Music for Two Cellos, Volume 2 2 Violoncelles (duo) [Conducteur et Parties séparées] - Intermédiaire/avancé Last Resort Music Publishing
Edited by Pansy Chang. Arranged by Daniel Kelley. For Cello Duet. Duets. Music f...(+)
Edited by Pansy Chang.
Arranged by Daniel
Kelley. For Cello Duet.
Duets. Music for Two.
Classical. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Music for Two Cellos, Volume 1 2 Violoncelles (duo) [Conducteur et Parties séparées] - Intermédiaire/avancé Last Resort Music Publishing
Edited by Pansy Chang. Arranged by Daniel Kelley. For Cello Duet. Duets. Music f...(+)
Edited by Pansy Chang.
Arranged by Daniel
Kelley. For Cello Duet.
Duets. Music for Two.
Classical. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
An introduction to position playing. Composed by Gabriel Koeppen. This editi...(+)
An introduction to
position
playing. Composed by
Gabriel
Koeppen. This edition:
Saddle
stitching. Sheet music.
String. Lagenspiel einmal
ganz anders - mit
motivierenden Duetten in
popularer Stilistik, die
einfach Spass machen. In
dieser Neuausgabe wurde
das
ursprunglich zweibandige
Werk
zusammengefasst und neu
geordnet. Classical,
Contemporary. Performance
score. 60 pages. Schott
Music
#ED 21396. Published by
Schott Music
2 Violoncelles (duo) [Partition + CD] - Facile Mel Bay
47 Irish and Scottish Tunes. By Renata Bratt. For Cello. Duets. Celtic/Irish. Le...(+)
47 Irish and Scottish
Tunes. By Renata Bratt.
For Cello. Duets.
Celtic/Irish. Level:
Beginning-Intermediate.
Book/CD Set. Size 8.5x11.
64 pages. Published by
Mel Bay Publications,
Inc. ISBN 078667511X.
2
Performing Scores with
Online Audio.
Composed by Jacques
Offenbach. Edited by
Cyrille Tricoire and
Jean-Christophe Keck.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 88 pages. Bote
& Bock #M202537091.
Published by Bote & Bock
(HL.48025146).
UPC:
196288096276.
Jacqu
es Offenbach was not only
one of the most
successful composers of
his time, but also an
incomparable virtuoso on
the cello - his ravishing
playing in the salons of
Paris caused many a swoon
among the (female)
audience. Under the opus
numbers 49 to 54, he also
presented a cello method
in the form of duets of
progressive difficulty.
Offenbach would not be
himself if the work did
not meet the very highest
standards both from an
educational and a
musical-compositional
point of view, with an
always typical
naturalness and
originality of style. All
six volumes are equally
suitable as a method of
cello technique, duet
playing, for enjoyable
music-making at home as
well as forconcert
performances. The new
edition in the Offenbach
Edition Keck OEK
complements the modernly
edited music material by
adding online links to
audios ofthe individual
parts as well as the
duets in harmony.
Arranged by Deborah Greenblatt. Cello Duet. For 2 cellos. Tunes for Two. Classic...(+)
Arranged by Deborah
Greenblatt. Cello Duet.
For 2 cellos. Tunes for
Two. Classical. Tune
book. Standard Notation.
68 pages. Published by
Greenblatt & Seay
Schirmer's Library of Musical Classics Vol. 2135. Composed by Friedrich A...(+)
Schirmer's Library of
Musical Classics Vol.
2135. Composed by
Friedrich August Kummer
(1797-1879). String.
Instruction, Classical,
Duo. Softcover. 56 pages.
G. Schirmer #LB2135.
Published by G. Schirmer
(HL.50601039).
Superduets for Cello, Book 2. (Fantastic Cello Duets for the Well-Established Be...(+)
Superduets for Cello,
Book 2. (Fantastic Cello
Duets for the
Well-Established
Beginner). By Mary Cohen.
For Cello. Book; Duet or
Duo; String - Cello Duo.
Faber Edition. 16 pages.
Published by Faber Music
Arranged by Deborah Greenblatt. For cello. Enjoy these 32 traditional Irish tune...(+)
Arranged by Deborah
Greenblatt. For cello.
Enjoy these 32
traditional Irish tunes
arranged for two cellos,
with chords for back-up
players included. Irish
Fiddle. Book. Published
by Greenblatt and Seay.
2 cellos, string orchestra and basso continuo (2 Violine I - 2 Violine II - 1 Vi...(+)
2 cellos, string
orchestra and basso
continuo (2 Violine I - 2
Violine II - 1 Viola - 2
Basso) - intermediate
SKU: HL.49019635
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Folder. Sheet music.
String Ensemble.
Softcover. 36 pages.
Schott Music #CON267-75.
Published by Schott Music
(HL.49019635).
ISBN
9790001191302. UPC:
841886019638.
9.25x12.0x0.111
inches.
The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources.
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Violoncello/Kontrabass -
1 Basso continuo) -
intermediate
SKU:
HL.49019633
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Softcover. 28 pages.
Schott Music #CON267.
Published by Schott Music
(HL.49019633).
ISBN
9790001191289. UPC:
841886019614.
9.25x12.0x0.13
inches.
The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
'Concerto for Two
Violoncellos, String
Orchestra and Basso
continuo in G minor (RV
531)' written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources.
2 cellos, string orchestra and basso continuo (3 Violine I - 3 Violine II - 2 Vi...(+)
2 cellos, string
orchestra and basso
continuo (3 Violine I - 3
Violine II - 2 Viola - 3
Basso - 1 Cembalo) -
intermediate
SKU:
HL.49019634
Urtext. Composed
by Antonio Vivaldi.
Edited by Wolfgang
Birtel. This edition:
Folder. Sheet music.
String Ensemble.
Softcover. 88 pages.
Schott Music #CON267-70.
Published by Schott Music
(HL.49019634).
ISBN
9790001191296. UPC:
888680913090.
9.0x12.0x0.26
inches.
The genre
of the violoncello
concerto was born in
17th-century Italy.
Thanks to the Venetian
composer Antonio Vivaldi
(1678-1741), there exists
today not only a wealth
of magnificent violin
concertos but also quite
a number of cello
concertos to whose
development he
contributed considerably.
More than two dozens of
his concertos are
dedicated to the
violoncello, including
the probably most famous
double concerto: the
Concerto for two
violoncellos, string
orchestra and basso
continuo in G minor (RV
531) written after 1770.
The sonorous work with
its playful outer
movements and expressive
largo is published in
this critical new edition
on the basis of the
sources.
Performance Score.
Composed by Gerhard
Mantel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
44 pages. Schott Music
#ED8781. Published by
Schott Music
(HL.49008156).
ISBN
9790001122184. UPC:
884088073091.
9.0x12.0x0.175
inches.
These duet
studies are intended as a
companion volume and as
additional exercises to
the method 'Cello mit
Spass und Hugo', but they
are equally well suited
as complementary material
to any other course of
study. Each piece tackles
a clearly defined
technical or tonal task,
yet they are meant to be
fun and useful additional
to the chamber music
repertoire in their own
right. Initially the
upper part is intended
for the pupil, the lower
one for the teacher. But
as both parts are
comparatively equal, they
could also be attempted
by two pupils. For group
tuition it is suggested
to introduce a couple of
rhythmical accompanying
parts.
Easy Duos for Cello - Vol. 1 by Various. Edited by Edwin Koch. For Cello Duet. S...(+)
Easy Duos for Cello -
Vol. 1 by Various. Edited
by Edwin Koch. For Cello
Duet. Schott. Playing
score. 24 pages. Schott
Music #ED6273. Published
by Schott Music
For Cello. By Doris Gazda; Larry Clark. Arranged by Doris Gazda; Larry Clark. St...(+)
For Cello. By Doris
Gazda; Larry Clark.
Arranged by Doris Gazda;
Larry Clark. String duet.
For Cello. Progressive
Duets, 1. Classical.
Student Book. 32 pages.
Published by Carl
Fischer. Level: Easy
to Medium.
Cello Duet SKU: BT.EMBZ14662 Composed by Angelo Maria Fiore. Book Only. C...(+)
Cello Duet
SKU:
BT.EMBZ14662
Composed
by Angelo Maria Fiore.
Book Only. Composed 2009.
42 pages. Editio Musica
Budapest #EMBZ14662.
Published by Editio
Musica Budapest
(BT.EMBZ14662).
Angelo Maria
Fiore (c. 1660-1723),
composer and virtuoso
cellist, was the founder
of the Piedmont school.
In 1697 he was invited to
the Accademia Filarmonica
di Bologna as a rare
cello player. During his
lifetime his work
entitled Trattenimenti di
camera a due stromenti,
violino e cimbalo o
violino e violoncello was
published by Bartolomeo
Gregori in 1698, barely
three years after the
first cello sonatas to
appear in print, the
works of Giuseppe
Jacchini. Three of the 14
Trattenimenti were
written for cello and
basso continuo, and they
form the contents of this
volume. This edition is
faithful to the text of
the source and the
archaic style of writing
has been modernized to
makethe score (intended
for practical,
pedagogical purposes)
easier to read.
Der Komponist und
virtuose Cellist Angelo
Maria Fiore (c1660-1723)
war der Gründer der
Piemont-Schule. 1697
wurde er in der
‚Accademia
Filarmonica di Bologna
als raro suonatore di
violoncello' aufgenommen.
Schon zu Lebzeiten
erschien sein Werk:
‚Trattenimenti di
camera a due stromenti,
violino e cimbalo o
violino e violoncello,
kaum drei Jahre nach den
ersten gedruckten
Cellosonaten von Giuseppe
Jacchini, der Herausgeber
war Bartolomeo Gregori.
Von der vierzehn
‚Trattenimenti'
(eigentliche
Barocksonaten) entstanden
drei für Cello und
Basso continuo, diese
Werke beinhaltet unser
Band. Die Ausgabe bleibt
zum Text der Quelle treu,
um die Lesbarkeit der
praxisorientierten,
vorallem pädagogischer
Zwecke dienenden Noten zu
vereinfachen, wurde die
alte Schreibweise
modernisiert.
