(Express Yourself by Learning How to Play Lead and Rhythm Guitar). Composed by Nikki O'Neill. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Rock. 148 pages. Published by Alfred Music

SKU: HL.1105201

Mackie. Live Sound. Hal Leonard #2051992-00. Published by Hal Leonard (HL.1105201).

UPC: 663961058901. 7.5x16.75x16.75 inches.

Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx16 is a premium 16-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 16-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins “British Style” EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band “British Style” EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed “British” desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the “Q” or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go.

By Alan Jay Lerner, Frederick Loewe. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Shows and Movies. Alfred's Classic Musical Editions. Broadway. Book. 80 pages. Published by Alfred Publishing.

Keyboard

SKU: ST.MB96

Composed by Various. Edited by Alan Brown. Library Volumes. Edited by Alan Brown. First published in 2014.. Pages: 240. Format: Hardback. Dimensions (mm): 330 x 254 x 26. Keyboard collection. Stainer & Bell Ltd. #MB96. Published by Stainer & Bell Ltd. (ST.MB96).

ISBN 9790220223853.

This volume is the first of two intended to extend the coverage of keyboard music in Musica Britannica comprehensively into the first quarter of the 17th century. (The other, MB102, includes material from the two virginal books in the Fitzwilliam Museum, Cambridge.) The present edition contains music by anonymous and a dozen or so named composers, including the complete keyboard works of Nicholas Carleton, the surviving twenty 'Miserere' canons by Thomas Woodson, and the anonymous 'Pretty ways for young beginners to look on'. The 77 complete pieces are organised by genre, including preludes, plainsong settings, voluntaries, dances and character pieces. Drawing on 22 manuscripts which mostly also transmit music by Byrd and other noted virginalists, this residue of music from these sources shows great diversity and a pleasing level of technical skill and musical interest, sufficient to enhance our wider view of English Renaissance music.

((from A Ceremony of Carols) SATB and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SATB). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481613. Published by Boosey and Hawkes

Jazz Ensemble (Score & Parts) - Grade 4

SKU: HL.7013338

Composed by Frank Loesser. Arranged by Sammy Nestico. Jazz Ensemble Library. Big Band, Jazz, Swing. Softcover. Published by Hal Leonard (HL.7013338).

UPC: 888680903961. 9x12 inches.

Although composed by Frank Loesser for the musical Guys and Dolls, this tune became a jazz standard largely thanks to the recording by Miles Davis. Sammy Nestico shows that he's still the master of big band arranging with this sparkling version in a medium swing style. Impeccably scored utilizing every section of the band, solo space is provided for tenor sax and piano, and a beautifully crafted full band chorus finishes it out.

Fundamentals of Notation, Sight-Singing, and Music Theory. Book. Music Theory, Vocal Reference. Softcover Media Online. 448 pages. Published by Hal Leonard

Piano

SKU: DB.01-00711

Fur Klavier. Composed by Anestis Logothetis. Piano, keyboard music. Score. Doblinger Music Publishers #01-00711. Published by Doblinger Music Publishers (DB.01-00711).

ISBN 9790012208686.

The Triptych for piano (1953) shows a variety of musical ideas through its expressionistic character. The strong beginning of the first movement Allegro places the listener in the middle of a dramatic event with syncopated chords, which, after a quiet dolce middle section, leads to an energetic end. The melancholic 2nd movement Allegro assai is repeatedly colored by moving 32nd notes and ends thoughtfully in pianissimo. After that, the 3rd movement Vivo brings a breath of fresh air to the composition with a 16th note movement. (from the foreword by Christos Marantos).

Choir Sacred SA (SSATB) Soli, SSATB ATB Choir, Piano (SSATB ATB)

SKU: PE.EP73044A

For Soprano, Alto, Choir and Orchestra, First Edition, Urtext. Composed by Francesco Durante. This edition: Urtext. Choral Works (inc. Oratorios). Edition Peters. Book. 116 pages. Duration 00:00:00. Edition Peters #98-EP73044A. Published by Edition Peters (PE.EP73044A).

ISBN 9790577013428. 190 x 272mm inches. English.

The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music.

Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as a church composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience.

 

• First publication
• Urtex t edition
• Particula rly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum)
• Full score and orchestral material also available (EP73044)

This edition of Durante’s Requiem has been recorded by Stephen Darlington, with Oxford’s Christ Church Cathedral Choir, soloists from The Sixteen and Oxford Baroque.

Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr

SKU: PE.EP68488

Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488).

ISBN 9790300758893. English.

At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor)

As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011)

Concert Band

SKU: SU.91140151

For Concert Band. Composed by Edward Knight. Concert Band/Wind Ensemble. Full Score. Subito Music Corporation #91140151. Published by Subito Music Corporation (SU.91140151).

Orville and Wilbur Wright's pioneering first flight.Shows off double reeds; 6/8 meter; nurtures independence.GRADE 3Instrumentation: Concert Band [2fl, ob, 3cl, bcl, bn, 2asx, tsx, bari; 3tp, 2hn, 3tb, euph, tba; timp, perc, xylo/glock, mar, vibr; cb]
Duration: 4'
Composed: 2018
Published by: Subito Music Publishing
AMERICAN WONDERS is a set of lyrical symphonic band works created by composer Edward Knight in collaboration with nationally known music educator Michael Raiber, and award-winning journalist M.J. Alexander, inspired by episodes from American history. These cross-curricular pieces focus on specific areas of musical growth in individual musicianship and ensemble experience. Each piece has unique features that offer musicians and teachers learning experiences beyond typical repertoire for bands at these performance levels.

Double bass (solo: vc - 2.2.2.2. - 3.2.3.0. - timp.trg - str)

SKU: BR.OB-5290-27

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edit. Solo concerto; Romantic. Part. 12 pages. Duration 42'. Breitkopf and Haertel #OB 5290-27. Published by Breitkopf and Haertel (BR.OB-5290-27).

ISBN 9790004334768. 10 x 12.5 inches.

Choosing an edition of this celebrated violoncello concerto has always posed a dilemma: they were based either on the first edition, which was not given a final authorization by Dvorak, or solely on the autograph, which does not represent the final version in many instances. This was the case with the Dvorak Complete Edition of 1955, for example. Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition. In the conclusions he draws for performance practice, Doge generally gives priority to the first edition. However, he does not smooth out Dvorak's special notation, such as Dvorak's publisher Simrock did in his day. Doge's edition also shows that the musical text is not as authenticated as has been suggested by previous editions. Variants have occasionally been notated on a second staff at several passages, particularly in the solo part. The piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Doge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice.

A Complete Course. Rock House. Softcover with DVD. 108 pages. Published by Hal Leonard

Solo Soprano voice, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 violins, viola, cello, double bass

SKU: CA.2721045

Composed by Gunther Martin Gottsche. Arrangement for choir/ organ. Sacred vocal music, Magnificats, Advent. Full score. Op. Op. 94. 44 pages. Duration 20 minutes. Carus Verlag #CV 27.210/45. Published by Carus Verlag (CA.2721045).

ISBN 9790007186333. Language: Latin.

The Magnificat shows the typical personal style of the composer Gunther Martin Gottsche, who was inspired by the colorful harmonics of French Impressionism as well as by elements of jazz music. He has given equal consideration to both the vocal line and the ease of execution as well as an understanding for the musical events and a comprehensible interpretation of the text. The work, which was revised at the beginning of 2016, is based on an earlier work commissioned for the Dresden Kreuzkirche. A version with organ accompaniment (instead of orchestra) is also available. Score available separately - see item CA.2721000.

3-part mixed voices, SAB choir, cantor, assembly, keyboard accompaniment, 2 C instruments, guitar - Intermediate

SKU: GI.G-9838

Composed by Gary Daigle. Easter 5 A. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9838. Published by GIA Publications (GI.G-9838).

UPC: 785147983804. English, Spanish. Text Source: Spanish adaptation by Jeffrey Judge and Jaime Cortez. Text by Rory Cooney.

Composer Gary Daigle is a gifted writer in numerous musical styles. He shows his versatility in Way, Truth and Life, which has a pleasant contemporary feel complete with Latin rhythms and an optional Spanish text, encouraging your choir to get in the groove, with the center hinting at the Gospel of John.

(SSA and Harp or Piano, New Edition). Composed by Benjamin Britten (1913-1976). For Choral (SSA). Boosey and Hawkes Sacred Choral. 12 pages. Boosey and Hawkes #M051481590. Published by Boosey and Hawkes

By Dave Black. Music by Dave Black. For Concert Band. Concert Band. Alfred Concert Band. Level: 3 (Medium) (grade 3). Conductor Score. 24 pages. Published by Alfred Publishing.

Band Concert band - Grade 1.5

SKU: CF.FPS96

Composed by Bill Calhoun. SWS FS. First Plus Performance Series. Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+2 +3+1+1+2+4+16 pages. Duration 1 minute, 57 seconds. Carl Fischer Music #FPS96. Published by Carl Fischer Music (CF.FPS96).

ISBN 9780825887611. UPC: 798408087616. 9x12 inches.

Bill Calhoun is quickly becoming one of the best composers in this business. He has a way of writing pieces that are exciting, well-scored, interesting and different. Night Flight shows his aggressive side with a piece that starts strong, right out of the gate. The fearless-sounding melody lifts up players and audience, grabs hold of them and takes them on the musical journey of a flight into the night sky. A perfect selection to showcase your developing band at a contest or festival performance.

(Transcriptions). By Tommy Emmanuel. For Guitar (Fingerpicking). Transcribed Solos. Acoustic Music. Intermediate-Advanced. Book. 136 pages. Published by Mel Bay Publications, Inc

Piano Trio

SKU: BR.MR-2115A

Music at the Court of Kromeriz No. 49. Composed by Pavel Joseph Vejvanowsky. Edited by Charles W. Smith. Chamber music; Softcover. Musica Rara. Sonata; Renaissance/early Baroque; Baroque. Piano reduction. 12 pages. Breitkopf and Haertel #MR 2115a. Published by Breitkopf and Haertel (BR.MR-2115A).

ISBN 9790004486696. 9 x 12 inches.

Sonata Sancti Mauritii was written in 1666 by Pavel Josef Vejvanovsky (1633?-1693) for the feast day of the patron saint of St. Mauritius Church, Kremsier, which is now Kromeriz, Czech. The date of the composition shows it to be an early work composed about two years after he joined Prince Bishop Karl Liechtenstein-Kastelkorn' s orchestra as trumpeter, composer and copyist.The source for this edition is a manuscript in the Castle Archives, Kromeriz, C.S.S.R., call number Breitenbucher IV 9.This sonata contains many features of interest to trumpeters and is an attractive piece in its own right. Two noteworthy points are 1) the use of mutes to raise the pitch of the trumpets from C to D and 2) the unusual key of g minor for the trumpets with a difficult move from the f-sharp to f-natural in the first trumpet part in measures 112-113. In the latter case, a fermata has been inserted editorially for musical as well as practical reasons.This piano reduction was prepared from a modern edition of the work with strings and continue available also from Musica Rara. The string parts are preserved here as much as possible in the sections marked Tutti. The sections marked B. C. (Basso Continuo) appear here as realised in the orchestral edition.(from the Preface: Charles W. Smith, Cape Girardeau, Missouri, U.S.A., 9th March 1985).

String Orchestra Soprano Alto SATB Oboe Trumpet Organ

SKU: HL.14035114

By Jasmin Cameron. By Antonio Vivaldi. Music Sales America. Classical. Score. Music Sales #NOV078980. Published by Music Sales (HL.14035114).

Few baroque composers were ever able to create work as sunny, as joyous as Vivaldi did in this beloved Gloria. The contrast of mood throughout the work as it moves through the drama of the Mass to its satisfying double final movement shows the composer at the height of his powers.Vivaldi composed this work in Venice in about 1715, during his fruitful time at the Ospedale della Pieta. In his lifetime this priest, composer and virtuoso Violinist achieved enormous musical success. Considering his great popularity in the modern era, it is difficult to believe that public appreciation of his work declined after his death and that the Gloria languished undiscovered forcenturies. It wasn't until 1957 that the restored work was heard again in its entirety. Since that time, this moving and joyous Gloria has been recorded more than one hundred times and perennially appears on concert series around the world.