Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fre...(+)
Performed by Herb Ellis.
By Herb Ellis, Terry
Holmes. Edited by Aaron
Stang. Fretted instrument
method/supplement (Guitar
tablature). 52 pages.
Published by Belwin.
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fre...(+)
Performed by Herb Ellis.
By Herb Ellis, Terry
Holmes. Edited by Aaron
Stang. Fretted instrument
method/supplement (Guitar
tablature). 52 pages.
Published by Belwin.
Performed by Herb Ellis. By Herb Ellis, Terry Holmes. Edited by Aaron Stang. Fre...(+)
Performed by Herb Ellis.
By Herb Ellis, Terry
Holmes. Edited by Aaron
Stang. Fretted instrument
method/supplement (Guitar
tablature). 40 pages.
Published by Belwin.
By Charlie Byrd, Tal Farlow and Herb Ellis. For Guitar (All). Concert/documentar...(+)
By Charlie Byrd, Tal
Farlow and Herb Ellis.
For Guitar (All).
Concert/documentary.
Vestapol. Jazz. DVD. Size
5.25x7.5. 80 pages.
Published by Grossman's
Guitar Workshop.
Swing. Composed by
Herb Ellis and Maynard
Ferguson. Arranged by
Bill Holman. Sheet music.
Swing. Score and parts.
Handelsware #SMP 416.
Published by Handelsware
(M7.SMP-416).
English.
Sierra
continues to find the
lost treasures from
Maynard Ferguson's
Birdland Dream Band
Library. A Country Boy
starts out with a lazy
trombone solo on the
written melody and swings
along from there.
Recorded on the Come Blow
Your Horn LP. Printed as
originally scored
(4-4-2-3), but including
extra parts for a
standard 5-4-4-4
instrumentation.
(An In-Depth Look at the Styles of 25 Masters Bios · Gear · Licks · Pho...(+)
(An In-Depth Look at the
Styles of 25 Masters Bios
· Gear · Licks ·
Photos). For Guitar.
Guitar Educational.
Softcover. Guitar
tablature. 144 pages.
Published by Hal Leonard
L'Encore Flûte, Clarinette (duo) [Conducteur et Parties séparées] - Intermédiaire Baton Music
Duet for Flute and Clarinet. Composed by Victor Herbert (1859-1924). Arra...(+)
Duet for Flute and
Clarinet. Composed by
Victor Herbert
(1859-1924). Arranged by
Douglas McLain. Baton
Music instrumental
series. Score and Parts.
Duration 3:00. Published
by Baton Music
(BF.BM782-SET).
Composed by Luca Marenzio (1553-1599). Edited by John Steele & Suzanne Court. Fo...(+)
Composed by Luca Marenzio
(1553-1599). Edited by
John Steele & Suzanne
Court. For 6 mixed
voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
Composed by
Victor Herbert. Symphonic
Band (SPS). Set of Score
and Parts. With Standard
notation.
3+12+12+6+6+3+12+24+24+6+
6+8+8+6+6+9+18+18+27+8+8+
8+8+9+9+9+9+12+3+6+6+40+6
pages. Duration 7:37.
Carl Fischer Music
#SPS78. Published by Carl
Fischer Music (CF.SPS78).
ISBN 9781491152553.
UPC: 680160910052. Key:
Bb major.
Festival
March is presented in a
new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. Festival
March by Victor Herbert
was written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Composed by
Victor Herbert. Symphonic
Band (SPS). Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS78F. Published
by Carl Fischer Music
(CF.SPS78F).
ISBN
9781491153239. UPC:
680160910731.
Festi
val March is presented in
a new edition arranged by
Richard Summers. It is a
tour de force composition
for advanced bands and
hearkens back to a bygone
era during the golden age
of the band movement.
Directors and students
will hear operatic music
from composer Victor
Herbert who is best known
for his Christmas
classic, Toyland. This
is a richly scored
masterpiece that deserves
to return to standard
status in concert band
repertoire. We are proud
to bring you this new
setting of this cherished
classic. About the
CompositionFestival March
by Victor Herbert was
written for the
Pittsburgh Symphony and
first performed under
Herbert’s
direction in Chicago on
Dec. 9, 1901 celebrating
the 12th anniversary
of Chicago’s
Auditorium Theatre. Also
known as the Auditorium
Festival March, he
included it many times
for programs of a
festival nature. The main
theme Auld Lang Syne, a
famous Scottish folk
song, is incorporated
many times along with
brass fanfares,
interludes and march
melodies. This band
arrangement is very
similar to the original
orchestral composition.
The missing string parts,
the addition of the
saxophone section and
other band instruments,
editing of the
superimposed triplets
against
sixteenth notes, to
one or the other, and
articulations suitable
for the band, were major
challenges. The style of
early twentieth-century
American music is
captured here. This
arrangement will give
band musicians access to
a fine piece of music
that could only be
appreciated by orchestra
musicians up to now.
Although suitable for
many occasions, this
piece is a great way to
begin or end a December
holiday concert.
 Notes to the
ConductorVictor
Herbert’s music
can be interpreted in a
romantic style, which is
the conductor’s
responsibility to read in
nuance and musicality.
The beginning and other
triple-tonguing sections
of this piece have a
March of the Toys quality
to it. Â The interludes
and Auld Lang Syne
sections are legato and
musical. The March
sections can also be
shaped musically.About
the ComposerVictor
Herbert was born in
Ireland in 1861 and
raised in Germany. When
he moved to America in
1886, he joined the
Metropolitan Opera as
principal cellist and
eventually composed many
works including
forty-three operettas
on Broadway from the
1890s to World War I,
including Naughty
Marietta and Babes in
Toyland. Victor Herbert
conducted the Pittsburgh
Symphony from 1898 to
1904 and then was the
conductor of his own
Victor Herbert Orchestra.
He formed ASCAP with a
group of composers in
1914 and was the director
until his death in 1924.
Among his thirty-one
compositions for
orchestra, Festival March
was a favorite of his and
was eventually published
by Carl Fischer Music.
 .
Cello and piano - easy to intermediate SKU: HL.49019764 Duet for Violo...(+)
Cello and piano - easy to
intermediate
SKU:
HL.49019764
Duet
for Violoncello and
Piano. Composed by
Barbara Heller. Edited by
Katharina Deserno. This
edition: Saddle
stitching. Sheet music.
String. Softcover.
Composed 2012. 14 pages.
Duration 5' 30''. Schott
Music #CB265. Published
by Schott Music
(HL.49019764).
ISBN
9790001194327. UPC:
888680009328.
9.25x12.0x0.078
inches.
Barbara
Heller's duet
'Herbstmusik' [Autumnal
Music] for cello and
piano is a short piece of
5-6 minutes' duration
which is as vibrant and
colourful as the season
itself and a welcome
addition to the
repertoire for this
combination of
instruments. Graded at
intermediate level, it is
also a suitable extension
to the contemporary
repertoire for advanced
young cellists and for
playing in youth music
competitions (age range
11-16).This piece only
requires players to use
the first four positions
plus harmonics.
Fingerings and bowings
were added in
collaboration with the
cellist Katharina Deserno
from Cologne. An
improvised solo cello
cadenza may be added,
starting from the Bb with
fermata in bar 88. This
might draw on the musical
material in the preceding
bars 85-88, possibly
making use of motifs and
playing techniques
already featured in the
piece, such as 'col
legno' or 'pizzicato' -
but no limits should be
placed upon the
performer's
imagination.
Grade 4 SKU: CL.LDP-7230-00 Composed by Herbert. Arranged by Daehn. Conce...(+)
Grade 4
SKU:
CL.LDP-7230-00
Composed by Herbert.
Arranged by Daehn.
Concert Band. Score and
set of parts. Composed
2009. Daehn Publications
#LDP-7230-00. Published
by Daehn Publications
(CL.LDP-7230-00).
Victor
Herbert’s rousing
tribute to gypsy life
comes bounding off the
pages in this exciting
band showpiece. Joyous
tunes embellished with
wild woodwind/xylophone
countermelodies make this
the ultimate crowd
pleaser!
Grade 4 SKU: CL.LDP-7230-01 Composed by Herbert. Arranged by Daehn. Conce...(+)
Grade 4
SKU:
CL.LDP-7230-01
Composed by Herbert.
Arranged by Daehn.
Concert Band. Extra full
score. Composed 2009.
Daehn Publications
#LDP-7230-01. Published
by Daehn Publications
(CL.LDP-7230-01).
Victor
Herbert’s rousing
tribute to gypsy life
comes bounding off the
pages in this exciting
band showpiece. Joyous
tunes embellished with
wild woodwind/xylophone
countermelodies make this
the ultimate crowd
pleaser!
Christmas Prelude Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125181-140 On O Come, All...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125181-140
On O Come, All Ye
Faithfull. Composed
by John Blanken.
Christmas Collection.
Hymns & Chorals. Score
Only. Composed 2012. 20
pages. De Haske
Publications #DHP
1125181-140. Published by
De Haske Publications
(BT.DHP-1125181-140).
9x12 inches.
English-German-French-Dut
ch.
Christmas
Prelude is a festive
composition on the
Christmas carol O
Come, All Ye
Faithful. A quiet,
march-like introduction,
representing the
procession to worship, is
followed by three verses
of the well-known carol:
once from a quartet, then
shared between the
various instrumental
groups. A festively
embellished section leads
to an interlude
symbolising the start of
Christmas celebrations,
before a spectacular
conclusion.
Christmas
Prelude is een
bewerking over het
kerstlied O Come, All
Ye Faithful (Komt
allen tezamen), ook wel
bekend als Adeste
Fidelis en vormt de
basis van dit feestelijke
openingswerk voor uw
kerstconcert. De
marsachtige inleiding
staat voor het samenkomen
voor de dienst. Daarna
volgen in verschillende
instrumentaties drie
strofes van het bekende
kerstlied. Na een reeks
versieringen van het
thema die het begin van
de kersttijd inluiden
volgt een spectaculair
slot.
Christmas
Prelude ist eine
Bearbeitung des
Weihnachtsliedes
Herbei , o ihr
Gläubigen. Auf
eine ruhige,
marschähnliche
Einleitung, welche die
Versammlung zum
Gottesdienst darstellt,
folgen drei Strophen des
bekannten
Weihnachtsliedes, einmal
von einem Quartett, dann
über die
Instrumentengruppen
verteilt gespielt.
Festliche Verzierungen
und ein Zwischenspiel,
das den Beginn des
Weihnachtsfestes
symbolisiert,
führen das Werk zu
einem spektakulären
Schluss. Es darf auch
mitgesungen
werden!
Christmas
Prelude è un
arrangiamento
dell’inno
Adeste Fideles.
L’apertura
tranquilla e simile a una
marcia che rappresenta la
congregazione religiosa,
è seguita da tre
strofe del celebre canto
natalizio, una volta
eseguito da un quartetto,
in seguito
dall’intero
organico. Ornamentazioni
festose che simboleggiano
l’inizio della
festivit , conducono il
brano a uno spettacolare
_x001E_finale.
Christmas Prelude Ensemble de cuivres [Conducteur] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1033486-130 On 'O, Come all ye faithf...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1033486-130
On 'O, Come all ye
faithful'. Composed
by John Blanken.
Christmas Collection.
Hymns & Chorals. Score
Only. Composed 2003. De
Haske Publications #DHP
1033486-130. Published by
De Haske Publications
(BT.DHP-1033486-130).
Christmas
Prelude is a festive
composition on the
Christmas carol O
Come, All Ye
Faithful. A quiet,
march-like introduction,
representing the
procession to worship, is
followed by three verses
of the well-known carol:
once from a quartet, then
shared between the
various instrumental
groups. A festively
embellished section leads
to an interlude
symbolising the start of
Christmas celebrations,
before a spectacular
conclusion.
Christmas
Prelude is een
bewerking over het
kerstlied O Come, All
Ye Faithful (Komt
allen tezamen), ook wel
bekend als Adeste
Fidelis en vormt de
basis van dit feestelijke
openingswerk voor uw
kerstconcert. De
marsachtige inleiding
staat voor het samenkomen
voor de dienst. Daarna
volgen in verschillende
instrumentaties drie
strofes van het bekende
kerstlied. Na een reeks
versieringen van het
thema die het begin van
de kersttijd inluiden
volgt een spectaculair
slot.
Christmas
Prelude ist eine
Bearbeitung des
Weihnachtsliedes
Herbei , o ihr
Gläubigen. Auf
eine ruhige,
marschähnliche
Einleitung, welche die
Versammlung zum
Gottesdienst darstellt,
folgen drei Strophen des
bekannten
Weihnachtsliedes, einmal
von einem Quartett, dann
über die
Instrumentengruppen
verteilt gespielt.
Festliche Verzierungen
und ein Zwischenspiel,
das den Beginn des
Weihnachtsfestes
symbolisiert,
führen das Werk zu
einem spektakulären
Schluss. Es darf auch
mitgesungen
werden!
Christmas
Prelude è un
arrangiamento
dell’inno
Adeste Fideles.
L’apertura
tranquilla e simile a una
marcia che rappresenta la
congregazione religiosa,
è seguita da tre
strofe del celebre canto
natalizio, una volta
eseguito da un quartetto,
in seguito
dall’intero
organico. Ornamentazioni
festose che simboleggiano
l’inizio della
festivit , conducono il
brano a uno spettacolare
_x001E_finale.
Christmas Prelude Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1125181-010 On O Come, All...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1125181-010
On O Come, All Ye
Faithfull. Composed
by John Blanken.
Christmas Collection.
Christmas. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1125181-010. Published by
De Haske Publications
(BT.DHP-1125181-010).
9x12 inches.
English-German-French-Dut
ch.
Christmas
Prelude is a festive
composition on the
Christmas carol O
Come, All Ye
Faithful. A quiet,
march-like introduction,
representing the
procession to worship, is
followed by three verses
of the well-known carol:
once from a quartet, then
shared between the
various instrumental
groups. A festively
embellished section leads
to an interlude
symbolising the start of
Christmas celebrations,
before a spectacular
conclusion.
Christmas
Prelude is een
bewerking over het
kerstlied O Come, All
Ye Faithful (Komt
allen tezamen), ook wel
bekend als Adeste
Fidelis en vormt de
basis van dit feestelijke
openingswerk voor uw
kerstconcert. De
marsachtige inleiding
staat voor het samenkomen
voor de dienst. Daarna
volgen in verschillende
instrumentaties drie
strofes van het bekende
kerstlied. Na een reeks
versieringen van het
thema die het begin van
de kersttijd inluiden
volgt een spectaculair
slot.
Christmas
Prelude ist eine
Bearbeitung des
Weihnachtsliedes
Herbei , o ihr
Gläubigen. Auf
eine ruhige,
marschähnliche
Einleitung, welche die
Versammlung zum
Gottesdienst darstellt,
folgen drei Strophen des
bekannten
Weihnachtsliedes, einmal
von einem Quartett, dann
über die
Instrumentengruppen
verteilt gespielt.
Festliche Verzierungen
und ein Zwischenspiel,
das den Beginn des
Weihnachtsfestes
symbolisiert,
führen das Werk zu
einem spektakulären
Schluss. Es darf auch
mitgesungen
werden!
Christmas
Prelude è un
arrangiamento
dell’inno
Adeste Fideles.
L’apertura
tranquilla e simile a una
marcia che rappresenta la
congregazione religiosa,
è seguita da tre
strofe del celebre canto
natalizio, una volta
eseguito da un quartetto,
in seguito
dall’intero
organico. Ornamentazioni
festose che simboleggiano
l’inizio della
festivit , conducono il
brano a uno spettacolare
_x001E_finale.
Christmas Prelude Ensemble de cuivres - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1033486-030 On 'O, Come all ye faithf...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1033486-030
On 'O, Come all ye
faithful'. Composed
by John Blanken.
Christmas Collection.
Christmas. Set (Score and
Parts). Composed 2003. De
Haske Publications #DHP
1033486-030. Published by
De Haske Publications
(BT.DHP-1033486-030).
Christmas
Prelude is a festive
composition on the
Christmas carol O
Come, All Ye
Faithful. A quiet,
march-like introduction,
representing the
procession to worship, is
followed by three verses
of the well-known carol:
once from a quartet, then
shared between the
various instrumental
groups. A festively
embellished section leads
to an interlude
symbolising the start of
Christmas celebrations,
before a spectacular
conclusion.
Christmas
Prelude is een
bewerking over het
kerstlied O Come, All
Ye Faithful (Komt
allen tezamen), ook wel
bekend als Adeste
Fidelis en vormt de
basis van dit feestelijke
openingswerk voor uw
kerstconcert. De
marsachtige inleiding
staat voor het samenkomen
voor de dienst. Daarna
volgen in verschillende
instrumentaties drie
strofes van het bekende
kerstlied. Na een reeks
versieringen van het
thema die het begin van
de kersttijd inluiden
volgt een spectaculair
slot.
Christmas
Prelude ist eine
Bearbeitung des
Weihnachtsliedes
Herbei , o ihr
Gläubigen. Auf
eine ruhige,
marschähnliche
Einleitung, welche die
Versammlung zum
Gottesdienst darstellt,
folgen drei Strophen des
bekannten
Weihnachtsliedes, einmal
von einem Quartett, dann
u?ber die
Instrumentengruppen
verteilt gespielt.
Festliche Verzierungen
und ein Zwischenspiel,
das den Beginn des
Weihnachtsfestes
symbolisiert, fu?hren das
Werk zu einem
spektakulären Schluss.
Es darf auch mitgesungen
werden!
Christmas
Prelude è un
arrangiamento
dellâ??inno Adeste
Fideles.
Lâ??apertura tranquilla
e simile a una marcia che
rappresenta la
congregazione religiosa,
è seguita da tre
strofe del celebre canto
natalizio, una volta
eseguito da un quartetto,
in seguito dallâ??intero
organico. Ornamentazioni
festose che simboleggiano
lâ??inizio della
festivit , conducono il
brano a uno spettacolare
_x001E_finale.
Castrum Alemorum Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175713-140 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175713-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Score Only.
Composed 2017. 34 pages.
De Haske Publications
#DHP 1175713-140.
Published by De Haske
Publications
(BT.DHP-1175713-140).
Die
imposante Burg von
Allymes, Castrum
Alemorum“, liegt
majestätisch auf einem
Hügel der
Rhônes-Alpes Region im
Osten Frankreichs. Dieses
Stück erzählt von
dieser Burg, der
herrlichen Lage und an
ihre Bedeutung für die
Gegend. Jacob de
Haankombiniert
wunderschöne Melodien
mit rhythmischen
Abschnitten sowie moderne
Klänge mit an die
Renaissancemusik
angelehnten Passagen.
Diese musikalische
Burgführung begeistert
Musiker und Publikum
gleichermaßen.
Il castello
di Allymes,
“Castrum
Alemorumâ€,
posizionato su una
collina nel centro
feudale di Allymes,
(Francia) è un
castello storico datato
XIV secolo, ricostruito
nel XVI secolo e
restaurato nel XIX.
Questo brano richiama
alla mente
l’immagine del
castello. Combinando
assieme bellissime
melodie con sezioni
ritmiche, suoni moderni
con passaggi in stile
rinascimentale, questo
lavoro di Jacob de Haan
è una sfida musicale
impressionante,
divertente da suonare e
attraente per il
pubblico. Mentre lo
ascolti puoi quasi vedere
il castello davanti ai
tuoi occhi!
Hymn of Faith Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064014-020 St. Michael. Compos...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064014-020
St. Michael.
Composed by Louis
Bourgeois. Arranged by
John Blanken. Musica
Sacra. Hymns & Chorals.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064014-020. Published by
De Haske Publications
(BT.DHP-1064014-020).
9x12 inches.
English-German.
The
French composer Louis
Bourgeois lived from
c.1510 to 1560. Bourgeois
was cantor in Geneva and,
commissioned by John
Calvin, he composed
melodies for metrical
(rhyming) versions of the
psalms. After completing
about a hundred one-part
psalms, he made some
four-part arrangements,
which were denounced and
even resulted in his
imprisonment for a day.
Later, Bourgeois
published a number of
psalm collections, and
judging from his book Le
droict chemin de musique
he was also an excellent
educator. The melodies
Bourgeois composed, are
(contrary to Gregorian
chants) particularly
suitable for community
singing. This applies to
his hymn tune Saint
Michael, which is why
this melody hasbeen used
for various texts,
written for many
occasions. John Blanken
made this arrangement for
a wedding ceremony: an
occasion in which faith
and trust play a large -
if not the largest -
role. Hence the title
Hymn of Faith. The
arrangement contains four
verses of the hymn. After
a majestic opening the
hymn follows twice, the
second verse being
embellished in the tenor
register. After a short
interlude verse three
follows, played by a
quartet. The majestic
opening is then repeated
as a modulation into the
fourth verse, which
concludes the work in a
brilliant tutti.
De melodieën
van de France componist
Louis Bourgeois (ca.
1510-1560) zijn heel
geschikt voor volkszang -
zo ook de hymne ST
Michael. Niet voor niets
is deze melodie gebruikt
voor vele liedteksten
voor uiteenlopende
gelegenheden. JohnBlanken
maakte dit arrangement
voor een trouwdienst, een
gelegenheid waarbij
vertrouwen een grote rol
speelt, vandaar de
titelHymn of
Faith. Het
arrangement herbergt vier
vrezen. Na een
majestueuze opening volgt
de hymnetwee keer,
waarbij het tweede vers
wordt omgespeeld in het
tenorregister. Na een
kort tussenspel volgt
vers drie in een zetting
voor kwartet. De opening
wordt herhaald als
modulatie naar het vierde
vers, waarmee het werk in
eenstralend tutti
afsluit.
Der
Komponist, Kantor und
Pädagoge Louis
Bourgeois lebte im 16.
Jahrhundert in Genf und
komponierte Psalm- und
Kirchenliedmelodien, die
sich besonders gut für
den Gemeindegesang
eigneten. Die vorliegende
Bearbeitung einer seiner
Melodien schrieb John
Blanken für eine
Hochzeitszeremonie - ein
Anlass, bei dem Glaube
und Vertrauen eine
große Rolle spielen:
Daher der Titel Hymn
of Faith. Ein
wunderbares Stück
ernste“ Musik, das
zu vielen Gelegenheiten
passt.
Castrum Alemorum Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1175713-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1175713-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2017. De
Haske Publications #DHP
1175713-010. Published by
De Haske Publications
(BT.DHP-1175713-010).
Die
imposante Burg von
Allymes, Castrum
Alemorum“, liegt
majestätisch auf einem
Hügel der
Rhônes-Alpes Region im
Osten Frankreichs. Dieses
Stück erzählt von
dieser Burg, der
herrlichen Lage und an
ihre Bedeutung für die
Gegend. Jacob de
Haankombiniert
wunderschöne Melodien
mit rhythmischen
Abschnitten sowie moderne
Klänge mit an die
Renaissancemusik
angelehnten Passagen.
Diese musikalische
Burgführung begeistert
Musiker und Publikum
gleichermaßen.
Il castello
di Allymes,
“Castrum
Alemorumâ€,
posizionato su una
collina nel centro
feudale di Allymes,
(Francia) è un
castello storico datato
XIV secolo, ricostruito
nel XVI secolo e
restaurato nel XIX.
Questo brano richiama
alla mente
l’immagine del
castello. Combinando
assieme bellissime
melodie con sezioni
ritmiche, suoni moderni
con passaggi in stile
rinascimentale, questo
lavoro di Jacob de Haan
è una sfida musicale
impressionante,
divertente da suonare e
attraente per il
pubblico. Mentre lo
ascolti puoi quasi vedere
il castello davanti ai
tuoi occhi!