SKU: LO.99-1777L

SKU: BT.DHP-0880122-120

SKU: BT.DHP-0910329-010

This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an ad libitum organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.

Dieses ruhige Stück mit seinen breiten Tönen wurde ursprünglich für Brass Band geschrieben, im Auftrag von Robert Leveugle, dem Vorsitzenden der Brass Band, dem der Komponist angehört: die Brass Band Midden Brabant (Belgien). Später orchestrierte JanVan der Roost das Stück neu für Symphonisches Blasorchester, wobei er die reichhaltige Klangfarbenpalette dieser Formation voll ausnutzte. Neben Solo-Abschnitten für verschiedene Instrumente gibt es einige massive Tutti-Passagen, die dasBlasorchester wie ein riesiges Organ klingen lassen. Übrigens: Eine optionale Orgelstimme verleiht diesem Stück noch mehr Klangfülle, -farbe und Kraft, sodass es noch breiter und großartiger klingt.

Jan Van der Roost a composé Canterbury Choral la demande de Robert Leveugle, président du Brass Band Midden Brabant. Cette œuvre, empreinte de sérénité et de solennité, s’inspire de la beauté majestueuse de la célèbre cathédrale de la villede Canterbury, haut-lieu, de la culture musicale anglaise. Canterbury Choral alterne des passages en solo et des phrases en tutti. Les sonorités sont amples et rondes. Les courbes sont fluides, légères et brillantes. Les tutti, puissants etsoutenus, rappellent la richesse sonore et la générosité de l’orgue d’église.
Canterbury Choral est dédié Robert et Annie Leveugle.

Uno dei più bei pezzi lenti mai scritti. Ideale per un momento di tranquillit del vostro concerto.

SKU: AP.42143S

ISBN 9781470656782. UPC: 038081483351. English. Based on music by Gustav Holst; Franz Gruber.

2014 marks the 100th anniversary of the Christmas Truce of 1914, where opposing soldiers engaged in World War I combat laid down their arms and celebrated the Christmas holiday together. Combining fragments of Gustav Holst's Mars, the Bringer of War from The Planets with the beautiful carol Silent Night this musical study of dramatic contrasts, combined with the engaging story is sure to provide an awe-inspiring performance. Absolutely stunning! (2:45).

SKU: BT.DHP-1175759-130

English-German-French- Dutch.

Frontier Vision is a concert or contest piece based on three elements: the commemoration of the 500th anniversary of Reformation Day, the Martin Luther melody, A Mighty Fortress Is Our God (Ein Feste Burg ist unser Gott) on whichthis composition is based, and thirdly the spreading of the evangelical movement in the late 19th century, of which the analogous storyline forms the structural basis of this work. Multi-cultural ethnic influences, along with the driving rhythms thatreflect the perseverance and hard work of those mission-minded pioneers, are both important components that make Frontier Vision an outstanding choice for your concert or contest. Frontier Vision was the test piece for the seconddivision in the Dutch National Brass Band Championships 2017.

Frontier Vision is een concert- of wedstrijdwerk ter gelegenheid van de 500ste hervormingsdag. Vijfhonderd jaar geleden presenteerde de Duitse theoloog Maarten Luther zijn 95 stellingen. Enkele jaren later schreef hij het lied ‘Ein Feste Burgist unser Gott’ Zijn werk vormde de basis van de verspreiding van een evangelische beweging over Noord-Amerika, eind 19e eeuw. Multiculturele etnische invloeden in combinatie met stuwende ritmes die de vasthoudendheid en het harde werk van pioniersmet een missie weerspiegelen, zijn belangrijke elementen die dit werk een uitstekende keus voor uw orkest maken. Frontier Vision was het verplichte werk voor de tweede divisie van de Nederlandse Brassband Kampioenschappen van 2017.

Frontier Vision ist ein Konzert- oder Wettbewerbsstück, das auf zwei Elementen basiert: einerseits auf dem Gedenken an das 500-jährige Jubiläum des Reformationstages und der Melodie Ein feste Burg ist unser Gott“ von Martin Luther, das alsGrundlage für diese Komposition dient, andererseits auf der Verbreitung einer evangelikalen Bewegung im späten 19. Jahrhundert, deren geschichtliche Entwicklung die strukturelle Grundlage des Werkes bildet. Multikulturelle ethnische Einflüsse sowietreibende Rhythmen, die die Ausdauer und harte Arbeit der missionarischen Pioniere darstellen, sind wichtige Elemente, die Frontier Vision zu einem hervorragenden Konzert- oder Wettbewerbsstück machen. Frontier Vision war Pflichtstückin der Leistungsklasse 2 bei den Dutch National Brass Band Championships 2017.

Frontier Vision est une œuvre de concert ou de concours basée sur deux éléments : la commémoration du 500e anniversaire de la Fête de la Réforme et la mélodie de Martin Luther « C’est un rempart que notre Dieu » (Ein feste Burg ist unser Gott»). La composition repose sur cette mélodie connue et est aussi inspirée du mouvement évangélique qui s’est propagé la fin du XIXe siècle. Des allusions ces origines multiculturelles, ainsi que des rythmes forts qui représentent la persévéranceet le travail laborieux des pionniers menés par la mission forment des éléments importants qui font de Frontier Vision un choix excellent pour vos concerts ou vos concours. Cette œuvre était la pièce imposée de la deuxième division duChampionnat National de Brass Band des Pays-Bas en 2017.

SKU: CN.S11295

Greek Folk Dances captures the excitement of two dance styles the composer encountered while on holiday in the Greek Islands - the Hasapiko and the Syrto. The first is slow and dramatic dance that plods along showcasing the solo clarinet, while the second is a blazing fast fire dance that alternates between 4/4, 3/4 and 7/8.

The inspiration for these dances came from my first proper cruise in 2007, when we traveled around Greek islands and spent a week on the island of Corfu. Traditional music was all around us and we had the chance to watch and take part in some dancing. I began to formulate mu own ideas into two of the dance styles I had encountered - the Hasapiko and the Syrto. The Hasapiko is a butcher dance where the dancers put their arms around each other's shoulders and move in a slow side to side motion, dragging the insides of their feet on the ground. The music often speeds up, but not necessarily. The Syrto is much faster, again with arms around shoulders. Often a solo dancer breaks away, doing acrobatic dance tricks in the middle of the circle. I observed solo fire dancing among flames sprayed onto the ground using some flammable liquid. I have tried to capture some of the excitement of this. The Syrto can be in 3/4 time or 7/8 time, or a mixture of the two. I have used all three options in a gradual speeding up process charging towards a hugely energetic ending.

SKU: BT.DHP-1084423-010

9x12 inches. English-German-French-Dut ch.

Arrows of Lightning is a work in four movements by the Luxembourg composer Marco Pütz. American Indian songs and poems, which includes a song that translates as Arrows of Lightning, served as the inspiration for this composition.In this song, the arrows were charmed by means of singing and dancing so that they would go faster - as fast as lightning. The scoring enables this piece to be performed by a band without a full contingent of players. A fantasticwild-west adventure for your band. Dur: 10:10 (Grade 2-1/2)

Arrows of Lightning is een werk in vier delen van de hand van de Luxemburgse componist Marco Pütz. Als inspiratie voor deze compositie gebruikte hij een bundel met oude indiaanse liederen en gedichten. Arrows of Lightningis de vertaling van een oud indiaans lied. Hiermee bezwoer men de pijlen die voor de jacht bedoeld waren door middel van zang en dans, zodat ze sneller - zo snel als de bliksem - zouden gaan. De componist meende dat deze titeleen pakkende hoofdtitel zou vormen voor dit geheel van dansen en/of liederen. Met Rocking the Cradle, The Mystical Song, Circle Dance en Battle Dance.

Zu diesem Werk ließ sich der Luxemburger Marco Pütz von einem indianischen Gedichte- und Liederalbum inspirieren. Die vier Sätze Rocking the Cradle, The Mystical Song, Circle Dance und Battle Dance greifen teilweise auf überlieferte indianische Gesänge zurück, teils entsprangen sie der Fantasie des Komponisten. Die Instrumentierung lässt auch eine unvollständige Besetzung zu, nur die Schlaginstrumente sollten vollständig besetzt sein. Ungewöhnlich und kreativ!

Arrows of Lightning (“Les flèches de l’éclair” ) est une œuvre en quatre mouvements du compositeur luxembourgeois Marco Pütz. Cette composition puise ses racines dans un recueil de chants et de poèmes améridiens anciens. Le titre de l’œuvre est la traduction d’un vieux chant indien chanté avant la chasse, et généralement accompagné d’une danse, pour ensorceler les flèches afin qu’elles soient rapides comme l’éclair. Séduit par cette histoire, c'est donc tout naturellement que le compositeur décida de reprendre ce titre pour définir son œuvre.1. Rocking the Cradle (“Berceuse”)2 . The Mystical Song (“Chant mystique”)3. Circle Dance(“Danse en cercle”)4. Battle Dance (“Danse de combat”)Si les thèmes des différents mouvements émanent pour l’essentiel de danses ou chants amérindiens, ils sont enrichis d’éléments thématiques issus de l’imaginaire du compositeur. Les Indiens d’Amérique, leur grande culture, leur manière de vivre en harmonie avec le milieu naturel ont toujours fasciné Marco Pütz.L’orchestr ation a été réalisée de manière être également adaptée des ensembles effectif incomplet. Cependant, il est conseillé de couvrir toutes les voix de percussion.

SKU: CL.012-2148-01

A grandiose, memorable melody begins this inspiring piece. Jared Spears, well known for his tasty percussion writing has created this piece containing driving tempos, and colorful scoring found in the slower sections has outdone himself this time with this wonderful piece. Truly a remarkable piece for either contest or festival material. VERY NICE!

SKU: JK.01033

Matthew 6:6, Alma 33:3-11.

Arranged for men's chorus (TTBB) and organ, with flowing accompaniment and organ interlude between verses. Arranged for the Brigham Young University-Idaho Men's Chorus, performed at the April 2014 Priesthood Session of General Conference. Full audio accompaniment mp3 also available (01033acc.mp3).
Compos er: Hans Henry Petersen
Arranger: James C. Kasen
Lyricist: Hans Henry Petersen
Difficulty: Easy / medium acc.
Performance time: 4:20
References: Matthew 6:6, Alma 33:3-11

SKU: JK.00969

Psalm 104:34, Enos 1:27.

Reverent hymn arrangement for mixed chorus (SATB) and organ, beginning in unison and gradually broadening to a full eight part choir--particularly appropriate for a stake choir. Includes both English and Spanish text.
Composer: John B. Dykes
Arranger: Nancy L. Oliver
Lyricist: attributed to Bernard of Clair Vaux
Difficulty: Medium-difficult / medium-difficult acc.
Performance time: 2:45
Preference: Psalm 104:34, Enos 1:27.

SKU: JK.01966

UPC: 093285019669. Mosiah 2:22, Doctrine and Covenants 59:23.

Easy Primary Songs for Piano is the perfect book for beginning pianists who can play hands together. You'll find many of the most well-loved primary songs in this book, arranged in a simple but beautiful way.

In an effort to make this book simple and approachable, every song has been arranged in the keys of C, G, or F. Each song displays a keyboard chart above, showing the beginning hand positions and the sharps/flats included in the piece. Songs have been ordered by level of difficulty (Beginner: Level 1 to Level 2). Watch for helpful tips above each song and don't be afraid to refer to the pages in the front which contain helpful tools and basic piano/music theory.
* While this book is perfect for developing pianists, it could also be used in a primary setting as a simplified songook for the accompanist.
This book was originally titled Simplified Favorites (#80095)
Contents:
A Happy Family
Baptism
Book of Mormon Stories
Dare to Do Right
Families Can Be Together Forever
Give Said the Little Stream
Happy, Happy Birthday
Have a Very, Merry Christmas
He Sent His Son
I Am a Child of God
I Believe in Being Honest
I Feel My Savior's Love
I Hope They Call Me on a Mission
I Lived in Heaven
I Love to See the Temple
I Want to Be a Missionary Now
I Will Be Valiant
In the Leafy Treetops
Pioneer Children Sang as They Walked
It's Autumn-time
Keep the Commandments
Mother Dear
My Dad
My Heavenly Father Loves Me
Oh, What do You Do in the Summertime?
Once There Was a Snowman
Quickly I'll Obey
Search, Ponder and Pray
Seek the Lord Early
Smiles
Teach Me to Walk in the Light
Thank Thee for Everything
The Golden Plates
We'll Bring the World His Truth
When Joseph Went to Bethlehem
When He Comes Again
Composers: various
Arranger: Paralee Miles Eckman
Lyricist: various
Difficulty: easy to medium easy
Reference: Mosiah 2:22, Doctrine and Covenants 59:23.

SKU: CL.LDP-7192-00

Powerful melodies and fleeting rhythms propel this dynamic piece from beginning to end. Band members are invited to create their own musical journey as they play this exciting work. Very imaginative, creative and inspirational!

SKU: HL.49045750

ISBN 9781540019721. UPC: 888680726522. 9.25x12.0x0.366 inches.

Subtilior, Lamento is a piece that draws some inspiration from the music of the so-called 'Ars Subtilior' movement of the fourteenth century. This early music features rhythmic complexities, linear ornamentation, and harmonic intricacy. In my piece, I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece's structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium. Hannah Lash.

SKU: BT.DHP-0910278-215

Die Inspiration zu seinem Hit Leningrad bekam Billy Joel während einer sechsteiligen Konzertreihe in der Sowjetunion, durch die er 1987 als erster amerikanischer Künstler tourte.

SKU: HL.48186476

Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy..