Hannah Montana Saxophone Alto [Partition + CD] Hal Leonard
(for Alto Sax). By Miley Cyrus. By Various. Instrumental Folio. Play Along. Soft...(+)
(for Alto Sax). By Miley
Cyrus. By Various.
Instrumental Folio. Play
Along. Softcover with CD.
32 pages. Published by
Hal Leonard . Sheet
music CD. Play Along.
(Conductor Score). Arranged by Cameron Patrick. Strings. For Conductor Score. Fe...(+)
(Conductor Score).
Arranged by Cameron
Patrick. Strings. For
Conductor Score.
Festival; Solo Small
Ensembles. Alfred
Publishing Co., Inc..
Form: Movie. Wedding.
Quartet; Score. Published
by Alfred Music
Publishing
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
By Lynnell Diamond. Arranged by Lynnell Diamond. Female barbershop choir. (Wome...(+)
By Lynnell Diamond.
Arranged by Lynnell
Diamond. Female
barbershop choir.
(Women's voices, a
cappella). Suitable for
contest. Barbershop,
Uptune. Level: difficult.
Published by Sweet
Adelines.
(Piano/Vocal). By Matthew Sklar, lyrics by Chad Beguelin. For Keyboard; Piano; V...(+)
(Piano/Vocal). By Matthew
Sklar, lyrics by Chad
Beguelin. For Keyboard;
Piano; Voice. This
edition: Piano/Vocal.
Book; Piano/Vocal/Chords;
Shows and Movies.
Broadway; Christmas;
Winter. 112 pages.
Published by Alfred Music
Publishing
Quatuor à cordes: 2 violons, alto, violoncelle [Partie séparée] Alfred Publishing
(Violin 2). Strings. For Violin 2. Festival; Solo Small Ensembles. Alfred Publis...(+)
(Violin 2). Strings. For
Violin 2. Festival; Solo
Small Ensembles. Alfred
Publishing Co., Inc..
Form: Movie. Violin;
Wedding. Part(s);
Quartet. Published by
Alfred Music Publishing
Arranged by For Solo Voice By Harry T. Burleigh. For Voice. (Low Voice). Vocal ...(+)
Arranged by For Solo
Voice By Harry T.
Burleigh. For Voice.
(Low Voice). Vocal
Collection. Sacred;
Secular; Spiritual. Book
& CD. Published by Alfred
Publishing.
By William Smith. Edited by Max Krone. For choir. (Satb). Choral Octavos. Sacre...(+)
By William Smith. Edited
by Max Krone. For choir.
(Satb). Choral Octavos.
Sacred. Level: Grade 2.
Choral Octavo. Published
by Neil A. Kjos Music
Company.
Featuring Bill Evans, Eddie Gomez/Bass and Drummers Marty Morrell, Philly Joe Jo...(+)
Featuring Bill Evans,
Eddie Gomez/Bass and
Drummers Marty Morrell,
Philly Joe Jones and Jack
DeJohnette. Performed by
Bill Evans. Artist
Transcriptions (Authentic
note-for-note
transcriptions). Size
9x12 inches. 192 pages.
Published by Hal Leonard.
((with Everybody Loves My Baby) Discovery Level 2 3-Part Mixed). Composed by Bil...(+)
((with Everybody Loves My
Baby) Discovery Level 2
3-Part Mixed). Composed
by Billy Austin, Jack
Palmer, Louis Jordan, and
Spencer Williams.
Arranged by Mark A.
Brymer. For Choral
(3-Part Mixed). Discovery
Christmas Choral. 12
pages. Published by Hal
Leonard