Composed by Johann Mattheson (1681-1764). Baroque Period, German. Recorder JP #3090. Published by Recorder JP

By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

By Francesco Barsanti. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

By Arcangelo Corelli (1653-1713). For 2 Alto Recorders and Basso Continuo. Baroque, Chamber, Recorder. Difficulty: Intermediate. Full score, part and play-along CD. Published by Recorder JP

2 Alto Recorders - Intermediate

SKU: J1.3112

Composed by Robert Valentine. Baroque Period, British, Italian. Score and Parts, Accompaniment CD. Recorder JP #3112. Published by Recorder JP (J1.3112).

8.26 x 11.28 inches.

Composed by Robert Valentine (1680-1735). Baroque Period, Italian, British. Recorder JP #2258. Published by Recorder JP

Composed by Jacques Paisible. Baroque Period, British, French. Recorder JP #3095. Published by Recorder JP

By Arcangelo Corelli (1653-1713). For 2 Alto Recorders and Basso Continuo. Baroque. Intermediate. Booklet including full score, part and Play-Along CD. Published by Recorder JP

By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

By Francesco Barsanti. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

Organ Solo. By Felix Alexandre Guilmant. Schott. Size 9x12 inches. 31 pages. Published by Schott.

By Jean Baptiste Loeillet de Gant. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

3 Alto Recorders - Intermediate Composed by Johann Mattheson (1681-1764). Baroque Period, German. Score and Parts, Accompaniment CD. Recorder JP #3104. Published by Recorder JP

By Daniel Perantoni, tuba; Illinois Contemporary Chamber Players. By Perantoni. For tuba & ensemble. Mark Records. Classical. Audio CD. Published by Mark Custom Music

Chorus (with soloists) and piano (SSATB - 0.2.0.1 - 2.0.0.0 - timp - str - bc)

SKU: BR.EB-32090

Cantata for Whitsunday - Urtext. Composed by Johann Kuhnau. Choir; stapled. Edition Breitkopf. Cantata; Baroque; Renaissance/early Baroque. Piano/Vocal Score. 24 pages. Duration 12'. Breitkopf and Haertel #EB 32090. Published by Breitkopf and Haertel (BR.EB-32090).

ISBN 9790004186688. 7.5 x 10.5 inches.

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).

Trombone Duet - intermediate to advanced

SKU: CY.CC2952

Composed by Ronald Babcock. Various. Coil booklet. 63 pages. Cherry Classics #2952. Published by Cherry Classics (CY.CC2952).

ISBN 9790530057711.

Ron Babcock has composed and edited 50 amazing duets in alto clef for Trombones. These duets can be performed on Tenor or Alto Trombones and are a great way to ease into alto clef being that they are progressive. The goal of this book is to provide an enjoyable vehicle for learning and practicing in a new clef. Some of the duets are original compositions by Babcock and some are arrangements of Baroque and Classical composers.
Duets 1-30 are all one-page or less in length and duets 31-50 are all two pages in length. As the book progresses, there are more difficult key and time signatures, more challenging technique and in the later duets some cadenzas.
There is a wide variety of styles and forms throughout the book. The final six duets are arrangements of concertos and sonatas originally written for the Alto Trombone (the top part containing the original part), including works by Albrechtsberger, Fux, Wagenseil and Michael Haydn.

By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin. Quartets. Music for Four. Baroque / Classical. Intermediate/Advanced. Part 2