SKU: WD.080689544231

Composed by Tim Paul. Choral. Sacred Anthem, Eastertide. Octavo. Word Music #080689544231. Published by Word Music (WD.080689544231).

UPC: 080689544231.

Ephesians 1:7 says, “In Him, we have redemption through His blood, the forgiveness of sins, in accordance with the riches of God’s grace that lavished on us.” This melodic offering of praise and worship brings to light the truth and foundation of the gospel; we are saved, not by anything we have done, but by the blood of Jesus shed for us on the cross. Perfect for Easter or any time of the year, your church will love singing Tim Paul’s arrangement of Nothing but the Blood.

SKU: WD.080689594878

Edited by Ken Barker. Arranged by Billy Payne, Dave Williamson & David Winkler, Mark Cole, and Paul Nelson. Eastertide. Complete file library. Word Music #080689594878. Published by Word Music (WD.080689594878).

UPC: 080689594878.

More Songs for Praise and Worship 4 is a best-selling selection from the Songs for Praise and Worship series that represents the very best praise and worship songs that the body of Christ is singing throughout much of the world. Awash in the inspiration of the Holy Spirit, the transforming power of modern worship is reaching across traditional boundaries to joyfully proclaim God's glory. More Songs for Praise and Worship 4 delivers a timeless message of faith with a dynamic collection complete with 51 of the latest praise and worship songs selected to energize your worship programming. Congregation-friendly songs are sensibly arranged at the moderately difficult level, and include chords for guitar and piano accompaniment. The Piano/Guitar/Vocal Edition from More Songs for Praise & Worship 4 is ideal to use for Bible study groups, cell groups, and other small group worship settings, enabling the vocalist and instrumentalist to sing the same songs and arrangements used in Sunday services. The heavy-duty 9x 12 spiral-bound book includes all 51 songs with an easy piano arrangement featuring the melody in the right hand with lyrics and guitar chord symbols included.

By Jason W. Krug. For handbells (3-6 octaves) (with optional 3 octave handchimes, windchimes (chime tree)). General, Thanksgiving. Level 3. Sheet music. Published by Lorenz Publishing Company

SKU: LO.99-3957L

Composed by Lloyd Larson. Arranged by Jay Rouse. Choral, cantatas. Eastertide, Holy Week. Accompaniment CD. Lorenz Publishing Company #99/3957L. Published by Lorenz Publishing Company (LO.99-3957L).

UPC: 000308152166.

Stere o accompaniment CD for Calvary's Love (55/1194L and 55/1196L) In “Calvary’s Love,” Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.”.

Voice, guitar

SKU: GH.GE-11406

Text & ackord. Text & ackord till nagra av de mest alskade julsangerna - i ett format som ar latt att ta med sig! With lyrics and chords. Gehrmans Musikforlag #GE 11406. Published by Gehrmans Musikforlag (GH.GE-11406).

Hur ser julen ut hemma hos dig - dans kring granen, godisskalar med knack och grytor som puttrar, eller en stilla natt i vantan pa tomten och snofall? Att sjunga hor julen till och i denna bok hittar du bade de traditionella julsangerna och nyare julhits som All I want for Christmas is you, Last Christmas och Do they know it's Christmas. Har finns ocksa Amanda Jenssens populara jullat Another Christmas. Samla vannerna kring pianot eller gitarren, ta fram gloggen och klam i: Jag vill ha mer jul, ge mig . . .

Varje lat ar noterad med text och ackord och har alla gitarrarackorden du behover i respektive lat i grepptabell pa samma sida.

Det finns for narvarande atta delar i serien Text & Ackord.

(Volume I) Composed by George Frideric Handel (1685-1759), edited by Sergius Kagen. Collection for low voice and piano accompaniment. With vocal melody, lyrics, piano accompaniment, translations and introductory text. Text language Italian and English. 63 pages. Published by International Music Co.

Sacred. Lorenz Publishing Company #70/2163L. Published by Lorenz Publishing Company

Songs of Inspiration. By Lorie Line. Piano Solo Personality. General Worship, Hymns, Sacred. Softcover. 80 pages. Hal Leonard #TLP-368. Published by Hal Leonard

The Vocal Library Soprano. Composed by Arthur Sullivan, William S. Gilbert. Arranged by Richard Walters. Vocal Collection. Play Along. Softcover Audio Online. 88 pages. Published by Hal Leonard

Violin

SKU: HL.14037377

Composed by David Stone. Music Sales America. Exam Material. Book [Softcover]. Music Sales #NOV120052. Published by Music Sales (HL.14037377).

ISBN 9780853601678.

< strong>Eight Pieces are written for Violin in the third position.

David Stone is a contemporary British composer and violinist, best known known for his works for student musicians and ensembles such as his String Quartets. He was a master at Charterhouse at one time, a producer at the BBC and Music Director of the Godalming Operatic Society, then Director of the School of Music at the Royal Scottish Academy of Music and Drama. He began to compose works for young musicians when he found a dearth of suitable teaching material for his own students.

Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB - picc.2.2.2.2. - 4.2.3.0. - timp - hp - str)

SKU: BR.DV-6081

Lyrical Opera in 3 Acts. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Manfred Koerth / Wo Ebermann. Arranged by M. Koerth and W. Ebermann. Choir; Softbound. Deutscher Verlag. Opera; Music theatre; Romantic. Piano/Vocal Score. 300 pages. Deutscher Verlag fur Musik #DV 6081. Published by Deutscher Verlag fur Musik (BR.DV-6081).

ISBN 9790200460032. 9.5 x 12 inches.

Duration: full evening

Translation : German (W. Ebermann/M. Koerth), Engl. (D. Llyod-Jones), French (M. Delines)
Place and time: Partly on the estate, partly in Petersburg, in 20ies of the 19th Century

Characters : Larina, Owner of the Estate (mezzo-soprano) - Tatiana (soprano) and Olga (alto), her Daughters - Filipjewna, Wet Nurse (mezzo-soprano/alto) - Eugen Onegin (baritone) - Lenskij (tenor) - Prince Gremin (bass) - A Commander (bass) - Saretzkij (bass) - Triquet, a French Man (tenor) - Guillot, a Valet (silent part) - Country Folk, Ball Guests, Squire, Officers (chorus) - Waltz, mazurka, polonaise and Russian dance (Ballet )

There is an interesting parallel between the subject of the opera and Tchaikovsky's life during the year he wrote the work (1877): in each case, a letter provokes fateful developments in the lives of the protagonists. In the opera, Tatyana's love letter to Eugene sets off the tragedy, whereas in real life, the love letter of a pupil led the composer into a marriage, which lasted all of ... three months. Tchaikovsky took this doomed decision without love, solely because the circumstances want it and because I cannot act differently. Certain allusions made, for example, in a letter of January 1878 to Taneyev suggest that the composer's personal situation also flowed into the work: I did not want anything to do with the so-called 'grand opera.' I am looking for an intimate but powerful drama which is built on the conflict of circumstances which I myself have seen and experienced, a conflict which truly moves me. Partly for this reason the composer decided to call the work not an opera but lyrical scenes.Eugene Onegin, conceived by Tchaikovsky for limited resources and a small stage, is the most frequently performed Russian opera today along with Mussorgsky's Boris Godunov, which represents a completely contrary aesthetic stance.

Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend.

Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.

Nebe n der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.

Tchaikovsky 's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.

The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.

In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.

SAB choir, keyboard accompaniment

SKU: GI.G-005254

Composed by Godfrey Tomanek. Sacred. Octavo. GIA Publications #005254. Published by GIA Publications (GI.G-005254).

UPC: 641151052540.

A new SAB a cappella setting of the Latin Mass Ordinary. Beautiful contrapuntal writing will give your choir the satisfaction of singing independent lines. Individual movements can be sung as choral anthems, and the full piece lends itself well to a concert setting. Included are Kyrie, Gloria, Creed, Sanctus, Benedictus, and Agnus Dei.

Sacred. Lorenz Publishing Company #70/2022L. Published by Lorenz Publishing Company (LO.70-2022L).

For organ: 3-staff. Sacred. Moderately advanced. Lorenz Publishing Company #70/1959L. Published by Lorenz Publishing Company

SATB choir, organ accompaniment - Beginning

SKU: GI.G-7713

Composed by Calvin Fuller. Baptism of the Lord, Christ the King. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #7713. Published by GIA Publications (GI.G-7713).

UPC: 785147771302. English. Text Source: Psalm 29:1-4, 9-11 from The Book of Common Prayer (1979) of the Episcopal Church, USA. Text by Jeremy Taylor. Scripture: Psalm 29:1–4, 9–11.

This fanfare-like setting of Psalm 29 will capture the attention of your assembly, inviting them to give praise and glory to God. There is a nice interplay between the choir and the organist that occurs throughout, gently subsiding as the text closes with “the LORD shall give his people the blessing of peace.”.

Choir

SKU: WD.080689146336

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral. Sacred Anthem. CD choraltrax. Word Music #080689146336. Published by Word Music (WD.080689146336).

UPC: 080689146336.

This Chris Tomlin/Matt Maher Christmas lyric paints the scenery of the birth of Jesus and declares the unending Kingdom of God, proclaiming that Jesus, the King of Kings and Lord of Lords shall reign forevermore! Building into a soul-moving key change, this anthem and orchestration will direct the hearts of your choir and congregation to sincere, heartfelt worship.

Choir

SKU: WD.080689277085

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral. Sacred Anthem, Christmas. Orchestration. Word Music #080689277085. Published by Word Music (WD.080689277085).

UPC: 080689277085.

This Chris Tomlin/Matt Maher Christmas lyric paints the scenery of the birth of Jesus and declares the unending Kingdom of God, proclaiming that Jesus, the King of Kings and Lord of Lords shall reign forevermore! Building into a soul-moving key change, this anthem and orchestration will direct the hearts of your choir and congregation to sincere, heartfelt worship.

By Hugh Livingston. Piano. Level: Medium. Sacred Piano. Published by Lorenz Publishing Company.

Arranged by Daniel Semsen. Anthem. Octavo. Published by Word Music (WD.080689439230).

Choir

SKU: WD.080689646140

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral. Sacred Anthem. Stem mixes. Word Music #080689646140. Published by Word Music (WD.080689646140).

UPC: 080689646140.

This Chris Tomlin/Matt Maher Christmas lyric paints the scenery of the birth of Jesus and declares the unending Kingdom of God, proclaiming that Jesus, the King of Kings and Lord of Lords shall reign forevermore! Building into a soul-moving key change, this anthem and orchestration will direct the hearts of your choir and congregation to sincere, heartfelt worship.

Concert Band/Harmonie - Grade 2.5

SKU: BT.CMP-0902-05-140

Composed by Bryan Kidd. Young Band. Score Only. Composed 2005. 16 pages. Curnow Music #CMP 0902-05-140. Published by Curnow Music (BT.CMP-0902-05-140).

English.

Like a fine crystal ornament, the delicate opening expresses the precious meaning of the song. Gradually, the music grows in strength to a full and rich proclamation of joy. Thrilling chimes lift the spirit even higher. In the last bars the music melts away once again, befitting the gentleness of the gift and the moment. This is a delightful contrast piece for the holiday concert that allows the musicians to be truly expressive.

Sketches on a French Carol is gebaseerd op het Franse kerstlied Il Est Né (’t Is geboren, het godd’lijk kind). De delicate opening drukt de kostbare boodschap van het lied uit. Geleidelijk wordt de muziek krachtiger,rijker en vreugdevoller totdat ze in de laatste maten weer tot rust komt, passend bij de dankbaarheid voor de geboorte van het Kerstkind. Dit is een aantrekkelijk werk vol contrasten waarin uw muzikanten heel expressief kunnenspelen.

Wie ein feines Kristallornament zeichnet die zarte Eröffnung die Stimmung und Botschaft des französischen Weihnachtsliedes vor. Nach und nach wächst die Musik zu einem volltönenden Ausruf des Jubels an. Glockenspielklänge heben die festliche Stimmung noch an. In den letzten Takten verebbt die Musik wieder ganz sanft. Dieser bezaubernde Kontrast erlaubt Ihren Musikern, im nächsten weihnachtlichen Konzert ihre ganze Ausdruckskraft zu entfalten.