Akkordeon Pur.
Edited by Hans-Gunther
Kolz. Sheet music. 32
pages. Holzschuh
Musikverlag #VHR 1811.
Published by Holzschuh
Musikverlag
(M7.VHR-1811).
ISBN
9783940069146.
AKKO
RDEONpur bietet
Spezialarrangements im
mittleren
Schwierigkeitsgrad.
Libertango, Revirado,
Adios Nonino, S.V.P.,
Oblivion, Tanti anni
prima, Francanapa, Close
Your Eyes And Listen.
From the Paris Conservatoire repertoire. Composed by Various. Edited by J...(+)
From the Paris
Conservatoire
repertoire. Composed
by Various. Edited by
Jutta
Puchhammer-Sedillot. This
edition: Saddle
stitching. Sheet music.
String. Recital,
Classical. Score and
part, Softcover.
Composed 1896-1938.
22254. 88 pages. Schott
Music #ED22254. Published
by Schott Music
(HL.49045367).
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed by Carl Stamitz (1745-1801). Edited by Ondrej ?indelár. Arranged by ...(+)
Composed by Carl Stamitz
(1745-1801). Edited by
Ondrej
?indelár. Arranged by
Petr
Koronthály. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext. Piano
reduction, Part (1).
Baerenreiter Verlag
#BA11563-
90. Published by
Baerenreiter
Verlag
Edited by Christoph Emmanuel Langheim. For violin and viola duet. This edition...(+)
Edited by Christoph
Emmanuel
Langheim. For violin and
viola duet. This edition:
saddle stitiching. Hors
Serie. Score and parts.
28
28 pages. Published by Ut
Orpheus
Another classic by Piazolla. Composed by Astor Piazolla. Arranged by Uwe ...(+)
Another classic by
Piazolla. Composed by
Astor Piazolla. Arranged
by Uwe Rossler. Piano
reduction. Duration 1
minute, 30 seconds.
Published by Uetz Music
(UZ.BU-9056).
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB)
SKU:
HL.49042459
Composed
by Carl Maria von Weber.
Edited by Andreas
Fukerider and Claudia
Theis. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Score and critical
commentary, complete
edition. 274 pages.
Schott Music #WGA1061.
Published by Schott Music
(HL.49042459).
ISBN
9783795794682.
8.75x12.25x1.022
inches.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Piano duets (solo: pno - 2(picc).2.2.2 - 2.2.1.0 - timp - str) SKU: BR.EB-890...(+)
Piano duets (solo: pno -
2(picc).2.2.2 - 2.2.1.0 -
timp - str)
SKU:
BR.EB-8901
Composed
by Hans Gal. Solo
instruments; Softbound.
Edition Breitkopf. Solo
concerto; Early modern;
Music post-1945. Piano
reduction. 100 pages.
Duration 34'. Breitkopf
and Haertel #EB 8901.
Published by Breitkopf
and Haertel (BR.EB-8901).
ISBN 9790004185292. 9
x 12 inches.
The
composition of works for
solo piano runs through
Hans Gal's entire oeuvre.
Like all of the piano
reductions for his
operas, cantatas and solo
concertos, the piano
reduction of the Piano
Concerto Op. 57 was
written by the composer
himself. First performed
in Bournemouth in 1949,
the Piano Concerto fell
into oblivion after 1959,
only to be performed
again in 2009 by Hartmut
Hudezeck for the first
time in 50 years. The
chamber-musical texture
of the Piano Concerto -
each part literally plays
a role and has an
independent contrapuntal
function makes rehearsing
with the aid of the piano
reduction virtually
indispensable. The
present critical new
edition was prepared by
Anthony Fox with the
essential support of
Hartmut Hudezeck, who,
thanks to his practical
performance experience
and his expertise in the
field, was able to
address not only
questions of content but
also of performance
practice. Moreover, the
edition benefits from
Sarah Beth Briggs's
annotations, who first
recorded the work with
the Royal Northern
Sinfonia under the baton
of Kenneth Woods on CD.
The Concerto is notable
for its tightly organized
musical material shared
equally between soloist
and orchestra:
...attractive and
accessible... (Erik Levi,
BBC Music Magazine).
The Golden Age Orchestre d'harmonie [CD] De Haske Publications
The Royal Netherlands Army Band. By The Royal Netherlands Army Band. Composed by...(+)
The Royal Netherlands
Army Band. By The Royal
Netherlands Army Band.
Composed by Various. De
Haske Concert Band CD. CD
only. Published by De
Haske Publications.
Composed by Astor Piazzolla (1921-1992). For Violin, Piano Accompaniment. Boosey...(+)
Composed by Astor
Piazzolla (1921-1992).
For Violin, Piano
Accompaniment. Boosey and
Hawkes Chamber Music.
Softcover. 120 pages.
Published by Boosey and
Hawkes