Arranged by Denes Agay. Book. Published by Music Sales. (YK21103) These famili...(+)
Arranged by Denes Agay.
Book. Published by Music
Sales. (YK21103)
These familiar melodies
in easy arrangements
include Fascination,
Moscow Nights, waltzes by
Strauss, and over 65 more
favorite pieces; themes;
and folk, popular, and
standard songs. The
variety is both appealing
and educational.
Recorder (NOTEN+CD) - easy SKU: HL.49033176 Composed by Hans Magolt and R...(+)
Recorder (NOTEN+CD) -
easy
SKU:
HL.49033176
Composed
by Hans Magolt and Rainer
Butz. Edited by Hans
Magolt and Rainer Butz.
This edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Classical. Edition with
CD. 24 pages. Schott
Music #ED 9576-50.
Published by Schott Music
(HL.49033176).
ISBN
9783795756321.
7.5x11.0x0.138 inches.
German. Karin
Schliehe.
Hasn't
every recorder player
dreamed of playing the
most celebrated classical
melodies as a soloist?
Here you will find the
finest pieces in
arrangements for one or
two descant recorders,
with a CD to play along
with. On a musical
journey of discovery you
will encounter many
famous compositions, from
Eine kleine Nachtmusik
and Beethoven's Ode to
Joy to the Birdcatcher's
song from the Magic Flute
and La donna e mobile
from Verdi's Rigoletto.
So that you can really
enjoy making music the
arrangements have been
recorded in two versions
on the CD: with and
without recorders.
Edited by Amy Appleby. Collection and examples CD for solo piano. Over 125 great...(+)
Edited by Amy Appleby.
Collection and examples
CD for solo piano. Over
125 great masterpieces
from the Baroque,
Classical, Romantic, and
Modern eras. Series:
Piano Treasury Series.
399 pages. Published by
Music Sales.
Gold Star Favorites Piano seul [Partition + CD] - Facile Schaum Publications
Level 3 Piano - Early Intermediate SKU: HL.645220 Level Three. Arr...(+)
Level 3 Piano - Early
Intermediate
SKU:
HL.645220
Level
Three. Arranged by
Wesley Schaum.
Educational Piano.
Recital, Supplementary.
Softcover with CD. 24
pages. Duration 7200
seconds. Schaum
Publications, Inc. #0363.
Published by Schaum
Publications, Inc.
(HL.645220).
ISBN
9781495082122. UPC:
008148003631. 9.0x12.0
inches. Book/CD
Pack.
This series
offers students an
appealing variety of
styles in a single album.
A brief paragraph of
background information is
provided for most pieces.
All books include a CD
with orchestrated
accompaniments. Each
piece has two tracks: one
at performance tempo and
one at practice tempo. An
optional duet
accompaniment, based on
the orchestration, is
included for all pieces
at the early levels. The
intent of the CD is to
provide an incentive with
a demonstration of the
finished piece. The
slower practice tempo
assists the student in
maintaining a steady
beat, using the correct
rhythm and gaining
valuable ensemble
experience while making
practice more fun. This
volume includes 13
classics, including:
Anchors Aweigh * Easy
Winners * He's Got the
Whole World in His Hands
* La Cucaracha * Lullaby
(Brahms) * March from the
Nutcracker * Oh! Susanna
* Star-Spangled Banner *
Toreador March from
Carment * You're a Grand
Old Flag * and more.
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.