Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708703

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Vocal score. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/03. Published by Carus Verlag (CA.2708703).

ISBN 9790007166021. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708700.

SATB choir, basso continuo

SKU: CA.2708800

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Full score. 8 pages. Duration 2 minutes. Carus Verlag #CV 27.088/00. Published by Carus Verlag (CA.2708800).

ISBN 9790007165987. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.

Unison choir, 4 violins, basso continuo

SKU: CA.2708700

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Full score. 8 pages. Duration 3 minutes. Carus Verlag #CV 27.087/00. Published by Carus Verlag (CA.2708700).

ISBN 9790007166014. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708719

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. Duration 3 minutes. Carus Verlag #CV 27.087/19. Published by Carus Verlag (CA.2708719).

ISBN 9790007166274. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and parts available separately - see item CA.2708700.

SATB choir, basso continuo

SKU: CA.2708805

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Choral Score. 4 pages. Duration 2 minutes. Carus Verlag #CV 27.088/05. Published by Carus Verlag (CA.2708805).

ISBN 9790007200213. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708800.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708714

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Basso continuo. Sacred vocal music, Mass sections. Single Part, basso continuo. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/14. Published by Carus Verlag (CA.2708714).

ISBN 9790007200206. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708713

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Viola. Sacred vocal music, Mass sections. Single Part, Viola. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/13. Published by Carus Verlag (CA.2708713).

ISBN 9790007200190. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708712

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Violin 2. Sacred vocal music, Mass sections. Single Part, Violin 2. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/12. Published by Carus Verlag (CA.2708712).

ISBN 9790007200183. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708711

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Violin 1. Sacred vocal music, Mass sections. Single Part, Violin 1. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/11. Published by Carus Verlag (CA.2708711).

ISBN 9790007200176. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706803

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. This edition: Paperbound. Sacred vocal music, Masses, Latin. Vocal score. Carus Verlag #CV 27.068/03. Published by Carus Verlag (CA.2706803).

ISBN 9790007090708. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score available separately - see item CA.2706800.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706800

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. This edition: Paperbound. German title: Missa in D. Sacred vocal music, Masses, Latin. Full score. Carus Verlag #CV 27.068/00. Published by Carus Verlag (CA.2706800).

ISBN 9790007090692. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706813

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. 8 pages. Carus Verlag #CV 27.068/13. Published by Carus Verlag (CA.2706813).

ISBN 9790007199869. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and part available separately - see item CA.2706800.

SATB vocal soli, SATB Choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706819

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Carus Verlag #CV 27.068/19. Published by Carus Verlag (CA.2706819).

ISBN 9790007199883. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and parts available separately - see item CA.2706800.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706811

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 8 pages. Carus Verlag #CV 27.068/11. Published by Carus Verlag (CA.2706811).

ISBN 9790007199845. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and part available separately - see item CA.2706800.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706812

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 8 pages. Carus Verlag #CV 27.068/12. Published by Carus Verlag (CA.2706812).

ISBN 9790007199852. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and part available separately - see item CA.2706800.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706805

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Sacred vocal music, Masses, Latin. Choral Score. Carus Verlag #CV 27.068/05. Published by Carus Verlag (CA.2706805).

ISBN 9790007113537. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score available separately - see item CA.2706800.

SATB vocal soli, SATB choir, 2 Violins, Viola, Basso continuo

SKU: CA.2706814

Kyrie-Gloria-Messe . Composed by Johann Christoph Altnickol. Edited by Clemens Harasim. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 8 pages. Carus Verlag #CV 27.068/14. Published by Carus Verlag (CA.2706814).

ISBN 9790007199876. Language: Latin.

The Missa in d, composed around 1750, is one of the few surviving compositions of Altnickol. He was the student and later son-in-law of Johann Sebastian Bach. The wealth of forms and at the same time, the clarity of this composition show the influence of his teacher, but above all it shows the expression of an individual style of church music. With its contrapuntal mastery and musical depth this Kyrie-Gloria Mass, presented here in a first edition, represents a high point in this widely disseminated genre. Score and part available separately - see item CA.2706800.

Piano

SKU: PE.EP11503

Composed by Johann Sebastian Bach. Masterworks; Piano - Intermediate / Advanced Collection; Piano Resources. Baroque; Classical; Masterwork. Book. 112 pages. Edition Peters #98-EP11503. Published by Edition Peters (PE.EP11503).

ISBN 9790014127084.

The Notebook for Johann Christian Bach completes the collection of surviving instructional works from within the Bach family, following the highly praised Notebooks for Anna Magdalena and Wilhelm Friedemann Bach. Together, Bach's Notebooks provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. Presented as a luxury linen-bound edition with gold-embossed cover lettering, illustrations and critical commentary, this volume includes pieces not featured in previous collections.

This first Urtext edition Notebook for Bach's son Johann Christian has been reconstructed by renowned Bach scholar Christoph Wolff from copies from the estate of C.P.E. Bach. It includes pieces for keyboard by J.S. Bach, Johann Christian's initial attempts at composition (minuets and polonaises), and pieces by the older brothers Carl Philipp Emanuel and Johann Christoph Friedrich and son-in-law Johann Christoph Altnickol. The collection is completed by two sets of short preludes and fughettas from Bach's early Leipzig teaching practice, which may have come from other lost notebooks for his family, possibly the one for C.P.E. Bach.

Clavier-Bà¼chlein für Johann Christian Bach

Nach den hochgelobten Ausgaben der Clavier-Büchlein für Anna Magdalena Bach und Wilhelm Friedemann Bach vervollständigt das Clavier-Büchlein für Johann Christian Bach die Sammlung an überlieferten Unterrichtswerken innerhalb der Bachfamilie. In ihrer Gesamtheit bieten Bachs Clavier-Büchlein einen faszinierenden Einblick in das häusliche Musizieren der Familie Bach. Sie enthalten Originalkompositionen, Übungen für den Unterricht sowie beispielhafte Werke anderer Komponisten, die alle gesammelt wurden, um den Familienmitgliedern Literatur für eine umfassende musikalische Ausbildung bereitzustellen. In e.

By Johann Christoph Altnickol. Edited by Rempp, Friedrich. For SSATB Choir. BWV Anh. 164. Sacred, Motets; Occasions: Praise and thanks. Score. Language: German. 16 pages

By Johann Christoph Altnickol / Bartholomaeus Gesius. For SATB Choir. This edition: paperbound. Level 2. Score. Language: German/English. 36 pages. Published by Carus Verlag

By Johann Christoph Altnickol / Bartholomaeus Gesius. For SATB Choir. Score available separately - see item CA.167800. Level 2. Choral score. Language: German/English. 28 pages. Published by Carus Verlag

Chorus a cappella

SKU: BR.CHB-5361

Motet. Composed by Johann Christoph Altnikol. Edited by Max Schneider. Choir; stapled. Chor-Bibliothek (Choral Library). Baroque period. Sheet Music. Breitkopf and Haertel #CHB 5361. Published by Breitkopf and Haertel (BR.CHB-5361).

ISBN 9790004412916. 7.5 x 10.5 inches.

Zu den so wenigen noch nachweisbaren Werken Johann Christoph Altnikols tritt jetzt, alle an Ausdruck und Gestaltung ubertreffend, eine bisher unbekannt gebliebene Motette Befiehl du deine Wege. Sie umschliesst in wechselreicher Folge samtliche zwolf Strophen des Paul Gerhardtschen Liedes und lasst nicht nur die ,,ganz besondere Geschicklichkeit in der Komposition erkennen, wie Johann Sebastian Bach sie einst seinem ,,ehemaligen lieben ecolier und Schwiegersohn Altnikol bestatigt hat, sondern zeigt sich auch beruhrt von der Nahe Bach'schen Geistes.Dem Erstdruck dieser schonen, unseren Kirchenchoren gewiss sehr willkommenen Choralbearbeitung liegen vier Stimmen nebst Partitur aus dem Besitz eines mit Altnikol wohl gleichzeitigen Johann Gottlieb Petzold zugrunde, die, bis auf vereinzelte (nunmehr getilgte) Versehen von zwei verschiedenen Handen gut geschrieben, heute Eigentum der Sammlung Manfred Gorke (Eisenach) sind.(Max Schneider)

Publica tions of the Neue Bachgesellschaft, Issue XXXV, Volume 1.

Chorus a cappella

SKU: BR.CHB-5361-02

Motet. Composed by Johann Christoph Altnikol. Edited by Max Schneider. Choir; stapled. Chor-Bibliothek (Choral Library).

Publications of the Neue Bachgesellschaft, Issue XXXV, Volume 1

Baroque period. Choral score. 44 pages. Breitkopf and Haertel #ChB 5361-02. Published by Breitkopf and Haertel (BR.CHB-5361-02).

ISBN 9790004412916. 7.5 x 10.5 inches.

Zu den so wenigen noch nachweisbaren Werken Johann Christoph Altnikols tritt jetzt, alle an Ausdruck und Gestaltung ubertreffend, eine bisher unbekannt gebliebene Motette Befiehl du deine Wege. Sie umschliesst in wechselreicher Folge samtliche zwolf Strophen des Paul Gerhardtschen Liedes und lasst nicht nur die ,,ganz besondere Geschicklichkeit in der Komposition erkennen, wie Johann Sebastian Bach sie einst seinem ,,ehemaligen lieben ecolier und Schwiegersohn Altnikol bestatigt hat, sondern zeigt sich auch beruhrt von der Nahe Bach'schen Geistes.Dem Erstdruck dieser schonen, unseren Kirchenchoren gewiss sehr willkommenen Choralbearbeitung liegen vier Stimmen nebst Partitur aus dem Besitz eines mit Altnikol wohl gleichzeitigen Johann Gottlieb Petzold zugrunde, die, bis auf vereinzelte (nunmehr getilgte) Versehen von zwei verschiedenen Handen gut geschrieben, heute Eigentum der Sammlung Manfred Gorke (Eisenach) sind.(Max Schneider)

Publica tions of the Neue Bachgesellschaft, Issue XXXV, Volume 1.

Chorus a cappella

SKU: BR.CHB-2922-02

Composed by Johann Christoph Altnikol. Choir; stapled. Chor-Bibliothek (Choral Library). Baroque period. Choral score. 12 pages. Breitkopf and Haertel #ChB 2922-02. Published by Breitkopf and Haertel (BR.CHB-2922-02).

ISBN 9790004402504. 7.5 x 10.5 inches.