By Wolfgang Amadeus Mozart. For flute (A, S or timpani recorder) (violin), piano. Print music available separately (PE.P04555). (after K.439b,orig.2Cl,Bsn).Pian o accompaniment to the Solo part recorded on CD. Play Along. Published by Music Partner.

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

Marching Band - Grade 2

SKU: AP.40215S

(The Shark). Composed by Michael Story and Mike Story. Marching Band; Performance Music Ensemble; Single Titles. Big and Easy. Latin. Score. 8 pages. Duration 1:30. Alfred Music #00-40215S. Published by Alfred Music (AP.40215S).

UPC: 038081459370. English.

Year after year, you have come to expect the best in Latin-style openers from Mike Story, and this one is one of his best! It has great melodies, big block scoring, and driving percussion. Powerful! (1:30).

SB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo, organ obligato

SKU: CA.3104719

Cantata for the 17th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Wer sich selbst erhohet. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1726. BWV 47. Duration 24 minutes. Carus Verlag #CV 31.047/19. Published by Carus Verlag (CA.3104719).

ISBN 9790007136161. Key: G minor. Language: German/English. Text: Helbig, Johann Friedrich. Text: Johann Friedrich Helbig.

Score and parts available separately - see item CA.3104700.

(2+1.2.2.2/4.2.3.0,timp,s tr,S solo)

SKU: TM.02049SC

Composed by Gaetano Donizetti. Score. Lucks Music Library #A2788. Published by Lucks Music Library (TM.02049SC).

Key of c. Uses 2 flutes instead of glass harp. Act III No. 14 Scene V (16 measures before reh. 24 - 16 measures after reh. 44). 1st words = Il dolce suono. This version doesn't contain the chorus, and the Trio section with Raimondo and Enrico is cut at reh. 31 through end of reh. 36. Original opera edition with Soprano solo, Raimondo, Enrico, and Chorus available upon request (key of c). Typeset.

Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius (1865-1957). Edited by Anna Pulkkis. Breitkopf and Haertel #EB-9340. Published by Breitkopf and Haertel

Grade 2

SKU: CL.RWS-2117-00

(from Water Tales: A Suite For Band). Composed by Hoefle. Young Concert Band. Score and set of parts. Composed 2021. RWS Music Company #RWS-2117-00. Published by RWS Music Company (CL.RWS-2117-00).

The first movement in Water Tales, A Suite for Band, this lyrical work is a beautiful depiction of a sea turtle departing the beach after laying her eggs in the sand. This piece in ¾ time is a great opportunity for your students to work on slurs and phrasing while they learn about these amazing, endangered water creatures. This first installment of this marine-based suite has great potential for themed concerts and cross-curricular activities!

Cantata for 14. Sunday after Trinity (English/German). Vocal Score based on the Urtext of the New Bach Edition. By Johann Sebastian Bach. Edited by Werner Neumann. For Mixed Choir-SATB. Chorus Score. BWV 78. Published by Baerenreiter-Ausgaben (German import). (BA10078 91)

Violin 1 (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-14670-15

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Armin Raab. Stapled. Orchester-Bibliothek (Orchestral Library). The study score (Studien-Edition) is available at G. Henle Verlag. Classical period. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 14670-15. Published by Breitkopf and Haertel (BR.OB-14670-15).

ISBN 9790004337929. 10 x 12.5 inches.

In his op. 112 Beethoven sets the two poems by Johann Wolfgang von Goethe Meeresstille (Calm Sea) and Gluckliche Fahrt (Prosperous Voyage). Several sketches reveal that Beethoven had already begun to take an interest in the poems by the end of 1814. The composer conducted the premiere at a benefit concert for the Viennese Citizens' Hospital Fund in 1815. As the publication of this work was long in coming, the dedicatee Goethe received a copy of the score only in May 1822. A few months later Beethoven inquired of him: [...] how lovely would it be to know, if I appropriately united my harmonies with yours. Also enlightenment on what is to be seen as truth, would be dearly appreciated, as I love the latter above all, and never shall be said: Veritas odium parit.The old but commendable Breitkopf material has now been definitively replaced by the new edition based on the Complete Beethoven-Edition, save for the tried and true piano reduction by Carl Reinecke, which boasts more than simply historical merits. Its existence is assured by the revised and simplified form in which it appears in the new piano reduction. It will no doubt long continue being a much appreciated aid at choral rehearsals. In the piano vocal score the articulation and dynamics were adapted to the music text of the Complete Edition.The sun recently began shining from a cloudless sky on Beethoven's Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage) after the publication of the piano reduction and choral score which signalize the completion of the performance material based on the new Beethoven Complete Edition. (Singende Kirche).

Brass Band - Grade 1.5

SKU: BT.GOB-000725-130

Composed by Patrick Millstone. Score Only. Gobelin Music Publications #GOB 000725-130. Published by Gobelin Music Publications (BT.GOB-000725-130).

In ‘A Summer Holiday’ Patrick Millstone takes us with him on a journey. After a year’s hard work we may finally enjoy a well-earned holiday. The first part of this three-part composition has the appropriate title ‘On Tour’. When we chose our holiday destination, the brochure said that it would be bathed in sunlight every day. Unfortunately, this turns out not to be the case. Somewhat melancholically, we play round games in our summer house on a ‘Rainy Day’. However, the next day, when the sun again has driven away all the clouds, we naturally visit the ‘Crowded Beach’, where we enjoy both sun, sea and beach once again.

In ‘A Summer Holiday’ neemt Patrick Millstone ons mee op reis. Na een jaar hard werken kunnen we van een welverdiende vakantie genieten. Het eerste deel van deze driedelige compositie heeft de toepasselijke titel ‘On Tour’. Bijhet uitzoeken van de vakantie, stond in de folder dat onze bestemming zonovergoten zou zijn. Dit blijkt helaas niet alle dagen zo te zijn. Met enige weemoed zitten we in ons huisje wat gezelschapsspelletjes te doen op deze ‘RainyDay’. Maar als de zon de wolken verdreven heeft, en dat is de volgende dag zo, gaan we natuurlijk met z’n allen naar de ‘Crowded Beach’, waar we genieten van zon, zee en strand.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1165715-140

Composed by Jacob De Haan. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2016. De Haske Publications #DHP 1165715-140. Published by De Haske Publications (BT.DHP-1165715-140).

English-German-French- Dutch.

The White Stone was commissioned by the band of the catholic parish of Dossenheim on the occasion of the 1250th anniversary of the town of Dossenheim near Heidelberg, Germany. The work is named after a high peak (White Stone) in the east of the town. Throughout the piece the composer uses the tune ‘How lovely you are, my Dossenheim’ in different forms and shapes, and musically he depicts the history and landscapes of this idyllic town. A challenging and versatile concert work with lots of beautiful melodies as well as rhythmical and energetic sequences.

The White Stone werd geschreven in opdracht van de Musikkapelle der katholischen Pfarrgemein-de Dossenheim, ter gelegenheid van het 1250-jarig bestaan van deze plaats, dicht bij Heidelberg, Duitsland. De titel van het werk verwijst naar ‘der Weiße Stein’, een berg in het Odenwald ten oosten van Dossenheim. De componist heeft de melodie van Wie schön bist du, mein Dossenheim in diverse vormen en gedaanten verwerkt. Hiermee worden de geschiedenis en het landschap van deze idyllische plaats treffend verklankt. Dit uitdagende en veelzijdige concertwerk bevat prachtige melodieën evenals ritmisch energieke passages.

The White Stone wurde von der Musikkapelle der katholischen Pfarrgemeinde Dossenheim aus Anlass der 1250-Jahr-Feier der Stadt Dossenheim bei Heidelberg in Auftrag gegeben. Das Werk ist nach dem Weißen Stein“ benannt, einem hohen Berg, der sich östlich von Dossenheim befindet. Der Kompo-nist verwendet im gesamten Stück das Lied Wie schön bist du, mein Dossenheim“ auf unterschiedli-che Art und Weise und beschreibt auf musikalische Weise die Geschichte und Landschaft dieser idyl-lischen Stadt. Ein anspruchsvolles und vielseitiges Konzertstück mit zahlreichen wunderschönen Me-lodien sowie mit rhythmischen und schwungvollen Sequenzen.

The White Stone fut commandé par l’orchestre de la paroisse catholique de Dossenheim l’occasion du 1250ème anniversaire de cette ville située près de Heidelberg en Allemagne. L’œuvre a pris son nom d’un haut sommet (white stone, « pierre blanche ») l’est de la ville. Pendant la pièce entière, le compositeur utilise la mélodie « Que tu es magnifique, mon Dossenheim » dans de différentes formes, et dépeint l’histoire et le paysage de cette ville idyllique en musique. Une œuvre de concert stimulante et variée qui comprend aussi bien des mélodies magnifiques que des séquences rythmiques et énergiques.

SATB choir

SKU: LP.765762141421

Composed by Dave Clark & Cliff Duren. Arranged by Cliff Duren. Anthems. Contemporary and Sacred. Accompaniment CD (split-channel and stereo). Published by Lillenas Publishing Company (LP.765762141421).

UPC: 765762141421.

This joyous and energetic song from master songwriters Cliff Duren and Dave Clark is perfect any time of year! Balancing unison voicing with accessible harmonies, this joyful song with a simple but profound message will resonate with your choir and congregation long after the last chord fades away. DVD accompaniment is available.

Violoncello (1(picc.c).2.2.2 - 2.2.0.0 - timp.perc(3) - str)

SKU: BR.OB-5266-23

With an Authentic Concert Ending based on the Harmoniemusik from Donaueschingen. Composed by Wolfgang Amadeus Mozart. Edited by Bastiaan Blomhert. Arranged by Bastiaan Blomhert. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Overture; Classical. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 5266-23. Published by Breitkopf and Haertel (BR.OB-5266-23).

ISBN 9790004333365. 10 x 12.5 inches.

There are many clues hinting that Mozart himself wrote the wind-band version of his "Entführung&rdq uo; located in Donaueschingen. Our arrangement features a concert close to the Overture which is unquestionably superior to the posthumous endings added by other musicians. Bastiaan Blomhert transposed this coherent close to the orchestral version. After "Don Giovanni” there ist now a second authentic concert close for a Mozart overture.

(Heavy Metal Pyrotechnics Meet the Bass Guitar). Composed by David Overthrow. For Bass Guitar. Bass Guitar Method or Supplement; Book; CD; Method/Instruction. Shredding Series. Metal. Beginner. 64 pages. Published by Alfred Music

Duets for Holiday and Life Cycle Celebrations. Performed by Michael Isaacson. Transcontinental Music Folios. Size 8.5x11 inches. 36 pages. Published by Transcontinental Music Publications.

Arranged by John O'reilly. Arr. John O'Reilly. For string orchestra. String Orchestra. Strictly Strings. 0. Level: 1 (grade 1). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

By Various. Paperback Songs (Melodies, lyrics, and chords in a convenient format). Softcover. 256 pages. Published by Hal Leonard.

ATB vocal soli, SATB choir, 2 flutes, oboe I, oboe II (oboe d'amore), 2 violins, viola, basso continuo

SKU: CA.3104519

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Daniela Wissemann-Garbe. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Es Ist Dir Gesagt, Mensch, Was Gut Ist. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1726. BWV 45. Duration 23 minutes. Carus Verlag #CV 31.045/19. Published by Carus Verlag (CA.3104519).

ISBN 9790007136147. Key: E major. Language: German/English.

Sco re and parts available separately - see item CA.3104500.

Grade 3

SKU: CL.033-0260-00

Composed by Hooper. Jazz Ensemble. Score and set of parts. Composed 1983. C.L. Barnhouse #033-0260-00. Published by C.L. Barnhouse (CL.033-0260-00).

This is not an encyclopedia, but an unusual juxta position of two styles of music. The fanfare is an exciting straight-ahead bit of writing which works its way through contrapuntal and polytonal paths and somehow finds itself in the middle of a funk version of itself. After some solos and a drum solo transition the music completes the symmetric circle and ends as it started. A great opener!

How to Look After Your Violin, Viola or Cello, and Bow. By James N. McKean. Book (not sheet music). Size 6x9 inches. 64 pages. Published by String Letter Publishing.

Choral (SATB)

SKU: HL.35010146

SATB chorus. Composed by Harlan. Arranged by Benjamin Harlan. Choral - SATB. Shawnee Press. Print on demand - publisher prints this title after order is received. Anthem, General Worship, Traditional, Worship. Octavo. Shawnee Press #A6458. Published by Shawnee Press (HL.35010146).

UPC: 888680063443. 6.75x10.5x0.019 inches.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1115043-140

Composed by Carole King and Gerry Goffin. Arranged by Hideaki Miura. New Sounds for Concert Band. Pop & Rock. Score Only. Composed 2011. 24 pages. De Haske Publications #DHP 1115043-140. Published by De Haske Publications (BT.DHP-1115043-140).

9x12 inches.

The Loco-motion was the hippest dance routine to hit the clubs in the 1960s. In contrast to many songwriters who write songs after a trend has taken off , singer/songwriter partners and couple Gerry Goffi n and Carole King wrote the song that kicked off the entire dancesong craze. Little Eva was the fi rst of several artists to reach the top of the US charts with this hit in 1962. Let your band rise to new heights with Hideaki Miura’s funky arrangement!

The Loco-motion was een bijzonder geliefde manier van dansen in de jaren zestig. Gerry Goffin en Carole King waren met hun gelijknamige hit de trendsetter van deze muziek- en dansstijl. Dit in tegenstelling tot wat veel songwritersdoen: pas bepaalde muziek schrijven als het al een trend is. De eerste die het nummer vertolkte was Little Eva en zij scoorde er een nummer één hit mee. Hierna werd de song nog vaak en succesvol gecoverd. En nu is er dusook een lekker vlotte versie voor harmonieorkest van Hideaki Miura.

The Loco-motion war ein Modetanz in den 1960er-Jahren. Entgegen der weit verbreiteten Annahme sprang aber nicht das Songwriter-Ehepaar Gerry Goffin und Carole King mit ihrem gleichnamigen Hit auf diesen Zug auf, sondern sie waren tatsächlich diejenigen, die mit dem Titel den Trend erst auslösten. Nach dem Nr. 1-Erfolg der ersten Interpretin Little Eva wurde der Song oft und erfolgreich gecovert und liegt nun in einer flotten Blasorchesterbearbeitung von Hideaki Miura vor.

Au début des années 1960, le couple d’auteurs succès, Gerry Goffin et Carole King, compose la chanson, The Loco-motion, qui sera l’origine d’un phénomène qui va balayer tous les pays, le locomotion, un twist en ligne avec des mouvements de bras imitant le va-etvient des bielles de locomotives vapeur. Immortalisée aux États-Unis par Little Eva, la chanson sera reprise en France par Henri Salvador, puis par Sylvie Vartan, l’égérie des années yé-yé. Hideaki Miura en a réalisé un arrangement pour Orchestre d’Harmonie, aussi twistant que la version originale.

The Loco-motion è stato un ballo di moda negli anni ’60. Al contrario di molti autori che scrivono canzoni utilizzando trend gi esistenti, la coppia Gerry Goffin e Carol King fu l’artefi ce di questo ballo di successo. La prima interprete della canzone fu Little Eva che nell’ormai lontano 1962 raggiunse la vetta delle canzoni più vendute. Un tuff o nel passato con questo arrangiamento molto riuscito fi rmato Hideaki Miura.

SATB vocal soli, SATB choir, [2 oboes, bassoon], 2 violins, viola, basso continuo

SKU: CA.3118609

Cantata for the 3rd Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Diethard Hellmann. Arranged by Diethard Hellmann. This edition: urtext. 1x 31.186/21 oboe 1, 1x 31.186/22 oboe 2, 1x 31.186/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Argre Dich, O Seele, Nicht Bwv 186A. Sacred vocal music, Cantatas, Advent, Whitsun. Set of Orchestra Parts. Composed 1716. BWV 186a. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.186/09. Published by Carus Verlag (CA.3118609).

ISBN 9790007050672. Key: G minor / c dorian. Language: German. Text: Franck, Salomo. Text: Salomo Franck.

Bach was not able to use the Weimar Advent cantata Argre dich, o Seele, nicht BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. Bach expanded and revised the cantata during his first year in Leipzig and performed it for the first time in its new form on the 7th Sunday after Trinity 1723. Only a wordbook survives from the original Weimar form of the work. Starting from the Weimar wordbook and Bach's Leipzig score, Diethard Hellmann has created a reconstruction of Bach's sole known cantata for the 3rd Sunday of Advent. Bach's Leipzig version of the cantata is available separately (Carus 31.186/50). Score and parts available separately - see item CA.3118600.

Piano

SKU: HL.50601746

For Piano. Composed by Philip Cashian. Instrumental. Concert, Recital. Softcover. 24 pages. Duration 420 seconds. Cadenza Music #CAZPC6BH01. Published by Cadenza Music (HL.50601746).

UPC: 888680935009.

Classic Eagles by The Eagles. For Piano/Vocal/Guitar. Artist/Personality; Personality Book; Piano/Vocal/Chords. Piano/Vocal/Guitar Artist Songbook. Softcover. 96 pages. Alfred Music Publishing #VF1814. Published by Alfred Music Publishing

Piano - Grade 3

SKU: FA.MFGT053

Composed by Germaine Tailleferre. Historical Music by Women Composers. Classical : Modern. Score. Musik Fabrik #MFGT053. Published by Musik Fabrik (FA.MFGT053).

210 x 297 inches.

Written around 1920 after a short vacation to Biarritz, it was dedicated to Marianne Singer, Jean Cocteau's cousin. It was probably the fruit of piano improvisations during this holiday trip.