SKU:
FT.FM397
Composed by
Thomas Weelkes. Arranged
by Robert Rainford.
Arranged for Flute Trio -
3 flutes, or 2 flutes and
Alto flute. Score and
Parts. Forton Music
#FM397. Published by
Forton Music (FT.FM397).
ISBN
9790570482962.
Flut
e Trio - 3 flutes, or 2
flutes and alto flute.
This set of three
madrigals by the
renaissance composer
Thomas Weelkes features
frequent time changes and
some lovely independent
part writing. None of the
pieces are overly long -
about 30 bars on average.
Part 3 descends to low C,
but the other parts are
relatively
straightforward note-wis
e. Could be tackled by
confident players of
grade 2-3
standard. .
Choral TBB chorus SKU: CF.CM9638 Composed by John Bennet. Arranged by Rus...(+)
Choral TBB chorus
SKU:
CF.CM9638
Composed by
John Bennet. Arranged by
Russell L. Robinson.
Fold. Performance Score.
4 pages. Duration 2
minutes. Carl Fischer
Music #CM9638. Published
by Carl Fischer Music
(CF.CM9638).
ISBN
9781491157107. UPC:
680160915668. 6.875 x
10.5 inches. Key: A
minor. English, English.
Original.
Robinson'
s TBB arrangement of this
beloved Bennett madrigal,
originally published for
four voices in 1599, has
been changed from the
original key of A minor
to the key of D minor,
making the ranges and
texture more
characteristic for TBB
voices. A wonderful
concert or festival
staple piece!. Weep, O
Mine Eyes is a classic
madrigal from the
Renaissance period (circa
1400-1650). Although John
Bennet's exact birth and
death dates are unknown,
we know that he was
English and composed
madrigals (non-sacred a
cappella pieces) in the
late 16th - early 17th
centuries. Although,
Bennet was not as
prolific as other
madrigal writers of the
time, such as Thomas
Morley, Weep, O Mine Eyes
has certainly stood the
test of time. Originally
published in a book of 17
madrigals for four voices
in 1599, this arrangement
for TBB voices has been
changed from the original
key of A minor to the key
of D minor, making the
ranges and texture more
characteristic for TBB
voices. The original
flavor of Bennet's
four-part setting has
been preserved, including
the counterpoint
(independent voices)
where each voice is of
equal importance. In
Renaissance style no
parts should over sing;
the beauty of the melodic
lines and text should
come through and over
singing will take away
from the beauty. The EE
vowel is sometimes
problematic in the word
weep. I suggest that you
produce the EE vowel with
OO on the lips and EE
inside the mouth for
better blend and to avoid
a horizontal spreading of
the vowel. Enjoy this
wonderful
madrigal!. Weep, O
Mine Eyes is a classic
madrigal from the
Renaissance period (circa
1400-1650). Although John
Bennet's exact birth and
death dates are unknown,
we know that he was
English and composed
madrigals (non-sacred a
cappella pieces) in the
late 16th - early 17th
centuries. Although,
Bennet was not as
prolific as other
madrigal writers of the
time, such as Thomas
Morley, Weep, O Mine Eyes
has certainly stood the
test of time.Originally
published in a book of 17
madrigals for four voices
in 1599, this arrangement
for TBB voices has been
changed from the original
key of A minor to the key
of D minor, making the
ranges and texture more
characteristic for TBB
voices.The original
flavor of Bennet's
four-part setting has
been preserved, including
the counterpoint
(independent voices)
where each voice is of
equal importance. In
Renaissance style no
parts should over sing;
the beauty of the melodic
lines and text should
come through and over
singing will take away
from the beauty.The EE
vowel is sometimes
problematic in the word
weep. I suggest that you
produce the EE vowel with
OO on the lips and EE
inside the mouth for
better blend and to avoid
a horizontal spreading of
the vowel.Enjoy this
wonderful madrigal!
Hymns & Chorals. Part.
Composed 1952. 2 pages.
Editio Musica Budapest
#EMBZ787. Published by
Editio Musica Budapest
(BT.EMBZ787).
Hungarian.
Thoma
s Morley (1557/58-1602)
was a contemporary of
Shakespeare's, a great
master of the English
Renaissance, and the
first significant English
composer of madrigals.
One favourite work by him
in the choral repertoire
is the short four-part
madrigal Now is the
Gentle Season, which we
publish here in a
Hungarian translation by
László Lukin.
(from Luca Marenzio Complete Four Voice Madrigals - GA.GM3215). By Luca Marenzio...(+)
(from Luca Marenzio
Complete Four Voice
Madrigals - GA.GM3215).
By Luca Marenzio
(1553-1599). Edited by
John Steele. For SATB
choir. Madrigal.
Renaissance Voices.
Octavo. Text Language:
Italian. Published by
Gaudia Music and Arts
Publications
(from Luca Marenzio Complete Four Voice Madrigals - GA.GM3215). By Luca Marenzio...(+)
(from Luca Marenzio
Complete Four Voice
Madrigals - GA.GM3215).
By Luca Marenzio
(1553-1599). Edited by
John Steele. For SATB
choir. Madrigal.
Renaissance Voices.
Octavo. Text Language:
Italian. Published by
Gaudia Music and Arts
Publications
Chorale SATB SATB A Cappella [Vocal Score] - Intermédiaire Faber Music Limited
By The King's Singers. Arranged by Clifford Bartlett. For voice quartet (4 Part)...(+)
By The King's Singers.
Arranged by Clifford
Bartlett. For voice
quartet (4 Part). King's
Singer's Choral. Pop
Vocal, Renaissance and
Classical Period.
Difficulty: medium. Vocal
score (a cappela - four
copies needed for
performance). Vocal
score. 80 pages. Faber
Music #F100511. Published
by Faber Music
SATB choir SKU: ST.EM42 Composed by Nicholas Yonge. Edited by David Greer...(+)
SATB choir
SKU:
ST.EM42
Composed by
Nicholas Yonge. Edited by
David Greer. Library
Volumes. Edited by David
Greer. Paperback.
Madrigals. Collection.
Stainer & Bell Ltd.
#EM42. Published by
Stainer & Bell Ltd.
(ST.EM42).
ISBN
9790220223136.
This
is the first ever
complete published
edition of a major
madrigal collection that
is essential to our
understanding of the
fruitful interaction of
Renaissance Italian and
English music.
In four, five and six
voices, the 57 pieces of
Musica
Transalpina include
51 madrigals by Marenzio,
Palestrina and others,
the two parts of Byrd's
'La virginella', and four
French chansons.
Uniquely, the anthology
also features singing
translations of the
original poems from the
Italian into the
vernacular, for which it
was widely admired and
circulated. As a printed
source from which
composers could learn the
madrigal style and
aesthetic, it was hugely
influential in inspiring
the 'golden age' of Tudor
and Jacobean vocal
music.
An
important addition to
The English
Madrigalists series,
Musica
Transalpina of 1588
is not only of great
scholarly interest but is
also an outstanding
addition to the
repertoire that will
delight contemporary
singers no less than it
enthralled those
Elizabethans who first
responded with such
enthusiasm to its fine
music and accessible
'Englished' texts.
Individual titles
from this volume are
available as Adobe PDF
files...
SATB choir divisi (a cappella) - Late Intermediate SKU: MN.CH-1071 Compos...(+)
SATB choir divisi (a
cappella) - Late
Intermediate
SKU:
MN.CH-1071
Composed
by Orlande De Lassus.
Doo-Wop Madrigal Style
Series. Renaissance.
Octavo. Duration 1
minute, 30 seconds.
Laurendale Associates
#CH-1071. Published by
Laurendale Associates
(MN.CH-1071).
UPC:
765844002602.
Four
SATB Choirs. The notes
are exactly as those
found in di Lasso's
composition, with three
echo choirs instead of
one, creating an effect
much like tape-delay
echo. Exerimentation with
the placement of the echo
choirs is a large part of
the performance
excitement generated by
this piece. Duration
1:30.