SSA Chorus

SKU: RU.UILCH1711

Composed by Cynthia I. Gonzales. UIL Sightreading. Octavo. RBC Publications #UILCH1711. Published by RBC Publications (RU.UILCH1711).

6.75 x 10.5 inches.

Composed by Cynthia Gray. For 3-part choir, piano accompaniment. Robyn Lana Choral Series. Concert, General. Octavo. Santa Barbara Music Publishing #SBMP1159. Published by Santa Barbara Music Publishing

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.1329

Composed by Cynthia Dobrinski. Original, General Worship, Sacred. Handbell score. 12 pages. Hope Publishing Company #1329. Published by Hope Publishing Company (HP.1329).

UPC: 763628113292.

An original composition An originial composition for 3-5 Oct. handbells.

Composed by Cynthia Gray. For 3-part mixed choir and piano. Concert, Festival. Octavo. Published by Heritage Music Press

Arranged by Cynthia Dobrinski. For Handbells. Sacred. Level: Grade 3+. Print Music Solo (3-5 octaves). Published by Hope Publishing Company.

By Cynthia Gray. For 3-part mixed choir. Voices Unlimited. Christmas. Octavo. Published by Heritage Music Press.

Composed by Cynthia Gray. For SATB choir, piano. Spiritual. Octavo. Heritage Music Press #15/3345H. Published by Heritage Music Press

By William Harold Neidlinger (1863-1924). Edited by Michael Perry. Arranged by Cynthia Dobrinski. Handbell choir. For 3-5 octave handbells. Christmas and Sacred. Grade 3. Handbell Score. Published by Hope Publishing Company

Arranged by Cynthia Dobrinski. For handbell choir (2-5 octaves). Christmas, Sacred. Grade 2. Handbell score

Choral (SHOWTRAX CD)

SKU: HL.338556

From Harriet. By Cynthia Erivo. By Cynthia Echeumuna-Erivo and Joshuah Campbell. Arranged by Mac Huff. Pop Choral Series. African-American, Concert, General Worship, Gospel, Movies, Multicultural, Pop, Show Choir. CD. Duration 275 seconds. Published by Hal Leonard (HL.338556).

UPC: 840126913736. 5.0x5.0x0.15 inches.

There was no greater live performance on the night of the 2020 Academy Awards ceremony than Cynthia Erivo's dynamic and compelling performance of “Stand Up”, the lead single from the soundtrack to the biographical film Harriet. Backed by a gospel choir, this song is ready to be performed across the nation, from choirs large to small, to further the message of abolitionist Harriet Tubman.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Piccolo and more.

SKU: PR.115402040

For Piccolo and Band. Composed by Daniel Dorff. This edition: Band. Premiere: Walfrid Kujala piccolo, Mitchell Fennell conducting the California State University - Fullerton wind ensemble, at 2010 NFA convention. Contemporary. Set of Score and Parts. With Standard notation. Composed 8-Oct. 60+12+12+4+4+4+16+16+16+4 +3+3+3+8+8+8+4+6+6+6+3+3+ 3+3+6+6+6+6+3+27+3+8 pages. Duration 6:30. Theodore Presser Company #115-40204. Published by Theodore Presser Company (PR.115402040).

UPC: 680160591220. 9.5 x 13 inches. Key: G major.

Already a popular recital work for piccolo and piano, and winner of the 2009 International Piccolo Symposium biennial composition competition, Flash! is now available for solo piccolo with band accompaniment - fresh from the NFA premiere, featuring piccolo legend Walfrid Kujala. The East Coast premiere is scheduled for 11/18/10, featuring Boston Symphony piccoloist Linda Toote with the Boston University wind ensemble.
By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo. In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete. Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010. More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.
By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo.In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete.Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010.More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Piccolo, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.11640385L

For Piccolo and Orchestra. Composed by Daniel Dorff. Large Score. 60 pages. Duration 6:30. Theodore Presser Company #116-40385L. Published by Theodore Presser Company (PR.11640385L).

UPC: 680160682904. Key: G major.

By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo. In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete. Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010. More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.
By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo.In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete.Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010.More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.

Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Piccolo, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.11640385S

For Piccolo and Orchestra. Composed by Daniel Dorff. Full score. 60 pages. Duration 6:30. Theodore Presser Company #116-40385S. Published by Theodore Presser Company (PR.11640385S).

UPC: 680160682898. Key: G major.

By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo. In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete. Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010. More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.
By 2008, Sonatine de Giverny was being performed so frequently that I decided to write another piccolo piece as soon as an opportunity arose. Since Giverny is a study in French style, I knew the new piece must be in my own authentic American voice. That summer, Giverny was performed six times at the NFA convention as a mandatory competition piece, and I returned from the August 2008 convention all charged up to write something different for piccolo.In September, Kate Prestia-Schaub wrote to tell me about the International Piccolo Symposium's new composer competition. She proposed that if I write a new piccolo/piano piece, she would record a demo for me to submit to the competition, and she would submit applications to perform it at the 2009 IPS convention and NFA convention. What amazing timing! I set out to compose a flashy showpiece with a jazzy snap, lots of idiomatic scales and arpeggios, and a scary middle section, and by mid-October FLASH! was complete.Kate followed suit and all 3 wishes came true - FLASH! won first prize in the IPS composer competition, and she performed it both there and at NFA. In the meantime many other piccoloists have added the work to their repertoire, Cynthia Ellis wrote an article about it for Flute Talk magazine, and Walfrid Kujala commissioned a band accompaniment to premiere at NFA in 2010.More recently, Sarah Jackson has commissioned an orchestra version, premiered at the 2014 NFA convention.

Composed by Various. Edited by Joan Frey Boytim. Vocal Collection. Instruction, Collection, Children, Classical. Softcover Audio Online. 72 pages. Published by G. Schirmer

Orchestra

SKU: LO.30-2750L

Composed by Cynthia Clawson. Arranged by Larry Shackley. Choral. Sacred Anthem, Eastertide, General, Lent. Orchestral score and CD with printable parts. Lorenz Publishing Company #30/2750L. Published by Lorenz Publishing Company (LO.30-2750L).

UPC: 000308130331.

Cynth ia Clawson's The Journey has been skillfully set for choir in this marvelous arrangement by Larry Shackley. A powerful prayer for strength and faith in the journey of life, it has a gentle gospel feel that is supported by either piano or orchestral accompaniment. The engaging melody and inspired lyrics are a compelling message for all in the midst of life's challenges. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tba, Harp, Pno (for rehearsal only), 2 Vln, Vla, Cello, Bass.

Orchestra

SKU: LO.30-2749L

Composed by Cynthia Clawson. Arranged by Larry Shackley. Choral. Sacred Anthem, Eastertide, General, Lent. Orchestral score and parts. Lorenz Publishing Company #30/2749L. Published by Lorenz Publishing Company (LO.30-2749L).

UPC: 000308130324.

Cynth ia Clawson's The Journey has been skillfully set for choir in this marvelous arrangement by Larry Shackley. A powerful prayer for strength and faith in the journey of life, it has a gentle gospel feel that is supported by either piano or orchestral accompaniment. The engaging melody and inspired lyrics are a compelling message for all in the midst of life's challenges. Instrumentation: 2 Fl, Ob, 2 Cl, Bsn, 2 Hn, 3 Tpt, 2 Tbn, Tba, Harp, Pno (for rehearsal only), 2 Vln, Vla, Cello, Bass.

SKU: LO.99-2902L

Composed by Cynthia Clawson. Arranged by Larry Shackley. Choral. Sacred Anthem, Eastertide, General, Lent. Performance/accompaniment CD. Lorenz Publishing Company #99/2902L. Published by Lorenz Publishing Company (LO.99-2902L).

UPC: 000308130348.

Cynth ia Clawson's The Journey has been skillfully set for choir in this marvelous arrangement by Larry Shackley. A powerful prayer for strength and faith in the journey of life, it has a gentle gospel feel that is supported by either piano or orchestral accompaniment. The engaging melody and inspired lyrics are a compelling message for all in the midst of life's challenges.

3-5 Octave handbells - Level 2

SKU: HP.2994

Arranged by Cynthia Dobrinski. Handbell score. 8 pages. Hope Publishing Company #2994. Published by Hope Publishing Company (HP.2994).

UPC: 763628129941.

Hymn tune
Cynthia Dobrinski's arrangement of the St. Theodulph tune maintains excitement and energy from beginning to end with big chords and a sprinkling of shakes, martellatos, ring touches, swings, thumb damps, martellato lifts, and an echo, as well as a malleted section. Ringers will enjoy the fact that the full range is utilized well for both 2 and 3 octave choirs and that bell changes are minimal.

Handbells 3-5 octave handbell choir - Level 2

SKU: HP.1920

Arranged by Cynthia Dobrinski. Christmas, Sacred. Handbell score. Hope Publishing Company #1920. Published by Hope Publishing Company (HP.1920).

UPC: 763628019204.

Tradi tional German carol With 3-5 octaves of bells, Cynthia Dobrinski has captured the charm of the traditional German carol, Ihr Kinderlein Kommet. This energetic and sparkling setting includes a variety of stopped sounds in a not-difficult arrangement. You will enjoy O Come, Little Children.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.1899

Composed by Cynthia Dobrinski. General Worship, Sacred. Handbell score. Hope Publishing Company #1899. Published by Hope Publishing Company (HP.1899).

UPC: 763628018993.

An original composition With an explosion of energy from beginning to end, composer Cynthia Dobrinski has set in motion a truly glorious piece. The 3-5 octave original composition entitled GLORIOUS TRIUMPH would make a dynamic addition to worship or concert.

Handbells - Level 2

SKU: HP.2958

Original, Celebration, Festival, General Worship, God, Hope, Joy, Light, Adoration & Praise, Worship. Handbell score. 8 pages. Hope Publishing Company #2958. Published by Hope Publishing Company (HP.2958).

UPC: 763628129583. Cynthia Dobrinski.

Original composition from the late Cynthia Dobrinski This original composition is full of lively techniques. It is exciting from start to finish. A great option for a worship service, festival or concert.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.1900

Arranged by Cynthia Dobrinski. Easter Sunday, Sacred. Handbell score. Hope Publishing Company #1900. Published by Hope Publishing Company (HP.1900).

UPC: 763628019006. 1 Timothy 1:15, Deuteronomy 6:5, John 3:16-17, Luke 2:8-20, Mark 10:45, Mark 12:30, Matthew 22:37, Acts 4:33, Acts 5:42, Acts 10:36, Acts 14:7,21, Acts 17:18, Isaiah 52:7, Isaiah 61:1, Psalms 143:8, Romans 10:15.

Easter Hymn In your search for a festive Easter selection do not pass up this one. Using full-bodied chords, stopped sound techniques, triplets and moving bass, Cynthia Dobrinski captures the essence of Eastertide hymns Good Christians All and Thine Is The Glory in this Easter anthem, for 3-5 octaves, GOOD CHRISTIANS ALL, REJOIC.

3-part mixed choir and piano

SKU: LO.15-2517H

Composed by Cynthia Gray. Choral. Concert. Octavo. Heritage Music Press #15/2517H. Published by Heritage Music Press (LO.15-2517H).

ISBN 9781429107532.

Cynt hia Gray’s robust setting of Lowell’s delightful poem from “A Dome of Many-Coloured Glass” is filled with playful energy, delightful imagery, and word-painting, all supported by an inventive accompaniment. Ideal for young and developing choirs!

Handbells - Level 2

SKU: HP.3025

LEVEL 3. Hymn Arrangements, General Worship, Worship. Handbell score. 12 pages. Hope Publishing Company #3025. Published by Hope Publishing Company (HP.3025).

UPC: 763628130251. Cynthia Dobrinski.

Classic Hymn We are gifted with this last arrangement from a giant in the handbell community. Filled with many of the techniques and rhythms that Cynthia was known for. This combination of hymn tunes is classic Dobrinski sure to delight and captivate.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.1932

Composed by Cynthia Dobrinski. Original, Education, General Worship, Sacred. Handbell score. Composed 1998. 12 pages. Hope Publishing Company #1932. Published by Hope Publishing Company (HP.1932).

UPC: 763628019327.

An original composition Composer Cynthia Dobrinski takes inspiration for this original composition from I John 5:4 and Hebrews 12:2 (the faith chapter). The introduction, like faith, begins small and then grows. The melody is almost march-like, but more emotional. A section of marted chords may be interpreted to show the tenacious spirit faith must take. The ending is triumphant and rung at fff. Written in C Major, measures total 94.

Handbells 3-6 octave handbell choir - Level 3

SKU: HP.2846

Arranged by Cynthia Dobrinski. General Worship, Sacred. Handbell score. Hope Publishing Company #2846. Published by Hope Publishing Company (HP.2846).

UPC: 763628128463.

Origi nal Composition Ideal for any festive concert or worship, this cheerful original composition is a real crowd pleaser with its lightly syncopated rhythms in a Spanish flavor, for 3-5 octave handbells. A splash of handbell techniques throughout gives it just the right amount of color and spice to create a true celebration! Easily learned, this is a delightful offering for bell choirs.

SKU: GI.G-10580

Philosopher and Practitioner in Dialogue. Composed by William Perrine. Music Education. 430 pages. GIA Publications #10580. Published by GIA Publications (GI.G-10580).

ISBN 9781622776375.

Cont ributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.2269

Composed by Cynthia Dobrinski. General Worship, Sacred. Handbell score. 8 pages. Hope Publishing Company #2269. Published by Hope Publishing Company (HP.2269).

UPC: 763628122690.

An original composition This original composition, subtitled Song of Victory, captures a joyous mood from the opening dotted rhythm and continues to build in energy up to a middle section, which introduces a more melodic and flowing feel. The fanfare returns for a marvelous ending, making this an ideal celebratory piece for worship services or concerts.