| Doug Spata: Westward Motion Orchestre à Cordes - Intermédiaire Shawnee Press
By Doug Spata. Music by Doug Spata. For String Orchestra. String Orchestra. Stri...(+)
By Doug Spata. Music by
Doug Spata. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score
(2)$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contextures: Riots - Decade '60 Orchestre Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU:
PR.11641867L Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L). UPC:
680160683215. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Contextures: Riots - Decade '60 Orchestre [Conducteur] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU:
PR.11641867S Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S). UPC:
680160683208. Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A New Approach to Altissimo Trumpet Playing Trompette C.L. Barnhouse
A New Approach to Altissimo Trumpet Playing by John H. Lynch. For flute quartet....(+)
A New Approach to
Altissimo Trumpet Playing
by John H. Lynch. For
flute quartet.
Method/Study book.
Method/study book.
Composed 1984. Published
by C.L. Barnhouse
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wave Rider (score only) Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Derek Richard. Orchestra. For String Orchestra. String Orchestra. Belwin Inte...(+)
By Derek Richard.
Orchestra. For String
Orchestra. String
Orchestra. Belwin
Intermediate String
Orchestra. 3 (grade 3).
Score. 12 pages.
Published by Alfred Music
Publishing
$7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto Piano seul Theodore Presser Co.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202. What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement. $47.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| We Are Stars Chorale SATB SATB, Piano Cypress Choral Music
Composed by Kenley Kristofferson. Octavo. Published by Cypress Choral Music (C3....(+)
Composed by Kenley
Kristofferson. Octavo.
Published by Cypress
Choral Music (C3.CP1208).
$3.10 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Situation Update, Suite for Trombone and Piano Trombone et Piano - Avancé Cherry Classics
Trombone and piano accompaniment - advanced SKU: CY.CC2890 Composed by Da...(+)
Trombone and piano
accompaniment - advanced
SKU: CY.CC2890
Composed by David Fetter.
Contemporary. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2890).
David Fetter's
brilliant new work
Situation Update - Suite
for Tenor Trombone and
Piano is written in three
contrasting movements
totalling almost 11
minutes in length: 1.
Swift 2.
Longing 3. Exit
Music Swift is marked
Intense and is very
rhythmic and angular.
Longing is a beautiful
lyrical movement marked
Cantabile and Exit Music
is marked Lively mixing
chromatic, lyrical and
syncopated segments,
ending in a giant
climax. Both the solo
and accompaniment parts
are written for advanced
performers. The
work's premier was
performed in 2015 by
retired Principal
Trombonist of the Boston
Symphony, Ronald Barron
and accompanied at the
Piano by Pianist Larry
Wallach. Here is what
Mr. Ewazen has said about
Situation Update: I
had the pleasure of
hearing Ron Barron play
David Fetter's exciting
and virtuosic new work
for Trombone and Piano,
Situation
Updateâ€Â.
David's music allows the
Trombonist to sing and
soar in 3 contrasting
movements filled with
vivid colors, beautiful
and expressive harmonies,
and a wonderful flowing
rhythmic energy. The
outer movements crackle
with energy,
showcasing the amazing
technique of soloist Ron
Barron, as the melodic
line shifts and changes
with playful abandon,
while the middle movement
is heartfelt and lyrical,
with beautiful melodic
lines, supported by
resonant, gorgeous
harmonies. The work is a
real tour de force
and rightly deserves
to take its place as a
significant addition to
the Trombone
repertoire.. $27.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Situation Update for Trombone solo and Concert Band Orchestre d'harmonie [Conducteur et Parties séparées] - Avancé Cherry Classics
Trombone solo with Concert Band - Advanced SKU: CY.CC3027 Composed by Dav...(+)
Trombone solo with
Concert Band - Advanced
SKU: CY.CC3027
Composed by David Fetter.
Classical. Score and
Parts. Cherry Classics
#CC3027. Published by
Cherry Classics
(CY.CC3027). ISBN
9790530110027. 8.5 x 11
in inches. David
Fetter's brilliant new
work Situation Update -
Suite for Tenor Trombone
and Concert Band is
written in three
contrasting movements
totalling almost 11
minutes in length: 1.
Swift 2. Longing 3. Exit
Music Swift is marked
Intense and is very
rhythmic and angular.
Longing is a beautiful
lyrical movement marked
Cantabile and Exit Music
is marked Lively mixing
chromatic, lyrical and
syncopated segments,
ending in a giant climax.
Both the solo and
accompaniment parts are
written for advanced
performers. The work's
premier was performed in
2015 by retired Principal
Trombonist of the Boston
Symphony, Ronald Barron
and accompanied at the
Piano by Pianist Larry
Wallach. Here is what Mr.
Ewazen has said about
Situation Update: I had
the pleasure of hearing
Ron Barron play David
Fetter's exciting and
virtuosic new work for
Trombone and Piano,
Situation Update. David's
music allows the
Trombonist to sing and
soar in 3 contrasting
movements filled with
vivid colors, beautiful
and expressive harmonies,
and a wonderful flowing
rhythmic energy. The
outer movements crackle
with energy, showcasing
the amazing technique of
soloist Ron Barron, as
the melodic line shifts
and changes with playful
abandon, while the middle
movement is heartfelt and
lyrical, with beautiful
melodic lines, supported
by resonant, gorgeous
harmonies. The work is a
real tour de force and
rightly deserves to take
its place as a
significant addition to
the Trombone
repertoire. $132.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Covenant Orchestre d'harmonie - Intermédiaire Belwin
Concert Band - Grade 4 SKU: AP.BD00976 Fanfare and Celebration. Co...(+)
Concert Band - Grade 4
SKU: AP.BD00976
Fanfare and
Celebration. Composed
by Robert W. Smith.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Concert
Band. Form: Fanfare.
Score and Part(s). 272
pages. Belwin Music
#00-BD00976. Published by
Belwin Music
(AP.BD00976). UPC:
029156002706.
English. With the
bold entrance of the
chimes, the musical
celebration begins.
Turbulent energy unfolds
in brilliant waves of
sound. A rhythmic base
soon becomes established
and propels this work
with finely focused
thrust. Intense energy is
released with contrasting
flowing musical lines. An
important new work. $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Swarm 4 FX Hal Leonard
SKU: HL.1308762 Chauvet Lighting. Lighting. Hal Leonard #SWARM4FX. Publis...(+)
SKU: HL.1308762
Chauvet Lighting.
Lighting. Hal Leonard
#SWARM4FX. Published by
Hal Leonard (HL.1308762).
Swarm 4 FX
combines three dynamic
lighting effects in one
rugged and compact
housing. A single fixture
includes quad-color
(RGBA) dual moonflowers,
a red/green laser and a
white strobe. The dual
moonflowers spin enough
colorful beams to fill an
entire dance floor with
energy and excitement.
Added impact is provided
by the thousands of razor
sharp red and green beams
produced by the laser.
The bright output of the
strobe ring, which
features built-in motion
effects, adds to the fun.
Control options include
sound activation,
master/slave, DMX modes
or the IRC-6 remote. $189.99 - Voir plus => Acheter | | |
| South Carolina -- The Palmetto State Piano seul Alfred Publishing
Composed by Melody Bober. For Piano. Graded Standard Repertoire; Piano Suite; Pi...(+)
Composed by Melody Bober.
For Piano. Graded
Standard Repertoire;
Piano Suite; Piano
Supplemental; Sheet;
Solo. Recital Suite
Series. Form: Suite.
Recital. Late
Intermediate. 12 pages.
Published by Alfred Music
$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cambridgeshire Impressions Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000652-020 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-020
Composed by Rieks van der
Velde. Set (Score &
Parts). 144 pages.
Gobelin Music
Publications #GOB
000652-020. Published by
Gobelin Music
Publications
(BT.GOB-000652-020).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London. 1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu. $229.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cambridgeshire Impressions Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000452-030 Composed by Rieks van der Vel...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000452-030
Composed by Rieks van der
Velde. Set (Score &
Parts). 62 pages. Gobelin
Music Publications #GOB
000452-030. Published by
Gobelin Music
Publications
(BT.GOB-000452-030).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
ofLondon. 1. The
Journey. Although on
arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegromovement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive of percussion
instruments give
expression to this
image. Thefirst part
is concluded by two Calmo
movements in which the
music expresses how the
cathedral in the city of
Ely comes into sight and
is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, whichwas built in
1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of
thecathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the earlyhours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would
havewished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
ten noorden
vanLonden.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
het Allegro laat
Cambridgeshire zienals
een streek van
vitaliteit, energie en
frisheid. Korte
themas, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluit met twee Calmo
gedeelten waarbij het
zicht op dekathedraal van
de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de dag
van vandaag een grote
aantrekkingskracht geniet
van niet
alleentoeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan depub is
uiteraard een must.
Tot 11 uur s avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4.
The Journey Back. Er
is een tijd van komen en
gaan, en dat moment komt
eerder danje zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze afscheid
genomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Gobelin Music
Publications. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cambridgeshire Impressions Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000652-120 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-120
Composed by Rieks van der
Velde. Score Only. 22
pages. Gobelin Music
Publications #GOB
000652-120. Published by
Gobelin Music
Publications
(BT.GOB-000652-120).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London. 1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cambridgeshire Impressions Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000452-130 Composed by Rieks van der Vel...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000452-130
Composed by Rieks van der
Velde. Score Only. 32
pages. Gobelin Music
Publications #GOB
000452-130. Published by
Gobelin Music
Publications
(BT.GOB-000452-130).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
ofLondon. 1. The
Journey. Although on
arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegromovement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive of percussion
instruments give
expression to this
image. Thefirst part
is concluded by two Calmo
movements in which the
music expresses how the
cathedral in the city of
Ely comes into sight and
is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, whichwas built in
1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of
thecathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the earlyhours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would
havewished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
ten noorden
vanLonden.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
het Allegro laat
Cambridgeshire zienals
een streek van
vitaliteit, energie en
frisheid. Korte
themas, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluit met twee Calmo
gedeelten waarbij het
zicht op dekathedraal van
de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de dag
van vandaag een grote
aantrekkingskracht geniet
van niet
alleentoeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan depub is
uiteraard een must.
Tot 11 uur s avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4.
The Journey Back. Er
is een tijd van komen en
gaan, en dat moment komt
eerder danje zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze afscheid
genomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Gobelin Music
Publications. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Three Romances Flûte traversière et Piano [Conducteur et Parties séparées] Notevole Music Publishing
Flute & Piano SKU: SU.97023310 For Flute & Piano. Composed by Will...(+)
Flute & Piano SKU:
SU.97023310 For
Flute & Piano.
Composed by William
Thomas McKinley.
Woodwinds, Flute/Piccolo.
Accompanied by piano.
Score & Parts. Notevole
Music Publishing
#97023310. Published by
Notevole Music Publishing
(SU.97023310).
Inspired by the
French Romantic and
Impressionist traditions,
my romances for fute and
piano, composed during
late July and early
August 1984, was
carefully conceived for
the marvelous lyrical and
technical gifts of Robert
Stallman and Richard
Goode, to whom the work
is warmly dedicated. All
three Romances, although
brief in duration, unfold
with a sense of large
gesture and design. The
first Romance is in 3/4
time and flows generally
in the manner of a
lyrical waltz with
occasional turbulent
interruptions. The second
Romance is in 4/4 time,
unfolding in a stately
Baroque-like manner, and
the third Romance is in
2/4 time, melodically
expansive and often
tempestuous. All three
Romances strive to honor
the goals of traditional
performance practice
while, at the same time,
they create an energy and
drama of modernity and
contemporary richness.
And for these goals I am
indebted to so many of
the most outstanding
performers and conductors
of our time with whom I
have worked and from whom
I have learned
much– those who
have demonstrated the
importance of preserving
in addition to further
developing those
significant natural
attributes of musical
expression and
traditional performance
practice which are so
often ignored in
contemporary
compositional values.
— William Thomas
McKinleyFlute & Piano
Duration: 14' Composed:
1984 Published by:
Notevole Music
Publishing. $41.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mexico: South of the Border Piano seul - Intermédiaire Alfred Publishing
By Mike Springer. For Piano. Piano Suite; Piano Supplemental; Sheet; Solo. Recit...(+)
By Mike Springer. For
Piano. Piano Suite; Piano
Supplemental; Sheet;
Solo. Recital Suite
Series. Form: Suite.
Recital. Late
Intermediate. 12 pages.
Published by Alfred Music
$4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Come, O Spirit, Truth Divine Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Lloyd Larson. For SATB / 2-part mixed choir and piano (with optional Flute). ...(+)
By Lloyd Larson. For SATB
/ 2-part mixed choir and
piano (with optional
Flute). Sacred Anthem.
Choral octavo. Published
by Lorenz Publishing
Company
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Irish Whistle Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
(Variations on The Star of the County Down ). Arranged by Bob Phillips. Orchest...(+)
(Variations on The Star
of the County Down ).
Arranged by Bob Phillips.
Orchestra. String
Orchestra. Highland
String Orchestra. Form:
Variations. Folk;
Multicultural; Novelty.
Grade 2. Conductor Score
and Parts. 124 pages.
Published by Alfred Music
Publishing
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shenandoah Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
(2)$150.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Shenandoah Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
$20.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Come, O Spirit, Truth Divine - Performance/Accompaniment CD CD Chorale Lorenz Publishing Company
SKU: LO.99-2911L Composed by Lloyd Larson. Choral. Sacred Anthem, Baptism...(+)
SKU: LO.99-2911L
Composed by Lloyd Larson.
Choral. Sacred Anthem,
Baptism, General,
Pentecost, Trinity
Sunday.
Performance/accompaniment
CD. Lorenz Publishing
Company #99/2911L.
Published by Lorenz
Publishing Company
(LO.99-2911L). UPC:
000308130492. Full
of the fiery spirit and
rushing wind of
Pentecost, Come, O
Spirit, Truth Divine
opens with great energy
and is followed by a
contrasting B section
that flows gently and
beautifully. Lloyd Larson
adapts Longfellow's
historic text wonderfully
for this original lively
melody. The flexible
voicing insures easy
preparation by choirs
large and small. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| When Christ Was Born Orgue - Avancé Lorenz Publishing Company
Composed by Larry Shackley. Sacred, Christmas. Lorenz Publishing Company #70/...(+)
Composed by Larry
Shackley.
Sacred, Christmas. Lorenz
Publishing Company
#70/2105L. Published by
Lorenz Publishing Company
$33.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Farewell Wish Carl Fischer
Choral alto 1, alto 2, solo Voices, soprano 1, soprano 2 SKU: CF.CM9768 C...(+)
Choral alto 1, alto 2,
solo Voices, soprano 1,
soprano 2 SKU:
CF.CM9768 Composed by
Z. Randall Stroope.
Duration 3 minutes, 19
seconds. Carl Fischer
Music #CM9768. Published
by Carl Fischer Music
(CF.CM9768). ISBN
9781491160343. UPC:
680160923298. Key: G
major.
English. About the
WorkThe text of this work
is most often attributed
to Ralph Waldo Emerson,
although it doesn't
mirror his style, and no
research credits an
essay, book or letter
with its source. Other
individuals are
occasionally suggested as
possible authors, but
equally unsubstantiated.
Even whether the textis a
poem or a quote seems
unclear. But there is one
thing that is without
question: that this
beloved text has inspired
countless people and
contributed toward a view
of the world through eyes
of hope, resilience,
courage, beauty, and joy.
Music for this text
flowed more easily than
about any text I have
ever set. It has an
emotional connection that
is mystical, and after I
read it for the first
time, I immediately sat
down and wrote this work
without stop.Rehearsal
NotesIn many cases, art
is more expressive and
reaches a wider range of
human emotions when
multiple artistic fields
are fused together. Such
is the case with choral
music: the intertwining
of literature, music, and
very often dance, visual
arts, and more. The story
in choral music is often
quite specific, much like
film scoring. At times,
the music is the picture
frame (score) around the
picture (text), while at
others the music is the
leading
dramatic/emotional
impetus.In the present
case (My Farewell Wish),
the text is sincere,
innocent, heartfelt, and
earnest. By all accounts,
the message is
altruistic, expressing
selfless desire for
another's present/future
happiness. Capturing this
message has a strong
reliance on the
performers to not only
carry the emotional
intent of the moment (a
phrase of text or a
measure), but the the
energy and continuance of
the message
throughout.The use of the
[o] vowel functions
almost as instrumental
interludes or
underpinning of strings.
The conductor may use the
[o] as indicated in the
score, or a [u] vowel, a
hum (with [o] as the
vowel inside the mouth),
or all three at different
times for different
reasons. In an acoustical
performance (no mic), the
soloist and the ensemble
are a reflection of each
other's natural sound.
And, even gentle, warm
solo voices should have
no trouble projecting.Two
final thoughts: 1) the
obbligato or added voice
or two on high passages
(m. 66) or a single note
(final chord) will be
best delivered by
lyrical, pure voices with
demonstrated control; and
2) the metronome marking
of 80 bpm (mm.
1–81) was strongly
considered and should be
followed.About the
ComposerZ. Randall
Stroope is an American
composer and conductor.
His composition teachers
were Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). Randall is
the artistic director of
two international summer
music festivals, is an
Honorary Board Member of
the NationalAssociation
of Italian Choral
Directors, and has
conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). $2.30 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rejoice! The King Has Come - Choral Book Chorale Unison Unison/2-parties, Piano - Facile Word Music
Unison/2-part choir - Easy SKU: WD.080689657177 Composed by Dale Mathews....(+)
Unison/2-part choir -
Easy SKU:
WD.080689657177
Composed by Dale Mathews.
Choral, cantatas.
Christmas. Choral score
and book. Word Music
#080689657177. Published
by Word Music
(WD.080689657177).
UPC:
080689657177. The
Christmas season brings
with it an abundance of
things that give us great
joy. But there is no joy
that can compare with
that one, singular,
ecstatic joy expressed by
the Herald Angels
announcing the birth of
the long-awaited Messiah,
Jesus, our Savior and
Lord. New from the
Very Simply Word
Series, the
best-selling
Unison/2-Part Choir,
easylearn, easy-sing
series from Word
Music & Church
Resources, comes
a 29-minute musical
overflowing with
excitement, energy, and
joy celebrating the One
who came to save…
Rejoice! The King Has
Come! Perfect for
smaller choirs, or a
ready-to-go musical for
larger choirs with little
to no rehearsal time,
this new musical from the
Very Simply Word Series
is tailor-made to help
your choir usher in the
sounds of the season as
you encourage your church
and community to
Rejoice! The King Has
Come! $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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