O Hototogisu! Orchestre [Conducteur] Faber Music Limited
Fragment of a Japonisme. Composed by Oliver Knussen (1952-). Full Orchestra; ...(+)
Fragment of a Japonisme.
Composed by Oliver
Knussen
(1952-). Full Orchestra;
Performance Music
Ensemble;
Single Titles. Faber
Edition. Form: Concerto.
20th Century; Folk.
Score.
Faber Music
#12-0571541119.
Published by Faber Music
Composed by Colin Matthews (1964-). Series; Solo; Solo Small Ensembles; Vocal Co...(+)
Composed by Colin
Matthews (1964-). Series;
Solo; Solo Small
Ensembles; Vocal
Collection. Faber
Edition. 20th Century;
Masterwork. Book. Faber
Music #12-0571511732.
Published by Faber Music
Dorian Haiku Orchestre d'harmonie - Débutant Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.41921S Composed by Scott Watson. Concert...(+)
Concert Band - Grade 1.5
SKU: AP.41921S
Composed by Scott Watson.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Multicultural.
Score. 8 pages. Alfred
Music #00-41921S.
Published by Alfred Music
(AP.41921S).
UPC:
038081471198.
English.
In Dorian
Haiku, two centuries-old
cultural artifacts---one
Western (the Dorian mode)
and one Eastern (Haiku
poetry)---are fused
together, resulting in an
engaging and beautiful
composition for
intermediate band. This
unique work offers many
wonderful opportunities
for teaching both musical
and cross-curricular
concepts.
Solo baritone voice, piano (Baritone solo, Piano) SKU: BA.BA06158 12 t...(+)
Solo baritone voice,
piano (Baritone solo,
Piano)
SKU:
BA.BA06158
12
texts by various Japanese
Haiku poets of the 18th
and 19th century.
Composed by Gunter
Bialas. Stapled. Concerto
vocale. Singing Score,
Performance score.
Composed 1972. 11 pages.
Baerenreiter Verlag
#BA06158_00. Published by
Baerenreiter Verlag
(BA.BA06158).
ISBN
9790006476244. 30 x 23 cm
inches. Translation:
Dietrich
Krusche.
Voice (Female) SKU: AP.12-0571541151 For Female Voice and Piano. C...(+)
Voice (Female)
SKU:
AP.12-0571541151
For Female Voice and
Piano. Composed by
Jonathan Harvey. Series;
Vocal Collection. Faber
Edition. Secular. Book.
Faber Music
#12-0571541151. Published
by Faber Music
(AP.12-0571541151).
ISBN 9780571541157.
English.
Two haiku
(the first for piano
alone---the only piece
here to have been
published before---the
latter by Basho) bookend
three love songs
dedicated to Harvey's
wife, Rosa. The grouping
of the pieces into an
eight-minute cycle was
the composer's own idea,
and it mixes Eastern and
Western poets in a
totally characteristic
manner. Both Tagore and
e. e. cummings are
represented, poets who
are featured in some of
Harvey's finest works
(Song Offerings and Forms
of Emptiness,
respectively), and a
third song sets
Tennyson's Now Sleeps the
Crimson Petal.
Musik-Ritual fur
Blockflote, Klavier,
Sprechstimme und
Figuranten. Composed
by Ilana
Schapira-Marinescu.
Classical. Playing score.
With Text Language:
German. Composed 1990. 19
S. pages. Verlag Dohr
#ED94160. Published by
Verlag Dohr (VD.ED94160).
(SATB Chorus and Vibraphone). Composed by Bertold Hummel (1925-2002). For Choral...(+)
(SATB Chorus and
Vibraphone). Composed by
Bertold Hummel
(1925-2002). For Choral,
Vibraphone (SATB).
Schott. Softcover. 20
pages. Schott Music
#SKR20068. Published by
Schott Music
(SSA Choir) SKU: HL.48019452 Composed by Karl Jenkins. Boosey & Hawkes Sa...(+)
(SSA Choir)
SKU:
HL.48019452
Composed
by Karl Jenkins. Boosey &
Hawkes Sacred Choral.
Classical, Contemporary.
Boosey & Hawkes
#M060118883. Published by
Boosey & Hawkes
(HL.48019452).
7.25x10.25x0.054
inches.
Taken from
Karl Jenkins' major
choral work Requiem
(setting the standard
Latin texts alongside
five Japanese haiku
poems). Arranged for SSA
voices with piano
accompaniment.
SATB choir SKU: GH.GE-12111 Composed by Fredrik Sixten. Tre korta satser ...(+)
SATB choir
SKU:
GH.GE-12111
Composed
by Fredrik Sixten. Tre
korta satser till texter
av japanska
1700-talspoeter. With
Language: Japanese.
Gehrmans Musikforlag #GE
12111. Published by
Gehrmans Musikforlag
(GH.GE-12111).
ISBN
979-0-070-12111-8. 185 x
262 mm
inches.
Texts from
the breviary of the
Dominicans. 2 movement
with four soli. Hommage a
Arvo Part.
Piano (Piano) - difficult SKU: HL.49013734 On His 75th Birthday. C...(+)
Piano (Piano) - difficult
SKU: HL.49013734
On His 75th
Birthday. Composed by
Toshio Hosokawa. This
edition: Saddle
stitching. Sheet music.
Piano. Classical.
Softcover. Composed
2000/2003. 8 pages.
Duration 3'. Schott Music
#SJ1161. Published by
Schott Music
(HL.49013734).
ISBN
9784890664610. UPC:
840126958751.
9.0x12.0x0.053
inches.
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo
SKU:
BR.EB-9268
Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268).
ISBN
9790004185681. 12 x 9
inches.
This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970.
Mixed choir SKU: FG.55011-348-0 Composed by Matthew Whittall. Score. Fenn...(+)
Mixed choir
SKU:
FG.55011-348-0
Composed by Matthew
Whittall. Score. Fennica
Gehrman #55011-348-0.
Published by Fennica
Gehrman (FG.55011-348-0).
ISBN
9790550113480.
Shik
i began as a request for
a short winter-themed
piece for the
Hamalais-Osakunnan
Laulajat choir in
Helsinki. It eventually
grew into a four
seasons-type cycle on
haiku by a 20th century
Japanese monk Santoka
Taneda. The music of
Shiki is a progression
through various states of
near-stasis. The main
impression the composer
wished to convey was the
one of absolute stillness
at the heart of each
scene, of communion with
the outer world, as if
the viewer were drawing
the landscape into him,
and at the same time
dissolving himself into
it. The voices are
treated texturally, as
well as textually, moving
on slow masses, with the
soft but precisecely
colored vowels of
Japanese creating the
basic sounds, and the
sharper consonants giving
them shape and
definition.
SATB Chorus SKU: FG.55011-579-8 Composed by Olli Kortekangas. Fennica Geh...(+)
SATB Chorus
SKU:
FG.55011-579-8
Composed by Olli
Kortekangas. Fennica
Gehrman #55011-579-8.
Published by Fennica
Gehrman (FG.55011-579-8).
ISBN
9790550115798.
Akva
relli (A Watercolour,
1994) for mixed choir by
Olli Kortekangas is
composed to a poem by
Matsuo Basho, the
greatest master of haiku
in the 17th century. The
text is translated in
Finnish by Kai
Nieminen.
4 Haikus Saxophone Alto et Piano - Avancé Billaudot
(Pour Saxlphone Alto Et Piano - (for Alto Saxophone and Piano)). By Sophie Lacaz...(+)
(Pour Saxlphone Alto Et
Piano - (for Alto
Saxophone and Piano)). By
Sophie Lacaze (1963-).
For Alto Saxophone,
Piano. Collection
Jean-Yves Fourmeau.
ADVANCED. 11 + pages.
Duration 10 minutes.
Published by Gerard
Billaudot Editeur