Composed by Vincent Cichowicz. Studies & Exercises. Book with CD. Hal Leonard Europe #CICH-FLOW1. Published by Hal Leonard Europe

Progressive Jazz Studies for B-Flat Clarinet, Book 2 by James Rae. For Clarinet. Book; Method/Instruction; Woodwind - Clarinet Method or Collection. Faber Edition. Jazz. Intermediate. Published by Faber Music

Progressive Jazz Studies for B-Flat or E-Flat Saxophone, Book 2 by James Rae. For Tenor or Alto Saxophone. Book; Method/Instruction; Woodwind - Saxophone Method or Collection. Faber Edition. Jazz. Intermediate. Published by Faber Music

(Hits from the Greatest Shows of All Time). By Pat Legg. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. 24 pages. Published by Faber Music

By Vincent Cichowicz. Trumpet Instruction. Instruction, Method. Softcover Media Online. 48 pages. Published by Hal Leonard

How To Play Clarinet by Denise Gendron. For clarinet. This edition: Paperback. Instructional. How to Play series. Method. Book. Text Language: English. 32 pages. Published by Santorella Publications

How To Play Flute composed by Denise Gendron. For flute. This edition: Paperback. Instructional. How to Play series. Method. Book. Text Language: English. 32 pages. Published by Santorella Publications

(80 Progressive Studies and Exercises). Composed by O. L. and Weeks Holliday. For Piano. Book; Method/Instruction; Piano Collection; Piano Supplemental. Faber Edition. Pop; Rock. Published by Faber Music

Jazz Piano Studies 1 by Antonin Dvorak (1841-1904). For piano solo. Piano. Czech title: Jazzove klavirni etudy 1. Rock / Pop / Jazz. Teaching material. Publication language: Czech/German/English. Published by Editio Baerenreiter Praha

Alto Saxophone - intermediate-adv

SKU: HL.44006608

De Haske Play-Along Book. Tuition. Book and CD. Composed 2004. De Haske Publications #1043659. Published by De Haske Publications (HL.44006608).

ISBN 9789043120210. UPC: 884088130633. English-German-French-Dut ch.

Saxophone study material that is aimed at musical expression and sound, instead of virtuosity is always in short supply. Most existing study books offer too little opportunity to apply the learned technique for its actual purpose - making music. These New Concert Studies meet the demand for teaching the art of making music. The book contains fifteen studies that put emphasis on interpretation and performance. The pieces have been written by a number of leading composers and their various approaches make practising these studies a good way to widen your musical horizons. The books comes with a demo CD featuring Nobuya Sugawa showing exactly how it should be done.

Steeds weer blijkt de behoefte aan studiemateriaal voor saxofoon dat zich richt op muzikale expressie en klank in plaats van virtuositeit. New Concert Studies voorziet in deze behoefte met vijftien etudes waarin de nadruk ligtop interpretatie en voordracht. Ze zijn gemaakt door topcomponisten. Hun diverse invalshoeken maken het studeren van deze etudes tot een uitstekende manier om je muzikale horizon te verbreden. Op de bijgevoegde cd staat van elkeetude steeds een interpretatie - van topsaxofonist Nobuya Sugawa.

Der Schwerpunkt dieser Etuden liegt nicht auf Virtuositat, sondern auf dem eigentlichen Zweck des Musizierens: musikalischem Ausdruck und Klang. Alle funfzehn in diesem Band versammelten Etuden stammen aus der Feder von ausgezeichneten Komponisten und erweitern in ihrer Vielfalt den musikalischen Horizont des Saxophonisten. Die beiliegende CD wurde vom japanischen Saxophonvirtuosen Nobuya Sugawa eingespielt.

New Concert Studies contient quinze etudes de concert axees sur l'expression et l'interpretation. La grande diversite des pieces est ideale pour elargir son horizon musical.

Alto Saxophone - late intermediate

SKU: BT.1336-06-400-DHI

Nobuya Sugawa Presents. Studies & Exercises. Book with CD. Composed 2006. 36 pages. De Haske International #1336-06-400 DHI. Published by De Haske International (BT.1336-06-400-DHI).

ISBN 9789043124584. 9x12 inches. Japanese.

Saxophone study material that is aimed at musical expression and sound, instead of virtuosity is always in short supply. Most existing study books offer too little opportunity to apply the learned technique for its actual purpose - making music. These New Concert Studies meet the demand for teaching the art of making music. The book contains fifteen studies that put emphasis on interpretation and performance. The pieces have been written by a number of leading composers and their various approaches make practising these studies a good way to widen your musical horizons. The books comes with a demo CD featuring Nobuya Sugawa showing exactly how it should be done.

Der Schwerpunkt dieser Etüden liegt nicht auf Virtuosität, sondern auf dem eigentlichen Zweck des Musizierens: musikalischem Ausdruck und Klang. Alle fünfzehn in diesem Bandversammelten Etüden stammen aus der Feder von ausgezeichneten Komponisten und erweitern in ihrer Vielfalt den musikalischen Horizont des Saxophonisten. Die beiliegende CD wurde vom japanischen Saxophonvirtuosen Nobuya Sugawa eingespielt.

Trumpet

SKU: AP.1-ADV1108

Composed by Jack Walrath. Brass - B-flat Cornet (Trumpet) Method or Collection; Method/Instruction; Technique Musicianship. Advance Music. Jazz. Book. Advance Music #01-ADV1108. Published by Advance Music (AP.1-ADV1108).

UPC: 805095011081. English.

Solo transcriptions can be an interesting document of a person's style, but are also so personal and idiosyncratic that one can get frustrated in trying to play them without mistakes. 20 Melodic Jazz Studies for Trumpet contains a series of studies to extend the playing and reading techniques, to illustrate harmonic and melodic shapes and possibilities, bolster endurance, and most of all---train the ear to hear moving and often intricate melodic lines in a musical sense. These pieces are structured in a way that challenges the registers of the instrument, but also allows the student to learn how to pace him/herself. The shapes of the line will naturally show the practitioner where and how he/she can rest while still playing. The studies could serve as tutti passage or solis for brass and/or saxophones.

(A Collection of Studies to Develop Great Fills). By D, Scott Williams. For Drum Set. Technic. Bill's Music Shelf. Contemporary. Beginning-Intermediate. Book. 104 pages. Published by Mel Bay Publications, Inc

Chamber Music Cornet

SKU: CF.O88X

Composed by Narcisse Bousquet. Edited by Joey Tartell Edwin Franko Goldman. SWS. Softcover. With Standard notation. 44 pages. Carl Fischer Music #O88X. Published by Carl Fischer Music (CF.O88X).

ISBN 9781491153406. UPC: 680160910908. 9 X 12 inches.

These studies are a staple of the advanced trumpet method repertoire. Each etude is an exploration of a wide variety of registers, articulations and tonalities. While going through these 36 etudes the trumpeter will develop an even sound in all registers while tackling the musical and melodic challenges that lie within.
IntroductionTi ps on Musical PracticeStarting a new study can be overwhelming. Using Etude No. 1, here’s an example of how to approach working on these etudes with both musicality and technique in mind.Bousquet’s first study can be broken down into three large musical sections:Section 1: from the beginning to the downbeat of m. 26.Section 2: from the upbeat of 2 in m. 26 to the downbeat of m. 51.Section 3: from the downbeat of m. 51 to the end.Each one of those sections can be broken down into two smaller sections:Section 1a: from the beginning to the downbeat of m. 16.Section 1b: from the downbeat of m. 16 to the downbeat of m. 26.Section 2a: from the upbeat of 2 in m. 26 to the end of m. 35.Section 2b: from m. 36 to the downbeat of m. 51.Section 3a: from the downbeat of m. 51 to the downbeat of m. 59.Section 3b: from the downbeat of m. 59 to the end.To get started playing, choose a slow tempo that allows you to play Section 1 all the way through without stopping. If that is problematic, just play through 1a.Remember to focus on the music. Section 1a is light, moving in four-measure phrases to the ninth measure, where it cadences in G. From there, retain the lightness through the arpeggiation that concludes with the trill that brings an arrival point at Section 1b. Here the style changes completely, alternating two measures of fluid, connected sixteenth notes with two measures of scalar staccato sixteenths before finally cadencing on the downbeat of m. 26.Section 2 begins with a melodic line of eighth notes, punctuated by sixteenths in the third full measure before returning to the original line for only a measure before driving forward with a flourish to finish Section 2a. Section 2b starts back in C with four-measure phrases in which the line moves up for two measures, then down for two measures, ending in G. The last seven measures of Section 2 stay light as they work their way back to C.Section 3 is very exciting, starting with a fiery cornet solo-like passage in 3a. 3b brings the piece to a dramatic conclusion outlining C major for the first four measures before arpeggiating C major and G dominant for two measures, finally finishing with the C-major scale.The next step is to isolate any of the parts that proved troublesome. Examples could include missed notes or figuring out where to breathe. Once you have practiced the troublesome sections in isolation, play the section all the way through without stopping again. Even if there are still problems, you are now practicing in a way that is preparing you to perform musically.The next day, play through Section 1 again, at a tempo that allows you to do this without stopping. Now go on to Section 2, and follow the same three steps:Play all the way through, at a tempo that allows you to do so without stopping,Isolate and practice the troublesome passages, thenPlay all the way through, at a tempo that allows you to do so without stopping.Now play from the beginning to the end of Section 2.The next day, play Section 1. Now play Section 2. Then play Section 3 and apply the same three steps outlined above.Now play the whole study. At this point you have spent time on each section, making musical decisions and correcting mistakes. Increase the tempo as you gain confidence and control of the material. As you work towards performing the entire study as a piece of music, record yourself playing the entire study as a performance each day. Review the recordings to reveal what still needs work. Be honest with yourself! When you are happy with the recording of your performance, it’s time to move on to the next study.About the Goldman PrefaceThese studies will be an excellent practice, especially for the lower register of the Cornet, which is somewhat neglected in other instruction books. It is recommended that the pupil should practice one of this series of Studies now and then to repose his lips, and acquire facility in difficult fingering.— Edwin Franko GoldmanIn his original preface, Edwin Franko Goldman is absolutely correct that these studies are excellent practice and will help with the dexterity demanded of today’s player. Although the low register is certainly explored throughout the book, it does not appear to be the focus of these studies. There are many books available now that concentrate on the low register. The suggested fingerings have been removed. Using alternate fingerings was more common to cornet players to aid in the fluidity of a passage. This practice is not nearly as common today, especially with trumpet players, as the difference in timbre caused by the alternate fingerings is disruptive to the musical line. Published for cornet, as it was the solo instrument of choice in the 1920s, these etudes are just as useful to today’s trumpet player. When playing these studies on trumpet, the performer should strive for a fluid line while maintaining a full and clear sound. Because of the musicianship and technique demanded, this book remains as useful today as it has ever been.— Joey TartellAbout Narcisse Bousquet and the 36 EtudesNarcisse Bousquet (c. 1800–1869) was French by birth, active as a composer, editor and arranger in both France and England in the early nineteenth century. Bousquet was respected as an accomplished performer of the French flageolet, a high-pitched woodwind instrument much like a recorder, although later outfitted with the Boehm key system like the modern flute. Although obsolete in modern times, the instrument once enjoyed great popularity with a variety of composers and performers, both amateur and professional. Purcell and Handel composed for the instrument, and Berlioz was purportedly an accomplished amateur performer of the flageolet. The Scottish author Robert Louis Stevenson, likewise, was a proficient performer of the instrument and composed a number of pieces for it.Little is known today of Bousquet’s life. He composed a large variety of music, including works specifically for the flageolet, which were widely appreciated in their day. The 36 Etudes for flageolet are undoubtedly the most well known of his works. Published in 1851, the Etudes explore a variety of techniques, such as scales, arpeggios, ornamentation, breath control and expressive playing, and their technically demanding writing confirms Bousquet’s prowess as a flageolet performer. However, the date of the arrangement of the etudes for cornet and their arranger remain speculative. Edwin Franko Goldman is credited as the arranger of the 1890 publication by Carl Fischer, although Goldman would have been only twelve years old at the time; his work on these pieces surely came at a later time. Bousquet himself may have arranged these pieces for cornet at the request of an accomplished cornet player at some point after their publication.

Composed by David Barrett. Harmonica: Diatonic, Saddle- stitched. Book and online audio. 40 pages. Mel Bay Publications, Inc #30456M. Published by Mel Bay Publications, Inc

10 Great Studies in the Style and Language of Bebop. Composed by Jim Snidero. Improvisation; Method/Instruction; Play- Along; Technique Musicianship; Woodwind - Flute Method or Collection. Advance Music. Jazz. Book; Digital Download. Advance Music #01-ADV14114. Published by Advance Music

Fundamental Workouts: Subdivision Studies, Mixed Meters, Polyrhythms, Hand Independence. Composed by Anika Nilles. Method/Instruction; Percussion - Miscellaneous Educational Books and Manuals. Book. Alfred Music #00-20284US. Published by Alfred Music

By Chuck Wayne. Hal Leonard Guitar Method. Size 9x12 inches. 96 pages. Published by Second Floor Music.

By Usher Abell. For Fiddle and Violin. Technique. Jazz. Level: Intermediate. Book/CD Set. Size 8.5x10.75. 152 pages. Published by Mel Bay Publications, Inc.