A Workbook for Examinations. Composed by Paul Harris. This edition: New. Meth...(+)
A Workbook for
Examinations.
Composed by Paul Harris.
This edition: New.
Method/Instruction;
Technique Musicianship;
Woodwind - Bassoon Method
or
Collection. Faber
Edition:
Improve Your
Sight-Reading.
Book. Faber Music #12-
0571540260. Published by
Faber Music
(Parts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Felix Loy. F...(+)
(Parts). Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Felix Loy. For Bassoon,
Oboe, Chamber Ensemble,
Horn (Parts). Henle Music
Folios. G. Henle #HN1191.
Published by G. Henle
Bassoon solo with piano accompaniment - Grade 3 SKU: CL.CTS-7960-17 Compo...(+)
Bassoon solo with piano
accompaniment - Grade 3
SKU:
CL.CTS-7960-17
Composed by Claude T.
Smith. Solo. Composed
2021. Claude T. Smith
Publications
#CTS-7960-17. Published
by Claude T. Smith
Publications
(CL.CTS-7960-17).
Impromptu for
Bassoon and Piano is an
energetic, lyrical solo,
written for Smith's
daughter, Pam, and easily
accessible for a high
school or college
bassoonist. Based on a
lighthearted melody, the
solo has some technical
passages based on
arpeggios, challenging
rhythmic passages in
Smith's signature 7/8 and
9/8 bars and a
complementary piano
accompaniment.
Bassoonists will enjoy
performing this work
which explores the entire
range of the instrument,
challenging the
bassoonist to portray
both expressive and
spirited styles.
Complete Study of the Bassoon: Part 1 - Scales and Daily Exercises for Bassoon...(+)
Complete Study of the
Bassoon: Part 1 - Scales
and
Daily Exercises for
Bassoon.
Composed by Fernand
Oubradous. Leduc.
Instruction. Softcover.
30
pages. Alphonse Leduc
#AL19634. Published by
Alphonse Leduc
Dead Elvis Basson, Cordes [Partition] Peermusic Classical
(for Bassoon and Chamber Ensemble - Solo Bassoon Part). By Michael Daugherty (19...(+)
(for Bassoon and Chamber
Ensemble - Solo Bassoon
Part). By Michael
Daugherty (1954-).
Peermusic Classical.
Softcover. 12 pages.
Peermusic #62111-793.
Published by Peermusic
Dead Elvis Basson, Cordes [Conducteur] Peermusic Classical
(for Bassoon and Chamber Ensemble - Full Score). By Michael Daugherty (1954-). F...(+)
(for Bassoon and Chamber
Ensemble - Full Score).
By Michael Daugherty
(1954-). Full Score.
Peermusic Classical. 42
pages. Peermusic
#62009-791. Published by
Peermusic
Composed by Carl Stamitz (1745-1801). Edited by Ondrej ?indelár. This edition...(+)
Composed by Carl Stamitz
(1745-1801). Edited by
Ondrej
?indelár. This edition:
urtext
edition. Paperback.
Barenreiter Urtext.
Score.
Baerenreiter Verlag
#BA11563.
Published by Baerenreiter
Verlag
Composed by Carl Stamitz (1745-1801). Edited by Ondrej ?indelár. Arranged by ...(+)
Composed by Carl Stamitz
(1745-1801). Edited by
Ondrej
?indelár. Arranged by
Petr
Koronthály. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext. Piano
reduction, Part (1).
Baerenreiter Verlag
#BA11563-
90. Published by
Baerenreiter
Verlag
(For Bassoon and String quartet). By Carl Maria von Weber (1786-1826) and Carl M...(+)
(For Bassoon and String
quartet). By Carl Maria
von Weber (1786-1826) and
Carl Maria von Weber
(1786-1826). Arranged by
Michael Rot. For bassoon,
2 violins, viola, cello.
Chamber music. Score and
set of parts. Op. 35.
Published by Doblinger
Music Publishers
Journey Basson, Piano (duo) [Reduction] Papagena Press
(Bassoon and Piano). By Katherine Hoover (1937-). For Bassoon, Piano. Premiered ...(+)
(Bassoon and Piano). By
Katherine Hoover (1937-).
For Bassoon, Piano.
Premiered by Peter Kolkay
(bassoon), Alexandra
Nguyen (piano), Teatro
Nacional, Panama City,
Panama. Bassoon Part and
Piano Score. 25 pages.
Published by Papagena
Press
Blue Set No. 2 4 Bassons [Conducteur et Parties séparées] Theodore Presser Co.
For Four Bassoons. By Peter Schickele. Wind quartet. For Bassoon I, Bassoon II, ...(+)
For Four Bassoons. By
Peter Schickele. Wind
quartet. For Bassoon I,
Bassoon II, Bassoon III,
Bassoon IV. Premiered by
the Bassoon Brothers
(Mark Eubanks, Robert
Naglee, Juan de Gomar,
and Bonnie Filmore Cox)
on April 18, 1997 in
Portland, Oregon.
Classical. Score and
parts. Composed 1996. 16
pages. Duration 12:00.
Published by Theodore
Presser Company.
Bassoon and Piano SKU: ST.C181 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano
SKU:
ST.C181
Composed by
Graham Sheen. Wind &
brass music. Clifton
Edition #C181. Published
by Clifton Edition
(ST.C181).
ISBN
9790570811816.
Polka-dotsThere are three
contrasting types of
expression for the
bassoonist here. The
opening phrase is
staccato which is
followed (at bar 11) by a
sustained counter melody.
Finally (at bar 19) both
these effects are
combined in a second
melody which needs very
clear dynamic
playing.
M
onkey
Puzzle Sustai
ning the sound while
rearticulating the notes
is important in this
piece. In other words,
the opening should be
played almost slurred. Be
aware of the changing
harmonies underneath the
held notes in the bassoon
part.
Seri
ous Song Long
but separate notes
contrast with real
legato. The main theme is
marked tenuto, so full
value for each note,
especially ending notes.
Even the quavers aren’t
very short at this speed.
Try to make the richest
sound you can like, for
example, a fine Russian
baritone. Three Pieces
for Bassoon and
Piano
[Technical and Melodious Complemental Exercises] for Bassoon. Composed by Fern...(+)
[Technical and Melodious
Complemental Exercises]
for
Bassoon. Composed by
Fernand
Oubradous. Leduc.
Classical.
Softcover. 24 pages.
Alphonse
Leduc #AL19709. Published
by
Alphonse Leduc
Bassoon and Piano SKU: BT.ALHE31669 Composed by Andre Jolivet. Classical....(+)
Bassoon and Piano
SKU:
BT.ALHE31669
Composed
by Andre Jolivet.
Classical. Book Only. 34
pages. Heugel & Cie
#ALHE31669. Published by
Heugel & Cie
(BT.ALHE31669).
English.
AndrÃ
Jolivet (1905-1974)
established his love for
composition from a young
age. This remained
throughout his life, and
he held the post of
Professor of Composition
from 1966-1970 at Paris
Conservatoire. Concerto
for Bassoon wascomposed
in 1954, and remains
highly regarded. Jolivet,
himself a cellist, wished
to explore composition
for all instruments, and
therefore has a
considerable number of
works in all fields. The
composer's style is also
known forits
spirituality, and the
desire to associate the
everyday with the
magical, and the human
with the universal.
Jolivet draws on
acoustics and atonality,
as heard in his Concerto
for Bassoon. The piece
requires high,
virtuosicskills due to
its expansive use of
extended techniques. For
all advanced bassoonists,
Jolivet provides an
exciting, alternative
piece for the
instrument's
repertoire.