Composed by Various. Instrumental Folio. Classical. Softcover. 88 pages. Published by Hal Leonard (HL.155315).

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by Hal Leonard

For solo piano. Format: piano solo book. Classical period and romantic period. 352 pages. 9x12 inches. Published by Hal Leonard.

Violin

SKU: M2.MOS-20047

Sonate pour un Violon Seul. Composed by Carl August Pesch. Edited by Gotz Bernau. Performance book. Möseler Verlag #MOS 20047. Published by Möseler Verlag (M2.MOS-20047).

ISBN 9790203710714.

Sona te B-dur: Es gibt nur wenige Werke fur Solovioline aus der Mozart-Zeit; das macht diese Erstveroffentlichung interessant. Die grosse Zeit der Violinvirtuosen Walther, Biber, Westhoff, Pisendel und anderer hatte mit Johann Sebastin Bachs Solosonaten und -partiten einen Abschluss gefunden. Aus der vorklassischen Periode kennen wir ausser vielen Unterrichtswerken fur Violine nur wenige konzertante Kompositionen fur eine Violine allein. Dazu zahlen insbesondere die Sonaten von Friedrich Wilhelm Rust und Johann Friedrich Reichardt, beide aus dem Umkreis Franz Bendas, die aber deutlich an barocke Vorbilder anknupfen. - Die hier vorgelegte Sonate in B-Dur von Pesch ist ein in beiden Satzen fast durchgangig zweistimmiges Stuck. Die Tonart B-Dur mag zunachst etwas befremden, ist aber nicht ungewohnlich, denn auch Solowerke von Westhoff und Rust stehen in dieser Tonart; sie erweist sich als durchaus geigerisch und klangvoll in diesem ungewohnlichen Werk. Die in vielen Veroffentlichungen wiedergegebenen Lebensdaten von Pesch, die aus unbekannter Quelle stammen und immer wieder benutzt wurden, sind durchweg falsch. Aus der Eintragung im Kirchenbuch der Gemeinde St. Blasius in Braunschweig ist der 27. Februar 1791 als Sterbedatum eindeutig festgestellt. Die Braunschweigische Anzeigen schreiben Am 27sten Februar ... verstarb ... Herr Carl August Pesch im 57ten Jahr seines Alters. Im 57ten Jahr bedeutet, dass er 56 Jahre alt wurde, also 1735 geboren ist. Uber seine Herkunft ist bisher wenig bekannt: Nach 1760: Eintritt in den herzoglichen Dienst in Braunschweig; 1763: Leopold Mozart erwahnt Pesch unter den Personen, die er im Gasthof Goldener Lowe in Frankfurt/Main getroffen hat; 1765: Reise mit dem Herzog nach London, dort Veroffentlichung einiger Werke; 1766/1767: Reise mit dem Herzog nach Italien; 1776 Konzerte in Frankfurt/Main.

Best Of Classics for Intermediate Piano composed by Various. Arranged by Tony Santorella and Craig Stevens. For piano. This edition: Paperback. Collection. Classical. Intermediate to Advanced. Collection. Text Language: English. 204 pages. Published by Santorella Publications

Violin and Piano - advanced

SKU: BT.DOW-04534-400

Composed by Ludwig van Beethoven. Dowani 3 Tempi Play Along. Classical. Book, CD and Audio-Online. Composed 2021. 32 pages. Dowani #DOW 04534-400. Published by Dowani (BT.DOW-04534-400).

ISBN 9789043160797. English-German-French.

This edition presents one of the most important chamber works for violin: the Sonata No. 5 for Piano and Violin (“Spring”, Op. 24) in F major by Ludwig van Beethoven. It allows you to work through the piece systematically and at different tempi with accompaniment.
The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.

Mit dieser Ausgabe präsentieren wir Ihnen eines der wohl bedeutendsten Kammer­musikwerke für Violine: die ­Sonate Nr. 5 für Klavier und Violine (Frühlingssonate� �, op. 24) in F-Dur von Ludwig van Beethoven. Die DOWANI-Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten.
Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.

Cette édition présente l’une des plus célèbres Å“uvres pour violon du ­répertoire de musique de chambre : la sonate pour piano et violon (“Le Printemps”, opus 24) en Fa majeur de Ludwig van Beethoven. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel.
Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Trios. Music for Three. Classical / Baroque. Level: Intermediate/Advanced. Part 1. Published by Last Resort Music Publishing.

Guitar Solo

SKU: IS.G6765EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6765EM. Published by Metropolis Music Publishers (IS.G6765EM).

ISBN 9790365067657.

This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano For Adults). Bastien Piano. Method. Level: Book A,1. Music Book. Size 232. Published by Neil A. Kjos Music Company.

By Jane Bastien. Edited by Lisa Bastien, Lori Bastien. (Bastien Piano For Adults). Bastien Piano. Method. Level: Book B,2. Music Book. Size 232. Published by Neil A. Kjos Music Company.

Composed by Jean Baptiste Cramer. Edited by Christopher Hogwood. Playing score. Duration 17 minutes. Published by Edition HH Music Publishers (HH.HH383-SOL).

Waldstein Sonata * Complete Original * with Performance CD composed by Ludwig van Beethoven (1770-1827). For piano solo. This edition: Paperback. Solo. Classical. Book and CD. Text Language: English. 70 pages. Published by Santorella Publications

The Complete Resource for Every Pianist!. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 304 pages. Published by Hal Leonard.

Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).

Cello - Early Intermediate

SKU: FH.VC4

Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC4. Published by The Frederick Harris Music Company (FH.VC4).

ISBN 978-1-55440-540-4.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Concertos, Sonatas, and Suites:
Sonata in D Major - Caldara, Antonio arr. Gyoergy Orban
- First Movement: Adagio
- Second Movement: Allegro
Sonatina in D Minor, WoO 43a - Beethoven, Ludwig van
Sonatina in G Minor - Matz, Rudolf
- Second Movement
Sonata in F Major, op. 1, no. 1 - Marcello, Benedetto
- Third Movement: Largo
- Fourth Movement: Allegro
Concertino No. 3 in A Major - Breval, Jean-Baptiste arr. L.-R. Feuillard
Concert Repertoire:
The Easy Winners - Joplin, Scott arr. Forrest Kinney
Orientale, op. 50, no. 9 - Cui, Cesar
Bonjour tristesse - Hart, Paul
Hip Hip Bourree - Jacobson, Julian
Elfentanz - Jenkinson, Ezra arr. Carey Cheney
Chanson de matin, op. 15, no. 2 - Elgar, Edward
Cello Sonata in G Minor, op. 65 - Chopin, Frederic
- Third Movement: Largo
The Swan Sees his Reflection - Forsyth, Malcolm
Spanish Dance - Adorian, Andrew
Baby Blackbird, Fly Now - Silverman, Adam B.
Unaccompanied Repertoire:
Suite for Violoncello (Lights and Shadows) - Matz, Rudolf
- Second Movement: Cantabile
- Eighth Movement: Finale giocoso
Ricercar No. 1 - Gabrielli, Domenico
Suite NO. 1 in G Major, BWV 1007 - Bach, Johann Sebastian
- Seventh Movement: Gigue.

Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled. Barenreiter's Concert Pieces. Piano reduction, part(s). 7/12 pages. Duration 8:00. Baerenreiter Verlag #BA 10698. Published by Baerenreiter Verlag

Violin

SKU: AP.44719

Volume 8. International Edition. By Linda Perry and William Preucil, Jr. This edition: Performance/Accompaniment CD; International. Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. CD. Alfred Music #00-44719. Published by Alfred Music (AP.44719).

ISBN 9781470627508. UPC: 038081508375. English.

Teach violin with the popular Suzuki Violin School. The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.

This performance/accompaniment CD of the Suzuki violin method, Volume 8, is integral for Suzuki violin lessons and features recordings by William Preucil Jr. and piano accompaniments by Linda Perry, as well as piano accompaniments recorded alone.

Titles: Sonata No. 11 in G Minor (Eccles) * Tambourin (Grétry) * Largo from Sonata No. 3 in C Major, BWV 1005 (Bach) * Preludio from Sonata in E Minor, BWV 1023 (Bach) * Allegro from Sonata in E Minor, BWV 1023 (Bach) * Largo Espressivo (Pugnani) * Sonata in E Minor (Veracini).

About Suzuki Method

The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.

Composed by Ludwig van Beethoven (1770-1827). Edited by Frank Buchstein and Hans Schmidt. For Piano Four Hands. Henle Music Folios. Softcover. 76 pages. G. Henle #HN568. Published by G. Henle

By George Frideric Handel. Edited by Terence Best. For Oboe, Basso continuo. Score; Single Part; Urtext Edition. Published by Baerenreiter-Ausgaben (German import).

Asian Edition. By piano accompaniment performed by Kuang-Hao Huang, violin performed by Augustin Hadelich, and Dr. Shinichi Suzuki. This edition: International. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 32 pages. Alfred Music #00-50637. Published by Alfred Music