Composed by Josu
Elberdin. Choral.
Concert, Festival, World
Music. Octavo. Duration
120 seconds. Published by
Hal Leonard (HL.368510).
UPC: 840126968705.
6.75x10.5x0.029
inches.
Malakatumba
was born as a game, using
imitating sounds and
vocables that could form
words with resonances t
other languages. there
really is no meaning to
the sounds. It opens with
a 4 voice canon on top of
a 3 voice harmonic base.
Each voice builds a fun
ostinato with colorful
harmonies and the use of
body percussion as a
festive element. It is a
work that invites you to
dance and sing with joy
and rhythm.
By Fanny Cecile Mendelssohn (1805-1847). Edited by Willi Gundlach. For soprano, ...(+)
By Fanny Cecile
Mendelssohn (1805-1847).
Edited by Willi Gundlach.
For soprano, bass, choir
(SATB) and piano. Mixed
Choir with Accompaniment.
First edition. Choral.
Intermediate. Full score.
Duration 8'. Published by
Furore Verlag
Composed by John Henry Hopkins Jr. (1820-1891). Arranged by John Leavitt. Sac...(+)
Composed by John Henry
Hopkins Jr. (1820-1891).
Arranged by John Leavitt.
Sacred Choral. Christmas,
Concert, Sacred. Octavo.
8
pages. Published by Hal
Leonard
Bass trombone solo with 6-part trombone choir - advanced SKU: CY.CC2580 C...(+)
Bass trombone solo with
6-part trombone choir -
advanced
SKU:
CY.CC2580
Composed by
Ryan Diefendorfer.
Arranged by Ryan
Diefendorfer.
Contemporary. Score and
parts. Published by
Cherry Classics
(CY.CC2580).
Stephansdom is
a new composition,
descriptive of the iconic
St. Stephan's Cathedral
in central Vienna. Ryan
Diefendorfer wrote this
work for the Indiana
University Trombone
Ensemble for Bass
Trombone solo and
Trombone Choir (6-part)
to be performed by Carl
Lenthe at the 2012
Eastern Music Festival.
Ryan's work was awarded
the winner of the 2012
Eastern Trombone Workshop
National Composition
Competition.
St.
Stephen's Cathedral, also
known as Stephansdom, is
one of Vienna's most
remarkable city icons.
Dating back to 1137,
Stephandsom towers above
the rest of Vienna's
skyline and has been a
constant presence in the
lives of the Viennese for
nearly one thousand
years. Among the
buildings that the
Viennese find closest to
their hearts, Stephansdom
is certainly one of
them
I.
Groundbreaking The
first movement depicts
the troubles that St.
Stephen's Cathedral had
in getting its
groundbreaking as a
church. The opening of
the piece marks the
celebration of the
Viennese when St.
Stephen's was first
constructed in 1137,
during the Romanesque
era. However, the church
faced many
issues—from being
destroyed by the
Babenberg Empire to being
decimated by a
fire—before the
church began its
construction in the
Gothic style in 1307. The
first movement depicts
these struggles before
resolving to an open
chord.
II.
Steffl Steffl, the
nickname for
Stephansdom's soaring
north tower, is one of
the characteristics of
the cathedral that the
Viennese find so
endearing. This movement
is very upbeat and is
meant to portray the
excitement shared by the
Viennese for this
beautiful addition to
Stephansdom, which was
completed in 1433.
Stephansdom's north tower
is the tallest structure
in Vienna, and distinctly
stands out within
Vienna's
skyline.
II
I. 1945 As World War
II was coming to a close
in 1945, Stephansdom's
roof caught fire from a
neighboring building,
destroying large portions
of the church. One climax
occurs at m.30, which
depicts Stephansdom's
great bell, the Pummerin,
crashing down to the
ground. This movement
depicts the chaotic
nature of the raging fire
of
1945.
IV.
Anton Pilgrim Anton
Pilgrim was the last, and
perhaps most beloved,
architect who worked on
St. Stephen's Cathedral
in the Gothic style. One
of his most famous
projects was the St.
Stephen's organ loft,
which is depicted by an
opening organ-like canon.
The final movement to the
piece ends in a
chorale-like fashion,
demonstrating the
Viennese's love for Anton
Pilgrim, as well as
Stephansdom, one of
Vienna's most iconic
sights.
This
work of 12 minutes in
length is appropriate for
advanced performers.
Set
(Score & Parts). 106
pages. Bote & Bock
#BB3474. Published by
Bote & Bock (BT.BB3474).
ISBN
9783793141716.
F
or Isang
Yun, String
Quartet No. 3 from 1959
marked the beginning of
his European creative
phase and of his official
canon of works. Now it is
possible to encounter
Yun's early works from
his Korean period inthe
form of his String
Quartet No. 1
(1955). Three important
10-minute movements
containing references not
only to Asia but also to
Ravel, Bartók and
Eastern European folk
music and having an
idiosyncraticstructure:
Yun lines up forms and
figures, makes them
emerge from each other in
a contrasting manner and
assembles them into a
mosaic-like whole,
seeking for integration,
laying down his material
in layer upon layer and
endingthemovements with a
rhythmic unison.
[…] Even then, he
probably regarded a work
of art as an energetic
stream of sounds and as a
reflection of a world
whose diverging parts
weave into a harmonic
whole.
(Walter-WolfgangSparrer)<
/p>
Level 2 Piano - Late Elementary SKU: HL.645932 Schaum Making Music Pia...(+)
Level 2 Piano - Late
Elementary
SKU:
HL.645932
Schaum
Making Music Piano
Library. Composed by
Bela Bartok. Edited by
Wesley Schaum. 20th
Century. Educational
Piano. Classical.
Softcover. 24 pages.
Duration 7200 seconds.
Schaum Publications, Inc.
#1764. Published by
Schaum Publications, Inc.
(HL.645932).
ISBN
9781629060965. UPC:
008148017645. 9.0x12.0
inches. Hungarian,
English, German. Compiled
and edited by Wesley
Schaum.
These
collections integrate
method, theory, technic
and note reading with
appealing materials for
recital and repertoire.
The Level 2 edition
includes: Carnival Theme
* Cradle Song * Csardas *
Fur Elise * Gypsy *
Tambourine * Hallelujah
Chorus * Minuet (Grieg) *
The Moldau * One Fine Day
* Pachelbel's Canon *
Pilgrim's Chorus * Pomp
& Circumstance *
Sheep May Safely Graze *
Symphony No. 40 *
Toreador Song * Trumphal
March * Waltz (Brahms) *
William Tell March.
By Various. Arranged by David Marlatt. Various. For 4 Clarinets. Mixed Instrumen...(+)
By Various. Arranged by
David Marlatt. Various.
For 4 Clarinets. Mixed
Instruments - Flexible
Instrumentation.
Renaissance. Level: Easy.
Published by Eighth Note
Publications.
Guitar SKU: BT.MUSAM1008029 By Toby Knowles. The Complete Guitar Player. ...(+)
Guitar
SKU:
BT.MUSAM1008029
By
Toby Knowles. The
Complete Guitar Player.
Pop & Rock. Book Only.
Composed 2015. 146 pages.
Wise Publications
#MUSAM1008029. Published
by Wise Publications
(BT.MUSAM1008029).
ISBN 9781783055364.
English.
The
Complete Guitar Player
Acoustic Songbook
features a huge
collection of 50 acoustic
hits from all genres for
Guitar. Each song
includes full lyrics and
Guitar chords as well as
strumming and picking
patterns, making this
perfect for the aspiring
acoustic Guitarist. Every
song included in this
Guitar songbook is a bona
fide acoustic classic,
perfect for singalongs at
parties or just a strum
on a summer's day in the
park. Songs like Hey,
Soul Sister by
Train, Wonderwall
by Oasis and Ho Hey
by The Lumineers
represent the best in
unplugged and fun
chill-out music. 'The
book is designed to be
accessible and enjoyable,
showcasing the best songs
by the best songwriters
like Bob Dylan, Mumford
& Sons, The Beatles
and Adele. Songs from the
past and the present are
included, so there will
be something for everyone
in this acoustic
songbook. Each song has
been carefully arranged
for Guitar and Voice,
including the melody,
lyrics and Guitar chord
shapes. Not only this,
but there are also
suggested strumming or
picking patterns to help
you nail the exact sound
of the song straight
away. This acoustic
Guitar songbook is ideal
for beginners and
intermediate Guitarists
looking to expand their
repertoire with acoustic
songs new and old,
whereas absolute
beginnersnew to the
Guitar might find that
the four books of the
famous Complete Guitar
Player series by Russ
Shipton will help them
out with the
basics. With these
50 acoustic Guitar songs,
you'll be singing,
strumming
andfingerpicking your way
through the folk, pop and
rock canon in no time at
all. The Complete Guitar
Player Acoustic Songbook
would make a stellar
addition to any
guitarist's bookshelf,
and every one of these
great songs will make
sure that everyone is
singing along.
Promises Weding Classics for Piano with CD composed by Various. Arranged by Jona...(+)
Promises Weding Classics
for Piano with CD
composed by Various.
Arranged by Jonathon
Robbins. For piano. This
edition: Paperback.
Collection. Wedding. Book
and CD. Text Language:
English. 112 pages.
Published by Santorella
Publications
Piano SKU: BT.BWHBRM7813 Arranged by Hans Gunter Heumann. Piano Gefäll...(+)
Piano
SKU:
BT.BWHBRM7813
Arranged by Hans Gunter
Heumann. Piano Gefällt
Mir! Classical. CD Only.
Composed 2016. Bosworth &
Co. #BWHBRM7813.
Published by Bosworth &
Co. (BT.BWHBRM7813).
German.
The
accompanying CD for
Hans-Günter Heumann 's
Piano Gefällt Mir!
Classics , featuring
demonstrations of all the
tracks in the book, this
is a wonderful way to
improve your playing and
easily learn the
pieces.
Composed by John Henry Hopkins Jr. (1820-1891). Arranged by John Leavitt. Sac...(+)
Composed by John Henry
Hopkins Jr. (1820-1891).
Arranged by John Leavitt.
Sacred Choral. Christmas,
Sacred, Concert. Octavo.
8
pages. Published by Hal
Leonard
Chamber Music String Quartet SKU: PR.114413230 Composed by Richard Wernic...(+)
Chamber Music String
Quartet
SKU:
PR.114413230
Composed
by Richard Wernick.
Contemporary. Set of
Score and Parts. With
Standard notation.
20+4+4+4+4 pages.
Duration 14 minutes.
Theodore Presser Company
#114-41323. Published by
Theodore Presser Company
(PR.114413230).
UPC:
680160583683.
Werni
ck's String Quartet No. 7
was given its world
premiere by the esteemed
Juilliard String Quartet
in Philadelphia, PA,
November 2008. These same
performers then gave the
New York premiere in
April 2009 in the Alice
Tully Hall, as part of
their final New York
appearance of the season.
From the Juilliard press
release: Mr. Wernick
describes the format of
the work: 'The Seventh
String Quartet features a
four-voice mensuration
[measured] canon that
spins out over a span of
about ten minutes
followed by a homophonic
coda in which the
proportional relationship
is no longer from voice
to voice, but from chord
to chord..